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why did i schedule myself for an 8 am on tues and thurs knowing that i fucking hate getting up earlyÂ
anyway!! i am here! feel free to inbox emm things and im me if iâm needed!
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reblog & fill in with the handles & usernames youâre comfortable giving out, cross out what you donât have/wonât give out at all, and label what youâre uncomfortable posting but are willing to hand out privately! feel free to add other platforms!
SKYPE: trapclairehuxtable TWITTER: INSTAGRAM: yagirlelle SNAPCHAT: FACEBOOK: is this still a thing? ask me KIK: freydianslip TELEGRAM:Â N/A PHONE NUMBER:Â
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the walking dead; starter sentences.
âDo you have any idea who youâre talking to?â
âDid you take one of my protein bars?â
âGet over yourself. Youâre not the only one who lost something today.â
âBe who you are, not who youâve been.â
âSometimes youâre safer when thereâs no way out.â
âWe are not the same. We never were.â
âYou fought to be here and we have to keep fighting.â
âWe can find a way. And if we donât, Iâm still with you.â
âI know this sounds insane. But this is an insane world.â
âI fully respect the hair game.â
âThey think Iâm scrawny. They think Iâm weak. But they donât know shit about me.â
âYou donât need their love, but you need their respect.â
âYouâre the butcher, or youâre the cattle.â
âHey, you. Dumbass.â
âWelcome to the human race, asshole.â
âWe can still come back. Weâre not too far gone. We get to come back. I know we all can change.â
âAnger makes you stupid. Stupid gets you killed.â
âThe pain doesnât go away. You just make room for it.â
âOh, Sunshine, you donât get both.â
âKeep walking.â
âThis isnât the end.â
âIf you donât fight, you die.â
âWe do what we need to do, and then we get to live.â
âWeâll survive, Iâll show you how.â
âEvery sacrifice we make needs to be for the greater good.â
âSatan disguises himself as the angel of light. A false light will destroy everything.â
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the living sorta dead always just strike me as these miserable fucks who are so literal about everything when theyâre not being complete and utter creatures who feast on the flesh of the living. like hey, smoking can kill you
really? fuck letâs speed this shit up then *sticks whole pack in mouth* Â
there is no in-between for their chill
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man, i need an au or even a zombie show that incorporates the technology we have today. snaps chronicling the apocalypse day by day, even though the programmers have mostly been eaten so no new filters come out.
there are tweets --- hello? is anybody there? or DONâT GO TO (ADDRESS BELOW); INFECTED INSIDE. Â
famous youtubers still trying to upload feverishly in the hopes that maybe one of their fans is still alive and knows of safe havens. subreddits for those struggling w/ survival and tips on how to get along.Â
motherfucking pokemon go in the apocalypse
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..... waves sheepishly
hiiiiiiiiii --- iâm here. finally. iâve been playing twd games and aside from ripping my fucking soul out, it gave me zombie muse. i got ideas, man. i got meta plans. but -- like the post for a short starter????
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elle: what happens if you like light someone's field of marijuana on fire and the smoke billows
elle: would it get zombies high????
elle: OR WHAT HAPPENS IF YOU STILL HAVE LSD AND YOU MANAGE TO DETAIN A ZOMBIE TO DROP SOME LSD ONTO THEIR TONGUES JUST TO SEE WHAT IT'D DO???
elle: WOULD THE ZOMBIES STILL TRIP?
elle: CAN the zombies have psychedelic trips?????
