floruishandblotts

[floruishandblotts]

DANTE. RUSSO.

“mia cara”

“can’t see the stars in new york, so i brought the stars to you.”

“you’re my fiancée.”

“you’re mine. and no one touches what’s mine.”

“it doesn’t take a genius to know what he was doing while he was thinking of you at midnight.”

“she wasn’t my wife yet. but she was mine.”

“make no mistake, mia cara. this is business. and if there’s one thing i take seriously, it’s my investments.”

“you shouldn’t have let him touch you, mia cara.” . . “do you want to know why?” . . “because you’re mine. you wear my ring.” . . “you live in my head all the fvcking time, even if i don’t want you to.”

[floruishandblotts]

just started reading King of Scars by Leigh Bardugo and Nina's POVs are already wrecking me

[floruishandblotts]

I’m never getting over the fact that romance as a genre, as the HIGHEST selling genre, exists largely because straight women fantasise about being loved and treated kindly by men and men constantly make fun of this because they think it’s just that unrealistic that they could cherish women and that women are stupid in the first place for wanting such an impossible thing.

-Instagram

[floruishandblotts]

boredom hit so hard that i ended up in my wattpad era again

[floruishandblotts]

books I’ve read in 2025 📖 no. 19

Unravel Me by Becka Mack

“You're not my first choice, Rosie. You're the only goddamn option.”

[floruishandblotts]

books I’ve read in 2025 📖 no. 18

The Bribe by Devney Perry

“You’ll never be alone,” he promised. “As long as there is a beat in my heart and breath in my lungs, you’ll never be alone.”

[floruishandblotts]

books I’ve read in 2025 📖 no. 17

Here for the cake by Jennifer Millikin

“Paisley, you are the cake. I’m here for you. I’m here for your hard times and I’m here for you as you grow as person”

[floruishandblotts]

books I’ve read in 2025 📖 no. 16

Tis the Season for Revenge by Morgan Elizabeth

“What brings joy should never be embarrassing”

[floruishandblotts]

[contains spoilers]

I'm an eternal digger of good narrative techniques. A decent story becomes great in my eyes if the narrative is done right. And it's one of the hardest things to do really, since there's no one-size-fits-all rule for what technique works well with a particular story and what doesn't. One of the primary reasons I keep obsessing over Lovely Runner is its' narrative technique. In all honesty, if it had a linear, singular narrative, I would not be hyperventilating over it on a constant basis (I still would just a certain amount, because both Byeon Woo Seok and Kim Hye Yoon deserve awards for what they are doing). One reason it has managed to knock it out off the park and take the top spot in my forever-favorite list is how wonderfully well the narrative is done.

The primary perspective used in this show is Im Sol's. It's through her we're introduced to the story. Her perspective gives shape to the plot, the characters, because we learn things through her. Her perspective is absolutely critical for exposition. Without her thoughts and way of viewing things, you would never realize why saving Seon Jae means so much to her, or why she would bend the rules and bulldoze ahead when it comes to his safety (exhibit A, her leaving home on the day of the accident, despite knowing about her fate). She'd rather have him alive than have him in her life. Without her narrative, you'd think it's really all about a fan saving her idol (thanks to everyone who'd rejected the script listening to that pitch by the way, I'm grateful we have BWS and KHY as the leads because of that, I would not change it for anyone else). With Im Sol's perspective, you realize, she is not just a fan: she's an ardent admirer, a cheerleader, a well-wisher, a protector, an invisible friend trying to support her friend any way she can, someone who respects Seon Jae, sees him as an idol but also as a human, someone who wants to give back to him the same kindness, empathy and love she had once received from him over a radio call. To her, Seon Jae is first a guardian angel and then an idol, the angel who changed her view of life, made her appreciate things even amidst all that could be wrong with the world and her life. He saved her. Not just on that day at the hospital but every time she struggled and faltered since then, he was there, as invisible as it may have been. So this time, she wants to save him, no matter the price.

Then comes Seon Jae. Oof. If Im Sol's perspective gives the story its beautiful, beautiful shape, Seon Jae's perspective breathes literal life in to the body of the story. The show wouldn't be what it is today if not for his perspective. Without his view into things, Im Sol appears as a fangirl going to extreme measures to save her idol, clinging onto him like a monkey (yes I mean the poster) embarrassing the heck out of herself, making you cringe (in a good, enjoyable way) throughout. Then you reach the end of episode 2 and it knocks the breath out of you because WHAT DO YOU EVEN MEAN. It all clicks.

All this while we kept thinking Seon Jae was caught off guard and just kind enough to tolerate her antics, and maybe he'd slowly fall for her now, only to realize we were completely oblivious to a whole different side of the story. If Im Sol's narrative draws you in and keeps you hooked, making you root for her to succeed, it's Seon Jae's narrative that makes you irredeemably fall in love with them and sincerely, genuinely, desperately hope they get their happy ending together after all the storm.

