inoryoku-collection

[inoryoku-collection]

I'm sorry

I'm sorry

I'm sorry

my sister

[inoryoku-collection]

Credits to the Artist

@asjeontrw

[inoryoku-collection]

Why in my humble opinion the episode brings the Mersault arc to a satisfying end regarding Fyodor, Dazai, Chuuya and the message it has

So, there's a lot of energy buzzing around in the fandom with the latest episode and I felt like some things have not been pointed out enough, therefore I'm gonna share my thoughts on the parts of Mersault. This is a thread that focuses on the conclusion of the Mersault arc as presented in the most recent episode of the anime in season 5 and I will elaborate on what I think the message of the Mersault arc is, what Fyodor's role in this arc is, I will comment on why I think he was defeated and why it fits the message and I will also go into more detail of how Chuuya and Dazai play into all of this and what I think happened in Mersault.

I'd like to start with these panels from the manga, chapter 77:

Together with this one from chapter 105:

I think these panels convey the core message of the Mersault arc very well and its goal: Everyone is just human, no matter how smart. And humans are capable of amazing things and even moreso if they come together. This is the greatest difference between Fyodor and Dazai who have been countless of times painted and stated as each other's equals - yes, they are intellectually of a level most can only dream of, only rivaled by Ranpo, but unlike Fyodor, Dazai has learnt to trust humans and understands their bonds to each other.

Fyodor doesn't.

It's a message that is heavily implied and then outright stated by Dazai in the last episode:

The reason why Fyodor fails is that he doesn't trust in people and because he doesn't understand humans in that regard - he thinks that he is above this concept, thinks he can manipulate them and that they're just pawns. It's shown in the way he talks about Sigma, it's shown in the fact that he chose to use Chuuya who is Dazai's partner against Dazai to dangle him in front of Dazai and it's shown when he mocks Dazai for not being "able" to use a "gravity manipulator" and drops the famous line of them having a "shallow bond".

Fyodor is arrogant and very confident in his own abilities, including the one to control those around him. That's what makes him slacking though, he can't comprehend that a plan that relies on a bond and trust would be able to deceive and defeat him and the closer he gets to his goal, the less he cares. That's why he allows Dazai this last speech in 109 too, he doesn't think anything can defeat him. Dazai is at his wit's end, Fyodor is the winner. There's no way that Dazai has a backup plan, Fyodor is a genius and he already thought of everything that could possibly be, so there's no way, right?

Mersault always was about showing what humans are capable of and what they can achieve and that trusting in your allies, in your bonds with the people you love, makes you more capable and achieve higher goals. And it's exactly what happened.

Dazai states that he doesn't have control over all things, that he had a lot of uncertain cards. But he trusted in his allies and it pays off. He wins not because he has it all figured out from the start and a backup plan for the backup plan of the backup plan, he did his part of the plan and adjusted to the scene and left the rest in full trust with his allies.

This pilot stabbing Fyodor worked because Dazai trusted in the agency and Ranpo and them taking over control the vampires in time. And the rest of the Mersault story before all this?

That brings me to my next point, actually. We learn in the episode that it was all a SKK scheme:

Now, some people were unsatisfied that a plan that simple couldn't fool Fyodor, but I think that is exactly the point of it. Chuuya is a great actor (in Stormbringer he fools with grief and shock Albatross in thinking he saved the in two halves separated Doc for example) and the simplicity of this plan is what makes it so good against Fyodor - why would he assume that the great Dazai, his intellectual equal, another genius, would go through with such a plan?

And it's even better because it isn't actually Dazai's! Now, I have seen a lot of people talking about this and I admit that I assumed the opposite originally as well, that this was all Dazai's scheme, but thanks to a moot I took a closer look on the storytelling and I realized something:

Dazai describes here the moment he realized that Chuuya is on his side in my opinion. This wasn't a "Dazai orchestrated the whole thing and sent Chuuya a text to haul his ass over to Mersault" because it doesn't fit with the storyline. Especially the speech in chapter 101 stands out here - a lot of people are making jokes about how weird and gay of a plan the speech is, but I actually think, based on the situation and the voice acting from Mamoru Miyano, that this goodbye speech is a genuine one.

