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Webflow - Welcome to the Age of No-code from Ordinary Folk on Vimeo.

We teamed up again with the awesome team Webflow for their upcoming conference about the future in software development, where no code is required.

Credits: Creative Direction: Jorge R. Canedo E. Design: Nuria Boj Haewon Shin Animation: Victor Silva, Greg Stewart, Jorge R. Canedo E. Joélie Sémoulin, Jose Peña, Jordan Bergren, Drew Jackson Music & SFX: Ambrose Yu Production: Stefan Green Script: Julie Rybarczyk

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The island from FLIPEVIL on Vimeo.

the island

3 weeks. The time given to me was 3 weeks. For someone, it will be short if it is short and long if it is long. While working, I wanted to say 'I wish I had more days off' But since I was given three weeks, I didn't know what to do.

I just headed to the island.

There was nothing special to do. There was nothing that i have to. No plan was my plan. After hearing my brother's words, I just decided to walk the Olle road the next day. I walked the Olle road closest to the place where I am now and recorded the process of the road in a video.

A black stone with a hole was created by the island people to live, not for beauty. As the symbol of the island, a Dolhareubang that from their faith, from their lives becames the best artwork.

It's not like that.

A quiet Jeju island is not quiet. It just looks quiet.

-

3주. 나에게 주어진 시간은 3주였다. 누군가에게 짧다면 짧고 길다면 긴 시간이 될 것이다. 일을 하는 동안에는 '쉬는 날이 더 있었으면 좋겠다' 며 그렇게 원했지만, 정작 3주가 주어지니 무엇을 해야 할지 어쩔 줄을 몰랐다.

그냥 그렇게 섬으로 향했다.

특별히 할 일이 없었다. 정해진 일도 없었다. 무계획이 나의 계획이었다. 형의 말을 듣고 나는 다음날 올레길을 걷기로 결심했다. 지�� 위치해있는 곳과 가장 가까운 올레길을 걷고 그 길의 과정을 영상으로 담았다.

구멍 송송 뚫린 검은 돌이 아름다움을 위해 있는 것이 아니라 섬사람들이 살고자 만든 것임을. 섬의 표상이 되다시피 한 돌하르방이 그들의 신앙에서, 생활에서 나온 것들이 현재 최상의 미술품이 되었다는 것을.

그런곳이 아니야.

조용한 섬 제주는 조용하지 않습니다. 조용해 보일 뿐이지요.

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LANEIGE HUG Campaign 2023 | We Hug (KOR) from J4D on Vimeo.

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山海 Mountains&Oceans from Gao Yang on Vimeo.

Check the full project on Behance: behance.net/gallery/177289833/-Mountains-Oceans

灵感来自南宋画家马远的《水图》。

我以往的作品更多的是关注山的形态，这次我想着眼于水的动感。同时也是想要探索在使用现代三维创作和渲染软件的基础上，如何去体现既有传统韵味，又有新鲜感受的东方美感。所以我放弃了真实的水体材质和光影，转而用更平面的手法，比如点线面，来体现水体的动态。

使用 Houdini 模拟，Octane Render 渲染。

The inspiration comes from Ma Yuan, a famous painter from the Southern Song Dynasty, and his painting “Water Pictures"

My previous works mostly focused on the form of mountains, but this time I want to explore the dynamic nature of water. I also aim to delve into how to express the traditional charm and the freshness of Oriental aesthetics while using modern 3D creation and rendering software. Therefore, I decided to abandon realistic water textures and materials and instead, adopt a more flat approach, such as using points, lines, and surfaces, to represent the dynamic essence of water.

I used Houdini for simulation and Octane Render for rendering.

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Playgrounds In Motion - 2023 London Titles from Erwin van den IJssel on Vimeo.

All good things come in threes, and I was happy to be asked once again to create opening titles for Playgrounds, this time for their brand new In Motion festival held in London and Rotterdam. After creating the overall look and feel for the new festival together with the fine folks at BUCK (more on this later!), I wanted to take the wavelength concept that’s at the core of the identity, and take it into as many directions as possible. Waterslides! Apples! Balloon animals! The resulting titles are a patchwork of different styles and ideas, but isn’t that a fitting way to enter the world of In Motion?

