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lockley-spktr · 11 days ago

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pressure points | b.b.

✮ synopsis: bucky's gotten good at keeping his distance from his harmless, sunshine-y neighbor. but when you get taken because of him—because someone figured out you're his weak spot—he realizes how spectacularly that plan backfired. turns out the winter soldier's soft spot is a lot more dangerous than he thought.

✮ pairing: post-thunderbolts!bucky x fem!reader

✮ disclaimers: violence, kidnapping, blood and injury, torture (not graphic), angst with a happy ending, emotional hurt/comfort, established feelings but complicated relationship, second person POV, fem!reader, miscommunication, intense yearning, emotionally constipated!bucky, past trauma, mild language, fighting sequences

✮ word count: 10.6k

✮ a/n: first fic on this blog and it's basically just 10k words of soft bucky yearning xoxo

The first time Bucky Barnes sees you, you're trying to shove a couch through a doorway that's at least six inches too narrow, and losing spectacularly.

He's coming home from another pointless congressional hearing—the kind where everyone talks in circles about defense budgets while carefully not mentioning the alien invasion from three months ago—when he spots you in the hallway. You're wedged between the arm of what looks like a vintage velvet monstrosity and the doorframe of 4B, hair escaping from whatever you'd tried to contain it with, muttering a stream of increasingly creative profanity.

"Fucking—come on—you absolute bastard of a—"

The couch shifts. You yelp. Bucky's halfway down the hall before he realizes he's moving.

"Need a hand?"

You twist around, and something in his chest does this stupid, inconvenient flip. Your face is flushed, one cheek smudged with what might be dust or maybe yesterday's mascara, and you're looking at him like—well. Like he's not Bucky Barnes. Like he's just some guy in the hallway who might know how geometry works.

"Oh thank god," you breathe, and the relief in it makes his mouth twitch. "I've been battling this thing for twenty minutes. I think it's winning."

He assesses the situation with the same tactical precision he'd use for a Bulgarian arms deal, if arms deals came upholstered in emerald green and smelled faintly of vanilla perfume mixed with fresh sweat. The angle's all wrong. You've been trying to force it through horizontally when it needs to go vertical, then rotate.

"Here." He steps closer, and you shift to make room, your shoulder brushing his chest in a way that absolutely doesn't make his pulse stutter. "If we flip it—"

"Oh, you're strong," you say, like an observation about the weather, as he essentially deadlifts one end of your couch. The metal arm whirs faintly. You don't flinch. "That's convenient."

Convenient. Right. He maneuvers the couch through the doorway in three efficient moves, trying not to notice how you smell like coffee and something floral, how you hover just inside his peripheral vision like you're trying not to crowd him but can't quite stay away.

"There." He sets it down in what's clearly the only spot it could go in your tiny living room. The space is chaos—boxes everywhere, art leaning against walls, books stacked in precarious towers. "You just moving in?"

"Yeah, from—" You wave a hand vaguely eastward. "Nicer neighborhood. Turns out freelance graphic design doesn't pay for Manhattan rent. Who knew?" The self-deprecation comes with a grin that transforms your whole face, and Bucky has to look away, focus on the box labeled 'KITCHEN SHIT' in aggressive Sharpie. "I'm—well, you probably don't care what my name is."

He does, actually. Cares in a way that makes his teeth ache.

"Bucky," he offers, even though you clearly already know. "4C."

"The grumpy congressman." Your grin goes wider, teasing. "I've seen you on C-SPAN. You look like you're being held at gunpoint during those hearings."

"Feel like it too," he mutters, and the laugh you give him hits like a shot of whiskey—warm and slightly dizzying.

"Well, Congressman Barnes of apartment 4C, you've just saved my Saturday. Can I pay you in beer? I've got—" You dig through a box, emerge triumphant with two bottles. "Hipster IPA or hipster IPA?"

