goodoldhalcyon

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[Majora's Mask] Zora Link saving Lulu's eggs + Breath of the Wild style

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Yar har fiddle dee dee

A skeleton pirate is what I do be

Throwing my bones and stealing booty

I am dead

Another dialog portrait for a Heinous Highness character, an undead pirate captain known as Bonaparte

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imma pay you a hundred bucks to f* off. | Source #toradora

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So Edgeworth’s shoulder width (along with other characters in the early games) has been a long topic of discussion. I was curious, and it turns out that on his front-faceing sprite, they’re 1.5x the size of his head. Now, for most people, the width of each shoulder is about the same width as your face, that’s one of those anatomy tricks that artists use to keep people looking, well, proportional. So I wanted to see what he looked like with “normal” proportions.

Here’s his in-game sprite:

Here he is with corrected proportions:

Like, he actually looks like a young adult here, holy shit. They could probably even be a bit wider than this and still not make him look like he stepped out of an early 2000′s yaoi manga.

And then, since I was already editing this sprite, the next logical step was, of course, widening.

And again, for good measure.

x2 size for easier viewing:

Enjoy.

[goodoldhalcyon]

How Climate Change Showed Up in 2021

2021 was tied for the sixth-hottest year since modern record keeping began. We work together with the National Oceanic and Atmospheric Administration to track temperatures around the world and study how they change from year to year.

For decades, the overall global temperature has been increasing because of human activities. The last decade has been the warmest on record. Each individual year’s average temperature, however, can be affected by things like ocean circulation, volcanic eruptions, and specific weather events.

For instance, last year we saw the beginning of La Niña – a pattern of cooler waters in the Pacific – that was responsible for slightly cooling 2021’s average temperature. Still, last year continued a long-term trend of global warming.

Globally, Earth’s temperature in 2021 was nearly 2°F warmer than the late 19th Century, for the seventh year in a row.

The Record

Studying 142 Years

Since 1880, we can put together a consistent record of temperatures around the planet and see that it was much colder in the late-19th century. Before 1880, uncertainties in tracking global temperatures are larger. Temperatures have increased even faster since the 1970s, the result of increasing greenhouse gases in the atmosphere.

Tracking Millions of Individual Observations

Our scientists use millions of individual observations of data from more than 20,000 weather stations and Antarctic research stations, together with ship- and buoy-based observations of sea surface temperatures, to track global temperatures.

Reviewing Multiple Independent Records

Our global temperature record – GISTEMP – is one of a number of independent global temperature records, all of which show the same pattern of warming.

The Consequences

Everywhere Experiences Climate Change Differently

As Earth warms, temperature changes occur unevenly around the globe. The Arctic is currently warming about four times faster than the rest of the planet – a process called Arctic amplification. Similarly, urban areas tend to warm faster than rural areas, partly because building materials like asphalt, steel and concrete retain heat.

Droughts and Floods in Warmer Weather

More than 88% of the Western US experienced drought conditions in 2021. At the same time, communities in Western Europe saw two months’ worth of rain in 24 hours, breaking records and triggering flash floods. Because a hotter climate means more water can be carried in the atmosphere, areas like the Western US suffer drought from the increased 'thirstiness' of the atmosphere, while precipitation events can become more extreme as the amount of moisture in the atmosphere rises.

Sea Levels Continue to Rise

Melting ice raises sea levels around the world, as meltwater drains into the ocean. In addition, heat causes the ocean water to expand. From 1993 to today, global mean sea level has been rising around 3.4 millimeters per year. In 2021, sea level data from the recently launched NASA/ESA Sentinel-6 Michael Freilich mission became available to the public.

There is Hope

“This is not good news, but the fact that we are able to track this in real time and understand why it’s changing, and get people to notice why it’s changing and how we can change things to change the next trajectory, that gives me hope. Because we’re not in the dark here. We’re not the dinosaurs who are unaware the comet is coming. We can see the comet coming, and we can act.” – Dr. Gavin Schmidt, director of NASA GISS, where the global temperature record is calculated

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[goodoldhalcyon]

Anime_irl

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Comic on having long-COVID as a young person. Sending love to others who may be similarly suffering.

Ko-Fi

(ID under the cut)

Keep reading

[goodoldhalcyon]

shyguy feels dead inside after a long, sensual night with captain toad

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it’s the day

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wheres seasons greasons

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Master post of my absolute favorite gifs of all time:

[goodoldhalcyon]

There’s also a large grey area between an Offensive Stereotype and “thing that can be misconstrued as a stereotype if one uses a particularly reductive lens of interpretation that the text itself is not endorsing”, and while I believe that creators should hold some level of responsibility to look out for potential unfortunate optics on their work, intentional or not, I also do think that placing the entire onus of trying to anticipate every single bad angle someone somewhere might take when reading the text upon the shoulders of the writers – instead of giving in that there should be also a level of responsibility on the part of the audience not to project whatever biases they might carry onto the text – is the kind of thing that will only end up reducing the range of stories that can be told about marginalized people. 

A japanese-american Beth Harmon would be pidgeonholed as another nerdy asian stock character. Baby Driver with a black lead would be accused of perpetuating stereotypes about black youth and crime. Phantom Of The Opera with a female Phantom would be accused of playing into the predatory lesbian stereotype. Romeo & Juliet with a gay couple would be accused of pulling the bury your gays trope – and no, you can’t just rewrite it into having a happy ending, the final tragedy of the tale is the rock onto which the entire central thesis statement of the play stands on. Remove that one element and you change the whole point of the story from a “look at what senseless hatred does to our youth” cautionary tale to a “love conquers all” inspiration piece, and it may not be the story the author wants to tell.

