hikaru9

[hikaru9]

Kalafina Get-Together💙🖤🤍

Wakana, Keiko and Hikaru shared some photos of the three of them getting together, presumably to celebrate today's broadcast of January's Kalafina Anniversary Live. Not sure if these pictures were taken today but they are definitely not from a long time ago. Based on Keiko's hair, her nails and her outfit, this must have been a very recent get-together, might even have been earlier today. Actually, Keiko was wearing the exact same outfit when she came to support Hikaru at her "Seven Deadly Sins" Live on May 24th. Maybe Wakana was there as well and they had a little celebration after the evening show? Hikaru does look pretty exhausted so it would make sense.

Anyway, so happy to see these photos😊

[hikaru9]

Bonus:

Kalafina Anniversary LIVE 2025

[hikaru9]

Kalafina Anniversary LIVE 2025

[hikaru9]

Kalafina Anniversary LIVE 2025

[hikaru9]

Kalafina Anniversary LIVE 2025

[hikaru9]

Kalafina Anniversary Live 2025 Report

It's finally here, sorry for the long wait!! Let me share some overall thoughts first( ^_^)/~~~

Venue: Probably the newest and fanciest venue I‘ve ever been to. Loved all the screens with Kalafina visuals. They had them across the entire area, some bigger, some smaller and a really big one in front of the venue itself. The theater appeared to be a bit intimidating at first glance but I actually appreciated the layout, I feel like you got to have a pretty decent view from most places, even in the upper balconies.

Collaboration events: This one was somewhat of a fail for me. Originally, I wasn’t too impressed with most of the collaboration food but I was still eager to get it, especially the stuff that was wrapped nicely. The chocolates looked lovely but they were already sold out when I arrived at 11:00 on the 15th.🥲Was also planning to get the katsu sandwich in the Kalafina packaging but that was sold out as well. Not afraid to admit that I cried a little when I realised I woudn't be able to get them...I did get one of those gorgeous tray sheets at Taco Bell at least🙌 Managed to secure one of those tiny photo cards too but meh, honestly nothing to write home about. Gave me the opportunity to write something on the message board though so that’s a good thing 👍 The whole gacha situation was a challenge to say the least. So exhausting! I got a numbered ticket (#127) for the queue so I could start lining up at 13:30 (was actually one of the first people to enter). This worked out pretty smoothly and everyone was able to enter earlier than expected. At first I was lining up in the wrong queue because they were telling people they had to go through the on-site merch sale area first. Thankfully, a staff member came over and guided me and some others to the direct queue (after all, I wasn’t planning to buy any merch since I had already made my reservation). My first gacha round didn’t take too long since most people were still busy buying merch and there were a total of ten machines (also had prepared my 500 yen coins the day before so I didn't have to line up to change my money). I was moderately lucky but didn’t get some of the items I wanted🙃 So after I picked up my live goods during my assigned time slot, I got back in the queue to do a second gacha round😅. This time the wait was long, probably an hour or so. Also, 10,000 yen just gone☠️Thanks to @concretebadger and my super kind friend, I managed to get the complete set! BANZAI🤗 I also got two lovely tokutens for participating in the big flower stand project (a postcard and badge of the drawing). Almost didn't get to meet up with the organisers of the project but thankfully I ran into them right before the start of the show (generally, I find it fascinating how many people I managed to run into despite the sheer amount of people at the venue - thanks to everyone who said 'hi').

Seat: I really liked my seat and am glad I went for the balcony area. Had a completely unobstructed view of the stage🥰It was a little further away of course but I did bring my binoculars so it was fine.👍 In my vicinity people were thankfully not very keen to stand up all the time so I had one less thing to worry about. The screens on the side were also a perfect size to see their facial expressions. The people in charge of the projections made sure to include a lot of close-ups 😍 Bless them!

Sound: Maybe it was just my specific location towards the left side on the balcony but the sound system was a bit off I think, or possibly the manipulator did a horrible job with the mixing? How did everyone else feel about this? The background music was often overly loud (if not to say obnoxiously noisy) and drowned out the vocals. During some parts, it was honestly hard to hear the girls among all the other noises. It was much better during songs that had a more simple or acoustic arrangement. The microphones seemed to have some issues too at times because there were a few distortions (?) which made their voices sound different (?) and occasionally, you just couldn’t hear them singing the beginning of certain lines - this could theoretically be chalked up to them being hesitant and starting too quiet (Wakana does that at times) but it happened a little too often to all three of them which is why I‘m assuming there might have been some technical issues.

Vocals: What are seven years? Nothing! It was like no time had passed at all! Some people may disagree but for the most part, the girls sounded amazing to me! I thoroughly enjoyed myself and very rarely heard notes that made me cringe. I was amazed how they managed to just pick up where they left off. Of course there were parts that were less flattering and they had some of their usual hiccups but I feel like they handled everything pretty well. Have they done better and more polished live renditions of some of these songs in the past? Probably (tho there were some stand-out performances that impressed me more than their old versions). Overall, there was clearly a lot of effort and love put into each and every performance and at the end of the day, that's all that counts for me. They didn’t “phone-in” their singing, they put all their heart into it and you could tell. I even liked songs that I am usually not such a huge fan of (e.g. “ring your bell” and “ Alleluia”). Also, say what you will but there’s a huge contrast between the YKL Kalafina covers and the real thing, it’s almost jarring how different they sound so I particularly appreciated performances of the songs that had previously been covered at YKL. Needless to say, I much prefer the real thing! It's just not the same without Wakana and I must say, Wakana delivered solid vocals during most songs that required those super high and long notes. Hikaru also did a great job and sounded powerful throughout most of the setlist. She was getting visibly tired though towards the end of the up-beat section (Wakana on the other hand surprised me with her stamina). As for Keiko, do I even have to say it? She delivered a fabulous performance as one would expect from her. She nailed all her epic long notes (e.g. “Hyakka Ryouran”, “Kyrie”, “Hikaru Furu” - she sounded better than she did during the 10th Anniversary Live if you ask me)

Production & arrangement: Honestly nothing special or outstanding. They kept it simple and remained faithful to Kalafina’s usual M.O. The focus was on their voices and there wasn’t anything extravagant to distract from that. On the contrary, I feel like there was a conscious effort being made to include more acappella parts to highlight their harmony. With the exception of a few instrumentals and solos, I don’t think Satoshi Takebe added a lot of creative twists to change the original sound. He even mentioned in a tweet that he wanted to pay tribute to Yuki Kajiura’s work, stay true to her music/style and not make it his own or anything.