The speech in 101 seems very genuine down to the point of his fake goodbye in the end, meanwhile the tone of a similar speech in 109 has completely shifted.

And what happened between 101 and 109? Exactly. The elevator.

So, what I'm thinking is this: Dazai saw that Fyodor had Chuuya under control and he knows his partner, he can't quite believe that Chuuya would get himself captured, it's gotta be a plan, right? Soukoku isn't actually the brains-and-brawn duo even though everyone thinks that, but Dazai knows how capable and smart Chuuya is. He hid Arahabaki from him and figured out Rimbaud after all.

But still, there is this bit of doubt nurtured by fear - he trusts Chuuya, but what if this isn't his Chuuya? So his goodbye speech is both:

An attempt to snap Chuuya out of it, an attempt to communicate with him, the hope that carries him because this is his partner, right? Stupid Chuuya that always fights and always clings to life and knows to appreciate it a lot more than Dazai.

But also a genuine goodbye, just... in case. Because he could never forgive himself if he doesn't say goodbye to Chuuya, JUST IN CASE. He trusts and believes in Chuuya, but he can't not say goodbye to him, just in case that Fyodor really got Chuuya.

And then the elevator scene happens and Dazai realizes: He only has one way of surviving, but he will not drag Sigma into this, not if he can help it. And he made a promise to him, after all. So, Dazai pushes Sigma out, makes sure that Sigma is alive like he promised. Then he keeps falling.

The only one that can save him now is Chuuya and Dazai decides to trust him. If this is his Chuuya, Chuuya will save him. Because that is what they do: Soukoku come to each other's call, they trust each other with their life and in return get that life saved by the other.

And if this isn't his Chuuya? Well, then Dazai died for the sake of the agency and he probably thinks that this is a good way to die, too.

But he doesn't die. He gets saved by Chuuya of course, how could he have ever considered something else? Chuuya came to his help and he has a plan. So, now all Dazai has to do is play along, just like in old times.

I wanna talk about this specific part of 109 too - I saw people arguing that the fact that Chuuya has been acting all the time made the scenes less impactful for the plot or their bond, but I actually would argue the opposite. Like I just laid out, in my opinion he only learnt just before this that Chuuya is on his side. That means, they don't have an actual plan that they discussed before, but they're good, they're Soukoku - we have seen in Dead Apple during the Dragonhead's Conflict and in the Dragon fight 6 years later what they are capable of without much communication.

But this is not only a way to show off their flawless communication and synchronization again, it also shows us something that we always knew but that is now plainly laid out: Dazai trusts Chuuya with his life. He trusts Chuuya to shoot, but not kill him.

Truly, you could say:

"The core characterization of Dazai and Chuuya's partnership is based on pure trust where both of them are capable of leaving each other's life on the other's hand without a second thought or doubt." - from the Dead Apple guide book

Chuuya acting from the very beginning as vampire and Dazai finding out along with a leap of faith and them proving once again the close bond they share is exactly the way this arc was supposed to go and the fact that it was predictable in that sense doesn't make it bad writing. In contrary. Asagiri set up and delivered the message of the arc extremely well, the arc had a clear red string following through all of it.

And this is why, in my opinion, this arc was actually written very well and why Fyodor's defeat is actually a good break for his character arc (because I don't believe he is dead, but this here is already way too long and many others have pointed plenty why he probably isn't dead) and why I really like the message of the Mersault arc.

[inoryoku-collection]

just let me die already.

