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So I started reading Animorphs last year

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yes and something I love with Cassie & Rachel’s relationship is that no matter how fractured things get between them, they have each others back. Like how in group votes Marco knows Rachel sometimes agrees with him but is going to side with Cassie. Or Cassie creating the plan to trap David as a rat so Rachel doesn’t have to kill him, and Rachel in turn standing guard to David during his last 2 hours. Even down to Rachel’s dying day, where after Jake gives her the suicide mission she tells him to stop being an asshole to Cassie. As OP pointed out, Cassie is horrified with Jake sacrificing Rachel, & even before death Rachel is telling Jake to be kinder to Cassie & considering her feelings. Their love runs so deep but they can’t see it. Cassie and Rachel’s relationship is a tragedy, but I love that the ironclad compassion & resolve that initially brought them together also means that no matter how bad things get, they always have the others back.

All of the Animorphs main characters’ stories are very influenced by the dissonance between how they are perceived by the others from their perspectives, and the resulting roles they are fit into vs. their actual complexity, and I think it’s worth talking about Rachel from that perspective for a bit. The read the others tend to have on her character is that she’s ambitious; this incredibly confident, driven person who is dissatisfied with a normal life and just waiting for something better, which the war gives her. Cassie explicitly narrates as much in Megamorphs #4, while Jake says in #22 that she’s found her purpose in the war and he doesn’t know what she would do with a normal life anymore. Though I can’t remember the exact passages, I think the others think similar things of her. But when you actually look into Rachel’s character, you find that what they are misinterpreting as ambition/dissatisfaction with normal life/a desire to change the world and be a hero is actually two separate traits that, when put together in the same person, look a lot like that but aren’t.

First is that she fundamentally is a compassionate, morally dutiful person who feels she has an obligation to sacrifice and avoid the easy route to be good to other people. She doesn’t seek out situations where she will be responsible for many people’s well-being, but once she is there she goes all-in on it. When you compare situations in the book where one of the main characters has made an effort to be kind and do the right thing on a personal level rather than a “well if we save everyone on Earth from being enslaved that helps people by definition” level, she’s really only behind Cassie on this – feeling guilty about letting down Melissa as a friend and then risking her life on a mission to go out of the way to comfort her about her parents in #2, or in #1 when she says she cares about Tobias when he thinks nobody cares about him, even though they barely know each other. 

In comparison, the most Jake has is a vague idea that his goal in life should be to live an average life and “not be a jerk” without any real self-examination of how to do that, Marco is often rude on an interpersonal level and doesn’t seem to care much about being a good friend or giving kindness to someone who needs it, Tobias is more of a loner who is very morally passionate about the greater cause but doesn’t extend it to really being there for other people (this isn’t because he is inherently cruel so much as, when we first are introduced to him, he is barely getting by in life and doesn’t have the energy to try to be a kind, beneficent person on top of that, it’s only the revelation of a greater cause that gives him the motivation to care about something), and Ax, the only one who was in an official military, initially largely outsources his sense of duty to that system and its ethics and doesn’t make much of an effort to be a good person outside of that. 

I get the sense that Cassie and Rachel mutually recognize this quality in each other, and this is the reason for their friendship despite the narrative emphasizing how different they are and how weird it is that they are friends. As mentioned above, Cassie does interpret her as ambitious and “waiting for something else in life”, but she still sees that ambition as being prompted by a kindness and unshakeable desire to do good, as someone who doesn’t fall into the “mean popular kid stereotype” despite her looks and confidence. Meanwhile Rachel, when we see her thoughts about Cassie, similarly appreciates Cassie’s interpersonal kindness and steely resolve to enact it. Each recognizes, despite their many differences, the moral and aspirational idea they aim for in life in each other. Rachel’s manifestation of this trait looks different than Cassie’s. 

The second quality is that Rachel loves, in the moment, the rush of being confident and powerful. It’s something she gets in shopping for clothing and being able to pick out the right deals like a successful predator, and it’s also something she gets in war, in the heat of battle and crushing the enemy. It’s not about adulation (#3 notes with her gymnastics performances that she hates performing in front of a crowd), just the personal feeling of power. The others aren’t wrong that she enjoys battle in a terrifying way they do not, but it’s ultimately driven by a feeling in the moment, not an inborn sense that life is purposeless that leads to seeking out war in the long term. 

