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Soon though, as Harry got older, and he understood Gibson more as a person, he realized that he had been doing it because he had seen how bored Harry was…how dejected that he felt because his uncle was sweet for coming to get him, sure, but it had always made him feel like an absolute nuisance. Gibson had gone out of his way to give him something to do and make him feel good about himself as well. 

When Harry understood that, he vowed to be loyal to him. 

But he couldn’t do it with this one. 

Because he wasn’t going to leave Y/N alone. 

or

Y/N just feels safe with Harry

part 4 of Y/N is taking care of Harry’s boss and she’s absolutely smitten

part 2

part 3

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60s and 70s bathrooms were so over the top

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Florence Pugh in Midsommar (2019) dir. Ari Aster

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Once Upon a Time in Hollywood (2019)

Directed by Quentin Tarantino Cinematography by Robert Richardson

“Don’t cry in front of the Mexicans.”

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Brad Pitt and Margaret Qualley in Once Upon a Time... in Hollywood (2019), dir. Quentin Tarantino

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 Moonlight by Edgar Ascensão

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This is Good Luck Joe!

Reblog for good luck on your upcoming week!

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Before January ends, I’m going to magically and extremely be blessed by the universe.

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© 2019 / AU / UNI / COMPLETE Fem!Reader x Harry     -     Total word count: 320.3k

SOY ASKS | SPECIAL FEATURES | PLAYLIST | CHAPTER SOUNDTRACK | INSPIRATION TAG | WATTPAD | MEMES | AWARDS

Part-time violinist and full-time procrastinator, Y/N, has a total of five problems after only the first week of starting Battersea, University of London.

1) Her flatmate keeps having sex with a bloke Y/N knows will eventually break said flatmates heart. 2) She can’t find a job in bloody busy London, and without one she’ll never be able to afford the violin of her dreams (or survive, for that matter, as she needs food). 3) She misses her little brother so much it hurts. 4) Jägerbombs used to taste better. 5) A very cute, yet annoying, guy named Harry keeps popping up everywhere, and she’s unsure how to appropriately flirt with boys as she’s only ever done so with girls.

Or, the short version, Y/N isn’t sure how she’s going to survive London; socially, economically, mentally, or sexually. - a story about moving away from home, comfort zones, making music, forming friendships for life, figuring yourself out, and the very thin line between ‘just friends’ and something more.

| YEAR 1 |

01. Presto. 02. Vivace. 03. Jupiter. 04. Allegro di molto. 05. La fille aux cheveux de lin. 06. Adagio non molto. 07. Lento assai. 08. Le cygne. 09. Largo. 10. Larghetto elegico.

| YEAR 2 |

11. Adagio. 12. Très calme. 13. Adagietto. 14. Adagio assai. 15. Amoroso. 16. Méditation. 17. Les cloches de Genève. 18. Recitativo. 19. Ballade. 20. Andante. 21. Schwanengesang. 22. i carry your heart.

| YEAR 3 |

23. Movement. 24. Elegie. 25. Love theme. 26. Poco allegretto. 27. Lacrimosa. 28. Shindler. 29. Sayuri. 30. Requiem. 31. Vocalise. 32. Swan lake. 33. The eternal scene. 34. Secret love. 35. Tristan und Isolde. / At the rainbow’s end.

Keep reading

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TOMORROW IS HALLOWEEN!!!

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to be so lonely is so loud

i’m:

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This is literally the last month you can reblog this joke

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a self insert fanfic: i brushed my long blonde hair out my face to show off my clear blue eyes and pale complexion

my colored ass:

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reblog and make a wish! this was removed from tumbrl due to “violating one or more of Tumblr’s Community Guidelines”, but since my wish came true the first time, I’m putting it back. :)

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Harry: I want your belly

Me:

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Don’t know what else to do

Guys - It’s been announced recently that the American Music Awards will be honoring me with the Artist of the Decade Award at this year’s ceremony. I’ve been planning to perform a medley of my hits throughout the decade on the show. Scott Borchetta and Scooter Braun have now said that I’m not allowed to perform my old songs on television because they claim that would be re-recording my music before I’m allowed to next year. Additionally - and this isn’t the way I had planned on telling you this news - Netflix has created a documentary about my life for the past few years. Scott and Scooter have declined the use of my older music or performance footage for this project, even though there is no mention of either of them or Big Machine Records anywhere in the film.

Scott Borchetta told my team that they’ll allow me to use my music only if I do these things: If I agree to not re-record copycat versions of my songs next year (which is something I’m both legally allowed to do and looking forward to) and also told my team that I need to stop talking about him and Scooter Braun.

I feel very strongly that sharing what is happening to me could change the awareness level for other artists and potentially help them avoid a similar fate. The message being sent to me is very clear. Basically, be a good little girl and shut up. Or you’ll be punished.

This is WRONG. Neither of these men had a hand in the writing of those songs. They did nothing to create the relationship I have with my fans. So this is where I’m asking for your help.

Please let Scott Borchetta and Scooter Braun know how you feel about this. Scooter also manages several artists who I really believe care about other artists and their work. Please ask them for help with this - I’m hoping that maybe they can talk some sense into the men who are exercising tyrannical control over someone who just wants to play the music she wrote. I’m especially asking for help from The Carlyle Group, who put up money for the sale of my music to these two men.

I just want to be able to perform MY OWN music. That’s it. I’ve tried to work this out privately through my team but have not been able to resolve anything. Right now my performance at the AMA’s, the Netflix documentary and any other recorded events I am planning to play until November of 2020 are a question mark.

I love you guys and I thought you should know what’s been going on.

Taylor

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“It’s Harry Styles.”