He should say no. Should maintain boundaries. Should remember what happened the last time he let someone get close—the scar on his ribs from Belgrade still aches when it rains.

Instead, he finds himself accepting a bottle, listening to you chatter about the neighbor who warned you about the rats (definitely real) and the ghost (probably not real but who knows), watching how you gesture with your whole body when you talk, like you're too much for your own skin.

It's dangerous, how easy you are to be around. How you look at him like he's just Bucky, not the former Asset, not the killer, not the congressman who can't pass a single fucking bill. Just a guy who helped with your couch.

He stays too long. Drinks two beers. Helps you unpack exactly three boxes before some long-dormant self-preservation instinct kicks in and he makes excuses about constituent emails.

"Thanks again," you say at the door, and there's something in your eyes—curiosity, maybe. Interest. "For the couch. And the company."

"No problem."

He's halfway to his own door when you call out: "Hey, Barnes?"

He turns. You're leaning against your doorframe, backlit by the disaster zone of your apartment, smiling that smile that makes his chest tight.

"I make really good coffee. You know. If congressional hearings ever drive you to caffeine dependency."

It's an offer. An opening. Everything in him screams to close it, lock it down, maintain operational security. Instead, his traitorous mouth says, "I'll keep that in mind."

He's so fucked.

The thing is, Bucky's gotten good at keeping people at arm's length. Seventy years of being a weapon teaches him that distance equals safety—for them, not him.

When you're already dead, what's a little more damage?

So he shouldn't notice when you start leaving your apartment at 7:23 every morning, shouldering a bag that's always slipping off your shoulder. Shouldn't time his own exits to avoid those encounters, then feel like an asshole when he succeeds. Definitely shouldn't lie awake listening through the thin walls as you sing along to whatever pop music you play while cooking, off-key and enthusiastic.

But here's the other thing: you make it really fucking hard to maintain distance.

You leave cookies outside his door with notes that say things like "for emergency constituent-induced rage" and "survival fuel for C-SPAN." You knock when you know he's home, ask to borrow sugar or vodka or a screwdriver, then stay to chat like his apartment isn't just bare walls and a couch Sam made him buy. You touch—casual, constant. A hand on his arm when you laugh, fingers brushing when you hand him things, like physical contact isn't something that makes his brain static out.

"You're a really good listener," you tell him one evening, three weeks into whatever this is. You're sitting on his floor, back against his couch, because you'd knocked asking for wine and then somehow ended up staying. Your knee presses against his thigh. He's catastrophically aware of every point of contact. "Like, actually good. Not just waiting for your turn to talk."

"Not much of a talker," he says, which is true and also easier than explaining that he's memorizing everything—how you twist your rings when you're nervous, the way your voice drops when you're saying something real, how you look in his space like you belong there.

"Bullshit." You bump his shoulder. He doesn't flinch anymore, which is either progress or a sign he's completely fucked. "You're just selective. Quality over quantity."

You say things like that—observations that feel like being seen, really seen, not just looked at. It's terrifying. It's addictive. It's going to get you killed.

Because here's the thing Bucky knows down to his bones: everything he touches turns to ash. Everyone he cares about becomes a target. And you—with your sunshine laugh and your disaster apartment and your way of looking at him like he's worth something—you're exactly the kind of light that attracts the worst kind of dark.

He should stay away.

He doesn't.

"So," Sam says, watching Bucky check his phone for the third time during their coffee meeting. "Who is she?"

"What?" Bucky pockets the phone. You'd texted asking if he knew how to fix a leaky faucet. He knows seventeen ways to kill a man with a faucet. Fixing one can't be that different. "Nobody. Work thing."

"Uh-huh." Sam's doing that face, the one that means he's about to be insufferably perceptive. "That's why you just smiled at your phone. Over a work thing. You. Smiled."

"I smile."

"No, you do this thing with your mouth that's like a smile's evil twin. This was an actual smile. So. Who is she?"

