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We looked inside some of the posts by identity226-blog and here's what we found interesting.
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5
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4
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1
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0
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2 days
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3
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2
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more fragmented notes
not sure if these may be useful or not but I thought id post them just in case (Lauren)
Permission, participation, inclusion, exclusion, competition, invitation, identity, boundaries
Working with a space, a response, thinking back to scale lecture and working with the space…against the ideal of an institution. (plop art Rachel Whiteread)
Fracture- subtlety, variation with what can be interpretation, presentation, display, staged, theatrical aspects, window doorbell doorknob door small window in separation door
Cultural expectation- what informs us- interpretation- learned identity
Inside and outside an instillation
APOLOGISING VIKINGS
Political posters- tenants agreements, window displays, shop windows, gift shops
Formal vs. informal (polite society) politeness
Keep off the grass.
Environments/doyleys/tongue in cheek/
CLASS MOBILITY- serious subjects, use of humour
Disney houses
Social- psychology-mirroring
LOVE THY NEIGHBOUR- KEEPING UP APPERANCES- THE GOOD LIFE
House/garden/craft/window/gate/fence/husband/car/guest room/hallway/post-box/Christmas lights
English national identity and football fan culture- national identity and neighbours
A study in stereotypes- Englishness- landscape and Englishness- how neighbourhoods function
VOUGUE REFERENCE ISSUE HOUSE AND GARDEN
The edges of art practice and expectation- institution
ASTRO TRUF
Creepy toys in windows
Door numbers, community activities, Orwell, pottering, gardening keeping ones self to oneself, gathering for gentle competition
SOCIAL ACTIVITIES IN SOLITARY SPACES
My pigeon spikes are nicer than your pigeons spiked
my knife is nicer than your
my slugs are nicer than your
my mould is nicer than your mould
my cracks are nicer than your cracks
Reference points Fiction reaction response
226B house numbers
The British sitcom- sitcom art?
Comparison
little England mentality
Micro community- smaller organisations and groupings projecting larger ideas and exploration
Social lives- organised fun, just the right amount of socialisation, on the correct terms
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super blurry poster image (have no idea why its such bad quality but I just thought id put it up here for reference, if anyone wants to print any theres an actual link to the word doc in the group chat) (Lauren)
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plans for space notes
(Lauren)
Plans for space, Identity collective
In terms of space we've been discussing the idea of anywhere that's open and quite a traditional setting for an exhibition or private view that will hopefully be quite easy for people to access, for example the triangle space or the cookhouse. As our planned piece will be a quite makeshift area somewhere with open space would be great but we are quite flexible, Kyla, on of our group members has mentioned that any of the areas of the cookhouse with large windows would be great, particularly the end space.
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some fragmented notes
(Lauren)
14/11/17
CRAFT STATION
Marth Rosler- garage sale
Jeremy Deller
What is a craft and what differentiates it from Fine Art
What is a tattoo and what differentiates it from fine art
What is princess art and what differentiates it from fine art
What is research and what differentiates it from fine art
What is a social study and what differentiates it from fine art
On the boundary of fine art
BALLOONS
MORLEYS IN THE BANQUETING HALL
What is expected of us
Personal work, or personal beginnings leading to a wider contextual/social comment
Anthropological
Something that tackles our more individual focus points yet also shows the collective themes that we are operating under in a cohesive and collaborative conversational manner.
BOUNDARIES- physical, mental, social, expectational,
Social engagement, organised fun
Nostalgia
Memory
IDENTITY
Erving Goffman- the presentation of self in everyday life – behaviour in public places
Gaston Bachelard- The poetics of space
Wendy Joy Darby- Landscape and identity
Tom Williamson- Polite Landscape
Galasso Scotini- Politics of memory (Documentary and Archive)
Pierre Bourdieu- Distinction, a social critique of the judgement of taste
Simon Critchley- When humour becomes painful
James Baldwin- The fire next time
INNOCENCE VS LAYERS OF MEANING? HUMOUR ON THE SURFACE?
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some photos from a community Christmas craft fayre super close to my house today, it was interesting to see the library a little busier for it and the diversity of people who went along (Lauren)
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crafty, seaside town style window display, think creepy dolls (Lauren)
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this seemed relevant to our ideas crafty/cushty work with a subtle(ish) use of humour (Lauren)
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Dream logic / dark side of nostalgia / challenging audience by creating discomfort around images of ‘girlhood’ - leads us to examine how we react to these images , maybe how corrupted our own adult perspectives are
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here are some images of classroom layouts from primary schools, they all seem to have certain connecting themes and ideas (Lauren)
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some pieces on this website by Trevor Pitt have looked at social and community engagement and taking something made locally and putting it in a fine art context while still naming original creators as artists to give them credit, kind if links to Jacks homeless sign idea (Lauren)
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Macyla -
making the everyday creepy/uncanny, involves human myths/ biblical stories, projection of the self, making work that’s relatable/ people can project on.
“The images shouldn't need me to make sense, they shouldn't depend on an author. At the same time, they are deeply personal -- I don't want them to only arise from or cast a critical eye on a culture -- and they don't work if viewers cannot invest their own experiences, dreams, memories or phobias in them. “
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the people who did don't hug me I'm scared have some other stuff (Lauren)
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relevant to our balloon room idea, sort of to do with social interaction and invitation to play (Lauren)
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