Atmosphere: 1000/10. The girls were in such a good mood and determined to make this concert the best experience ever. It really felt like they had never been apart. Their interactions with each other were heart-felt and didn’t come across as staged or forced. You could tell how much they missed performing together. The audience was also super responsive and everyone seemed to have the time of their lives (myself included of course).

Setlist: Admittedly, it wasn’t what I had hoped for but it was pretty much what I had expected from this sort of live so I can’t be mad. And there were a few really pleasant surprises that I didn’t think they would include (“Hanataba”, “Lacrimosa”, “Kyrie” and “Hyakka Ryouran”). Also beyond happy that they did an acoustic version of “sprinter” because that’s so much better than the studio version (which I typically don’t like). Check out a detailed report below the cut 〈(•ˇ‿ˇ•)-→

1 oblivious: I knew it was coming and it’s usually not a song I’m particularly fond of but this performance may have been the best one I’ve ever heard (biased opinion but hey, you can’t blame me for that😅). The song kicked me right in the feels! Or maybe it was just like a dream come true to hear/see them together again! When they appeared on stage, they looked like angels. What a revelation to see them in all their glory once the sheer curtain was dropped. They sounded amazing, absolutely breathtaking! Was impressed by everyone’s vocals. Shout-out to Hikaru for her high notes! For a few lines in the beginning, Wakana didn’t quite sound like herself (the distortion I was talking about earlier?) but I am not sure if it was a lowered pitch or something the manipulator did on purpose to smooth out her voice. It sounded okay and wasn’t too distracting so I didn’t mind it. Later on, her voice sounded like it usually did during “oblivious” so maybe it was just a glitch or whatever. When Wakana and Keiko did their little back-and-forth duet thingy, I almost started crying because I had missed them so much. WaKei FOREVER 🤗

2 Kizuato: A bit bummed that they didn’t perform “Kimi ga Hikari ni Kaete Iku” (then again, I might have said so it was probably a good thing) but this was a beautiful performance so I can’t complain. The three of them once again sounded amazing and their harmonies were to die for.

3 Mirai: Typically one of their weaker live performances and this was no exception. But really, it’s about getting that connection with the audience, running around on stage, greeting the audience and having fun. I don’t mind if it’s not polished and I usually don’t even pay attention to that during this song.

4 Hikari no Senritsu: Felt a bit all over the place so I wasn’t quite able to get into it. The music was overbearing at times and it took away from the charm of a few individual lines. I expected to be touched by the performance since Keiko had been going on and on about how this was her favourite song to sing together but I didn’t have a particularly strong reaction to it. To be fair though, it has never been one of my favourite songs so that might have been the reason for my rather lukewarm reaction. An interesting cello solo from Masateru spiced things up a little but otherwise, there weren’t any significant changes.

5 storia: For this one, I always keep my expectations low regarding vocals because I know it’s a hit and miss when it comes to Wakana and Hikaru. It’s been like this forever so I’m not surprised to hear them struggling at times. Nevertheless, this is a song I have always enjoyed so I can easily look past minor issues. As expected, the girls did struggle a bit (Hikaru in particular didn't deliver the most flattering performance) but it was totally fine. That final chorus once again caught me right in the feels, especially the WaKei part🥹Both the YKL cover and Wakana's solo cover are still fresh in my mind so to finally hear the song as it is meant to be, feels like such a blessing.

6 ring your bell: The piano intro was a bit misleading and for a couple seconds there, I seriously thought they would be introducing a brand new song 😅 It was a nice touch though, I do enjoy intros like that (probably Takebe's idea). Surprisingly, I liked this performance more than I thought I would. I usually give this one a pass because I don't care for the unflattering vocals. I've never understood why it keeps getting performed when it is such a challenging song. But this time, I honestly enjoyed almost all of it (especially Wakana's parts at the end- she did a great job here). Those YK cover versions pale in comparison if you ask me.

7 Hanataba: What a surprise! 😮 Possibly one of their best (if not the best) performances of the night. Usually not a fan of the accordion but here I didn’t mind it. They made some minor changes to the arrangement to highlight the accordion and the vocals. The girls were on fire, especially Hikaru. You could tell she was happy that her chosen song made it onto the setlist.

8 Lacrimosa: From one surprise to another. I was actually expecting them to sing “Consolation” at this point because according to the previous MC, this was meant to be their “Consolation” album block. Would have been happier with “Consolation” to be honest but “Lacrimosa” was a nice treat too. The background music was quite loud again so some vocal parts weren’t discernible or got overshadowed by other stuff.

9 Manten: I don't remember much from it so it must not have stood out to me.

10 to the beginning: Never liked it but this time, I had a blast. A fantastic performance with so much energy and love put into it. The audience went crazy of course so that was also fun to watch. While I personally do not stand up for songs and categorically refuse to partake in any weird arm movements (clapping is the most I will do), I still think it's nice to see everyone so invested.

11 Kimi no Gin no Niwa with strings: This was beautiful. Just strings and piano. Quite a few more acappella lines than usual I think. Gorgeous arrangement.

12 sprinter with strings: What can I say? Perfect. No notes. Tears everywhere. So glad they decided to go for an acoustic version (by now we all know how much I dislike the studio version). It wasn't as emotional as that Arena Live encore performance but for me, it came pretty close.

13 Hyakka Ryouran: Became a big fan after the 10th Anniversary performance. Didn't expect them to include it once again in the setlist but I certainly didn't mind. This one was just as solid I would say although I feel like Keiko was actually a bit stronger here than she was back then, especially during her "yaiba".

14 misterioso: Meh, one of my least favourite Kala-songs but coincidentally, one of their most frequently performed tracks. I have always wondered why but I guess there are people who love it. Wasn't really into it so I don't remember anything significant.

15 One Light: Super happy about it. A perfect candidate for their up-beat corner and really a true banger. Don't think there has ever been a bad performance of this, they always slay. I believe they missed the mark a little on that moment where they all come together to raise their arms right before the climax. It felt a little rushed so the cameras for the screen didn't capture it properly XD (it was probably fine for those in the front rows who could see every detail up-close). Either way, the audience erupted into cheers when Hikaru did her infamous "yukeru" kneel.

16 Kyrie: Wooohoo, one of my favourite Kala-songs so I am always excited to hear it performed live. Certainly a surprise though because I didn't think it would be chosen for their Anniversary Live setlist. The audio was pretty messy during this one and I was sad to hear that Keiko's drawn out "Kyrie" at the end didn't get as much attention as it deserved.

