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1) First ensure you have downloaded and installed the driver for your interface (then connect the Scarlett 2i2 2nd Gen interface and open Audacity. 2) Ensure 'MME' is selected and the 'Focusrite USB' option has been set as the Input and Output device. Focusrite scarlett 2i2 audacity manual. Recording with your Scarlett 2i2 2nd Gen in Audacity (Mac) Why can’t I see all the inputs/outputs of my Focusrite interface in my recording software? Studio One: Setting up Focusrite interfaces for recording & monitoring; Focusrite USB Driver will not install on my Windows 7 machine (digital signature problem). Note these steps are the same for all other Focusrite interfaces. 1) Connect the Scarlett 2i2 2nd Gen interface and open Audacity 2) Ensure 'Core Audio' is selected and the Scarlett interface has been set as the Input and Output device. 3) If you want to record off just the first input of your Scarlett 2i2, select ' 1 (Mono) Recording Channels '.

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Optical character recognition or optical character reader (OCR) is the electronic or mechanical conversion of images of typed, handwritten or printed text into machine-encoded text, whether from a scanned document, a photo of a document, a scene-photo (for example the text on signs and billboards in a landscape photo) or from subtitle text superimposed on an image (for example from a. Convert PDF to Word using this free online PDF converter tool and make it editable Word in just five seconds, you can use our free tool for hassle-free conversions. This alert box indicates a dangerous or potentially negative action.

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Obs Zoom

OBS - Open Broadcaster Software, free and safe download. OBS - Open Broadcaster Software latest version: Live video streaming software for novice.

Obs Zoom Mac

Obs Zoom Mac

Obs Zoom

By having this in OBS, I don’t have to fiddle faddle with screen sharing in Zoom (which I could not even do as that’s for presenters). I’m after that TV news style effect where behind the anchor is a display of about one quarter of the screen of images or maps or news clips. Unzip motion-effect.zip and Put it to the obs-studio installation folder How to use motion transition? Add to your transition list then switch scene. Just this one Behavior of motion transition. Source in both scene: linear transform animation; Source only in previous scene: zoom out; Source only in next scene: zoom in.

Along with many other people, I decided to at leasty try and have fun with my new life as a Zoom jockey.

With the Covid-19 situation in the spring of 2020, the University of Arizona, along with a lot of the country, sent us all home to work. Quickly our lives turned into hopping from Zoom meeting to Zoom meeting, with the oddball Teams, Slack, Skype, WebEx, Chime, BlueJeans… who am I missing?

I’ve always enjoed video production, and I had toyed with Open Broadcast Software - OBS before just a little bit, so I decided I would try and up my Zoom game some.

A few people have asked me how I’ve done some of the things, so I thought I would write it up in blog form, since so much of these sort of setups seem to only be documented in hour long youtube rants.

Computer

I’ve been a Mac user for decades now, and I’m still there. Hyundai forklift dealer. So all of the software described here is for MacOS 10.15. OBS is much more prevalent on Windows however, so I have no doubt that most of this setup will work on Windows.

OBS

OBS is the nexus of all of this. It takes in video sources, web pages, still images, video clips, streaming cameras, and orchestrates it all into a broadcast program. The end result is output to an NDI stream. This blog post will not go in to all the things you can do with OBS, as that is documented exhastivly elsewhere.

There’s one setting in OBS you should set first before configuring anything else, and that is the output resolution of your Canvas. This is found in Preferences under the Video tab. I like to set my project to be 1920x1080, or ‘1080p’, as that is a pretty standard size for uploading to Youtube etc, as well as being high enough resolution to read text on the screen. If you have other needs for your output size knock yourself out. It doesn’t really matter much to Zoom, as it will scale and crop the input video to always fill the screen. Keep this in mind if you have screen elements you always want to be visible, as anything near the edges of the frame may be cropped out.

