• figuring out how to be human • USA • 28 • she/her • multifandom •
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you DON’T need to know where your favorite celebrity/artist/athlete lives, who they’re dating, where they go grocery shopping, what they are doing at any given moment when they are off camera actually. just an fyi
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When those in power constantly lied about the little things, it isn't hard to see why people have tuned out--and even questioned whether masks were even effective against the virus.
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It’s interesting how diseases rip through schools at incredible speeds despite being in an arguably modern, clean(ish) environment. I wonder if it has something to do with the whole “you need a doctor’s note to excuse your absence of even one day” combined with the average price of going to a doctor, the lack of education on things like “you’re still contagious even after the fever goes away”, and the overwhelming message of “if you don’t struggle through it, you’re a failure!”
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Anxiety: You're almost 30 and haven't published a single book. You wasted your chance to become a successful author!
Me: Stan Lee created Spider-Man at age 40. George R. R. Martin wrote A Game of Thrones at age 48.
Anxiety: Oh fuck nvm you do you, king.
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This weekend I was schmoozing at an event when some guy asked me what kind of history I study. I said “I’m currently researching the role of gender in Jewish emigration out of the Third Reich,” and he replied “oh you just threw gender in there for fun, huh?” and shot me what he clearly thought to be a charming smile.
The reality is that most of our understandings of history revolve around what men were doing. But by paying attention to the other half of humanity our understanding of history can be radically altered.
For example, with Jewish emigration out of the Third Reich it is just kind of assumed that it was a decision made by a man, and the rest of his family just followed him out of danger. But that is completely inaccurate. Women, constrained to the private social sphere to varying extents, were the first to notice the rise in social anti-Semitism in the beginning of Hitler’s rule. They were the ones to notice their friends pulling away and their social networks coming apart. They were the first to sense the danger.
German Jewish men tended to work in industries which were historically heavily Jewish, thus keeping them from directly experiencing this “social death.” These women would warn their husbands and urge them to begin the emigration process, and often their husbands would overlook or undervalue their concerns (“you’re just being hysterical” etc). After the Nuremberg Laws were passed, and after even more so after Kristallnacht, it fell to women to free their husbands from concentration camps, to run businesses, and to wade through the emigration process.
The fact that the Nazis initially focused their efforts on Jewish men meant that it fell to Jewish women to take charge of the family and plan their escape. In one case, a woman had her husband freed from a camp (to do so, she had to present emigration papers which were not easy to procure), and casually informed him that she had arranged their transport to Shanghai. Her husband—so traumatized from the camp—made no argument. Just by looking at what women were doing, our understanding of this era of Jewish history is changed.
I have read an article arguing that the Renaissance only existed for men, and that women did not undergo this cultural change. The writings of female loyalists in the American Revolutionary period add much needed nuance to our understanding of this period. The character of Jewish liberalism in the first half of the twentieth century is a direct result of the education and socialization of Jewish women. I can give you more examples, but I think you get the point.
So, you wanna understand history? Then you gotta remember the ladies (and not just the privileged ones).
ask historicity-was-already-taken a question
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men love to make fun of women for overreacting in emergencies when they are, in fact, massively under-reacting
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favorite thing ever is leaving this gif in Ao3 comment sections
because A: a shocking amount of people don't know abt the 'img src=' trick to add images into comment sections, and B: well over half of the authors seem to really enjoy the sentiment
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I'm sorry. David Corenswet brought his dog to set in her own Superman costume?
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I know the internet is full of hyperbole but I can honestly say that[to me] every Superman production has missed the mark on the Clark/Superman difference until now. I can confidently say that because it’s irked me for years.
This might be the first production to actually really get into the weeds with some simple changes, use lighting, costuming, hair&makeup (peep the contour!)to convey that Clark and Supes look nothing alike. This is so cool to me!!!!! They finally did it.
Shout out to the departments. Shout out to whoever realized they needed way bigger (longer)eyeglass frames with a thick bridge that would alter the appearance of his nose making him unclockable. Whoever you are, I love this work. I love how the base of the cape on the shoulders and the collar work together. It gets the job done but also looks like it was comfortable to wear during hours of shooting. I love that supes has a bit of contouring in the makeup differing from Clark. Shout out to whoever decided to make Clark’s suits oversized and flimsy! It accurately demonstrates Clark’s attempt to look like a little fish in a big pond. He’s not just like that; everything is a choice with him.
Shout out to Peter King and Lindsay McCallister on the hair design/hair story. They did their big one. Clark’s hair is such a big change(so fluffy and undressed!) and accurately shows how someone would manipulate their curly hair to change their appearance. Superman’s hair really works. Honey, that hair is dressed! It is reminiscent enough to please fans but different enough to feel fresh. I like that it’s rounded on top instead of square.
Also I’ve never seen this actor before in my life but he is embodying my man in the trailer so that is also exciting. I don’t even care if the movie is good. I’m a bit over hero movies but I love me some Supes. Everyone seems to really be invested in the visuals of this project. The commitment to color is commendable after years of dark grey low lit mess. Anyway…
I love new faces. I love movies! I love departments! I love unions! I hate David Zaslav!
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Personally, I need Lou to stay on 911, as Buck's boyfriend/husband, and get some juicy lil' plotlines that really show off his acting range, because I need society at large to hear "Lou Ferrigno" and think "ah, yes, the hot, gay pilot!" Instead of "the Hulk".
I need Lou to get a level of fame from 911, so that he can expand past the show and continue to rise so that he's the most famous Ferrigno in the family.
He's already the most talented, so he does deserve it.
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