17 Ongaku: It started out a little weird in a slightly different tempo than I am used to (at least I think so?). It was a minor thing but big enough to distract me a little for a minute or so. Keiko slayed though and Super!Wakana knocked it out of the park (loved how Keiko held her hand when she helped her walk up the stairs for the solo)

18 heavenly blue: A long-ass up-beat section comes to an end with another banger. After this one, Keiko even said that this was one of their most challenging corners they ever did. It's always fun when Keiko asks the audience after "Ongaku" if we can handle yet another up-beat song (of course we can!) and they transition right into either "Signal" or "heavenly blue" (pretty much their go-to songs for an epic ending). I do love "heavenly blue" so I am happy they included it. The background vocals during the bridge were a little too loud for my taste so you couldn't hear the girls properly (the bridge is one of my favourite parts of the song).

19 Alleluia: There was no doubt in my mind that they would either finish the main section or the entire concert with this song. Didn't expect to love the performance as much as I did. Usually not the biggest fan of the song since Wakana's parts are not particularly flattering for her and even Keiko tends to get a little shouty at times. But this time, I rally enjoyed the song and the minor issues didn't really register with me all that much. Guess I was just too deep into the emotions they were trying to convey.

En1 Magia: So glad they included this! I always thought it was a shame that it didn’t make it onto the 10th Anniversary setlist. We heard a lot of YK cover versions in the past couple of years (to a point where I was getting a little tired of the song) but this revived my love 😍 So good!! The guitar solo sounded weird to me and didn’t have a proper transition to Keiko’s bridge part but that might just be my personal perception. Maybe the guitar fans among you thought it was great😅Keiko’s solo also lacked a bit of oomph but I think it was her microphone’s fault 🙃Hikaru sounded a bit quiet too at times. Hopefully they can fix those minor issues with some studio magic before they do the TV broadcast.

En2 Hikari Furu: Sounded a little meh vocal-wise, certainly one of their messier live versions of the song and overall, one of the least enjoyable performances of the night for me. Lots of things came together here so I can’t put the blame on a single factor. For some reason, their voices wouldn’t blend well together and both Wa and Hi had a couple of screechy moments. Wakana sounded almost hoarse when she started singing (maybe she got a little emotional?) and at the end she had some very noticeable shaking during her long notes (I know she has that a lot for her solo stuff too but I didn’t really notice it all that much in other songs from that night but here it was hard to ignore). The background music was also quite loud during the climax of the song so it didn’t exactly help to make it sound better. Keiko delivered an awesome "mabushii asa" though.

En3 into the world: Perfect ending to be honest and again, nothing beats this, not even a YKL cover (although I will say that I enjoy those too). It was kinda bittersweet though. Obviously this song is about taking new paths, not knowing what lies ahead. And really, this is what we have to deal with right now.

At this point, the future is blurry, no one knows what will happen to Kalafina. The girls didn’t even hint at any possible future activities. There was just an endless amount of appreciation for the past and present. Every time one of them thanked the fans for patiently waiting for Kalafina’s return, I couldn’t help but tear up a little. Yes, the wait was rough and I am sure many people lost hope along the way but I personally always knew we'd see them back together again. And when Wakana straight up broke into tears during an MC (with Keiko comforting her and shielding her from the cameras), I cried like a baby (especially when Wakana cried even harder and made Keiko tear up too) 🥲 All the pent-up emotion just came to the surface. Hikaru on the other was determined not to cry throughout the whole concert. They are too precious for this world!! I really hope they don't cut this moment from the broadcast (but knowing them, they probably will). For the time-being, I’ll just follow Keiko’s advice and continue listening to Kalafina and love them🥰Who knows, maybe one day…? I'll never give up hope and I don't think the girls will either. While she didn't outright say it, Keiko couldn't help but utter a few hopeful words, more like a prayer actually, "叶うならまた~/And if my wish would come true, maybe [we can do this/sing together] again~" It was an amazing concert, I had the time of my life and will treasure those memories forever. Thank you Kalafina!!

Cannot wait for the TV broadcast to experience all of this again and to relive every little detail. I should have written the report right away (or taken some extensive notes) when my memories were still fresh but my schedule for the following days was simply too busy. Now I'm back home and fighting against a jet-lag so the finer details are escaping me T_T (I feel like I am getting a few things mixed up and don't even know which things happened in which MC)

[hikaru9]

Hikaru | KEIKO | Wakana

[hikaru9]

Hikaru | KEIKO | Wakana

[hikaru9]

Hikaru | KEIKO | Wakana

[hikaru9]

FictionJunction Radio vol.#22 ~ About Kalafina's Reunion and Yuki's Official Statement

A couple of days ago, Yuki announced that there would be a new FJS Radio broadcast coming up soon so fan club members were asked to submit questions. It was all done in quite a rush and fans only had one day to send their messages. Obviously, everyone (including myself) was thinking that Yuki would use that opportunity to do some further "damage control" after her official statement regarding Kalafina's reunion concert went viral and caused quite a lot of turmoil among fans. HERE's my translation of her statement. It reflects pretty badly not only on the organisers of the event but also the members of Kalafina which has led to many fans seeing this project as a sort of betrayal from Wakana, Keiko and Hikaru. It has since been very quiet on the social media front and there have been no updates from either Keiko or Hikaru.

Today, the new radio episode was posted on the fan club site and yes, Yuki is dedicating a large portion of it to this topic. Bless her! The latest mail magazine also includes a brief message from Yuki Kajiura. I'll go through some of the important parts of that before I tackle the broadcast. Please note that I will not be providing full translations. This will be more of a round-up of all the highlights.

Regarding the statement I posted on X the other day (I apologise to those who have not seen the post. A proper explanation is provided on the radio broadcast.) I tried my best to convey everything to FJS members as honestly as possible. This is a decision I made after much deliberation, I was worried about whether or not I could be causing further distress by repeating all of it again. It goes without saying that everything I am talking about in the broadcast is true, but to be honest, there were some questions that I intentionally chose not to address. However, this was not because of "adult matters" but because I wanted to avoid hurting anyone more than necessary, so I hope you will understand.

I think I've said everything I wanted and felt like I needed to say about this matter on the radio episode. I'm grateful that so many wonderful musicians and singers have been involved in the music I've created up until now. Even if we are not always on the same stage, I always hope that each and every one of them will continue to make music in a bright, fun, interesting, and cheerful way, in their own way and on the path they have chosen.

Once again, I apologise for causing you all trouble and concern.

