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untitled from ode to necrophilia (1962) - kati horna

leonora carrington in the picture

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Asha Puthli photographed by Andy Warhol, 1972.

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save me katharine hepburn for gods sake

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izumi suzuki and nobuyoshi araki

finally had the honour to read terminal boredom and all i can say till now is that i wish i could talk to her

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Woman Leaving the Psychoanalyst - Remedios Varo

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just watched again this episode of the fresh prince of bel-air (ep. 20 season 2) and its sad the way that the struggles are sold like this, philip banks claiming that in his comfort, he is doing as much as their friend, the struggle its not comfortable. but i believe still that this type of media is important to the black people (like me) and to non black people to understand the north american black people history

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when you live with something giant inside of you and you try to figure it out but seems like there is nothing wrong

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yeah...

halo, 2019, karolina halatek

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being a concept is real if you believe

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Locomotion aquatique, étude séquentielle des mouvements de nage de la raie - Etienne-Jules Marey - 1892

i've been posting a lot of works of art because im studying (more) art movements so this time im looking for chronophotography and its influency on surrealism as well

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Divine, 2008

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true

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The Ways of My Serpent Mother are Strange, 2022. - Velma Rosai

"[...] I spend a lot of my time alone and in silence, so I’m pretty much constantly tapping into this intuition. I find safety in being unseen, which has been great for my foray into painting. It began as and has remained a solitary practice. The silence of that solitude allows thoughts, sensations, and impressions to come through without the interference of rationality. Sometimes they’re in the form of images and symbols that can be quirky and otherworldly, without a frame of reference. By holding that connection, I can transfer them onto the paper – and share them."

Part of the interview with Velma Rosai by Joshua Segun-Lean on Contemporary And (C&)