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Paterson (2016) dir. Jim Jarmusch

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In the Mood for Love (Wong Kar-Wai, 2000).

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“I can’t believe this is my life.” - Heathers (1988)

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“I wonder if when Tarantino made Kill Bill, did people say he was being a feminist? It’s weird. I wonder if like “Oh a female and so she’s battling misogyny.” For myself I was very hyperconscious about the idea of good and bad because that’s very much one of the big things inside the story, is like who’s good and bad, and how you never really know people. There’s a certain level of stupidity that we have to operate with in order to have these connections and distractions and good and bad, it’s just so interesting, good and bad. Because it’s relative in my experience and so it’s tricky because you have to always think about it. The feminist thing, it always comes up and I find it really interesting to find an avenue that interests me to talk about this because people are clearly fixated on it and want to talk about it, so I’m constantly trying to figure out.” — Ana Lily Amirpour on people calling her film feminist

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30 Days of Movies Meme: Day 10: favorite classic movie  Charade (1963) dir. Stanley Donen ↳ “I already know an awful lot of people and until one of them dies I couldn’t possibly meet anyone else.”

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Helena Bonham Carter photographed by Lynn Goldsmith, 1986.

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Kristen Stewart discusses acting for Ang Lee - Build Series NYC

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The Lives of Others | 2006

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Jeff Buckley for Interview Magazine, February 1994. Photograph by Bruce Weber.

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Carol – Through windows and glass “In this film, we are always in the point of view of the more amorous character: the disempowered person. We shoot through windows and glass, to make you think of the act of looking and looking back, with people positioned on either side of the glass. When we think of our love affairs, our most memorable ones are those that put you on the side of the weaker and desiring subject.” - Todd Haynes

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The Talented Mr. Ripley (1999)

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Jagten (The Hunt) (2012) Thomas Vinterberg

“Sometimes children lie. Sometimes good people give in to hysteria, and lose all sense of reason. Sometimes they destroy innocent lives”

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The Meadows Festival NYC. Portrait taken by @gregnoire.

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I’m going to need the finale of 2016 to have a dramatically uplifting and inspiring plot twist 

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Tom Waits, Chicago, 1976.

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Breakfast at Tiffany’s (1961)