Yuki Kajiura

───── ⋆⋅☆⋅⋆ ───── ───── ⋆⋅☆⋅⋆ ──────────

FJS Radio Vol.#22 »»—— CLICK ME 🎁 CLICK ME ——««

❗This is Fan Club EXCLUSIVE content❗ ❗PERSONAL USE ONLY❗ ❗Do NOT SHARE on other sites❗

At around 24:00, Yuki starts talking about all the questions she has received regarding her statement in response to the Kalafina Reunion Live announcement. Yuki appreciates that everyone was very careful/kind in their phrasing and clearly tried to not step on her toes. To clear up some confusion and in order to answer a few questions, Yuki is doing a more in-depth discussion of the situation. Initially, she just wanted to write a short text for the fan club mail magazine but she didn't feel like it was enough so it ended up becoming a main topic of the radio episode. This way, it was easier to eliminate uncertainties. 

When she first saw the announcement, her reaction was to ask herself "why??". She was basically in shock. After all, she had not been informed of the project so it was complete news to her. Soon after, it got very awkward for her when she started to receive a lot of inquiries and messages of fans congratulating her on Kalafina's comeback. Naturally, this made her feel very uncomfortable since she had nothing to do with it. Additionally, there was some confusion among fans about the extent of Yuki's involvement because the official announcement from Kalafina Staff did not mention her name at all but both Keiko and Hikaru mentioned her in their statements. For these reasons, Yuki felt like she had no choice but to make her own statement in order to clarify a few things.

She still does not know all the details, for example the exact reasons behind the secrecy and why the members were not able to talk about this to her in advance. Or if this is going to be a one-time thing or if Kalafina will resume their activities.

Yuki says that her statement might have been perceived as quite "angry" because of her usage of certain "strict" phrases (like Kalafina-san, ございます/gozaimasu", etc) but she wants to clarify that she is really not the type to be angry, it was more a sense of shock that made her write like this and the fact that she wanted to stick to very precise/formal language in this "official statement". She wasn't angry or trying to scold anyone. The main focus was actually supposed to be on the latter half of her statement but due to her phrasing, everyone was focusing on that first part (to a point where people were starting to draw false conclusions). She thinks that even the Kalafina members themselves must have been quite taken aback when they read the statement. It was never her intention to create so much backlash for the project/the Kalafina members and she doesn’t approve of it. To avoid further misunderstandings, she posted some follow-up tweets and ultimately decided to record the radio episode. Yuki wants us to know that the sentiment she was trying to convey was fundamentally positive. She does wish the members of Kalafina all the best and she knows that they will do an amazing job. She repeats this several times.

Of course she would have wanted to do a live concert together with Kalafina, it was always a dream she pursued and something she had discussed with Keiko and Hikaru during their activities together. But there were a lot of hurdles and it was going to take a long time. There was no way of knowing if it was ever going to happen (especially with Wakana still being signed under Space Craft) so she completely understands that the girls would look at different options just to somehow make this concert happen. They were undoubtedly presented with a good opportunity so it would have been unwise of them to not take that chance, especially since it offered a faster solution. With an appealing offer like that, it's only natural that the Kalafina members would have agreed to the project. Despite feeling sad, Yuki knows that sometimes things like this happen in life. When things don't work out one way, you need to try other options. She doesn't fault the members for going down a different path. In fact, she wishes nothing but luck to the girls. She supports them all the way and highlights their splendor as singers (especially Keiko who she admires for her discipline). They all continue to have a good relationship and Yuki will always see them as her "music nakamas".

She is also looking forward to working with Keiko and Hikaru in the upcoming Asia tour. She is sure they will have fun together so there is no need to worry. The same applies for the summer tour next year.

Yuki then goes on to talk a bit about Satoshi Takebe who she highly respects as "senior/senpai". He actually reached out to Yuki after this whole debacle and they talked about how he kinda ended up bearing the brunt of fan hatred which Yuki found very uncalled-for. She is sure he will do a great job as music director for the concert. And it's not a matter of him stepping in to replace her as producer because his role as music director is not the same as what Yuki did in her role as producer. He is just doing his job. And he always wants to do the best he can so he will make sure to make Yuki's music shine.

Last but not least, Yuki actually addresses the infamous BLOG that I wrote about HERE. She read through it and she wants us to know that all the "supposed facts" are fabrications, complete fantasies, especially all the conspiracy theories regarding Sony wanting to get rid of her and trying to control her.

All right, this was really insightful. Love that Yuki is pretty frank. I think this is her basically clearing up the tension and offering an olive branch to the members of Kalafina (and Satoshi Takebe). She is putting out all the stops to convey a positive message and she is using every opportunity to hype up this project. Her fondness for the girls is also very apparent, she uses the chan suffix almost all the time when she refers to them and she praises them frequently throughout the entire episode. So there is no doubt that they are still on good terms with each other. There has been no falling out or anything!

Now is honestly the best time for the three of them to become active on social media again and release some genuine and heartfelt statement. I feel like this is the only way to salvage this current disaster of a situation. I mean, they can't let this drag on forever. I am actually a little sad that it seems like the girls haven't already talked the whole thing through with Yuki but now is their chance.

They all have events and concerts coming up and the general lottery for the reunion live is about to start soon so they need to come out of their hiding place asap.

───── ⋆⋅☆⋅⋆ ───── ───── ⋆⋅☆⋅⋆ ──────────

PS: There's no need for people to bombard me with tons of messages about stuff like this. Of course I have seen it! Of course I've read/listened to it! Of course I'm going to post about it! Of course I will be providing all the info! Rest assured that I will always try my best to keep everyone updated. But please, give me some time!! I have a real life with a full-time job. Running this blog is not the only thing I do in life so I can't always post about everything right away (even though I would like to).

[hikaru9]

KALAFINA REUNION 📢IT'S TRUE📢

Why did I even go to bed last night??! Damn it, I lost precious time. Anways, many of you must have seen my post last night about that ominous Nikkan Sports article speculating about a possible comeback of Kalafina. I honestly thought it was fake news since it contained a ton of unconfirmed/uncredited information. However, there was lots of interesting stuff that kept me from dismissing it entirely. I mean, who would go through all the trouble coming up with details such as specific quotes or exact concert details? Turns out they mostly got the dates mixed up but the rest was true. At noon Japanese Standard Time, we got all of our official announcements. Here's the gist of it〈(•ˇ‿ˇ•)-→

Kalafina Staff Posts 1 & 2 on Twitter

Announcement of "Kalafina Anniversary LIVE 2025" Date: Wednesday, January 15, 2025 Open at 17:30 /Start 18:30 Venue: Tokyo Garden Theater Performers: Kalafina (Wakana, Keiko, Hikaru) Music Director: Takebe Satoshi

To everyone who loves and supports Kalafina We have decided to hold a "Kalafina Anniversary LlVE 2025". We want to sing together as a trio again, knowing that you all have always cherished Kalafina, even while we are doing solo activities. We look forward to seeing you there! Kalafina (Wakana, Keiko, Hikaru)