Camera

I am using an old iPhone as a camera. The cameras on phones are so much better than whatever built-in camera on your laptop. In addition to just a higher resolution, phone cameras are much better in low-light, which is important for a lot of home-office setups.

If you cable an iPhone to a mac, the screen of the iPhone can act as an input video source for most applications. Unfortunatley, the video stream comes in as the entire screen. This is great if what you want to do is demo iOS apps, which is what the feature is intended for. However its not so great if you want to just have a nice full-frame video source. This brings us to the OBS Camera App.

OBS Camera App

The OBS folks make a great iOS app, OBS Camera. This app, along with the associated plugin for OBS allows a great video input into OBS. The OBS Camera app has a bunch of nice features like zoom, white balance, ISO settings, etc. I am not enough of a camera nerd to really know what all these settings are, but it remembers them once you set them, so for instance I tick up the zoom one notch so I fill a little more of the frame since I can’t get the camera very close to me, and phones tend to have very wide-angle lenses.

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NDI

Once you have stuff in OBS and you’re having fun with green screens and sandy beach backgrounds, the last step is getting the video into Zoom. Fortunately Zoom has fixed their issues with allowing virtual camera sources, so the only missing peice is NDI Tools. This bundle of software installs a few utilities, but the one we really need is NDI Virtual Input. This allows you to pick an NDI source, and have it be represented in the OS as a Camera source that you can select in Zoom.

To get an NDI source out of OBS, you need one more OBS plugin, obs-ndi.

Configure NDI Output in OBS

To have the NDI OBS Plugin send out its video stream, you’ll need to enable it in the Tools menu. Note that once you are outputting your program to anything, you can no longer change certain settings in Preferences, such as the Video settings Canvas and Output resolutions. If you ever need to change those, come back to the NDI settings and disable output, then re-enable it after you’re done changing things.

Launch NDI Virtual Input

Find the “NDI Virtual Input” app in your Applications folder and launch it. You won’t notice much, but there’s a new item in your menu toolbar.

Zoom

Once you have your NDI source selected in the NDI Virtual Input menu, you will find a new Camera in Zoom named “NDI Video”. Select this, and you will see whatever your current OBS output is. This may be nothing but a black screen at this point, but we’ll make it more interesting in a moment.

Ok, so we’ve got the major pieces connected. Now lets add something in OBS so we have something to see.

iPhone Source

Connect your iPhone up to your laptop with a lightning USB cable. Then launch the OBS Camera app on your phone. You should see the camera image, along with a message at the bottom “USB: Waiting for connection”.

Now in OBS, find the “Sources” pane, and click on the Plus ( + ) button. This will bring up the Sources menu and you can see all the various sources available to you. Near the bottom should be the “iOS Camera” source. Select that. OBS remembers all the sources you’ve defined, so when adding a new source type to a scene, you’re presented with an option to create a new one, or use an existing one. We don’t have any sources yet, so we’ll make a new iPhone Camera Source by clicking “OK”.

A configuration window will pop up for the new source. Here you can choose the iOS device you want to use for your camera source. This part is a little finiky, and sometimes you just have to click the “Reconnect to Device” button once or twice to get the video to work. Click “OK” once you’ve got it, and your new source will be placed into the current Scene.

If you resized the Canvas as I did, you’ll notice that the video from the iOS camera doesn’t fill the Canvas. OBS Camera only sends a 720p video stream, so we’ll have to scale it up to fill our 1080p Canvas. Just click on the video to select it, and crab a corner to resize. If you’re used to holding down the Shift key to contrain aspect ratios as in other graphics programs, do not do that here, OBS has this reversed. Sources will keep their aspect ration when scaled by default, and if you hold the Shift key down it will NOT preserve the aspect ratio.

The hardest stuff is now done! Everything else is now the fun part. If you still have Zoom open, go back to the Video section in Preferences, and you should see your Scene from OBS!