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"Aqua has an Oedipus complex-" first of all beyond the fact the only way you could possibly think this is you never read or watched OnK at all and just read a synopsis and didn't bother to verify if it was accurate or not- this is actually the weakest way you could possibly interpret the nature of the feelings Goro/Aqua had regarding Ai. like, even ignoring the fact that Aqua has such an extreme lack of an Oedipus complex to the point he actively refused to breastfeed from Ai because it would have been creepy and inappropriate to him, everything about Aqua's feelings regarding Ai if anything read as parental quite frankly

Gorou Amamiya became Ai's fan because of Sarina. Because Sarina was somebody important to Gorou that he comforted in her last days, he became a huge fan of Ai in order to carry on Sarina's wishes and to keep supporting her and became a genuine diehard idol fan in the process. Then, he met Ai while pregnant: and had a heart-to-heart conversation with her. And came to the conclusion that Ai was somebody he wanted to support in any capacity. He could have been like Ryousuke and actually become possessive of her and feel like she betrayed him: he did not. He was a medical professional that put aside his own feelings as "a fan" to support her both as a doctor and as a fan in his own way by wishing for her sincere happiness as opposed to an image sold to fans.

He wanted to see her grow up happy and healthy. If Ryousuke had not killed him and there was no murder plot at all? The plot of this story probably would have been about him moving to Tokyo after talking to Ai's manager saying that someone needs to be their family doctor while keeping their secret and him taking the roll. The series would have been about Gorou as the Hoshino family doctor and how he supports them as a member of the sidelines who gives support in his own way.

Aqua never really refers to Ai as his mother much outside of situations when it'd be weirder if he didn't. It's very explicit he does not have a romantic or sexual attraction to Ai in this new life: he already didn't, but now it's like, Negatively So Actually. No longer able to support her as a doctor he even took an acting gig JUST to help further and bolster Ai's career. It's beaten into your face with the subtlety of a dozen hammers to your face his only desire is to watch Ai grow up safe and happily and succesful.

Aqua's/Gorou's relationship with Ai was someone who wanted to see her grow up to be happy. And after some waste of life incel murdered her? To want to make sure that was avenged. Because he was someone older than Ai who valued her and wanted her happiness above everything else in the world, and views the person who is responsible for that as someone who's life is forfeit. Because Ai was a good person who didn't deserve her fate and as someone who only ever wanted to support her, wants to make sure that her memory can rest in peace completely.

If anything, the feelings Aqua/Gorou had towards Ai are parental in nature. So much about his motivations read like a father who wants to avenge his daughter's murder, to kill the man that denied her the happiness the child deserved.

"OnK is soooooooo gross the mc has an Oedipus complex and is a p*do-" not only is this a reading you can only get from a five second sypnosis read and being determined to hate OnK for brownie points, it's not even the right fucked up dead dove way that you could describe their relationship.

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Mori Ogai and Regret

Mori in the BSD Manga and Light Novels prides himself in always finding the optimal solution, in pushing his own feelings aside to accomplish the optimal goal for any given situation.

He is a man of logic and carefully wielded cruelty.

We see countless examples of the way he handles things and in the end achieves the best possible solution to his problems.

Killing the old Boss and having Dazai as his witness

Dazai pointing out that he himself is a possible danger to the initial plan

Chuuya remaining a loyal part of the Port Mafia

Driving Dazai away

Getting the Skilled Buisness Permit

The Great War and Yosano

There were all instances where we saw Mori put aside his own emotions and morality to achieve a greater goal. He wielded cruelty, facts and logic as weapons to achieve the in his mind most logical and optimal solution.

But Mori is human. And Humans can not completely disregard and turn off their emotions, no matter how hard they try.

Mori himself says that he has no regrets during the Guild Arc.

But does this like the face of a man void of regrets?

Or this?

In this instance Dazai is choosing the words that will invoke the feeling of Regret in Mori to push him towards choosing a truce with the ADA.

Dazai is aware that Mori has regrets.

But so is Hirotsu.

His inclusion in any conversations Dazai and Mori have regarding the old Boss tells us, as the reader, that Hirotsu knows the full picture.