Bucky takes a long drink of coffee, considering how much lying is worth the effort. "Neighbor."

"Neighbor." Sam leans back, grinning. "Cute neighbor?"

The memory of you last night, paint in your hair and gesturing wildly about your latest client, flashes unbidden. His silence is apparently answer enough.

"Buck. Man. This is good. You need—"

"I need to not get people killed," Bucky cuts him off. "I need to remember that anyone who gets close to me ends up hurt. I need—"

"You need a life," Sam interrupts right back. "You need to stop punishing yourself for shit that wasn't your fault. You need to let yourself have something good."

Bucky's jaw works. The phone buzzes again. He doesn't check it.

"She doesn't know what she's getting into," he says finally. "She's—" Bright. Warm. Good. "She's not part of this world."

"So keep her out of it." Sam makes it sound simple. Like there's a way to compartmentalize, to have you without putting you at risk. "Be her neighbor. Be normal. Be happy, for once in your goddamn life."

Normal. Right. Because nothing says normal like a centenarian ex-assassin with more kills than most armies and a metal arm that could crush a skull like an egg.

But then he thinks about your smile when he fixed your garbage disposal last week. How you'd said "my hero" in this teasing, fond way that made him want impossible things. How you treat him like he's just Bucky, not a weapon someone else aimed.

"I don't know how," he admits, quieter than he meant to.

Sam's expression softens. "Nobody does, man. You just try anyway."

The faucet thing turns into a whole production.

You answer the door in tiny pajama shorts and an oversized t-shirt that says "FEMINIST KILLJOY" in glitter letters, and Bucky's brain shorts out for a solid three seconds. Your hair's piled on top of your head in what might generously be called a bun, and there's toothpaste at the corner of your mouth, and he wants to—

"Oh good, you're here," you say, grabbing his arm and pulling him inside. Your fingers are warm through his henley. "It's making this noise like a dying whale. I tried YouTube tutorials but I think I made it worse."

The kitchen is a disaster. Tools scattered everywhere, water pooling on the floor, YouTube still playing on your laptop ("—sure to turn off the water main first—"). You've clearly been at this for a while.

"Did you turn off the water?" he asks, already knowing the answer from the growing puddle.

"I turned off a valve," you say defensively. "Several valves. None of them seemed to be the right valve."

He finds himself fighting a smile as he locates the actual shut-off. You hover behind him as he works, close enough that he can feel your breath on his neck, keeping up a running commentary that's part apology, part stand-up routine.

"—and then the wrench slipped and I maybe screamed a little bit, and Mrs. Nguyen next door started banging on the wall, and I had to yell that I wasn't being murdered, just defeating by plumbing—"

"Hand me the—" He turns to ask for the wrench at the same moment you lean forward to see what he's doing. Your faces end up inches apart. Time does that thing where it forgets how to work properly.

Your eyes are very wide. There's a water droplet on your cheek. Bucky's hand twitches with the urge to wipe it away.

"Wrench," he manages, voice rougher than intended.

"Right. Wrench. That's a—" You scramble backward, nearly slip on the wet floor. He catches your elbow automatically, steadying you, and your skin is so warm under his fingers it feels like a brand. "Thanks. I'm not usually this much of a disaster. Actually, that's a lie. I'm exactly this much of a disaster, you've just caught me on a particularly disastrous day."

He fixes the faucet in under ten minutes. You insist on making coffee as payment, which turns into leftover pizza, which turns into three hours on your couch watching some reality show about people making elaborate cakes. You provide running commentary that's funnier than the show itself, and Bucky finds himself actually laughing—not the dry chuckle he's perfected for public appearances, but real laughter that comes from somewhere deep in his chest.

"See?" you say during a commercial break, grinning at him. "I told you this show was addictive. Next week they're making a life-size dragon cake that actually breathes fire."

"Next week?" The words slip out before he can stop them, too revealing.

