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Tiles! I want to have a kitchen wall full with different designs

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Quyllurit'i procession in Cuzco, Peru - Maximilien Burgmann

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Fulani Style

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National Geographic vintage

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Nikoleta Sekulovic, woman reading

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LIFE: Nature Library Ecology, 1970

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Island II Cody Cobb

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Et sur le linge où l’aube insensible se plisse, Tombe, d’un bras de glace effleuré de carmin, Toute une main défaite et perdant le délice À travers ses doigts nus dénoués de l’humain.

"Anne" Paul Valery

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Metamorphic Kore, oil on board painting by Agostino Arrivabene

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Through the Dust

My art book Decade is available here!

The Japanese publication of the book is available here and here. my art book is available here / patreon / youtube / twitter / instagram / website

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A protester in dervish outfit and gas mask, during a demonstration against the imprisonment of Ekrem Imamoglu, in Istanbul, March 23, 2025. MURAD SEZER / REUTERS

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“[Artemisia] Gentileschi, however, brings out an element of the biblical story no male artist had ever dwelt on. In most paintings, including Caravaggio’s hallucinatory rendering, Judith has a servant who waits to collect the severed head. But Gentileschi makes the servant a strong young woman who actively participates in the killing. This does two things. It adds a savage realism that even Caravaggio never thought of – it would take two women to kill this brute. But it also gives the scene a revolutionary implication. “What,” wonders Gentileschi, “if women got together? Could we fight back against a world ruled by men?””

— Jonathan Jones, More savage than Caravaggio: the woman who took revenge in oil

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"Then hate overcame Fëanor’s fear, and he cursed Melkor and bade him be gone, saying: ‘Get thee gone from my gate, thou jail-crow of Mandos!’ And he shut the doors of his house in the face of the mightiest of all the dwellers in Eä."

J.R.R Tolkien, The Silmarillion, 1977