He isn't just aware that Mori killed the old Boss like other people, but also of Mori's goal from that act.

Hirotsu even goes as far as to tell Mori that Dazai understands why Mori did what he did, implies that Dazai would also understand other actions Mori takes to reach the optimal solution.

But this also shows us something different.

Mori needs reminders.

After Mori killed the old PM Boss Dazai became a constant reminder of why he did what he did. It was inevitable that Dazai would forever remind Mori of the act itself and the initial reasoning behind it, since Dazai was present and Dazai helped him plan it.

Once Dazai left the Mafia Hirotsu transformed into a reminder of it all. In some way Kouyou is also a reminder of what he did and why he did it.

But why these two?

They were there during the reign of the old Boss.

But how does Mori remember the regrets of another part of his past? How does he remind himself of a time where he miscalculated, where he should have taken the emotions of the people he regarded as tools into account?

How is Mori reminded of the mistakes and regrets of the Great War, of Yosano?

Elise.

Elise is Mori's ability, Vita Sexualis. A humanoid puppet to control as he wishes.

But also to shape as he wishes.

During the Great War Elise is nothing more than a robotic being wearing a human skin, void of emotions, thoughts and autonomy.

Mori has always made Elise take the form of a younger girl.

While it is speculated in the fandom that this could be linked to his Lolicon, I believe otherwise.

Elise is for one inspired by the Novel The Dancing Girl from the real life author. But since she is Mori's ability in BSD she will be influenced by his subconcious.

Elise shows us that Mori, even in his twenties, wanted an apprentice. He wanted to impart his knowledge on someone else but until he found Yosano he did not have someone to do this with.

(Im Beast Elise takes the form of a women. Mori already has children to take care of and bestow his knowledge upton, he doesn't need her to fill thie role. But he does need another caretaker, so that is what Elise becomes)

Yosano herself says in the Manga that she respected Mori as a doctor.

Choosing a young and mallable girl as his apprentice did make her easier to manipulate, to create an army that can not die. But young people are also sponges for knowledge.

And here we come to his regret.

Mori does regret how he handled the situation with Yosano.

He liked that strong willed and opinionated young girl he drafted, and he broke her.

We do not see much of Elise until Dark Era, so we can not tell how long it took for Elise to display Yosanos personality after Yosano was redcued by Fukuzawa and Ranpo.

In this official Art we see Yosanos shadow in Elise, a clear indication of teh fact that Mori's impression of Yosano was bleeding into Elise. But we also see her still wearing pigtails.

Her hair and general clothing tells us that this is between loosing Yosano and Dark Era. With time, Elise will resemble Yosano more.

(The bow resembles the butterfly hairpin of Yosano.)

In this scene Mori tries to convince Elise to try on a new dress.

She refuses and clearly displays Yosano's personality in thsi interaction. From the way Mori handles it this isn't knew.

Their dynamic had already shifted into something more like Yosano and Mori instead of the Ability and Mori.

But her hair is different from the last picture.

Elise now has open and wavy hair. Does this remind you of someone?

(For a boy Dazai has always worn his hair longer than traditional seen as boyish, which in turn let's his ends curl and wave more noticable)

But why would Elise take on appearance markers of Dazai?

Simple.

Because there is something Mori regrets.

He only openly mentiones it in Beast but since Beast is a mirror of Canon, that shows us how different choices will change the same people, we can assume this are also the feelings of Canon!Mori.

Mori regrets not being able to really help Dazai.

And his regret will only get deeper as he makes another choice for an optimal solution.

Driving Dazai away and getting Oda killed fulfilled many positives for Mori, what he reached was the optimal solution. He just had to lose his right hand man.

(Light Novel Dark Era)

This is not the behavior of a man not regretting driving away the boy he cared about for 4 years to this point.

To this day Mori leaves Dazai's spot as executive open. He invited Dazai back into the Mafia.