Your grin softens into something else, something that makes his chest tight. "Well, yeah. You can't miss fire-breathing dragon cake. That's un-American."

It becomes a thing. Thursday nights, your couch, increasingly ridiculous cooking shows. You always have too much dinner ("I'm terrible at portions, shut up"), he always fixes something that's broken ("it's not broken, it's just temperamental"), and somewhere between cake disasters and your laughter, Bucky forgets to maintain distance.

"Your boyfriend's here," Mrs. Nguyen announces loudly when Bucky knocks on your door a month later, because apparently the entire floor has decided they're invested in whatever this is.

"He's not my—" Your voice cuts off as you open the door. You're wearing a dress, which is new. Red, which is newer. Lipstick, which is going to kill him. "Hi."

"Hi." His brain's stuck on the curve of your shoulder, the way the fabric clings. "Going out?"

"Wedding. Old college friend." You're fidgeting with your earring, a sure tell that you're nervous. "I hate weddings. All that optimism and overpriced chicken."

"So don't go."

"Can't. I already RSVP'd, and I'm a good friend even if I'm a wedding-hating gremlin." You pause, still fiddling with the earring. "Unless..."

He knows what's coming by the way you're biting your lip. "No."

"You don't even know what I was going to ask!"

"You were going to ask me to go with you."

"...okay, so you did know." You lean against the doorframe, giving him a look that's probably supposed to be convincing but mostly just highlights how your eyes catch the hallway light. "Come on. You're a congressman. You must love overpriced chicken and small talk."

"I really don't."

"There's an open bar."

"Still no."

"I'll owe you one. One big favor. Anything."

That makes him pause, but not for the reason you think. The idea of you owing him anything makes his skin itch. You already give too much—your time, your laughter, your casual touches that rewire his brain. But the idea of watching you navigate a wedding alone, of other people getting to see you in that dress...

"Fine," he hears himself say. "But I'm not dancing."

The smile you give him could power Brooklyn for a week.

He's absolutely, catastrophically unprepared for how you look in candlelight.

The wedding venue is one of those rustic-chic places that thinks exposed beams equal personality. You're at table eight, which puts you safely in "college friends but not close enough for the wedding party" territory. You've been providing whispered commentary all through the ceremony ("five bucks says she wrote her vows the night before"), your shoulder pressed against his in a way that makes paying attention to anything else physically impossible.

"See that bridesmaid?" You nod toward a blonde who's definitely already three champagnes deep. "That's Amber. We were roommates sophomore year. She once tried to seduce our RA by leaving Post-it poetry on his door."

"Did it work?"

"Depends on your definition of 'work.' She did get his attention. Also a conduct violation." You're playing with the stem of your wine glass, fingers tracing patterns. "Thanks for this, by the way. I know wearing a suit and making small talk isn't exactly your idea of fun."

He could tell you that wearing a suit is nothing compared to tac gear, that small talk is easier than Senate hearings. Could mention that the way you keep unconsciously leaning into him makes any discomfort worth it. Instead: "It's fine."

"Such enthusiasm." But you're smiling, soft and maybe a little fond. "Dance with me?"

"I said no dancing."

"You said that before you had champagne. And before they played—" You tilt your head, listening. "Oh my god, is this Bon Jovi? We have to dance to Bon Jovi. It's the law."

"That's not a law."

"It's a law of wedding physics. Come on, Barnes. One dance. I promise not to step on your feet much."

The thing is, he can't say no to you. It's becoming a problem. You want him to fix your sink? Done. Need someone to hold your laptop while you Skype your mother? He's there. Want him to dance to "Livin' on a Prayer" at some stranger's wedding? Apparently, that's happening too.

You're a terrible dancer. Genuinely awful. You have no sense of rhythm, keep trying to lead, and you're laughing too hard to even pretend otherwise. It's perfect. He spins you out just to watch your dress flare, pulls you back too close, and for a moment—your hand in his, your face tilted up, surrounded by fairy lights and other people's happiness—he forgets why this is a bad idea.