Ticket sales are scheduled for the following dates: ■Wakana/KEIKO Fan Club Advanced Lottery October 10, 2024, 11:00 - October 20, 23:59 ■Hikaru X (formerly Twitter) Advanced Lottery October 25, 11:00 - November 4, 23:59 ■General Ticket Lottery November 9, 11:00 - November 11, 23:59

Keiko Posts 1 & 2 on Twitter & Fan Club Site & Tristone & Instagram post

To all our supporters We have decided to hold a "Kalafina Anniversary LlVE 2025". Through my solo activities and activities with FictionJunction, I have had many new encounters and taken on new challenges, and I am where I am today thanks to the support of many people. This is a personal matter, but the reason I took a break from singing and then decided to sing again was because of Yuki Kajiura's music. And it was the feelings of everyone who has supported us up until now that led to this event. I am grateful for those feelings, and I am simply happy that the three of us can deliver Kalafina's music again. I am truly looking forward to seeing you all next year. KEIKO

Hikaru's Post on Twitter and Instagram

To everyone who always supports us We are happy to announce that we'll be holding a "Kalafina Anniversary LlVE 2025". Even during my solo activities, I always got a strong sense of everyone's love for Kalafina. I'm grateful we are getting this opportunity to sing together again as a trio and to perform all those treasured songs which Yuki Kajiura has written for us. I hope we can raise a new flag together with all of you. I look forward to seeing you there that day! 2024.10.03 Hikaru

Wakana Posts on Twitter & Botanical Land & Instagram post

(We finally have an official statement from Wakana on her Insta) It has been decided that an "Kalafina Anniversary LIVE 2025" will be held on January 15th next year. From 2018 to the present, we have each pursued our own music, but we have decided to sing together again. I would like to express my sincere gratitude to all of you who always think of and love Kalafina. I am very much looking forward to meeting you all.

Satoshi Takebe Tweet

Today I had a meeting with some artists I truly respect and had a beer in the middle of the day 🍺 We had a fun afternoon. I hope there will be lots of fun things to do next year too. I can't say anything yet, but I'm already working on some exciting projects!!

Tweet by Yuki Kajiura

Regarding Kalafina I've received some inquiries in relation to the most recent announcement of an upcoming Kalafina Live Concert so I'd like to use this opportunity to clarify that I, Yuki Kajiura, will not have no involvement whatsoever in this concert. Furthermore, I have not received any advance notice or explanation from the organisers or any of the group members. Given the situation, I am therefore unable to answer any questions. I apologise, but any future inquiries regarding Kalafina should be directed at the organisers and official agencies of the group members.

I believe the members of Kalafina have decided to step away from me as their producer to go on a new path that is not related to me. I had been searching for a way to work together again in the future to create new Kalafina music but that will no longer be happening. It is very unfortunate but this is the road that each member has chosen. We are all individuals searching for our personal musical path so things like this happen.

As you all know, the three of them are truly wonderful singers so I have no doubt that they will continue to deliver amazing vocals and music to their fans. I would like to express my sincere gratitude once again for the privilege and happiness of having been able to create music together with them for nearly ten years, and I wish Kalafina continued success in the future.

Yuki Kajiura

───── ⋆⋅☆⋅⋆ ───── ───── ⋆⋅☆⋅⋆ ────────── ⋆⋅☆⋅⋆ ─────

Wow. All of this is wild. I don't even know what to say. I can hardly believe it. On one hand, I am beyond happy and excited. There's no way I will not be there for this concert and everything beyond that. But on the other hand, all the announcements make this feel a little bittersweet. The personal statements by Wakana, Keiko and Hikaru don't necessarily feel disingenuous but they sound a bit flat and forced. Sadly, there's no personal statement from Wakana yet. Obviously, the elephant in the room is Yuki Kajiura's statement and her exclusion from the entire project. The way her statement is written comes off as quite bitter, passive aggressive and honestly a little petty which doesn't bode well for the future (maybe her manager Mori asked her to phrase it in such a way to make the organisers look bad. And I can understand why she would feel frustrated at being excluded like that). Mostly, I interpret her standoffish attitude as a way to strongly distance herself from the whole thing and not so much as an attempt to bash the members (the latter half of the statement would indicate that at least). Also, she already seems to regret posting such a harsh statement. I truly do not understand what is going on behind the scenes to cause so much hostility between Yuki Kajiura, her management and whoever is pulling the strings for this Kalafina reunion (presumably Space Craft's management). My best guess is that Space Craft is at least somehow involved in this project since both Wakana and Satoshi Takebe are able to participate (Takebe is not affiliated with Space Craft but he's been in charge of almost all of Wakana's solo work so maybe there are some ties to the agency).It looks like Space Craft are adamant about not working together with YK (same old childish attitude). Then again, Satoshi Takebe has enough influence in the industry to organise a project like this without the help of Space Craft. Maybe Sony is also involved? I have no idea. Hope we are getting more details once the ticket lotteries start.

I wonder if this was a spur of the moment thing once they realised how much hype there still exists for Kalafina after that "ring your bell" performance at the FSN event...Overall, the timing is so weird, Why now? I mean, this doesn't sound like it has been in the making for a very long time based on the fact that Yuki Kajiura didn't even know about it. Keiko and Hikaru literally collaborated with her a couple of weeks ago so how did this topic not come up even once???! Wonder how it will affect future collaborations between Yuki, Keiko and Hikaru? They still have the Asia tour dates coming up in November so I can imagine it would be kinda awkward to work together after this bomb has been dropped. Will they still be covering Kalafina songs? Either way, I refuse to believe tha there has been a real falling out between any of them. It comes across like a series of unfortunate events. Maybe some miscommunication and rushed action but nothing that couldn't be cleared up with a proper conversation.

One thing I'm also curious about is whether or not Satoshi Takebe will take on the role as producer for future music (if they are even planning to go down that route?? It does sound like they might have new projects/releases in store for us...I do feel a little conflicted about that since Yuki Kajiura is such an important component of Kalafina. This is basically what I thought would happen back in 2018/2019. With someone else coming in to take charge of the music production. Back then I wasn't completely against the idea since I was convinced the girls could make it work (especially with the help of someone as established and competent as Satoshi Takebe) but it certainly wasn't my preferred option. Ughhh, I will remain open-minded for the time being. My love for Wakana, Keiko and Hikaru goes beyond anything so as of right now, I feel happy and excited. The live in January will be a celebration of Kalafina so there's no way I'm not going. If they continue to hold "tribute" concerts like this, it will mostly be a nostalgic cash-grab but hey, I'm the target group for that. They can have all my money. And I can definitely see myself supporting them in future projects even with Yuki Kajiura out of the picture.

