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 Kasamatsu Shiro In the woods, 1955

woodcut on paper

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VENICE, ITALY - 4 JUNE 2016: Plaster models of Renato Rizzi’s “Orphan Ground.

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Timeless Sculptural Works by Gonzalo Fonseca

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“Untitled Landscape 04” | Randy Grskovic

A lot of my artwork challenges the irony of industrial production. For this piece I was questioning the invention of paper reinforcers. Here, you take strong giant majestic wood products to create thin paper which needs a plastic accessory for strength. 

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Franz Erhard Walther, Work Drawing: Frame (Center) Ways, 1970 [MoMA, New York, NY. © 2021 Franz Erhard Walther / Artists Rights Society (ARS), New York / VG Bild-Kunst, Germany]

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Kazimir Malevich, Red House, 1932

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Sketchbook, 1916, Kazimir Malevich

Medium: gouache,graphite

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Old Houses in Krumau, 1914

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Ruins, 1965, Roy Lichtenstein

Medium: magna,oil,canvas

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mariele neudecker, the internal slipping out into the world at large, 2000

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Jakub Woynarowski — Geometria Sacra (Étienne-Louis Boullée) [from the cycle Novus Ordo Seclorum, pigment print, 2012) 

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Lee Bul, Civitas Solis III11 (2015) Acrylic mirror, plywood, and galvanising on nickel plated aluminium frame. Courtesy Studio Lee Bul and Lehmann Maupin, New York, Hong Kong, Seoul, and London.

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Marienkirche/Fatimakirche (1956-60) in Kassel, Germany, by Gottfried Böhm

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Georgia O’Keeffe - 1963

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Owen Gent

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Stalker (1979) - by Andrei Tarkovsky

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Asino verde, Sándor Bortnyik, 1924