This blog is a hodgepodge of things I like. I hope you like them too.
Don't wanna be here? Send us removal request.
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This was one of the first comic ideas I've had for this fandom. It's been haunting my mind since like September. Anyway.
Doof takes it so normal that theres a regular platypus just walking on the balcony of his 39 floor whenever Perry takes off his hat?
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happy make a terrible comic day 2025 . I am 80% mucus today
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The problem with playing smash or pass is that there's a lot of characters which I'm not sexually attracted to but I would fuck in a heartbeat out of sheer curiosity and ego, like I don't find Mickey Mouse attractive at all but if he approached me at a bar and went "Hey sexy, want me to show you my mouseketool?" I would say yes because then I get to tell my friends I fucked Mickey Mouse
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YOU DON'T NEED TO LOSE WEIGHT TO LOOK HOT THAT'S THE DEVIL TALKING
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Did a brand new kind of bowling shot today

we called it the "trust the Force Luke" shot or the "through God all things are possible" shot
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I think I may never be sad ever again. There is a statue entitled "Farewell to Orpheus" on my college campus. It's been there since 1968, created by a Prof. Frederic Littman that use to work at the university. It sits in the middle of a fountain, and the fountain is often full of litter. I have taken it upon myself to clean the litter out when I see it (the skimmers only come by once a week at max). But because of my style of dress, this means that bystanders see a twenty-something on their hands and knees at the edge of the fountain, sleeves rolled up, trying not to splash dirty water on their slacks while their briefcase and suit coat sit nearby. This is fine, usually. But today was Saturday Market, which means the twenty or so people in the area suddenly became hundreds. So, obviously, somebody stopped to ask what I was doing. "This," I gestured at the statue, "is Eurydice. She was the wife of Orpheus, the greatest storyteller in Greece. And this litter is disrespectful." Then, on a whim, I squinted up at them. "Do you know the story of Orpheus and Eurydice?" "No," they replied, shifting slightly to sit.
"Would you like to?"
"Sure!"
So I told them. I told them the story as I know it- and I've had a bit of practice. Orpheus, child of a wishing star, favorite of the messenger god, who had a hard-working, wonderful wife, Eurydice; his harp that could lull beasts to passivity, coax song from nymphs, and move mountains before him; and the men who, while he dreamed and composed, came to steal Eurydice away. I told of how she ran, and the water splashed up on my clothes. But I didn't care. I told of how the adder in the field bit her heel, and she died. I told of the Underworld- how Orpheus charmed the riverman, pacified Cerberus with a lullaby, and melted the hearts of the wise judges. I laughed as I remarked how lucky he was that it was winter- for Persephone was moved by his song where Hades was not. She convinced Hades to let Orpheus prove he was worthy of taking Eurydice. I tugged my coat back on, and said how Orpheus had to play and sing all the way out of the Underworld, without ever looking back to see if his beloved wife followed. And I told how, when he stopped for breath, he thought he heard her stumble and fall, and turned to help her up- but it was too late. I told the story four times after that, to four different groups, each larger than the last. And I must have cast a glance at the statue, something that said "I'm sorry, I miss you--" because when I finished my second to last retelling, a young boy piped up, perhaps seven or eight, and asked me a question that has made my day, and potentially my life: "Are you Orpheus?" I told the tale of the grieving bard so well, so convincingly, that in the eyes of a child I was telling not a story, but a memory. And while I laughed in the moment, with everyone else, I wept with gratitude and joy when I came home. This is more than I deserve, and I think I may never be sad again.
Here is the aforementioned statue, by the way.
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recently someone saw my dissected frog tattoo and said “hey ur frog tattoo is really cool but i think it’s open.” i haven’t been able to stop thinking about this for weeks. what did she mean by that. does she think i walked into a tattoo shop like hello can i get one normal frog tattoo. and 2 and a half hours later the tattoo artists goes FUCK. it happened again. it’s fucking open. goddamnit
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Spring Herald, 春天的信使 (2019) Film by Curie Lu.
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Horse girl book but it's about a middle-aged man and his forklift.
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quiz: why do lobsters have one claw bigger
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