Client: We Are Playgrounds Director: Erwin van den IJssel

Additional Animation: Hugo Morais, Kanso Ogbolu Music & Sound Design: Bertus Pelser @ Amp.Amsterdam

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Playgrounds In Motion - 2023 London Titles from Erwin van den IJssel on Vimeo.

All good things come in threes, and I was happy to be asked once again to create opening titles for Playgrounds, this time for their brand new In Motion festival held in London and Rotterdam. After creating the overall look and feel for the new festival together with the fine folks at BUCK (more on this later!), I wanted to take the wavelength concept that’s at the core of the identity, and take it into as many directions as possible. Waterslides! Apples! Balloon animals! The resulting titles are a patchwork of different styles and ideas, but isn’t that a fitting way to enter the world of In Motion?

Client: We Are Playgrounds Director: Erwin van den IJssel

Additional Animation: Hugo Morais, Kanso Ogbolu Music & Sound Design: Bertus Pelser @ Amp.Amsterdam

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BANNER BEHANCE from Lucía Peralta on Vimeo.

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Extrema Ratio from Maksym Khirnyy on Vimeo.

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Webtoon - Gamer campaign from Golden Wolf on Vimeo.

A little something we cooked up for our friend's at Webtoon!

Produced and Directed by Golden Wolf

Full credits over at our site.

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The Joongang Plus: Brand Film from SUPER VERY MORE on Vimeo.

Plannig & Storyboard: Kim Youngmin

Motion design: Kwon Jihye, Park Eunmin Sound design: Sunwoo Shawn Kim

Client: Joongang Creative Director: Kim Youngmin

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Woodkid – Reactor from Saad Moosajee on Vimeo.

Music Video for Woodkid "Reactor"

Director & Lead Designer: Saad Moosajee

Producer: Reef Oldberg

Executive Producers: Melodie Saba, Helene Segol Technical Director: James Bartolozzi Lead Animator: Daniel Callaby Animator: Paul Lavau

Designer, Character & Concept Artist: Chanyu Chen Designer & Concept Artist: Zuheng Yin Dance & Choreography: Maya Man Storyboard: Ming Wang, Bihan Liao 3D Modelers: Mike Altman, JD Gardner Texturing: Pierre Juge Rigging TD: Lee Wolland

Houdini Lava Development: Thomas Marque Software & Pipeline Engineering: James Bartolozzi Motion Capture: Silver Spoon Animation Supporting Dancer: Zhoutong Qi Typography: Min Kim

Special Thanks Sam Mason, Andrew Herzog, Sam Davis, Connor Bailey

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f*ckai? (famous) from Jordan Clarke on Vimeo.

A story about an A.I. that wanted to be famous, also written and performed by an A.I. (paraphrased and edited with liberties from a human). Visualized by a human (me), flipping the norm of what we see in the AI-driven art world today. Special thanks to Amie Bennett for letting me bounce off all my ideas, Adam Kirschner for his nft bro performance, and Des Hume for his awesome music as well as featuring a track from the Midnight. instagram.com/jordanc87

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f*ckai? (famous) from Jordan Clarke on Vimeo.

A story about an A.I. that wanted to be famous, also written and performed by an A.I. (paraphrased and edited with liberties from a human). Visualized by a human (me), flipping the norm of what we see in the AI-driven art world today. Special thanks to Amie Bennett for letting me bounce off all my ideas, Adam Kirschner for his nft bro performance, and Des Hume for his awesome music as well as featuring a track from the Midnight. instagram.com/jordanc87

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Little Taste of Joy from Jonathan Djob Nkondo on Vimeo.

Directed by Jonathan Djob Nkondo Music by Jan Pryputniewicz and Marian Dziubiński Kleine Kantate (1979) Sound design by Nicolas Snyder Additional animation by Maxime Jouniot

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TAKRAR | تكرار from Waref Abu Quba on Vimeo.

Takrar or Repetition is an experimental film that celebrates the timeless and intricate beauty of ancient craftsmanship. Filmed in Istanbul, the film takes us on a mesmerizing journey into the past, paying homage to Islamic, Ottoman, Greek, and Byzantine art forms.

It's hard to believe that I have finished working on this film, which occupied most of my free time over the past two years. When I first visited Istanbul in 2021, I was captivated by its timeless beauty and decided to capture it through my lens. I shot about 2,900 photos, and after editing and animating them, I created about 270 video scenes. Creating each frame of this film was an utter joy, and every new scene brought unexpected and beautiful surprises.