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 he smells of two-day old blood. dirt. grime. itâs an understandable reaction, maybe. he has dealt with worse, from bigger, brawnier people.
  his voice cracks, first a rumble & then a growl.         â ---- hhhhiiii.â
        â  ⌠ what ⌠ THE FUCK ? â
   &&. @dcadish
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fic writers i promise youâon my lifeâthat readers remember that finnâs skin is dark brown.Â
i promise that if you use a descriptor besides âthe darker skinned manâ in relation to all the characters around him, people will know who he is in your sentence. Â
e.g. the sunâs golden rays made his dark amber skin glow as it slid lower in the sky.
e.g. the harsh white light surrounding his body roughened the soft lines of his face and made his skin appear greyish as though he were a wraith.Â
e.g. the only imperfection marring his skin was the raised brown scar that slashed jaggedly across his back. (finnâs skinâs rich with melanin, so even if his fresh scarâs initially raw and pink, eventually itâll heal to a brown shadeâeither slightly lighter, same tone, or slightly darker)
i promise that you can describe him as you do rey or poe and your readers wonât forget that itâs finn youâre talking about.Â
i promise you, you can describe poe without making him sound like a white dude.
n.k. jemisinâs a master at writing her characters, who are predominantly people of colour. for this reason, she usually describes them in relation to each other and doesnât rely on their skin tones. she explicitly describes her white charactersâ skin tones to flip the dominant perspective that assumes white as default. here are some of her tips:Â
describing characters of color
describing characters of color pt. 2Â (some of her rowling thoughts are ehhh, because rowling does otherise her characters of colour, but this is an old post)
describing characters of color: other peopleâs poc
other resources:Â
7 offensive mistakes writers makeÂ
writing with color: poc and food comparisons (john boyega can call himself chocolate and black people might describe him as such, but you probably shouldnât)
writing with color: words for skin toneÂ
words to describe hair (iâve read a couple fics where yâall are clueless about finnâs hair)
describing natural hairÂ
writing with colorâs colorful critiquesÂ
describing poc and avoiding caricatures
writing authentic characters of colour in first person pov
in depth guide to drawing different ethnicitiesÂ
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ireofembers:
It felt like he was going to vomit. The word lingered there in the air thick with the gut-wrenching scent of rotting flesh and undeniable: deadish. Not dead, not living; not human, not Stiff. He ran a hand through his hair and there on his head it remained. In juxtaposition to it the other held steady without even a hint of the tremble that shook the fingers of his left. It â there was nothing else it could be than an it â took a jerking step forward in the moment he was distracted by the voice of his son and in a flash his finger was curled around the trigger. Rithisak did not pull. âStay there.â It felt like his voice was so much quieter than it should have been. He felt like he should be screaming at the top of his lungs. It felt like he should be doing anything at all but he wasnât. His hand jerked the gun in a slight tip forward. âStay right there.âÂ
The safety clicked off.Â
This all felt too surreal to not be a dream or some passing delusion. Maybe somewhere not unlike here he lay on the ground dying and this was some fucked up way of his mind distracting him from it. Even a flight of fancy couldnât overwhelm his paternal instinct however and without a secondâs thought he stepped so that he was planted directly between it and his son. None of that deterred it and in a detached moment of horror Rithisak came to the realization he was locking up. His legs had gone stiff and though his finger trembled it would not pull. This was the worst sort of moment for a lesson in humility. But his courage had not entirely failed him. He met its eyes and in a low voice he uttered, âDonât look at him.â Aiden. There was nothing he wouldnât do for Aiden but sometimes even fathers were only human.Â
Its mouth twitched in an unsettling grin and his heart pounded harder in his chest in response to it. This close Rithisak could see that it wasnât someone masquerading as a Stiff. He hadnât even realized heâd been considering that as a possibility until itâd been proven wrong. âIâd suggest you take a step back if you donât want a bullet through the chest.â He latched onto the thought of his son like a dog to a bone. There were a hundred reasons why he hadnât just shot it where it stood, but he needed only one to extinguish the others and do it. His heart sank as over his shoulder Aiden choked in a small voice, âPapa, whatâs wrong with him?â Instinct took precedence. His eyes flickered sideways though he wouldnât be able to see him without turning his head. It wasnât more than a fraction of a second but sometimes that was all it took.Â
Half-obedience is as good as any. There is the stagger backward, an ungainly swallow that cracks his throat and makes itself evident that nothing is moist in there from how rough his throat bobs. He tries to comprehend, to understand that the human was afraid and yet continued to treat him as a thing. The threat was enough to bubble wryness forth, a pensive look twitching across his brows. His mouth sags into a sailorâs frown and his brows knit together. He doesnât understand not to look at him, which makes him lick an incisor in half-starved desperation again. He is anxious, muddled by his own ignorance and confusion and consumed by the otherâs aloofness. Just pull the trigger, he thinks, back in the recesses of his mind. It never makes it past his lips; he wouldnât know the words for them anyhow.