Troubleshooting

Obs Zoom Mac

If you don’t see your NDI video, double check the following:

Make sure the OBS NDI Plugin is installed and configured. In OBS from the Tools menu, select NDI Output Settings and be sure the Main Output is checked and has a name.

Be sure you see something in OBS. If your Scene is still blank, re-visit setting up your camera.

Be sure you launched the NDI Virtual Input application. You should see “NDI” in your menubar.

Be sure you have the OBS output selected in the NDI menu in your menubar. There should only be one item to choose from.

Be sure that “NDI Video” is selected in the Zoom video settings.

Webcam Source

If you don’t have a spare iPhone lying around, you can just use your laptop’s webcam. From the Sources + menu, select “Video Capture Device” instead. You will create a new Source, name it, and click “OK”. Then select your FaceTime camera from the Device list. Note that in this list you will also see NDI Video as an option. Don’t select that as that’s actually a loopback of your OBS output at this point.

Image Source

OBS offers a lot of other Sources to choose from. Lets add an Image source. Find some photo you like, and make sure you know where it is located on your computer. I created an OBS/Images folder in my Documents directory to store all of the assets I bring into OBS.

Click the + button in the Sources panel again, and select Image. OBS has a single flat namespace for everything, so I always call my sources something like “(description) Image Source” or something. So if I had a picture of the Grand Canyon, I would call this Source “Grand Canyon Image Source”. Once you click “OK” and get to the source properties window, click the “Browse” button and find your image, then click “OK.

Large letter postbox. Your image will now be in your Scene, and covering up your camera. Play around moving and resizing the Image. You can also move the Sources up and down the visibility stack by dragging to re-order them in the Sources panel.

Green Screen

I bought a green screen, a stand, and some lights because I wanted to do a better virtual background than what you get by default with Zoom. This allows you to get a much tighter crop of your torso, with much less bluring and… oddness… that you see with the Zoom virtual background feature.

Obs Zoom Mac

With a green screen behind you, and some lights on either side of you, you’re in a pretty good spot to use the Chroma Key filter in OBS on your iOS Camera source.

Right-click on your iOS Camera Source in the source panel to bring up the source pop-up menu. Select “Filters” from near the bottom. With the filters window up, add a new Effects Filter in the bottom left by clicking on the + button, and selecting “Chroma Key” from the popup-up menu.

The defaults were pretty good for me, so I left them alone. Depending on your screen and lighting you may need to fiddle around in here a lot. If you can’t get settings that look good, the solution is almost always to add more light somehow.

More Light Good. https://loadingcreate476.tumblr.com/post/652937384704507904/focusrite-scarlett-2i2-audacity.

With the Chroma Key in place, things are really starting to come together. You can now move your image back behind your camera source, and resize it to fill the scene.

Window Capture

One of the other sources you can bring in is a Window Capture. This will take a live view of any window currently on your computer and bring it in as a video source. So for example I could bring up a Reminders list, and add items to it during a meeting, and everyone can see what I’m adding without me having to share my desktop.

Remember that you can move and resize any source in the scene, so we can slide over the camera source to make room for the reminders window.

Browser Source

One of the most flexible sources OBS offers is the Browser Source. This allows you to embed a fully functioning web browser as a source. You can’t interact with the source, but any web page that you can look at, you can capture. This can be used for remote pages as well as local html files.

New forklift for sale near me. As just one example, I created a local html page to count down until the start of the fall semester at The University of Arizona.

Other Ideas

That’s the basics of what I’ve been doing. From here you can go crazy :)

Obs Zoom

Video backgrounds

Multiple Cameras. Use the iPhone as a document camera pointing down on your desktop, and your laptop webcam for you.

iPad whiteboard. Connect an iPad with a cable, and it will be available as a Video Capture Device.