Collaborating with Alex Story on the music for this film was a profoundly enriching experience. Alex went above and beyond to compose music that perfectly complemented the picture. We worked on the score for over eight months, and we were also very lucky to collaborate with percussionist Robbe Kieckens, whose playing added a magical touch to the film. I couldn't be happier with the result.

After months of hard work, I'm thrilled to call this project complete and share it with you. Takrar is my tribute to ancient arts, and hope you enjoy watching it as much as I enjoyed creating it.

©2023

تكرار هو فيلم فني تجريبي يحتفي بجمالية وروعة الفنون اليدوية القديمة. يأخذنا الفيلم، الذي صوّر في إسطنبول، في رحلة ساحرة إلى الماضي، عن طريق إظهار مجموعة متنوعة من أشكال الفنون القديمة مثل الفن الإسلامي، والعثماني، واليوناني، والبيزنطي وغيرها وإظهارها بإطار جديد عن طريق تقنيات التحريك المختلفة.

شغل العمل على هذا الفيلم معظم أوقات فراغي في السنتين الماضيتين وكان يحمل الكثير من التحديات الفنية والتقنية. عندما زرت اسطنبول لأول مرة في عام 2021، سحرني جمالها وقررت توثيقها من خلال عدستي. صورت ما يقرب من 2900 صورة نتج عنها حوالي 270 مشهد فيديو قمت بمونتاجها ودمجها مع بعض. استمتعت بكل لحظة أثناء العمل على هذا المشروع.

كان التعاون مع أليكس ستوري الذي ألّف موسيقى الفيلم تجربة غنية وعميقة جداً. استطاع أليكس من تأليف موسيقى فريدة من نوعها تدمج التراث والحضارة بالجديد. موسيقى فخمة، مرحة, صوفية, تأملية لكن بنفس الوقت تروي الكثير. موسيقى متناغمة بشكل كامل مع الصورة. عملنا على موسيقى الفيلم لأكثر من ثمان أشهر للوصول إلى صيغتها النهائية. أسعدنا جدًا أيضاً التعاون مع عازف الإيقاع روبيه كيكنز الذي أضافت مشاركته لمسة سحريه على الموسيقى. أنا سعيد وفخور جدًا بالنتيجة التي وصلنا لها.

بالكاد أصدق أني انتهيت من العمل على هذا المشروع بعد أشهر من العمل الشاق. واتمنى أن ينال اعجاكبم.

©2023

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Mac Miller - The Star Room (OG Version) from Danaé Gosset on Vimeo.

Directed by Danae Gosset

Produced by Pencil TV

Characters Design and Animation: Sam Mason

3D Lead: Vasco Gross

CGI: Tijmen Snelderwaard, Luca Martinelli, Victor Roussel

2D Animation: Alienor Delaporte, Gabby Sibilska, Madelene Wikskär, Zoe Partouche, Dana Roth, David Carrasco, Jessica Alemdjrodo, Youjeong Lee, Merce Iserte

Title Design: Julie Pavia and Vasco Gross

The video depicts the journey of an open-minded character as they navigate the world, discovering and evolving along the way. I had the privilege of collaborating with the incredibly talented Sam Mason, who designed the characters for the video. The storyline begins and ends with a candid embryo-like character, showcasing their growth and transformation through diverse landscapes and encounters. My goal was to capture the essence of a transformative journey while maintaining a childlike curiosity towards exploring different worlds.

In addition, I drew some inspiration from the film "Moonrise Kingdom," from which the song takes a sample from the movie's soundtrack at the beginning, it inspired me to enhance the sense of childlike curiosity and adventurous spirit in the video. The visuals were primarily based on the lyrics of the song, integrating surreal inspiration and imagery to complement the narrative. Objects encountered throughout the video were thoughtfully selected to align with the song's rhythm and enhance the storytelling.

To bring the video to life, we meticulously crafted a hand made layered collage-like technique. We employed a diverse range of physical mediums such as paint, color pencils, gouache, and more. The production involved a combination of 3D animation, 2D animation, footage integration, and VFX, all working together to support a surrealist vision through a handmade vivid, textural, and colorful world.

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NAVER WEBTOON - France AMAZING FESTIVAL 2023_Vertical from Hwang Je yeon on Vimeo.

NAVER WEBTOON - France AMAZING FESTIVAL 2023_Vertical