It goes without saying that I will not tolerate any hate towards the girls on this blog! If you are bitter that Yuki Kajiura is not involved, that's your prerogative, I'm sure this will antagonise quite a few hardcore YK fans. But please, don't shit on the members for making this decision. I'm sure they put a lot of thought into it and felt like this course of action was in everyone's best interest. They are clearly thinking about the fans, their own passion/love for Kalafina's music and obviously their careers within the industry.

[hikaru9]

KEIKO LIVE in the DARK -Sagittarius- LIVE

Today, Keiko held her two Planetarium shows. Here are some pics! Tweet by Keiko |

Title: 『KEIKO LIVE in the DARK -Sagittarius- K019〜K020』 Date: 2024/7/26 1st stage｜18:30 Start (18:00 Open) 2nd stage｜20:30 Start (20:00 Open) Venue: Konica Minolta Planetarium “TENKU” in Tokyo Skytree Town® Event Homepage: https://planetarium.konicaminolta.jp/livedark/keiko2024/

Setlist (Source) (Everyone was pleasantly surprised by Te to and MnY. Keiko was also playing the guitar for MnY. Keiko also explained that she feels more comfortable singing Kalafina songs after learning to play the guitar. It has changed her approach to singing and it has given her more confidence)

・Alcohol ・Yūyami no Uta ・Kimi ga Nemuru Kara ・close to you ・Yoru no Uso to ・Te to Te to Me to Me (Kalafina) ・Mune no Yukue (Kalafina) ・Kaze no Machi e (FJ KEIKO) ・Burn in the Wind ・Inochi no Hana (1st) | Tōmei (2nd) ・Your

More Photos of Keiko & Hikaru from 『Hikaru B-day LIVE 2024 -love Begets love-』

Hikaru has also been sharing a lot more photos from her birthday live. I added most of them to THIS POST here but I thought the latest ones needed a new post (especially since Keiko is featured in some of them.)

Instagram post 1 | post 2 by Hikaru

[hikaru9]

FINAL FANTASY VII REBIRTH (2024) dev. Square Enix

[hikaru9]

KEIKO - Yuuyami no Uta (夕闇のうた)

[hikaru9]

Music Video for “Yūyami no Uta”

The official music video for Keiko's upcoming single “夕闇のうた/Yūyami no Uta” has just been uploaded to YouTube. Be sure to check it out.

Waaaaaahhh, I'm obsessed!! Need some time to process this.

Digital Release

In other news, the full version of the track is now available in digital format. You can purchase and stream the song on various sites (mora, iTunes etc) and streaming platforms (Spotify, YouTube, Apple Music, etc). • ————— ¤ ♫ ¤ ————— • BUY the album on mora (TUTORIAL here) BUY it on OTOTOY BUY it in your local iTunes store • ————— ¤ ♫ ¤ ————— •  

Link: https://avex.lnk.to/yuyami_full

[hikaru9]

KEIKO Planetarium Live〜Starry Night〜 & Chocolate meating#3〜Starry Night edition〜 Live Report

I experienced so many amazing things during my recent Japan trip but for some reason, this special planetarium event left the most lasting impression so that's why I wanted it to be the topic of my first live report. Below you'll find an abundance of fangirling and mindless blabbering so please brace yourselves! The post will be divided into the following sections to make it easier for you to get through.

General Info

Preface

Merchandise

Venue

Performance

Fan Club Exclusive Part

General Info

Instagram post by Keiko | Tweet by Keiko | Tweet by Yuriko

『KEIKO Planetarium Live ~Starry Night~』 [Date] Sunday, December 17, 2023 [Time] Open 14:30 / Start 15:00 [Ticket fee] 8,000 yen (tax included) [Venue] Konica Minolta Planetaria TOKYO DOME1

FC Exclusive 『Chocolate meating #3 ～Starry Night edition～』 [Date] Sunday, December 17, 2023 [Time] Open 17:00 / Start 17:30 [Ticket fee] 8,500 yen (tax included) ※FC exclusive benefit included [Venue] Konica Minolta Planetaria TOKYO DOME1

Preface

When this was first announced I was devastated because at that time, my trip to Japan was scheduled to end on Dec 14th. But with both Wakana and Keiko announcing solo performances after that day, I was determined to find a way to extend my stay. Initially, I was hesitant because I knew there was no way to change my return flight. I would ultimately lose a significant amount of money and on top of that, I would have to book a new one-way return ticket for a later date which would cost me a fortune as well. After considering all my pros and cons, I ultimately decided to go through with the whole thing because I knew I would probably hate myself forever if I didn't use that opportunity. Of course it also hinged upon whether or not I would manage to get a ticket for the fan club performance in the evening. I knew my chances were super slim due to the tiny venue (~100 people) but luckily, I won a ticket. At that point I knew that I had no excuses not to go XD This is by far one of he craziest and most irrational things I've ever done so for some time I was afraid that I would end up with horrible regrets but I am happy to report that it was worth every penny for me. Not only was Wakana's concert amazing, these two Keiko performances absolutely blew me away with their intimate nature and unique atmosphere. Can you believe that this was actually the first time for me to attend a Keiko solo event? I had purchased streaming tickets for all of her online lives of course but I had never been to an on-site event. And for a while now, I have been asking myself if I would even enjoy a one-man live like that since - as we all know - I am not particularly fond of a lot of her solo releases but, lo and behold, my love for Keiko and her music was 100% reaffirmed. I am so glad that I took the plunge, I couldn't be more grateful to have been able to be there for this amazing experience. On this note, I wanna give a big shout-out to my friend Pae who encouraged me from the get-go to come to the event and who got our tickets for the day performance. It was a general sale on a first come-first serve basis and she really knocked it out of the park with her professional ticket purchasing skills. I definitely could never have done it that quickly so kudos to her. Here's a picture of little old me, Pae and her friend from Thailand.

Merchandise

I wanna take a few moments to talk about the live goods because I am utterly smitten with everything. The acrylic stands and the block are particularly pretty but I am also obsessed with the polaroids. I almost couldn't contain myself and since they didn't have any limits as to how many pieces one person could buy, I naturally went all out. Don't worry, I didn't buy that much since I was still reeling from how expensive it was to extend my trip. Also, I was one of the first few people in line so it would have been rude to buy an excessive amount, there were a ton of other fans around after all, they obviously also wanted to buy a lot of merch. While they prepared plenty of the random polaroid magnets, they unfortunately didn't really bring enough of the acrylic stuff. By the end of the day performance, the acrylic stands were already completely sold out and after the evening performance, the acrylic block was gone too. I guess that means that even if we get an online sale at one point, they will only sell the tote bag and the magnets...or maybe they'll produce another batch of all the acrylic items...We'll have to wait and see...I could see myself buying some more polaroids if they become available online. I only got two pieces with a handwritten message by Keiko so it would be nice to have more. But they are not exactly cheap so I'll have to think about it.