And when we see Elise after Dark Era she has changed once again.

But this time it is not her appearance that changed, it is her attitude.

Elise displays a very much Dazai-like attitude when talking to Mori.

Where Yosano - and until the end of Dark Era Elise - were strong in their oppinion but polite and steadfast in their refusal, Dazai was bargaining. Dazai more often than not wanted something in exchange for doing something he deemed unpleasant/bothersome/boring.

During the recent timeline Elise also does this.

She doesn't just refuse things, she makes deals.

And she doesn't lie during negotiations, just like Dazai.

In the end Elise changes to be more like the people Mori feels a form of regret over. Elise is a constant reminder of his Regrets and Mistakes.

To support this, here are Asagiris words about Mori from the BSD Exhibition:

“He who fell out of the optimal solution”

Mori Ougai’s belief as the boss is described in the novel “Dark Era” and “Dazai, Chuuya, Fifteen”. That is “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss.

There is an unspoken additional point to it. “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.” We can catch a glimpse of that in this scene. [the ADA-PM alliance meeting]

Mori’s expressions after “Burnt it.” and “Like what you did to your predecessor”, gave us a glimpse of his true feelings that were made sacrifices for the sake of the “logical optimal solution”.

[Translation by @popopretty here on Tumblr]

A true optimal solution would leave Mori with no regrets. But whenever Elise changes and reminds him of regrets he feels, it is also a reminder of the time he did not truly reach an optimal solution.

[inoryoku-collection]

Mori Ougai’s belief as the boss is [...] “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss. [...] “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.”

Kafka Asagiri, for the BSD exhibition

On Mori and regret.

This man acts based on his perceived "optimal solution". It means relying on cold logic, detached from (his own and others') emotions. In that way, he fits right in as one of the smart characters of BSD, contrasting for example Dazai's way of working with/around people's feelings, and Fyodor's way of manipulating and twisting those feelings into monsters.

Mori remains cold, logical, distant, efficient. It meant disregarding Yosano's and the soldiers' deteriorating mental health during the war because the concept of an army that cannot be wiped out was too good. It meant following Natsume's plan and taking the old boss' place himself to fix Yokohama's underground and protect the city and its people. It also meant disposing of Mimic by sacrificing Oda in order to get the special ability business permit, despite (and perhaps because of) Dazai's attachment to the man.

The thing is, humans are not logical creatures, and will inevitably encounter conflicting emotions.

(does this look like the face of a man without regrets to you?)

Mori in Dark Era tried to pass on to Dazai his practice of putting aside his own feelings for the sake of choosing the most efficient solution that will benefit the group. It backfired spectacularly, so much so even, that Mori regrets it to this day.

For the BSD exhibition, Asagiri wrote some individual character commentaries, all very interesting insights into their characters and the writing intentions. For Mori, here's what he wrote:

“He who fell out of the optimal solution” Mori Ougai’s belief as the boss is described in the novel “Dark Era” and “Dazai, Chuuya, Fifteen”. That is “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss. There is an unspoken additional point to it. “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.” We can catch a glimpse of that in this scene. [the ADA-PM alliance meeting] Mori’s expressions after “Burnt it.” and “Like what you did to your predecessor”, gave us a glimpse of his true feelings that were made sacrifices for the sake of the “logical optimal solution”. (By the way, it goes without saying that Dazai is inducing Mori’s thoughts by words that will make him regret the past. It is to make him decide to form an “alliance”.) source and translation: Popopretty

(notice the inclusion of Hirotsu in this scene. Remember that later, Hirotsu suggests that Dazai knows why Mori did what he did to overthrow the old boss, which, in my opinion, is both a proof of Dazai's support in Mori's goal, and a reminder to uphold it.)

