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Inspiration, Nikolay Bogdanov-Belsky

https://www.wikiart.org/en/nikolay-bogdanov-belsky/inspiration

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The Miracle of the Jealous Husband, 1511, Titian

Medium: fresco

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Nathaniel Olds, Jeptha Homer Wade , 1837, Cleveland Museum of Art: American Painting and Sculpture

The green-tinted spectacles worn by Olds were designed to protect the eyes from the intensity of Argand lamps, a type of indoor light used during the early 1800s. These lamps burned whale oil, and many people worried that its bright flames might damage eyesight.The painter of this portrait founded the Western Union Telegraph Company in 1854 and soon became one of Cleveland’s wealthiest industrialists. His grandson, Jeptha Wade II, was a founder of the Cleveland Museum of Art and donated the land upon which it stands as a Christmas gift to the city in 1892. Size: Framed: 87 x 71.8 x 5.7 cm (34 ¼ x 28 ¼ x 2 ¼ in.); Unframed: 76.5 x 61.2 cm (30 1/8 x 24 1/8 in.) Medium: oil on canvas

https://clevelandart.org/art/1991.134.2

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The Two Men Possessed with Devils (Les deux démoniaques), James Tissot, 1886-1894, Brooklyn Museum: European Art

Size: Image: 6 5/8 x 9 7/8 in. (16.8 x 25.1 cm) Sheet: 6 5/8 x 9 7/8 in. (16.8 x 25.1 cm) Frame: 15 x 20 x 1 ½ in. (38.1 x 50.8 x 3.8 cm) Medium: Opaque watercolor over graphite on gray wove paper

https://www.brooklynmuseum.org/opencollection/objects/13409

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Two Friends, 1895, Henri de Toulouse-Lautrec

Medium: oil,cardboard

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Woman Leaving the Psychoanalyst, Remedios Varo

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Jesus Unrolls the Book in the Synagogue, 1894, James Tissot

https://www.wikiart.org/en/james-tissot/jesus-unrolls-the-book-in-the-synagogue-1894

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Paintings from the ‘Element’ series by Ran Ortner 

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小林 清親 Kobayashi Kiyochika ( 1847 - 1915 ) 御茶の水螢, Fireflies at Ochanomizu, c.1880

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Five Javanese Court Officials, Museum of the Netherlands

The axiom ‘clothes make the man’ also held true in Indonesia. These are not actual portraits, but ‘types’. The accurately rendered garments and batik motifs indicate not only the region from which these men came, they also provide information about their rank and status. These resolute, confident figures are exceptional and were probably painted by a non-Western artist. In European depictions, Indonesians were usually depicted as adversaries, colonial subjects or ‘innocent’ primitives.

http://hdl.handle.net/10934/RM0001.COLLECT.485541

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Man’s body, Vasily Surikov

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“a coign of vantage” by sir lawrence alma-tadema (1895)

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The Course of Empire: Destruction, 1836, Thomas Cole

Medium: oil,canvas

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Edgar Ende (German, 1901-1965)

The dark and the light angel (Der dunkle und der helle Engel), N/D

Oil on canvas 

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The Liljenstrand House in Winter  * -    Magnus von Wright , 1860

Finnish , 1805-1868

oil on canvas

* bye Christmas Tree…….

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The Sleepwalker - Maxmilian pirner