These two qualities combine to form a dynamic, a vicious cycle, with the rest of the group. When Rachel encounters something in life she believes is her duty to be a good person and help others, even though she doesn’t seek out such situations to feel special, she throws herself into it wholeheartedly (like as soon as she realizes she’s in a war now, in #4 I believe she changes all the inspirational quotations in her room to things like the Art of War). Combined with her general confidence, this leads to her throwing herself into danger bravely, which the others admire her for, and come to really need her in the role to give them the inspiration to risk their lives and untold horrors, which makes her play even harder into it to fulfill their need (even if she feels it is just a persona, as in #7 with her being “not brave, just blind”). This gets to the point where they, particularly Jake whose job it is to lead, use the others for their roles, and encourage them to keep those necessary roles, will outright discourage her from being anything else or showing any nuance or vulnerability (wee see this in #7 and #27). But the more she throws herself into danger and plays up her fearlessness and love of the fight, the more it triggers her love for the thrill and feeling of power of it which she recognizes is making her into her worst, cruelest version of herself. And the tragedy of it is that normally if she was recognizing she was a bad person in some way, she would stop everything to rectify that (like in #2 when she realizes she hasn’t been there for Melissa and immediately pivots to go as far as to risk torture and death to be there for her). But it’s precisely her commitment to goodness and duty that means she can’t this time, even if she knows the path is turning her into a monster, her friends and humanity as a whole still need her like this.  She is the type of character whose greatest strength is her downfall. This is particularly symbolized with her relationship with Tobias, who due to being a hawk is entirely enveloped in the Animorph life and can’t live “normally”. Every time Rachel goes out of her way to be there for him, she’s separating herself from the life she would want and reinforcing her worst impulses, and sometimes her narration expresses frustration with this, but she can’t turn away because he still needs her. 

And the others, even as they (particularly Jake) are parties to cajoling her into her role… as mentioned before, they don’t quite pick up on this. They mistake the long-term duty to do what’s right even if she absolutely doesn’t want it combined with the short-term thrill once she puts herself into a violent situation as one trait, a pride and ambition to be something greater than her normal life for the sake of glory. And while that combination of traits can look very similar (i.e her identification with hubristic classical heroes in #37), it’s fundamentally not the same, she expresses many times that she wants a normal life in the long term even if she enjoys fighting in the moment. She’s not constantly thinking about changing the world for the better unless the situation forces her into it (look at how she cares so little about politics that she doesn’t even know who her state’s governor is in #51, despite Marco expecting that she absolutely does and will chew him out for not knowing!) In fact, the whole point of #32 is that these are two separate traits, and when they aren’t put together she isn’t capable of the driven nature she normally exhibits, This misunderstanding leads to the others thinking she fully and uncomplicatedly wants all of this. 

It also leads to them underrating her compassion, often acting surprised or disbelieving when she shows it even when it’s not actually all that uncommon. For example, her statement that she cares for Tobias in #1 being followed by Jake’s narration saying that this is unusual for her. There’s also one quote about this I particularly like in #25, near the end when the Venber are killed. Marco’s narration goes  ‘ “Rest in peace”, someone said. It turned out to be Rachel ‘. It’s just one little line, but I find it fascinating how, even though the narrator Marco is attributing the rest of the dialogue completely normally, the idea that Rachel is capable of this solemn compassion is so against the image he has of her in her mind that he isn’t initially able to realize who said this, and that is really telling to Rachel’s dynamic with the rest of the group and how they view her.

Cassie and Rachel’s types of compassion are not the same, and that’s part of why the latter’s isn’t recognizes. Cassie is not just kind but diplomatic and able to keep calm in interpersonal situations, emphatic about the things she cares for most but willing to humble herself to get others on the same page. Rachel, on the other hand, comes from a place of confidence, willing to care but not to bend for others, and also a lot of anger deriving from that duty and compassion – towards those who harm others, like the Yeerks, for example, like in #38 when, realizing the Andalites aren’t coming and there’s no hope, she wants to at least take as many Yeerks down with her as she can and avenge humanity. Cassie, meanwhile, doesn’t let this passion for morality and justice lead her to revenge and instead goes in the opposite direction, seeing no point in killing if there can’t be a direct benefit of saving someone from it. And Rachel can just be plain angry and grumpy for reasons that aren’t about noble compassion, like when she is physically hurt (like #11 when she goes on a rant about the rainforest due to almost being eaten alive by ants). And most ironically, her anger and bitterness grows precisely when she is put in a trap where she can’t be a good person no matter what she chooses, where leaving makes her be uncaring and not doing her duty but staying will gradually turn her into a monster. This can be seen in #27 where her frustration at having to turn down T.T, both for himself and the normal life and escape from her darkest impulses he represents, because she owes it to Tobias, leads to her snapping at him and rejecting him in an especially cruel way, even though internally she feels compassion for him and doesn’t believe what she says. 