One of my favourite parts of the Dark Era light novel is a small scene during the epilogue that was not adapted into the anime. This is two weeks after Dazai defected:

To quote Asagiri again, "Therefore, no matter how much your heart aches, you have to ignore your personal feelings." Mori is conflicted about the outcome of the Mimic incident. He holds in his hands the Silver Oracle he himself gave to Oda, and reflects on its purpose: to "help the man mentioned above without hesitation in the face of any and all trials". Didn't he fail to do just that with Oda? Didn't he set him up and sent him to his doom? Didn't he abandon him to his trial?

But he rationalizes the events by saying he got the permit they so badly needed. No matter if he sacrificed one of his men. No matter if he drove Dazai away. He accomplished his priceless goal. It was a total success.

And yet, he poorly folds a paper airplane with the very Silver Oracle he gave Oda, throws it, watches it crash immediately, and mourns the loss of his right-hand man, without ever moving on.

But we have a direct example of Mori expressing regret.

The perception that Mori in BEAST is a completely different character than Mori is in canon, when that perception doesn't extend to any other character from that universe, rubs me the wrong way. The characters in BEAST are very similar to their canon selves, with some core traits getting a new twist. They are all one or two major life changes away from becoming these versions of themselves. As far as we know, Mori's only life-altering event was being forcefully removed from the Port Mafia by Dazai, and secretly put in charge of Atsushi's old orphanage.

Mori unambiguously made that orphanage a better place, as stated by Atsushi himself. BEAST!Mori is a lot softer, vulnerable and honest. That Mori offers to be a father to Atsushi while he heals. He also expresses regret in not being able to help Dazai when he was in his care.

I think it's very interesting, especially when knowing that Asagiri wrote both BEAST and Fifteen at the same time for the Dead Apple movie, because in Fifteen we have this:

The beginning of the first chapter of Fifteen is a gold mine. It is narrated from Mori's point of view, the man of logic and calculations, and yet it is full of doubt. He is alone and struggling to fix everything with so many people against him. But, throughout this scene about grasping at the Port Mafia's power, there is also this secondary thought being woven in, of Mori having started to actually care for Dazai.

The teenager is scary to him, smart enough to be a threat should he decide to be done with all this and turn against him, and yet, he immediately (and with a hint of sadness) finds that Dazai reminds him of himself. This lonely, lonely man found a kindred spirit, bright enough to grasp any situation in seconds and prone to using an uncomfortable obsession to divert and keep you guessing his true intentions. Mori entered Mentor Mode™ then. He taught Dazai his ways, he shared his struggles and thought process, he fought tooth and nail to keep him alive.

So when he asked Dazai why he wanted to die, it was with the concern of someone who has started to care. It was with the mind of someone who is trying to prevent the worst by fixing the problem at its source.

(translation: Reneray)

But it's also that self-projection/ability to relate that made him drive Dazai away, when he pushed too hard and forced Dazai to adhere to his optimal solution philosophy. Because Dazai cannot separate himself from his attachments, could not ignore his emotions like Mori does, and chose Oda over Mori's logic. From Dazai's point of view, that was betrayal. Mori and him were accomplices!

Dazai planted the idea that Mori was afraid of him taking over as boss, and Mori seems to agree with that thought (would it be because he feared for his life, or for Dazai's ability to replace him?) Yet, for a man afraid of his closest subordinate backstabbing him, he seems to be hanging on quite hard to the possibility of Dazai coming back, leaving his seat open to this day, inviting him back twice in the same arc, and...

(yeah I used this picture at the start too. "I hAvE nO rEgReTs" he says)

Mori may try to convince himself he feels no regrets and no guilt over his own actions by weighting gains and losses objectively, but he still hurts and has a very hard time moving on. He's human despite his best efforts, prone to mistakes and doubts. He's lonely and wishes to impart his knowledge onto others. His cold logic has both helped him in fixing the city, and alienated him from some of the people he most cared about.

In a similar vein, should the ADA employee transfer be of topic again, and should Mori clash with Yosano again, I wish we get to see some similar conflicting emotions in Mori between the usefulness of Yosano's ability, and Yosano herself as a person. The war was 14 years ago, that's a long time, and I want to believe that counts for something.