Venue

The venue was...not what I had expected XD. The pictures online of Konica Minolta Planetaria are a bit misleading but I guess that's because they only ever feature Dome 2 and not Dome 1 which is significantly smaller and doesn't have any of the fancy seats. Our seats were little more than reclining beach chairs with a little table but oh well, I didn't come there to be seated comfortably so it didn't bother me too much. At the end of the day, it was a good thing that the dome was so tiny because it made everything feel so much more intimate. And let me tell you, when I say intimate, I mean intimate. I've never ever been this close to Keiko (and I've had my fair share of close encounters with her). There were no assigned seats for the performances, everyone just had a number on their ticket and we were allowed to enter the dome in order of that number. As mentioned earlier, Pae was super fast getting our tickets so we ended up with the numbers 5 to 7, meaning that for the day performance I got a seat right at the front with a clear view of Keiko. There was no stage or anything, just a bit of basic equipment, some microphones and two stools. This meant that there was barely any space between the front row and the artist area (1 metre maybe). Needless to say, I spent the entire time looking at Keiko XD. I almost felt a bit bad because I was missing out on the lovely projections but to be fair, it was actually quite hard to get a good view of them this close to the front so the best option for me was to just stare at Keiko. During the break I bought myself a yummy galaxy donut which was almost too pretty to eat but at that point I was starving so I literally devoured it. For the FC exclusive evening performance I wasn't nearly as lucky when it came to my number. I got #71 so I ended up in one of the last rows unfortunately. From the first performance I knew that Keiko would be entering from the back door on the left side and walk through the audience so I at least made sure to take a seat close to the door so she would walk right past me (which she did so YAY but more on that later). On another positive note, the seat in the back made it possible for me to get fully immersed in the projections without being too distracted by Keiko. It was truly breathtaking to see all these space-themed vivid images across the ceiling.

Performance

It feels like I have already talked so much about the whole thing but I haven't mentioned a single thing about the actual performances so let me rectify that. I've already alluded to it in the beginning of this post, Keiko was absolutely stunning and I am obviously not just talking about her looks. Her vocals were out of this world, every single song of the setlist flattered her so much, there was not a single misplaced note as far as I could tell. Due to the nature of the event, it was of course a very understated performance, there was no wild movement or crazy choreography, it was just Keiko standing/sitting there being illuminated by the tiniest of lights, just enough to still see her but never enough to distract from the visuals. After all, the main focus were supposed to be the projected images and for the most part, that was the case. Only occasionally they would shine some more light on Keiko (mostly during MCs). As you can see below, the setlist was full of ballads and OMG, I couldn't have been happier about that. She sang almost all my faves so I was pretty much in heaven for the first half of the live. Almost started crying during 通り雨 because it was painstakingly beautiful. キミガネムルカラ and 夕顔 were also true gems to experience live, so haunting and mystic. She brought out her brand new guitar for songs #4 to #6 and while I have never been the biggest fan of acoustic guitars, Keiko really managed to make me fall in love with the sound. Both her and her guitarist did a fantastic job arranging and performing these tracks. Also, I was quite surprised to hear Yas Nakajima provide backup vocals for Keiko during Burn In The Wind, their voices match perfectly.

The cover section was admittedly a bit of a let-down for me since the chosen songs are not exactly among my favourites. That's not to say that I didn't enjoy myself or that Keiko didn't deliver the songs flawlessly, it's just that I don't really care all that much for the songs themselves. There were some really gorgeous high notes though so I really can't complain. Speaking of covers, I was super hyped when Keiko announced that she would be singing 風の街へ, a self-cover of her first FictionJunction KEIKO work. I had a feeling she would maybe sing it (since it's obviously a perfect fit for this sort of atmosphere) but Pae kept telling me that it probably wouldn't be happening. Glad I was right about that. During the MC, Keiko was talking about her upcoming single 夕闇のうた so for a while I was sure she would just sing that but she ultimately did not perform it. We got to hear the full version a few days earlier at Kaji Fes. so I wasn't too disappointed that it didn't make it onto the setlist of the planetarium live (also, if I am being honest, the song hasn't really grown on me yet so it's not like I'm dying to hear it again and again). Instead, she chose the song that marked the very beginning of Keiko's journey together with Yuki Kajiura and really, I can never get enough of it. It's one of my very favourite YK x Keiko collaborations and it's always such a pleasure to hear it live. It was only my second time so I couldn't have been more grateful. The final three songs were a nice change of pace with more involvement from the audience and more focus on Keiko rather than the projections. I certainly didn't expect ラテ to make an appearance but with the pretty lights, it worked surprisingly well. The whole thing had a very futuristic feel to it if you know what I mean. ユア has slowly been growing on me and it's just such a feel-good song that I cannot stop vibing with it (similar to Wakana's Happy Hello Day actually). The ending was beyond epic, エンドロール is such a cool song. I just wish I had known the lyrics so I would have been able to sing along properly (I have zero skills when it comes to memorising lyrics) . Keiko tried to prepare us with a few test-runs but I kept mixing up some lines T_T Oh well, I had a blast so that's all that counts! The one thing I felt kinda sad about was the fact that we didn't get an encore but I guess they had to keep the performance short...?

M-1キミガネムルカラ M-2夕顔 M-3通り雨 M-4夜の嘘と M-5Lost M-6Burn In The Wind M-7駅 by 竹内まりや (Cover) M-8ルビーの指環 by 寺尾聰 (Cover) M-9秋桜 by 山口百恵 (Cover) M-10 風の街へ (Self-Cover) M-11 ラテ M-12 ユア M-13エンドロール

