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The lion does not concern itself with the bank account balance when a little treat is calling

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part of the reason i love how bell hooks talks about masculinity is that she shows real compassion towards men suffering from the effects of toxic masculinity. she was conscious of how we need to unlearn the ways we talk about men + masculinity just as much as we need to unlearn the same for women + femininity. so many times ill see someone talking about toxic masculinity like (hyperbolizing here but only slightly) "these FUCKING STUPID BABY BITCHES won't MAN UP and go to a therapist!!!" and like. i get the anger. but you see feminists recreating patriarchal manhood by only promoting good behaviors through patriarchal frameworks. any use of the term "real men" is bad because it reifies the idea that manhood is a special title you must earn, and it is something possible to fail and fake. & as important as it is to promote sexual equality + the pleasure of non-cis-men, lots of people are essentially still working with the idea that men need sexual prowess to have worth but just shifting it slightly so there is more emphasis on women's pleasure. but I want cis men to think about their partners' pleasure because they care about their partners, not because they need to check a box in order to keep their man card. and don't get me started on small dick jokes– and the absolutely pitiful excuse people will use that "well, I don't believe it, but misogynistic men get upset when I say it, so it's okay!"

basically bell hooks is so fucking right. in order to create loving men we need to love men, simply for being alive, whether or not they are performing. as much as we need to actively unlearn misogyny (and we do), it's equally vital we unlearn patriarchal ways of seeing manhood. we can't just assume that taking a feminist perspective automatically means there is no work to be done there.

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Oh, okay. I see. You think this has nothing to do with you. You go to your closet and you select out, oh I don’t know, that gaslight gatekeep girlboss meme, for instance, because you’re trying to tell the world that you think modern feminism has been co-opted by corporations. But what you don’t know is that that meme is not from Instagram, it's not from Twitter, it's not from Tiktok, it’s actually from Tumblr. You’re also blithely unaware of the fact that in January 2021, Tumblr user missnumber1111 posted, "today's agenda: gaslight gatekeep and most importantly girlboss." And then I think it was a-m-e-t-h-y-s-t-r-o-s-e, wasn’t it, who reblogged it with an image of the phrase edited over a piece of "Live, Laugh, Love" wall art? And then gaslight gatekeep girlboss showed up in the feeds of eight different Twitter repost accounts. Then it filtered down through Instagram and then trickled on down into some tragic “alt side of Tiktok” where you, no doubt, fished it out of some clearance bin. However, that meme represents millions of notes and countless Tumblr users and so it’s sort of comical how you think that you’ve made a choice that exempts you from Tumblr when, in fact, you’re wearing the meme that was selected for you by the people in this room. From a pile of “stuff.”

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The Swan, 1915, by Hilma Af Klint

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hi hello remember that the plum you are going to eat next summer is growing just for you 🤍

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Reblog to make the tummy not hurt of the person you reblogged from.

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you ever love a character so much you actually kind of hate them

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isn't it insane though how schizophrenic people are viewed as violent and dangerous by the majority of society when in reality schizophrenic people are nearly 14 times more likely to be on the receiving end of violence than to be the perpetrators...

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i actually dont mind tumblr posts reposted to pinterest. the 13 y/o "pinterest in the only social media my parents let me have" girlies deserve a little treat

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Yohji Yamamoto: Marble Mohair Knit Sweater Autumn/Winter 2015

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10 year old me was like when wings sprout from my spine then you’ll see.. you’ll all see…

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who are you people

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EGGTOBER DAY 1

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Ernst Ludwing Kirchner

Female Artist, 1910 / Portrait of Gerda, 1913 / Portrait of a woman, 1911 / Woman in a green blouse, 1914