Layer your camera image over your desktop during demos

Live feeds from web cams (I bring in feeds from the Tucson Reid Park Zoo webcams)

HTML clock to bring up 5m before the end of a meeting as a subtle reminder ;)

Cutouts from Minecraft

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Focusrite scarlett 2i2 manual. 1) First ensure you have downloaded and installed the driver for your interface (then connect the Scarlett 2i2 2nd Gen interface and open Audacity. 2) Ensure 'MME' is selected and the 'Focusrite USB' option has been set as the Input and Output device.

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Royal Mail Size & Weight Guide For Letters

Max WeightMax LengthMax WidthMax ThicknessLetter100g24cm16.5cm5mmLarge Letter750g35.3cm25cm2.5cm

Letters

Ideal for mailing greeting cards, regular letters and postcards, the maximum size that would fall under a 'letter' is 165 mm x 240 mm. We would recommend using an envelope no larger than C5 to fit these restrictions comfortably and avoid any excess costs. The envelope and contents must also weigh under 100g.

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For mailing contents such as A4 sized documents, DVDs, certificates, large greeting cards and magazines you would need to send as a large letter. The maximum size is 250 mm x 353 mm and and a maximum weight of 750g so a C4 envelope is a good choice. New forklift for sale near me.

Focusrite scarlett 2i2 setup. Scarlett’s best-selling interface – millions of musicians use 2i2 to write and record every day. Featuring natural sounding 3 rd Gen mic preamps, and Air, emulating our original ISA preamps, 2i2 is getting musicians the most from their mics everywhere, all the time. It’s like writing in a studio. Recording with your Scarlett 2i2 2nd Gen in Audacity (Mac) Why can’t I see all the inputs/outputs of my Focusrite interface in my recording software? Studio One: Setting up Focusrite interfaces for recording & monitoring; Focusrite USB Driver will not install on my Windows 7 machine (digital signature problem). 1) First ensure you have downloaded and installed the driver for your interface (then connect the Scarlett 2i2 2nd Gen interface and open Audacity. 2) Ensure 'MME' is selected and the 'Focusrite USB' option has been set as the Input and Output device. Note these steps are the same for all other Focusrite interfaces. 1) Connect the Scarlett 2i2 2nd Gen interface and open Audacity 2) Ensure 'Core Audio' is selected and the Scarlett interface has been set as the Input and Output device. 3) If you want to record off just the first input of your Scarlett 2i2, select ' 1 (Mono) Recording Channels '.

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Focusrite Scarlett 2i2 Audacity

Focusrite Scarlett 2i2 3rd Gen. Still ongoing but lately I was using voicemeeter and audacity to record a left channel from a rocksmith cable after my multi-effect. How to install Focusrite drivers on Windows; Scarlett 2i2 2nd Gen: Connection & Configuration; Focusrite USB Driver will not install on my Windows 7 machine (digital signature problem) Getting started with your Scarlett 3rd Gen; Recording with your Scarlett 2i2 2nd Gen in Audacity (Windows). Focusrite Scarlett 2i2 Focusrite Scarlett 2i2 Gen 2 Focusrite Scarlett Solo Digidesign Mbox2 Avid's Mbox 3 Propellerhead Balance Presonus Audiobox 22VSL Alesis i02 Express Mackie Onyx Blackjack Behringer Uphoria um2 Behringer UControl UCA222 Behringer Xenyx 1202USB M-Audio MTrack Mk2 Line 6 Tone Port Zoom H4N Recorder/Interface.

Focusrite Scarlett 2i2 Instructions

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Focusrite Scarlett 2i2 3rd Gen

Focusrite Scarlett 2i2 Audacity Pro

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A free guide to help you livestream your church service.

What is livestreaming?

Live streaming is the broadcasting of real-time video and audio to an audience over the internet, this can be done on a variety of platforms from a number of devices.

What are the options?

These guidelines will offer three-tiers of live streaming that depend on the equipment and expertise available to you and your church. This will start with a smart phone streaming to Facebook, all the way up to multiple cameras with band performance.