And that’s really the core of Rachel’s nightmares and breakdown in #48, and the rage and defiance she feels at Jake in her dreams. It’s not just the surface level of paranoia that her friends see her as a villain and hate her and anger at being controlled when she runs wild. It’s rage at being used as a soldier to fulfill a role, being outright criticized and belittled when she is anything else, and doing so willingly because it’s the right thing to do, only for them to turn around and hate her for the very thing they wanted from her and see her as the ”bad guy of the group” for whom they can separate out all of their criticism of the dirty and immoral parts of war while never questioning their own role in it. It’s a rage she can’t let herself express in waking life because she knows her duty is to follow Jake, but she can definitely have subliminally in a way that shows up in her dreams. And it’s also a fear that whatever her excuses, whatever her intentions, it doesn’t matter because she really is a monster, she really is morally worse than the others, and it’s just pathetic to insist otherwise.

This particularly hurts her with regards to her relationship to Cassie. The thrust of their arc is that, as I said earlier, they start out despite their differences, recognizing the same kindness and unflinching moral conviction in each other as in themselves, but that same conviction leads them on entirely opposite paths. In #19 Rachel expresses frustration with Cassie quitting the team because it shows her worst fear is becoming like Rachel herself – how can Cassie care so much more about feeling for her own sake like she’s a good person than actually doing good in the world, when Rachel would very much want to do the same but is making a huge sacrifice not to, and then look at Rachel like there never was a similarity between them, Cassie was always the only good person and Rachel is revolting? In #48 she keeps telling herself it’s just paranoia, just a dream, just reading too much into it and her friends don’t really hate her, but then in #52 Cassie snapping at her, in Rachel’s mind, shows her worst fears to be true. And I think it’s one of the underrated tragic moments of the series how, when we see Rachel’s perspective facing her death at the beginning of #54, she believes only Tobias will object to Jake sacrificing her because he cares about Rachel. Cassie, she believes, will only be upset because of the emotional impact it will have on Jake having to make such a hard decision. We as readers know this isn’t true; in #53 Cassie’s reaction to finding out what is happening is to be furious at Jake and upset purely about Rachel, and when we see her point of view in #54 she is very much grieving for her. But since Rachel’s last interaction with Cassie was her telling her she’s a horrible person and confirming her fears, that’s what she believes, and Cassie never had a chance to tell her otherwise. Never knowing that the best friend she ever had still cared, had never truly written her off as a lost cause.

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computer. one blunt. pre-rolled.

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You’re healing every time you

get out of bed because there’s something you’re excited about.

don’t think about people who left.

clean the clutter in the room and dishes in your sink.

smile at yourself and random people.

do something kind and out of the blue to make someone happy.

work out or meet with friends even though you have no energy to.

calm yourself down when your thoughts race.

remember to drink water.

don’t dwell on things you can’t control.

do things good for yourself, even though you have no motivation.

tell yourself that you’re growing from this, and you won’t feel like this forever.

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With vanilla extract being a meme, I wanted to share some black history of Edmond Albius a black slave who revolutionized vanilla pollination.

He used a technique he learned of pollinating melons to polinate the orchids to create the vanilla beans. Vanilla was rare and a luxury mainly due to only being able to be pollinated by its natural pollinator in Mexico.

unfortanely, he didnt receive any money for his discovery despite being called the main man who revolutionized pollination, he died in poverty...

everyone say thank you Edmond

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like how are the past 3 ppl who pissed me off all lightskin. YALL MOVE SO WEIRDDDDDDD

it’s rlly always a lightskin @ the scene of the crime😔

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it’s rlly always a lightskin @ the scene of the crime😔

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dreamt there was a disco elysium style game where you play as vegeta on namek. there was a multiple minute skill argument about trying not to piss yourself when frieza goes into his final form, and the line "no warrior would piss himself in fear. a warrior pisses himself as a threat" haunts me

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fucked up and evil that i Have been drawing and writing all through january but none of you are allowed to see it

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I love you hated female characters. I love you female characters that are labelled as weak because you don’t portray the typically masculine characteristics needed to be seen as strong. I love you female characters that have seen the horrors of the world and decided to stay kind and peaceful. I love you female characters that bake and garden and love. I love you female characters that are hated for your femininity. I love you female characters whose kindness is mistaken for weakness and who understand that war and violence should never be the first option. I love you female characters that are taken for granted and often labelled as ‘boring’ by a fandom unable to understand or even acknowledge the strength it takes to be kind in a world plagued by death and war. I love you kind female characters, I love you, I love you.

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I just included what seems like the most common range for having sex for the first time (skewed older because…. It’s tumblr)

Also I mean physical sex I’m not talking about sexting your internet friends 🤨

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been stuck in silph co for days this shit is so big 😭

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im not saying office jobs aren’t bad in some ways but its always very telling when people treat it like the WORST job at the bottom of the rung…because they have never had to face manual labor as a real option they would ever be forced to take.

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新世紀エヴァンゲリオン  Shin Seiki Evangerion Neon Genesis Evangelion BEC / Bandai Nintendo 64 1999