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The Bears on Hemlock Mountain (back cover). Illustrated by Helen Sewell (1952).
Found here.
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Mesopelagic Heartbreak - submitted by meowstic-seer-of-the-future
#D2F3E2 #7EDFD6 #879FDF #7042B1 #2F0E61
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Melle Johannes Oldeboerrigter (1908-1976) - The Hatch (oil on linen, 1970)
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Paintings by Henriette Reiss, c1939, found in the big book Supernatural America: The Paranormal in American Art
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Daniel Mullen, 75’s-15’s, 2019, Acrylic on canvas
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Sunflower III, Joan Mitchell, 1972, Minneapolis Institute of Art: Prints and Drawings
A leading American painter and printmaker, Joan Mitchell was a contemporary of Helen Frankenthaler and Robert Motherwell and was widely regarded as one of the supreme colorists of the abstract expressionist movement. Her lyrical abstractions are generally based on actual physcial entities, such as landscapes or studies of flowers. Commenting on Mitchell’s art, E.C. Goossen wrote: “The Abstract Expressionist generation out of which she came was forever searching for abstract subject matter with transcendent implications, even though it professed to believe that art was its own message… But unlike those contemporary painters who ‘discover’ their subject in the process of painting, Mitchell works from an idea and builds on it.” Mitchell spent the last thirty years of her life in Paris, where she died in 1992. Size: 26 11/16 x 17 1/8 in. (67.79 x 43.5 cm) (plate) 35 7/8 x 24 7/8 in. (91.12 x 63.18 cm) (sheet) Medium: Color aquatint and etching
https://collections.artsmia.org/art/43577/
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The first simulated image of a black hole was calculated with an IBM 7040 computer using 1960 punch cards and hand-plotted by French astrophysicist Jean-Pierre Luminet in 1978.
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Roberto Matta (1911-2002) — Chaosmos (etching & aquatint, 1974)
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