The most accessible platform for streaming to existing members is Facebook (which we will cover in detail in Option 1) but you can also stream on YouTube, Twitter (via Periscope) and YouNow among others. There are limitations for each platform (including needing 1000 subscribers to stream to YouTube from your phone) but each comes with their own merits which will need to be examined before using any platform.

As Facebook is the most accessible platform for most people, we will explore streaming to Facebook in more details in Option 1.

Opportunities and risks

Our understanding of the benefits of livestreaming is growing. COVID-19 has meant that some members end up being under lock down for longer. But the benefits of livestreaming go much further: you can connect to members even when they are away from home, abroad, or confined to care homes.

Your service of worship can bring joy, comfort, challenge, and community to wide range of people, as well as offering a sense of normality when people are unable to travel to church. This is sharing the Good News in a wonderful way.

As with any form of social media there are risks such as poor internet connection leading to a ‘jolty’ image and ‘robot-like’ audio, as well as receiving negative comments. But there is a clear move towards increased livestreaming of worship services, events, meetings, concerts, and lectures beyond the current period of ‘lockdown’.

In addition to this, the cost of the equipment has also dropped significantly in recent years.

General top tips

Always practice your service with the equipment that will be used as well as on the platform you will use before attempting to livestream your service.

It is important to advertise when and on what platform the service will be live on, as well as offering a link to the appropriate page/platform before you do so.

Always film landscape (if using a phone). Take your phone how you normally hold it and rotate it 90 degrees (either direction), this is what is meant by landscape filming.

Always allow time to set up your equipment and ensure everything is ready for your stream. However large or small, set up time is essential so do not arrive 5 minutes before your stream goes live and leave your congregation waiting.

Whether or not you have a microphone, project your voice to the room as though it is a full church! This will aid your stream audio quality.

If you are unsure about what your congregation will see and hear when streaming using a mobile device, record yourself as a practice from your phone’s video camera and then watch it back. This is what your congregation will see and hear, and it will allow you to understand if you need to make any adjustments to speaking or where your camera sits.

To pull off more advanced streaming options, you will require strong technical knowledge, be that from yourself or someone in your congregation. If you do use volunteers be sure to remember while they are enabling worship online, volunteers are also participating in worship so be sure to make sure they can still engage in areas such as prayer and communion where possible.

There is a section at the end of this document showing various online tutorials and advice for setting up and using equipment.

A stable internet connection is key for streaming from any device and on to any platform. You can either use your mobile data on a phone but this will use large amounts of data to do so.

The use of a stable wi-fi connection will allow you to have a clear and audible stream.

Option 1: basic set up

You will need:

A Smartphone with camera in video mode

Tripod

Church Facebook account

Open the Facebook app on your phone and tap ‘live’ icon, and type in a short description of the service.

Make sure the phone is in landscape mode, and the front camera (the one you look at when you normally use your phone) is selected if you are on your own. If you are able, and it is safe to do so, you can have a separate person behind the camera to monitor what is in frame and ensure the stream is working, which allows you to focus on delivering worship. This will also allow you to use the rear camera (the one on the back) which will increase the video quality of your stream.

Place into tripod and position camera close to the speaker to get the best audio possible, which means ensuring nothing is covering the microphone, usually on the bottom of your phone, as well as being as close to the microphone, and preaching as though it is to a full church.

Tap the ‘Start Live Video’ section on your screen to start streaming. That’s it – you are live.

Your members should already be friends of the Facebook account, or have ‘liked’ the page or group if that is what you have set up. You should publicise that you will be streaming, and what it will contain, before you do so to ensure people know it is happening.

Your livestream on Facebook can also be scheduled beforehand but this will have to be done on a computer. This can be found under publishing tools on the Facebook desktop website, but it cannot be done using third party software/tools.

Tabletop tripods for your phone are reasonably priced including the links below:

You can also purchase a full-size tripod which are freestanding:

Improving the audio

Clear audio is key for any stream, especially services as they are centred around the spoken work. It always helps to get your camera as close to the preacher as possible while maintaining a clear image of the worship leader with some of the background in the frame; it is also recommended to avoid large, echoey rooms. You should also keep the phone away from buzzing noises, fans, and open windows.