Fan Club Exclusive Part

When I entered the dome for the fan club exclusive evening performance, I was given a large envelope by a staff member containing a message card by Keiko. The scan above features the picture which makes up one half of the card. So pretty! (Please keep in mind that this is fan club exclusive!) As mentioned earlier, I had a seat pretty far in the back during this performance, I was still close enough to have a good view of Keiko but I decided to focus on the projections this time around since Keiko jokingly mentioned a couple of times that she felt so many eyes on her and that we should try to enjoy the gorgeous view above as well. With the way she said it, I could tell that she wasn't annoyed or angry about it but she genuinely just wanted us the get the most out of the experience. And yeah, I have to admit, it was amazing to just lean back and watch the gorgeous space visuals while being gently wrapped by Keiko's vocals. Also, for some weird reason, the seats in the back were much more comfortable than the ones in the front row so that made it a lot easier to just relax. The setlist was the exact same and Keiko's performance was just as good. There were some technical issues with the projections at one point so the staff asked Keiko to take a little break and entertain the audience for a while so they could fix the problem. Keiko was really cute during this section because she struggled to come up with something to talk about. All her other MCs had been rather short and straight-to-the-point so there wasn't really anything to talk about. She even admitted that it was quite hard for her to just talk to an audience without having anyone on stage with her to create a sort of a back and forth. Unfortunately, her guitarist was pretty useless in that regard since he didn't feel comfortable at all talking XD Keiko ended up blabbering on and on about the most random stuff and eventually talked a bit about the guitar arrangement for 秋桜 which she found quite impressive. After they had fixed the issue, we went back to the regular program for a couple of songs until Keiko announced that it was time for some special games since this was a fan club event after all. First, we played a few rounds of a Maru-Batsu-Quiz (True-or-False-Quiz). They had prepared some Keiko-trivia questions. Everyone was asked to stand up and with every question people either answered with "true" (fist) or "false" (open hand). Those who answered incorrectly had to sit down so fewer and fewer people remained standing as time went by. Some of the questions were a bit tricky so all you could do was guess. Unfortunately, I wasn't one of the lucky winners at the end. Although I will say that these games are mostly based on trust since you can always pretend to have made the correct gesture or change your gesture in the right moment (it's hard to verify stuff like that). There were a handful of guys who won the first two rounds, they got to walk towards the front and Keiko gave them a little present (some snack souvenirs from the most recent Asia tour-leg, nothing too exciting). Then we were all surprised because for one round the last person standing happened to be none other than Yuriko Kaida. Turns out she had been sitting right behind me all this time (her seat was the closest one to the back door in the very last row). I did not expect her to actually collect her prize (especially since Keiko mentioned that Yuriko had gotten the exact same souvenir in Taiwan) but she did. It was a treat seeing them interact like that. They are so funny together and it was during those moments that you could immediately tell that Keiko became so much more relaxed and talkative once she had someone on-stage with her who she felt comfortable with. As a final game, we did one round of rock-paper-scissors which once again, I wasn't lucky enough to win but I guess it just wasn't meant to be T_T

When the show was over, Keiko walked through the audience towards the door in the back and that's when my seat choice really paid off. She got super close to the people who had an aisle seat, she made eye contact, waved at us and even did little high fives with the one or the other female fan who dared to initiate a gesture like that (of course I didn't because I am too chicken-shit for that). Once Keiko was gone, Yuriko was also ushered outside. Some of us were still hopeful that we would get an encore, especially since they had closed the exit again but alas we didn't get one. However, we were all in for a special treat when it was time to finally get up and leave. When they started playing the usual after-live announcement it was obvious that there wouldn't be an encore so I took my stuff and headed towards the back door which a staff member was just about to open. That's when I realised that Keiko was standing right outside the door, waiting for the audience members to give each one of us a private send-off. This is a common occurrence with fan club events in Japan but I've never had it happen with Keiko before so this was super special. Also, during and even long after the pandemic, situations with close encounters like that were strictly avoided so I didn't really expect them to do a send-off. Seems like we have finally moved past those restrictions! BANZAI! Anyway, I literally froze in place when I saw Keiko standing there because I was scared to be the first one to be greeted by her. I waited a few seconds so a handful of people could walk out before me. This way I was able to observe what other fans were saying to her and how much time the staff allowed each person with Keiko. I know, it probably sounds ridiculous to you but this sort of stuff stresses me out immensely, I prefer to be at least a tiny bit prepared. I was probably the fifth person to walk outside and most people inside the dome were still putting on their clothes or picking up their stuff so there was not really a line behind me or any type of rush. When I got in front of Keiko, we both did the crazy waving thing again while I thanked her for everything. Then I told her that I am always supporting her from Vienna and she was like, "wow, Vienna, so cool!" At that point it would have probably been my turn to step away since I could tell that the staff member next to Keiko was getting antsy and already preparing to ask me to continue walking. But I wanted to use the opportunity to briefly mention my undying love for the beret I had won during a previous fan club event. As you probably all know, this is my most-prized possession. It's a hat previously owned and frequently worn by Keiko herself, she signed it and even wrote my name on it before shipping it out to me. Being as obsessed with Kalafina fashion as I am, I really couldn't have asked for a better gift. Squeezing all those emotions into a single sentence or two was very hard but I tried my best. I had forgotten how to breathe at that point and my voice was getting super weird. I pointed at my hat and hoped that she would even remember that she had given it away. Then I all but squeaked out how grateful I was to win it and that I would treasure it all my life. She also pointed at it with clear recognition on her face (thank God or it would have been embarrassing XD) and told me with the brightest of smiles, "ah yes, yes, I know, that's amazing, I am so happy for you!" Needless to say, that almost killed me 💀I definitely ascended to another plane of existence that day. I didn't wanna push my luck any further so with a final wave I kept walking towards the reception area and thus ended my Keiko Planetarium experience. Even hours after the event, I was still reeling from everything that had happened.

My plane was supposed to leave bright and early the following morning so I did not stick around longer than necessary. I said my goodbyes to a couple of fellow fans and then took off. Some of them wanted to invite me to a small after-dinner-party but I just wouldn't have been able to deal with the stress on the eve of my departure.

All right, that's it, hopefully I didn't forget anything and I didn't bore you to death. Kudos to anyone who managed to make it to the end.

PS: I just wanna say that Keiko is the prettiest human being ever. Every time I see her up-close I'm reminded of her other-worldly beauty. Standing right next to her, it doesn't even feel like she is a real person because everything about her looks so smooth and polished, like someone put a filter on top of her XD

[hikaru9]

While we wait for @putschki1969 to have some time (please, enjoy your holiday!) for our community "official" post, here's the tracklist and TV size as well.

CD ONLY 01 夕闇のうた 02 燈命 03 夕闇のうた (Instrumental) 04 燈命 (Instrumental) 05 夕闇のうた (TVサイズver.) 06 夕闇のうた（Special Edit ver.）

CD+DVD and CD+Blu-ray CD 01 夕闇のうた 02 燈命 03 夕闇のうた (Instrumental) 04 燈命 (Instrumental) DVD and Blu-ray 01 「夕闇のうた」Music Video 02 「夕闇のうた」Making Video

｡⁠*ﾟ⁠+