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*sniffs fanfiction like a fine wine*

Do I detect a hint of… bedsharing? Mutual pining perhaps?

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Happy birthday badskippy

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Hottest of hot takes, Heimdall is literally the only competent Asgardian, he’s the only one, he’s the entirety of the functioning government

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One line from all my Christmas songs Makes for a grim little poem

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Culled from various fics --

They are both alive, and Sherlock releases a breath he hadn't known he was holding.

It was only then that he released a breath he hadn't even realized he'd been holding.

Sherlock sucked in a great breath through his nose, only realising at that particular moment he'd been holding it in the first place, his lungs burning uncomfortably.

"Perhaps I would like to see it after all," releasing the breath he hadn't even realized he had been holding.

Sherlock bites his lip, lets out a breath he didn't even seem to be holding.

John let out a breath he hadn't realized he'd been holding

A breath rushes from his lungs, one he's not been aware of holding;

He steps closer, noticing that it's simply potassium and releases a breath he was unaware he'd been holding

As soon as they cleared the main town entrance, Sherlock released a strained breath he hadn't realized he'd been holding.

John let out a puff of breath he hadn't noticed he was holding, and turned away to step into the kitchen.

Sherlock let out a breath he didn't know he been holding.

John exhales a breath he didn't realize he was holding as Greg sidles up to him.

Honestly, I'm amazed they don't pass out more

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Fanfiction Club: The Rules

This idea came to me when I woke up first thing this morning.

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I have a feeling this will become iconic in due time.  

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Box in the Shape of a Butterfly, 19th century Japan, Edo period.                Lacquer with gold, silver, and mother-of-pearl.

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An Art Nouveau ‘Bat’ necklace, attributed to Lucien Janvier, circa 1900. Composed of silver, silver gilt, plique-à-jour enamel and pearls.

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Steve’s butt is very disappointed in someone.

[From Avengers #23, 1999.]

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The Art of Ray Morimura

Ray Morimura is a graduate of Tokyo Gakugei University, where he studied oil painting. Originally his works were geometric-style abstractions. But later he was inspired by Shigeru Hatsuyama and Sumio Kawakami, and began to study woodblock techniques. Unlike most other Japanese woodblock printmakers, he uses oil-based inks to create these detailed images.

His technique is to carve both 6mm thick plywood blocks and 3mm thick blocks laminated with P-tile, a flooring material. The “linocut” process permits quite complex designs, which are printed on mulberry bark kozo paper. Essentially each color requires a separate block, and separate inking. Some blocks are printed with solid colors, while others include bokashi or a gradation of color. Of his work, Morimura says “printing demands total concentration as a single hair or dust can ruin a print. I usually clean my studio thoroughly and wait to begin the printing process until after midnight when it is quiet. With prints one can never be certain of the outcome until the final print is completed. There is always the unexpected, which makes it all the more intriguing. As with Zen and ink paintings, I hope something spiritual, in a contemporary sense, can be expressed in these landscape works.”

Learn more about Ray Morimura here.

See more ARCHy here.

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Grandma… It’s me, Anastasia!

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✿✿✿

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Modern decorative art. Published 1910 by the Architectual Book Publising Company, New York.    

See the complete book here.

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