In resignation, his hulking shoulders sag; anxiety, anguish, defeat. M tries to make himself appear smaller, although he easily looks bigger than the man and his presence appearance suggests a bite or two would be taken despite the gunshots. Mâs wryness wants to tell the man heâs a murderer; that there is a pulse still somewhere in there. He also wants to tell him he isnât the monster that should be worried about here. The others would be coming by nightfall; he wanders just as they do. Theyâll find this sanctuary soon enough. He is not a poet nor a linguist; he canât reason this. At this, he gives a snort and a shuddering jerk later, his sallow hands lift up, rising to shoulder-length, his fingers splayed and stiff. He is surrendering.
âJerky.â M reiterates, though with the sneaking suspicion that it will fall upon irrational ears, â--- son and father .... nnnoooot food.â A secondâs delay, a gurgle caught between his throat and his mouth, âHave .. standards.âÂ
Stranded in Limbo
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He should know by now, either through reflex or some memory (the part not decayed, rotted away, consumed by hunger) that sometimes his presence wasnât always something welcome. He knew this, of course, maybe somewhere in more human, blood-running parts, although it never made it past the gurgle in his throat and the cracked, dryness of his lips. As much as he wanted to console, he knew he was not meant for such means. ( He wasnât meant for much of anything, honestly.)
M tries to wave the danger in his voice from a knee-jerk biting reflex. The manâs anxiety reaches into Mâs own, turning into gnawing hunger. He can almost taste the bullet and further decides that it would be rude to bite the man; he has only asked a question. So M waits, roughly pressing his teeth down to the tip of his tongue and ignores the lurch of bile curling from the pit of his stomach to the top of his throat. He offers no peace of mind by withdrawing his weapon, as so many have before. This makes the zombie weigh his options, eyeing his weapon with a feral catâs sort of anger and wariness.Â
âDea-aaadish.â His voice cracks, wavering and warbling, half-growled and half-groaned. The ish is important. He needs the man to know this. He hopes he understands, almost in desperate straits at this point. â---- boy.â The child sounded young, inquisitive -- new, shiny, pure. M seems to brighten at this voice, his eyebrows raising while he makes a half-staggering step forward. âNnnice,â he says, in defense of himself, âwanted ... jerky.â His attention is caught by the boy, lumbering steps thudding as he keeps his distance and yet grows closer to what would be a normal dead manâs demise. âEeeeeeemmm. Emm. Mmmm.â A name. A letter. It is his and he is the only one with it. â--- have son?â One step. Two. Three. His chest is pressing against the barrel of the gun. This halts him momentarily, causing him to stagger back and look at the man before him. His mouth twitches -- an odd sort of grin. âEeeeemm.âÂ
Stranded in Limbo
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the question i have for you rather than doing drafts or anything at all productive with this character is: how many people in the marvel universe acknowledge and realize that M is partially dead and how many people just believe heâs from the same shithole where deadpool came from?????Â
follow up question: marvel zombie universe???? any b o DY??????
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 YOU ARE WHAT YOU EAT, YOU KNOW.
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â aesthetic for inner turmoil
âMy heart feels not so much in my chest as in my hands. I am carrying it along swiftly, as though I have become the messenger for what is going on inside me.âÂ
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if youâre ever sad and need something to laugh at, please remember that in Mâs story, he has been flirted with by a girl who asked him what she looked like to him while he was eating and he shamelessly looked her up & down and replied âfood.â
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 YOU ARE WHAT YOU EAT, YOU KNOW.
#( NARCISSISM. )#original character#zombie rp#twd rp#z nation rp#dude this came out so ugly i'm so ashamed
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