huntercreated
huntercreated
huntercreated
121 posts
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huntercreated · 2 months ago
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excited about TIME today. it is so nice to end up in place where CHANGE exists. how lucky it is to have a say in the path of existence WHAT AN HONOR. overwhelmed with gratitude that the universe chats with us and negotiates in this way
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huntercreated · 3 months ago
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huntercreated · 3 months ago
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living in the grave of a dream
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huntercreated · 8 months ago
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i need to CHILL in a BOOK STORE and then CHILL in a CAFE and then CHILL at a MUSEUM and then CHILL at a PARK
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huntercreated · 10 months ago
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got an actual negative comment on my art and of course it's a family member
🤷
guess that piece wasn't for you then
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huntercreated · 10 months ago
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Yeah i have a dark past (being 13). Just an absolutely horrible backstory (being 13). It would keep you up at night if i told you about it (i was 13 one time)
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huntercreated · 10 months ago
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current mantra
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huntercreated · 10 months ago
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huntercreated · 10 months ago
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DREAD IS A LIGHT
THAT COMES FROM BEHIND
THE VEIL OF LIES
WE TELL OURSELF
TO PROTECT OURSELF.
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huntercreated · 2 years ago
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huntercreated · 2 years ago
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from sun to the shore
pretty sure this fog will lift
if I keep walking
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huntercreated · 2 years ago
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huntercreated · 2 years ago
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why would it be a surprise
when I tell you my darkest secrets?
my blackest moments?
aren't they written on my face?
didn't you see in every movement
all the ways I arrived broken?
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huntercreated · 2 years ago
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I do not being in the beige world
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huntercreated · 2 years ago
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"You're the first [workplace] employee to really hear what I'm saying."
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huntercreated · 3 years ago
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the rhythm and heave
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huntercreated · 3 years ago
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Quick little video tutorial! This is a method I use to block in shapes when I’m fighting the urge to polish my lineart at an early stage, especially in rough concept art that doesn’t actually need polished lineart.
I group two layers in photoshop—a rough sketch, and a flat color—and then carve out the negative space by painting into a mask on the group, instead of filling in the positive shapes. From there I can start painting and adding shading into that group, knowing that I’ve already locked down a good initial silhouette for the object/character:
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It feels like oil painting, and I end up finding silhouettes/shapes in a way I wouldn’t if I was obsessively cleaning up the linework first. Digital art has a tendency to veer towards cleanliness/polish, so I love finding little opportunities for happy accidents and a bit of mess!
I used it on my unicorn piece last month, for instance, which I think would have lost a lot of its dynamism and charm if I had worried too much about doing a full ink pass:
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Hope this is at all helpful!  It’s not a method I use 100% of the time, but it really helps move my process along when I do need it 👍🏼
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