The most effective way to improve the audio is to use an external microphone rather than the one on your phone.

1. Plug in a microphone. The most basic of which is one that will plug directly into your phone headphone jack. There are a number of products available for this application. Firstly, you could get a lapel microphone, such as the RODE SmartLav. This option costs around £55.

Another option for a microphone for your phone is one that mounts on top of the phone, such as the RODE VideoMic Me which is shown here. This option costs around £60.

2.The limitation of option 1 is the length of the cable from microphone to camera, to negate this a wireless system is a simple solution, which is used in addition to any microphones.

A good, and reasonably priced, system for this is the RODE Wireless Go system. This is a compact system which allows the connection of the microphone to your smart phone without being limited by cable length. This system is linked below and will cost around £179 for one pair (1x transmitter and 1x receiver).

4. A final option is to take an audio feed from the sound desk in your church, which will utilise the microphones and equipment already in your church building. This is not necessary but if you would like to, this is detailed in the ‘Audio’ section of Option 2.

You may notice all this equipment advised so far is made by RODE, they are a fantastic manufacturer of high-quality audio equipment for video applications and have very easy to use products.

Equipment purchases for this set up will enhance your stream, but the basic kit needed to perform one of those streams is just a phone with Facebook, a tripod, and you!

Option 2: single camera stream using Open Broadcast Software (OBS)

To ensure a better, clearer image with more vivid colours for your stream you can use a specific camera for this. It helps to use a better- quality camera, especially one that has a zoom function. High quality cameras are reasonably priced and will give you the option getting wide and close-up shots of your preacher, worship team or other participants (make sure you have permissions to do so).

Focusrite Scarlett 2i2 Instructions

If, however, you want a better-quality camcorder, you may want to consider the Canon XA range, or equivalent Sony, Panasonic or JVC. These range from £1000-£3000, like the Canon XA55 at around £2500 with SDI output. The use of an SDI output will mean you have to consider what cable connector your equipment will use and the limitations of each.

SDI and HDMI can both carry high resolution images but HDMI is limited to 15-20m maximum cable length, but it is a more common connector on most equipment. If you need to convert signal, the best converters are made by BlackMagic Design.

OBS is free software to enable your livestream by letting you choose what is broadcast on screen including PowerPoints, holding slides, and live cameras. It allows easy integration with several streaming platforms as well as the ability to show the camera and the PowerPoint/hymn lyrics on screen at the same time. Advanced tips on uses of OBS and what settings to use are available in the ‘Advanced Tech’ section of this document.

Video

You will need:

Camera

Tripod with the ability to adjust height, pan, and tilt

CamLink (such as Elgato CamLink) to link your camera to your PC/Laptop (NB: Plugging your camera in to your laptop HDMI will not work as this port is for external displays) Computer/Laptop with appropriate software This includes, but is not limited to: OBS, Camera Manufacturer software (such as Canon Utilities for camera settings optimisation), the streaming platform (e.g. YouTube or Facebook), and audio interface software. Advice for a good laptop/PC is in the ‘Advanced Tech’ section.

Appropriate HDMI/HDMI mini cable, including USB-C or USB adapters, but this depends on what equipment is used. E.g. Elgato CamLink uses a HDMI in but most camera do HDMI Mini out.

Audio

For something of this production nature, you will have a number of audio options for high quality audio such as (all product links are below this section):

Microphone for the camera (such as RODE VideoMic Pro) which sits on top of the camera and captures the audio of the room but is highly directional, so it captures what is in shot and is much clearer than camera microphones.

Lav/Handheld Microphones sending into an audio interface. If you only have one or two presenters it may be easiest to send the audio from these systems through an audio interface such as a Focusrite Scarlett 2i2, which connects to the laptop/PC via USB and can be selected as the audio in OBS.

