designlcnb-blog

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Tent Area’s Plan, Section, Structure And Elevation

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LEAVE YOUR OWN WORK FOR NATURE!

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From Igneada, Kırklareli 

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1/50 Model - Red Desert and Tent Area 

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Posters About Final Project

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Landscape and Structure - Desert 

We created our topographers by interpreting the land photographs. Designed a private area for hiking people to hang out for 2-3 hours according to the land. We imagined the field and created collages. My land looked like a dump that turned out to be the Nymbia Desert when I searched. Then I decided to make the sandy surf area because the desert is very rugged. I made a quadrilateral structure by specifying high areas. I decided to make a tent for things like sandy, wind. I preferred triangles to give the tent three dimensions and I restricted the endless desert for the surfers, so I created them a certain space.

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Monsters In The Wood - Book Of Fauna

I have created a story that I have experienced in Iğneada. The story is about a semi-hybrid fairy (Fauna) who is living in the forest. Story tells about how to bring the end with the curiosity of the scene. The form of the book conveys to us the end of the fairy. With the bar passing through, the story begins with the forest and ends with the city. At the same time it conveys the fluidity of the story and the process of the girl.

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Travel Of Igneada Photos, Collage from Igneada

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Motion / Costume / Model

We have been focusing on some movements on concepts such as occupancy, space, volume in Blackbox. We created movements on connection and volume between our own group. We supported movements with video and sketch models. My partner and I designed a costume to show it when we went to the movement restriction part. Costum consists of colored balls. Due to the shape and weight of the balls, the points of movement of the joint and body are restricted. I put on a costume and tried the moves and recorded it. We created triangles by identifying the points of movement with the images I took from the recording. 

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Bienal

The information I collected about the Bienal ‘’A Good Neigbour’’  that took place in İstanbul Modern and Galata Private Greek School.

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S Model - Limitation

After thinking about the 3D model, I made the thick s-size '’S’’ by combining the wires with silicon. I  made a cube of yellow stitches together, but I left a side open. I arranged the S as if I wanted to overflow from the cube. Yellow is a border and it represents warning. S structures raise the feeling of being free. It is possible to remove the limit why there is no one edge.

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Create A Pattern

The first attention was drawn to fan-shaped funnels when I went to the Tahtakale. I thought how I could translate these funnels into pattern when they wanted to create a pattern. I created ‘’s’’ by combining semicircular funnels.

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3D Pattern Of Ideas 

I tried to have three-dimensional patterns in s-shape. I used photoblocks to capture an edit s and try to create hunil-like shapes. I caught the wires, s folds and I made them twist to give them dimension.

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Tahtakale Materials

We went to Tahtakale and discovered new materials for collage. I chose a traditional place as a shop. The place I preferred was an ornament for special occasions. I made my collage with gold coins and traditional symbols.