Sometimes, in order for a given story to function (and keep in mind, by function I don’t mean just logistically, but also thematically) it is necessary that your protagonist has specific personality traits that will play out in significant ways in the story. Or that they come from a specific background that will be an important element to the narrative. Or that they go through a particular experience that will consist on crucial plot point. All those narrative tools and building blocks are considered to be completely harmless and neutral when telling stories about straight/white people but, when applied to marginalized characters, it can be difficult to navigate them as, depending on the type of story you might want to tell, you may be steering dangerously close to falling into Unfortunate Implications™. And trying to find alternatives as to avoid falling into potentially iffy subtext is not always easy, as, depending on how central the “problematic” element to your plot, it could alter the very foundation of the story you’re trying to tell beyond recognition. See the point above about Romeo & Juliet.    

Like, I once saw a woman a gringa obviously accuse the movie Knives Out of racism because the one latina character in the otherwise consistently white and wealthy cast is the nurse, when everyone who watched the movie with their eyes and not their ass can see that the entire tension of the plot hinges upon not only the power imbalance between Martha and the Thrombeys, but also on her isolation as the one latina immigrant navigating a world of white rich people. I’ve seen people paint Rosa Diaz as an example of the Hothead Latina stereotype, when Rosa was originally written as a white woman (named Megan) and only turned latina later when Stephanie Beatriz was cast  – and it’s not like they could write out Rosa’s anger issues to avoid bad optics when it is such a defining trait of her character. I’ve seen people say Mulholland Drive is a lesbophobic movie when its story couldn’t even exist in first place if the fatally toxic lesbian relationship that moves the plot was healthy, or if it was straight.                          

That’s not to say we can’t ever question the larger patterns in stories about certain demographics, or not draw lines between artistic liberty and social responsibility, and much less that I know where such lines should be drawn. I made this post precisely to raise a discussion, not to silence people. But one thing I think it’s important to keep in mind in such discussions is that stereotypes, after all, are all about oversimplification. It is more productive, I believe, to evaluate the quality of the representation in any given piece of fiction by looking first into how much its minority characters are a) deep, complex, well-rounded, b) treated with care by the narrative, with plenty of focus and insight into their inner life, and c) a character in their own right that can carry their own storyline and doesn’t just exist to prop up other character’s stories. And only then, yes, look into their particular characterization, but without ever overlooking aspects such as the context and how nuanced such characterization is handled. Much like we’ve moved on from the simplistic mindset that a good female character is necessarily one that punches good otherwise she’s useless, I really do believe that it is time for us to move on from the the idea that there’s a one-size-fits-all model of good representation and start looking into the core of representation issues (meaning: how painfully flat it is, not to mention scarce) rather than the window dressing.

I know I am starting to sound like a broken record here, but it feels that being a latina author writing about latine characters is a losing game, when there’s extra pressure on minority authors to avoid ~problematic~ optics in their work on the basis of the “you should know better” argument. And this “lower common denominator” approach to representation, that bars people from exploring otherwise interesting and meaningful concepts in stories because the most narrow minded people in the audience will get their biases confirmed, in many ways, sounds like a new form of respectability politics. Why, if it was gringos that created and imposed those stereotypes onto my ethnicity, why it should be my responsibility as a latina creator to dispel such stereotypes by curbing my artistic expression? Instead of asking of them to take responsibility for the lenses and biases they bring onto the text? Why is it too much to ask from people to wrap their minds about the ridiculously basic concept that no story they consume about a marginalized person should be taken as a blanket representation of their entire community?

It’s ridiculous. Gringos at some point came up with the idea that latinos are all naturally inclined to crime, so now I, a latina who loves heist movies, can’t write a latino character who’s a cool car thief. Gentiles created antisemitic propaganda claiming that the jews are all blood drinking monsters, so now jewish authors who love vampires can’t write jewish vampires. Straights made up the idea that lesbian relationships tend to be unhealthy, so now sapphics who are into Brontë-ish gothic romance don’t get to read this type of story with lesbian protagonists. I want to scream.      

And at the end of the day it all boils down to how people see marginalized characters as Representation™ first and narrative tools created to tell good stories later, if at all. White/straight characters get to be evaluated on how entertaining and tridimensional they are, whereas minority characters get to be evaluated on how well they’d fit into an after school special. Fuck this shit.                            

[goodoldhalcyon]

Listen. Listen. No one is ever going to be a better Bob Cratchit than Kermit the Frog.

[goodoldhalcyon]

the way ivan aivazovsky looks at the sea…i think…i think that’s what love looks like.

[goodoldhalcyon]

I got a phone call from the police station about my teenage llama this week, telling me some tourists had called them upon seeing a llama crossing the road, who “stopped when she saw us” and “refused to give way” (their complaint in French sounded amazingly traffic-related, “elle n’a pas cédé le passage”…) The policeman told them yeah that’s our Pampe! don’t worry about it she’s living her life, you can try to pet her but she’s shy with strangers… Imagine calling the police about a llama refusing to abide by basic road rules and being told haha that’s our girl! Give her a pat for me! Pampérigouste, you are very annoying and very loved.

I started following that road looking for her, occasionally calling her with my special I Come Bearing Muesli whistle (and it was a lie), and as soon as I got mobile reception I received a text from a neighbour telling me “Ton affreuse est là” (“your horrible one is here”). I turned around to go pick her up, and discovered that he had locked her in the Horny Bull Pen, aka his most securised enclosure. When Pampe escapes to his farm just to be a pest she usually hangs out with his cows until I arrive and he doesn’t mind, so it was a little joke, and it was so funny finding Pampe languishing in a high-security prison. She looked very put out and I told her she absolutely deserved her sentence. Then I opened the gate and I didn’t even need my rope, she was happy to be pardoned and to see Pandolf, and followed us readily, on the road and then through the woods to my farm, it felt so companionable, the three of us walking home together.