graymalkinrogue
71 posts
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drawing people i see in the city (47/?) lil dude also had the best conversation opener:
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Mixed media (Watercolor, alcohol marker, gel pen, and colored pencil) Kanan and Hera J.C. Leyendecker study original under the cut
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Might be the greatest Hunger Games edit I’ve ever seen omg
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and the end result…

this man wore sneakers to the science Oscars.
@lechatonetlacoccinelle :)
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There is only one correct answer.

Isabella Showdown (Isabella Off) - Round 1
#isabella garcia shapiro#phineas and ferb#twilight#Isabella could defeat the Volturi but Bella couldn't lead the fireside girls
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Ah these children who always create problems for poor mothers....
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anyway you should always remember that all those foreigners you see dying on the news are just as real people as you are who have just as much interiority as you do. there is nothing about you that makes you more important and it is by pure chance that you are not in their position. in fact, this holds for all of history. every person, no matter the horror of the fate that befell them, had just as much interiority as you do. i feel like some people haven't fully internalized this.
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BABIESSSS
saw someone draw peeta w a rat tail and I am here to spread the peeta rat tail gospel. he wants to be just like her :((

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After reading that Taz’s interview, his version of Sanji who was defending Nami despite not knowing much about her makes so much sense. Because it feels like, even when I watched it the first time, he was defending her because he was giving her the benefit of doubt and not just because he’s a simp lol. Like it seems that this version of Sanji would always believe the women first and giving them the benefit of doubt and it’s not just because he loves all women, he probably sees and remembers his mom and sister, and how they were treated by his father and brothers. I also have this headcanon that he recognize the trauma, he knew that Nami was hiding something because he himself was hiding something about his own demons and struggles, and he can empathize so much with Nami and Robin.
yes to all of this!
the way sanji talks about nami in episode 7 makes it obvious that he truly believes in her innocence and taz saying he played sanji with his relationship with his mother and sister in mind when it comes to how he interacts with women adds a lot of layers to it. sanji has very limited experience with relationships of any kind with anyone female, considering zeff doesn’t hire women and his interactions with female customers would be fleeting. his only real experience was with sora and reiju as a child and they utterly shaped his earliest views of women, and those earliest lessons always stick the most. to sanji women are wholly and always good because as a child they were the only people who were kind to him, who didn’t hurt him. all the male figures in his life were brutal and cruel. sora was an angel and even reiju, who was sharp with him and certainly never warm, freed him, saved his life. that taught him that even women who are outwardly cruel have the capacity to be good. add zeff’s teachings of never hurting a women and the way a gentleman should act and you have a man who will always believe in a women’s innocence, no matter what. circle that back to nami and he refuses to doubt her because he simply can’t, it’s just not in his nature.
as for the the parallels between sanji, nami and robin they drive me absolutely insane and i’ve made no secret of that and in my head said parallels are definitely a factor in the way he treats them. they may not know it for a good while but he has so much empathy for them and whilst it may look like he treats them so differently just because they’re women he knows that’s not the case, not entirely. his care comes from a place of understanding first and foremost and that’s hugely important to me.
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This YouTube comment has been on my mind since I finished SOTR so this is what I came up with:
Lucy Gray was the mockingbird, living on the outskirts of district 12 and was there at the wrong time when they were forced to stay there after the Dark Days. They were subjected to the Capitol’s politics despite not being a part of Panem, technically speaking. Lucy Gray became part of the Games and, likewise, the mockingbird became affiliated with the Capitol through the jabberjay’s release into the woods, but it still continued to sing its own song.
Haymitch was the jabberjay, a Capitol tool that did what it had to in order to survive. The Capitol thought they could control them, but they retaliated in the form of rebellion. Haymitch refused to be a piece in their game and tried to end it, and the jabberjay, in the eyes of the Capitol, created a freak of nature that showed the Capitol’s lack of complete control.
Katniss was the mockingjay, a slap in the face of the Capitol, something that was never meant to exist. Together, the song of the mockingbird that lived on for generations and the stubbornness of the jabberjay that refused to die, the mockingjay had the best of both worlds. It was a symbol of rebellion and unity.
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I love when fanfic authors are freakishly unhinged. "Yes, hello, I am here to write a heart wrenching story about relationships and mortality. My medium is Ducktales (2017)"
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HAPPY ANNIVERSARY TO THE GREATEST NEURODIVERGENT POWER COUPLE!
(and also to one of the greatest goths in all of fiction)
TODAY IS A NATIONAL HOLIDAY


Happy anniversary Lawrence and Linda Flynn Fletcher
And happy birthday Vanessa 🎉🥳
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Do you think the Ghost crew ever had to get all dressed up to go undercover at a fancy ball or something?
it is a truth universally acknowledged that ALL media can be improved with a formal mission so yes yes yes + dressed up kanera should get to give some bisexuals a nosebleed
(commission info // tip jar!)
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rogue and gambit by marguerite sauvage in the preview for the marvel swimsuit special: friends, foes & rivals (x)
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Just the idea of Zoro age 16 getting shitfaced on straberry daikiris and other colorful drinks
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Thinking about how many musical tragedies feature the narrative almost as a character of its own. Like a force within the story, divided from the characters. Out of their control at times.
Orpheus had to turn around, that’s just how it goes. That’s the way the story is told.
Tony had to go and get himself killed. Of course he did. He’s Romeo. The story wills it so.
Jesus must die. No matter how much he wanted to live, no matter how much the people around him wanted him to live. It’s his role to die.
Alison can’t go back and change the events of that last car ride with her father. It’s set in stone, there in the past where it will always remain.
And then there are musicals like Once On This Island and Ride The Cyclone that embrace the role of inevitability in their stories and find joy anyway.
And then on the exact opposite side of the spectrum there’s the radical freedom from the narrative that’s seen in Into The Woods. The narrator is dead and now the story is no one’s but the characters. And there’s the lack of protection that comes with that, the chaos and confusion. But it’s theirs and it’s tragic but they make the best with it.
Those themes of Inevitability vs. Freedom and the meta understanding of story within a story. I can’t seem to get enough.
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