counterforce

[counterforce]

[counterforce]

Grace Kelly in Rear Window directed by Alfred Hitchcock (1954)

[counterforce]

“It was the possibility of doing a purely cinematic film. You have an immobilized man looking out. That’s one part of the film. The second part shows what he sees and the third part shows how he reacts. This is actually the purest expression of a cinematic idea.” —Alfred Hitchcock

[counterforce]

bruh

[counterforce]

L’avventura (Michelangelo Antonioni, 1960)

[counterforce]

Psycho (1960)

Directed by Alfred Hitchcock Cinematography by John L. Russell

“It’s not like my mother is a maniac or a raving thing. She just goes a little mad sometimes. We all go a little mad sometimes. Haven’t you?” 

[counterforce]

L’Avventura (1960)

[counterforce]

Samplerman

[counterforce]

Samplerman

[counterforce]

Therapeutic drawing

[counterforce]

Covered, Charming Baker

[counterforce]

Movie posters of the week

[counterforce]

Last Year at Marienbad (a.k.a. L'annèe dernière à Marienbad) (Alain Resnais, 1961): empty spaces

[counterforce]

Cinema without people: Last Year at Marienbad (1961, Alain Resnais, dir.)

[counterforce]

Vertigo (Alfred Hitchcock, 1958) Une femme est une femme (Jean-Luc Godard, 1961)  La double vie de Véronique (Krzysztof Kieslowski, 1991)

[counterforce]

[counterforce]