demon-ness

[demon-ness]

I drew this one night, and I'm too lazy to translate it. Don't worry about it, there's nothing particularly interesting.

[demon-ness]

[demon-ness]

mike pov

[demon-ness]

Okay, people, it's hard for me to form this thought in a normal way, and I don't have time right now to explain my idea in a clear manner. SO…

During the third chapter, we often see Tenna changing his size, switching the lighting with a flick of his fingers, and "teleporting" characters to the desired scene. I won't go into all the details, but it's important to note that Tenna doesn't just control everything around him through orders and contracts; he physically influences the surrounding reality. Tenna can pop up over the credits, and he generally looks and moves differently from the other characters. Also, the dark world from the third chapter is strange in itself. The entire world is almost entirely dedicated to TV in all its forms, which is unlike other dark worlds. The dark world in the library used not only a laptop as its basis, but also a trash can, keyboards in a closet, and posters on the walls. The dark world in the church also used literally everything in the building as its basis. However, the dark world that appeared in the living room includes a massive TV location. I'm explaining it very confusingly, but I'll add an important detail now, and you'll understand my point. Usually, an item from the light world in the dark world turns into a Darkner, which is obvious. However, as we have seen many times, sometimes an item from the light world in the dark world can become a Location. For example, in the first chapter, the chess pieces became Darkners, but the chessboard itself became a Location.

What I'm trying to say is that perhaps Tenna is not exactly a Darkner in the traditional sense of the word. Perhaps his entire studio, with its carpets and statues, its green room and screens, IS a "dark version" of Kris's old TV. The entire studio IS Tenna, and "Tenna" we interact with during the show is his own visual projection, existing for the convenience of communicating with the Lightners. So it's not surprising that Tenna can teleport characters between scenes. The whole studio is a screen, and Tenna just switches channels for us.

In short: Kris's TV is a family-friendly version of Eldritch Abomination.

[demon-ness]

Guys, I think we're ignoring an obvious and very interesting idea.

Pathetic man and divorced woman. An immortal classic of romantic shows of all time.

[demon-ness]

They taste like mint and sweet dough.

[demon-ness]

I still couldn't draw a normal background. So I'll leave it as it is.

[demon-ness]

[demon-ness]

Forgive me for being too lazy to translate, do it yourself.

[demon-ness]

[demon-ness]

It's a pity that you'll never know the context.

[demon-ness]

I did it. Yeah.

[demon-ness]

I saw this child in a dream! I drew him! His name is MARTIN!

When he was, like, 2 months old, he fell off a boat into the ocean during a storm. And, obviously, he had to die. But he's not dead! To be honest, there is no reason for this, the logic of children's animated series works here. So instead of drowning or dying in some other way, Martin… just adapted to the underwater life. Now Martin is half-fish. Yes. And he's happy with it! He lived ten wonderful years at the bottom of the ocean, interacting with normal fish and eating normal fish. And then he was accidentally caught by a fisherman (who turned out to be his uncle).

Now that Martin knows that he is human, he is forced to live on land. In a house. With his sister and brother. Martin doesn't like it! Water here is too tasteless. Fried meat is worse than raw meat. Clothes are uncomfortable and it itches skin. He needs TO WALK.

Worst of all, Administration of the local school for some reason decided that the boy who had just been fished out of water was obliged to attend lessons and do his homework. Martin has only recently learned to speak (and he's not good at it). He can't read or write, and he can barely walk.

But, one way or another, Martin is now forced to attend school. It sucks. It's too dry at school, and Martin doesn't understand half of what teachers tell him. But his "friend"-classmate brings him raw seafood for lunch. As always, the education system is working perfectly.

His sister doesn't like her brother who came from the ocean (because he smells disgusting and spoils her reputation). Human society sucks because he can't bite a person's head off if they piss him off. It's too hot in summer. It's too cold in winter. And when it rains outside, he has to sit under the roof. A teasing classmate calls him "the little mermaid."

But Martin does not return to the ocean. At least not every day. Martin hate human society, but gradually his anger passes. Martin is still too grumpy and rude for a 10-year-old child. But he's smiling more and more often. He just needs time to fully adapt.

[demon-ness]

The original design of the evolved Falconeer for my bro. Because I can. And because I don't have any coffee left.

[demon-ness]

[demon-ness]

[demon-ness]

Guys

Maybe we fucked up.