If you have multiple microphones for multiple presenters/a band, then the use of a small mixing desk such as a Yamaha MG16XU which can take in multiple microphones and process them, and then connect to your laptop via USB.

Equipment mentioned above:

How To Use Scarlett 2i2 Focusrite

RODE VideoMic (around £160)

Focusrite Scarlett 2i2 (around £150)

Yamaha MG16XUYamaha MG16XU (around £400)

Using your church sound desk

Focusrite Scarlett 2i2 3rd Gen

You can make use of your church sound desk and microphones for use in a number of streams. For this you have two options: connection by USB or connection by audio interface.

If you have a newer sound desk it may well have a USB-B link on the back of the sound desk (the connector your printer will use) and this means you can connect the sound desk output directly to your laptop/PC via a USB connector and then selecting it as the microphone on your computer settings or in OBS.

If your mixing desk does not have this option, all is not lost! The use of an audio interface is all you need (such as the aforementioned Focusrite Scarlett 2i2). For this, you take the Left and Right outputs of the sound desk into the audio interface, instead of to your church PA system. You can then connect the interface to your laptop or PC and select it as the microphone in.

Regardless of how it is connected you will need to set the levels of any microphones and tracks in the sound desk the same way you would for a service, as though it is coming through the PA system.

Internet connection

To stream effectively it is important to have a strong internet connection, preferably through a wired ethernet connection from the router for preference on bandwidth as well as a more stable connection. It is recommended to have a consistent upload speed of 8-10 Mbps on the network you will be streaming from, this can be tested at www.speedtest.net (a speed of 8-10 Mbps is the same as most standard home broadband packages).

Copyright

If you are unsure about whether you will run in to any difficulty with copyright issues while streaming a service, the URC has issued guidelines.

Option 3: multi-camera with vision mixing

This is very similar to the above option but is more suited for set ups with multiple speakers, cameras, and most likely a worship band performance. It requires a greater amount of equipment as well as a larger amount of technical expertise, but this is not out of the question. For this you will need:

Multiple camera (either manned by operators adjusting zoom/focus or static for fixed position such as the pulpit).

Vision Mixer (such as an ATEM Mini Pro) for cutting between cameras as well as putting lyrics/PowerPoints on screen using a PiP feature (picture in picture). The ATEM Mini Pro is the easiest to use piece of equipment for this application and can connect to a laptop via USB and be selected like a webcam. The Pro model also allows for on board encoding and a built-in preview view. This equipment costs around £600.

Appropriate microphones, usually a podium microphone at the pulpit, lapel mics on additional speakers, and microphones for the band.

Audio mixing desk (either analogue like the MG16XU or digital for this application such as Allen and Heath QU16 for increased processing and quality). Digital mixing desks are a greater investment (over £1200 new) but can also be used for PA systems when doing church ‘live’ instead of over a stream.

Show laptop controlling content and streaming out to chosen platform.

CamLink for the output of the Vision Mixer if not using something with a USB connection like the ATEM Mini Pro.

Volunteers – camera operators, streaming op looking after what is on screen and streaming, vision mixer, audio engineer

Tutorials and online help

Focusrite Scarlett 2i2 Audacity Pro

Advanced tech

Additional option – SlingStudio

SlingStudio is a portable, wireless, multi-camera broadcasting platform. It’s capable of monitoring, recording, switching, editing and streaming live video. It does so wirelessly by connecting to one or more smartphones, and even a video camera with the adaptor. If can also have slides broadcast from your computer, like the words to songs and prayers. SlingStudio isn’t a direct replacement for a video switcher, but is still a great option for most smaller to medium-sized churches.

Note: Slingstudio is not always available in the UK. You can currently get it from Amazon in the US, but they will not ship the battery base. I know of one person who managed to get a contact in the US to ship out the full set. You can explore this option further on the SlingStudio website.