[inoryoku-collection]

Everytime someone brings up how Chuuya is a bad person cause he stayed with the PM while others left always makes me wonder if they forget that others left because they had someone guide them or some opportunity to leave.

For Kyouka it was Atsushi, for Dazai it was Oda, for Yosano it was Ranpo and Fukuzawa's support. Koyou tried and had her chance taken away from her that left her bitter and terrified of leaving or letting others leave, Chuuya's chance more or less died with Murase. Like bro...even Mori took over out of necessity cause he had to uphold the tripartite system and the old boss was destroying not just the mafia but the city itself. (Reminder the mafia protects the city where the law and the ADA cannot, the Mafia can cross lines that neither of the other two can to protect the city).

Everyone in the light is there because someone or something guided them there and literally no one feels superior to the other for their morality and virtue. I see people constantly present Kunikida as this pretentious morally superior guy but he isn't, he'd kick morals to the curb if he felt that was the right thing to do.

Everyone in bsd functions on a very personalized set of morals. They exist in shades of gray and anyone leaning too far towards right or wrong is often portrayed as an extremist and an antagonist.

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the fact that mori's plans for taking down the previous port mafia boss involved using 14 year old children. first yosano, who he forcibly drafted into the great war to create his immortal regiment; and then dazai, who up to that point wasn't affiliated with the port mafia in any way. what a guy

[inoryoku-collection]

perhaps the reason mori was so adamant about dazai and chuuya becoming partners was because he wished that for himself.

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yea

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Damian back in his jealousy era with Ewen and Anya bonding over space ships! 😂

He said he’d make it possible for her to get to the moon 🥹 That’s too fucking cute!

[inoryoku-collection]

Listen for obvious reasons, we are all freaking out, but like, I haven't seen anyone talking about Arahabaki in all of this.

Like, my man's a literal god of destruction, an almighty entity, feared and worshipped and what not, and one day he is just randomly squished into a freaking child who can actually resist him.

And THEN, the one time he can get out, he is stopped by A FIFTEEN YEAR OLD that looks like a twig, and this goes on until FINALLY THE TWIG DIES, and this would be great, except his VESSEL is being CONTROLLED by a vampiric lollipop WHO IS ALSO BEING CONTROLLED by a grandpa, a hyperactive clown and a rat that just took a bath in McDonald's oil frier.

Like imagine the shame. The embarrassment. I don't know if there are other gods in BSD but Arahabaki better hope there aren't because he is NOT living this down.

(Also technically, the death of said twig is bad for him too. Cause the only reason Chuuya unleashed Corruption was the knowledge Dazai would stop him.)

[inoryoku-collection]

kiss

[inoryoku-collection]

Some people seem surprised that Chuuya managed to fool Fyodor about being a vampire for less than 30 minutes, but you gotta remember that when he and Dazai first met, Chuuya succesfully hid that he was Arahabaki for two or three days, all while Dazai was specifically investigating Arahabaki.

Chuuya has always been an extremely good liar, and he is kryptonite to people like Fyodor or Dazai (or at least Fifteen's Dazai, he learned from that experience) because he looks brash and impulsive and ""simple"", but actually Chuuya has been lying about who he is for most of his life, and nobody knows how to be a mindless monster better than him.

[inoryoku-collection]

Even if the world was viewed as a chessboard, and every person on it a chess piece, there would still be a limit as to how far future moves could be predicted. The most meticulous plan, plotted to the last detail, could still go wrong sometime, somewhere, somehow. Reality is brimming with too many coincidences and whimsical actions by humans for even the craftiest scheme to succeed exactly as planned. The most desirable plan was not one that limited your own moves, but a flexible one that could adapt to circumstances: that was the conclusion he had come to.

Ayatsuji Yukito, The Decagon House Murders