And the motifs. Walking/running, for instance. I'll focus on just one scene here. I recall seeing a bts where KHY is discussing the OG 2008 accident scene, and it explains how she has to slow down, while running away, for just a moment, only to be hit by the taxi driver. Have you ever been in a situation of absolute panic, desperation and stress, then suddenly found a familiar face or a name or a thing you could connect to, and felt a wave of relief rush through you? She sees Seon Jae, a person who is calling out her name. Even if she didn't know him back then, the fact that he knew her (and that he had his uniform on), gives her a sense of safety she badly needed that moment. That momentary relief, so visible in her features, then overtakes the crippling fear she felt running in the middle of nowhere with no one in sight in the dead of the night. Her body, already exhausted beyond anything, responds to the relief she feels for those few seconds, slowing down her steps.

And that is when she is caught off-guard and hit. That also might have added to Im Sol's anger at the hospital when she is screaming at Seon Jae, her internal anguish that if only she had not paused seeing Seon Jae, and kept on running, then maybe she wouldn't be hit, wouldn't fall, wouldn't lose her ability to walk. It's one thing to have tropes and symbolic things, but it's a very different thing to know how to use them effectively so they elicit very specific types of emotions/reactions out of people. Lovely Runner excels in that. All kdramas more or less have 'things' that take on different meanings for the couples/viewers. It's the way motifs are used to narrate the story in this one that has me going back over and over again to all the episodes aired so far. These are not just their 'things', these are 'things' that drive the plot forward, tell you about their characters, their personal motivations, what they mean to each other and so much more.

This is getting longer that I intended it to be so will end with this. I feel valued when watching Lovely Runner. And I've seen people saying the same thing. It feels like they respect your critical thinking skills, and your ability to infer, so they don't spoon-feed you everything from the get-go, and you can't predict much despite it being primarily a rom-com. You'd be pulling your hair out (again, in a good way) trying to figure out what they will show next, and you will be somewhat or very far from the truth, which will compel you to think further about the story, the characters, long after an episode has aired...I can't remember the last time it happened with a drama. I love this storytelling.

[floruishandblotts]

Simpest of simp man...

[floruishandblotts]

i know i sound obsessed with him BUT LIKE .. this is how you write male characters. he should be the norm not the exception. the way i was expecting him to be an asshole after sol changes the timeline and yet he's still the same dumb loser who loves her when he doesn't even know her 😭 i could die bro i understand he's fictional but he's simply the best person i know my guy doesn't have a hating bone in his body and no other man is doing it like him

[floruishandblotts]

lovely runner is literally my most favorite kdrama ever!!

[floruishandblotts]

THIS SCENE. I love this scene sm!!!

Lovely Runner 선재 업고 튀어 (2024) Dir. Boo Sung Chul, Yoon Jong Ho, Kim Tae Yeong – Ep. 3

[floruishandblotts]

i’m rewatching lovely runner from ep 1 because that’s just. who i am now, and just within the first 5 minutes im already. like…😀

when the radio mc excitedly tells sol she’s won a pair of running shoes so she can enjoy them in this lovely weather, everyone claps except for sunjae.

he looks..:empty

and when sol replies with a “i don’t need that” he doesn’t even flinch it’s like he’s just. not there. he’s too far gone to react anymore because of how much the guilt and despair has already eaten at him all he can do is listen to her vent and accept the role he’s played in the situation she’s in and uhhhh. yeah

and when the radio show host asks her what else she might want? sunjae’s eyes kinda flitting from side to side like he’s desperately trying to think of what she might want? what she might like or need? like he could gift her something that maybe just maybe could help her feel a little better??

but then she explodes on them and all he can do is listen again with his head bowed, while the others are sat there looking shocked

and the only time he finally reacts and moves into action is when she’s done talking, hinting at not wanting to see another day, and throws her phone away

he JUMPS to the microphone, asking if she’s still there if she’s still listening- and finally says his piece, begging her to keep going to see the beauty in the world even when it’s looking bleak cause the sun will eventually shine again- to just hang in there if not for her then for her loved ones and those who love her (himself included)

he’s asking her to keep going for her family and friends and for him

anyway i’m normal about this scene lmao it’s fine.

[floruishandblotts]

books I’ve read in 2025 📖 no. 15

The Syndicater by Runyx

[floruishandblotts]

books I’ve read in 2025 📖 no. 14

The Annihilator by Runyx

“There is no reality where you and I exist that we don’t end up exactly where we are now. None.”

[floruishandblotts]

books I’ve read in 2025 📖 no. 13

The Finisher by Runyx

“I might not remember you,” he whispered, his lips almost at hers. “But you’re my wife now. Mine. And I’d bathe this whole city in blood before I let you change that.”