dreadmenace
dreadmenace
does your god have as many teeth as me?
2K posts
angela / 25 / she/her / usa horror media, prose, art, photography, and writing references.
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dreadmenace · 2 years ago
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anne boyer “the harm will come: it never doesn’t” / julia armfield “to watch a horror movie is to know that something bad is going to happen. to have a body is really the same thing” / hilary mantel “we don’t have to invite pain in, it’s waiting for us: sooner rather than later” / marie howe “you know how we’ve been waiting for the big pain to come? I think it’s here. I think this is it. I think it’s been here all along” / gregory orr “I want to go back to the beginning. we all do. I think: hurt won’t be there. but I’m wrong” / toni morrison “the hurt was always there” / torrey peters “pain that had to be endured, withstood, pain that was the same as being alive, and so without end”
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dreadmenace · 2 years ago
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losing my mind over sam casting a third silhouette in the pilot… wherever you go your father’s shadow looms behind
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dreadmenace · 2 years ago
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dreadmenace · 2 years ago
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The Mirror-Faced Grim Reaper in Meshes of the Afternoon (1943), dir. Maya Deren, Alexander Hammid
“This film is endowed with an acute sense of restlessness and alienation; reflecting this uncanny estrangement in the doubling, tripling and quadrupling of its central character, and in its cyclic narrative, a structure that seems condemned to repetition. Why is the hooded Death figure constructed as a kind of mirror? Are we dealing with Nietzsche’s notion of ‘eternal return’? (…) You could go on forever about the meaning buried in this particular work. It invites and eludes analysis.” – CINEMA AND DREAM-LOGIC IN MESHES OF THE AFTERNOON
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dreadmenace · 2 years ago
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SLAIN IN HIS HONOR
a riso zine i made by collaging work from alan lee’s lord of the rings sketchbook. the text was created by starting each sentence with 2-3 words and then selecting options from my phone’s predictive text to complete the sentence.
physical zines • read SLAIN IN HIS HONOR • read A CRUEL THING
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dreadmenace · 2 years ago
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dreadmenace · 2 years ago
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succession 4.02 / sue zhao / succession 4.03
Jesus. You’re such fucking dopes. You’re not serious figures. I love you... but you are not... serious people.
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dreadmenace · 2 years ago
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—Oscar Wilde
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dreadmenace · 2 years ago
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on tragedy, fate, and inevitability.
oresteia, robert icke // theatre of the oppressed, augusto boal // song of achilles, madeline miller // the book thief, markus zusak // antigone, jean anouilh // revisiting mockingjay ahead of the hunger games prequel, entertainment weekly // romeo and juliet, shakespeare // h of h playbook, anne carson // war of the foxes, richard siken // the road to hell (reprise), hadestown // planet of love, richard siken // they both die at the end, adam silvera
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dreadmenace · 2 years ago
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Succession // American nightmares: The haunted house formula in American popular fiction
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dreadmenace · 2 years ago
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ROMAN! HE’S LYING TO YOU! AGAIN, ROMAN! HE’LL BETRAY YOU! HE DOESN’T LOVE YOU! ROMAAAAN!
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dreadmenace · 2 years ago
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Dean Winchester in SUPERNATURAL 2.04 ‘Children Shouldn’t Play with Dead Things’
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dreadmenace · 2 years ago
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AMITA SUMAN x CHANEL Photographed by Linda Leitner for ‘THE WEEK Fashion’
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dreadmenace · 2 years ago
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dreadmenace · 2 years ago
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Lake Mungo (2008) // Nope (2022)
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dreadmenace · 2 years ago
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rb for a bigger sample size pls!!
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dreadmenace · 3 years ago
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La Casa Lobo (The Wolf House), dir. Cristobal León & Joaquín Cociña
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