Tips for OBS

To make this stream as slick as possible, practice and prep on OBS will be key. Ensure you have appropriate output settings and will be outputting on the correct platform at the correct time.

A 1080p stream is a resolution of 1920x1080 and 720p is 1280x720, both count as HD. The higher resolution you stream the more bandwidth is required.

Audio may be limited by the platform you are using but a compression rate of 192 kbps will be safe for most platforms and allow for good sounding audio. Be sure to only enable the microphones/tracks you wish to use.

In terms of bitrate, 4 Mb is appropriate for a 1080p stream, 3 Mb is fine for 720p. In most cases, the advanced options tab won’t need to be adjusted.

To put the camera and PowerPoint on screen at the same time create a scene with the camera feed as the main image, then add the PowerPoint as a window capture and put that in a smaller box in the corner. You can then create a second scene with the PowerPoint as the base and the camera feed as the small window.

Specification for a solid show computer

A show computer for a multiple source stream can be either Windows or Mac and either laptop or PC but there will be certain specification either will need to meet. All software will also have its minimum system requirements. There are two main parts that matter for this application: CPU and RAM (which are detailed below).

The other key factor will be a graphics card, which is less common in laptops but not unheard of. One of these will ensure the highest quality pictures as well as quick processing of the video. Also, be sure to make sure your show machine is plugged in to its power supply if it’s a laptop, and make sure that the sleep settings on any machine are changed so it won’t unexpectedly go to sleep mid-stream.

Recommended spec:

CPU/Processor – 7th Gen Intel or later, preferably i5 or higher.

RAM – 4GB will suffice for small streams but at least 8GB is most appropriate.

Graphics Card – Dedicated graphics card (Nvidia GeForce are the class leaders), Macbook Pro laptops have inbuilt graphics cards.

Audio for church

There is a fantastic YouTube channel for mixing audio for church that covers everything from one microphone to full bands with plenty of processing. This channel also covers broadcast mixes too in a way everyone can understand.

Focusrite Scarlett 2i2 Driver

The channel is linked below as well as the specific streaming videos. The equipment he is working with is usually quite high level so not all of it will be applicable but he offers brilliant advice for all levels.

Hosting on your own website

If you have the expertise and equipment, you may want to host our live stream on your own website or on a dedicated website. For this you will need to host the stream on a dedicated server, and you will also need to ensure you are covered by the appropriate copyright license (see URC Guidance on Copyright).

The easiest way to achieve this is to purchase bandwidth on something like Ustream or YouNow as this will mean you don’t need an on-site encoder (in most applications). This option is a bespoke one and should only be performed with highly knowledgeable members of your church who are comfortable doing so.

Multiple camera suggestions/specification

This is a breakdown of the key components for a very good multiple-camera setup for your church livestream: Note: this is an indication only – local requirements will differ.

Cameras 3 x Blackmagic Design Studio Camera 2 – HD £1,350 each

Lenses 1 x Panasonic Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. lens £800 1 x Panasonic Lumix G X Vario 35-100mm f/2.8 II POWER O.I.S. Lens £ 900 1 x Panasonic Lumix G Vario 100-300mm f/4-5.6 II POWER O.I.S. Lens £500

For the stream 1 x Blackmagic Design ATEM Telev’n Studio Pro HD £2,050 1 x LiveU Solo SDI/HDMI Video Encoder £1,375

Tripods (many cheaper or more expensive options are available) 3 x E-Image EG06FA2 Tripod System £600 each

SDI cabling: this depends on local context £200

TOTAL: roughly £12,000

This obviously excludes the computer, monitors, broadband and sound solutions. Make sure the computer/laptop is fast, with a good graphics card. I would think paying about £1,500 new is about right.

We wish you every success with the livestreaming of your church services. Remember to let URC Comms know if your church decides to begin livestreaming its services. Email pressoffice@urc.org.uk.

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The Recommended Seat For Your Vehicle Is:

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