"See?" you say, slightly breathless. "Dancing's not so bad."

His hand is on your waist. He can feel your pulse through the thin fabric. "No. Not so bad."

Someone bumps into you from behind, pushing you fully against his chest. Your hands come up to steady yourself, one landing over his heart, and he knows you can feel how it stumbles. Your smile falters, shifts into something else. Something that looks dangerously like realization.

"Bucky—"

"They're cutting the cake," he says, stepping back. The loss of contact feels like losing a limb. "Should probably watch. For your show."

You blink, then recover. "Right. Yeah. Cake."

But you're quiet for the rest of the reception, and he catches you looking at him with this expression he can't decode. Like you're working through a complex equation and not liking the answer.

He drives home. You spend the ride fiddling with your phone, uncharacteristically silent. When he pulls up to the building, you don't immediately get out.

"I'm sorry if I—" you start.

"Don't." It comes out harsher than intended. He tries again, softer: "You didn't do anything wrong."

"Feels like I did." You're still not looking at him. "I forget sometimes, that you're—that we're—"

"Friends," he supplies, even though the word tastes like ash. "We're friends."

"Right." You finally meet his eyes, and there's something careful in your expression now. Guarded. "Friends."

You're out of the car before he can figure out what to say to fix this. He watches you disappear into the building first, red dress like a wound in the grey evening, and knows he's fucked everything up without quite understanding how.

You pull back after that.

It's subtle—you still smile when you see him in the hall, still text him memes at inappropriate hours. But you stop knocking on his door for impromptu dinners. Stop touching him casually. When he offers to fix your eternally-dripping showerhead, you say you'll call the super instead.

"You're moping," Sam tells him two weeks later, during one of their mandatory "make sure Bucky's not spiraling" brunch dates.

"I don't mope."

"You're the Black Widow of moping. The Michael Jordan of emotional constipation." Sam pauses. "That neighbor you mentioned?"

Bucky's silence is damning.

"What'd you do?"

"Why do you assume I did something?"

"Because you always do something. You get close to someone, panic, and pull some self-sabotaging bullshit." Sam's voice gentles. "Talk to me, man."

Bucky stares at his coffee like it holds answers. "She wanted to dance."

"...okay?"

"At a wedding. And I—we danced. And it was..." He doesn't have words for what it was. How you felt in his arms, how the world narrowed down to just the two of you, how for a moment he forgot he was dangerous. "And then I shut it down."

"Why?"

"Because." He sets the mug down too hard, coffee sloshing. "Because she's sunshine, Sam. She's late-night cooking shows and glitter pens and leaving snacks for the delivery guy. She has no idea what I've done, what I'm capable of—"

"Did you ever think maybe she does know and doesn't care?"

"Then she's naïve."

"Or maybe she just sees you better than you see yourself." Sam leans forward. "Buck, you can't protect people by pushing them away. That's not how it works."

"It's worked so far."

"Has it? Because from where I'm sitting, you're miserable, she's probably confused as hell, and nobody's actually safer."

Bucky wants to argue, but then his phone buzzes. Your name pops up: my smoke alarm is having an existential crisis. is it supposed to beep in morse code?

He's already standing before he realizes it.

"Go," Sam says, shaking his head but smiling. "Fix her smoke alarm. Talk to her like a human being. Maybe try not to fuck it up this time."

Your door is already cracked when he gets there, smoke rolling out in lazy waves.

"I'm not on fire!" you call before he can knock. "Well, the oven mitt was, but I handled it."

He finds you on a chair, ineffectively fanning the smoke detector with a dish towel. You're wearing those little pajama shorts again and his brain still isn't prepared for the sight.

"How does an oven mitt catch fire?" He reaches up, disables the alarm with practiced ease.

"Well, when you forget it's on your hand and rest it on the stove burner..." You shrink a little at his look. "I was distracted."

"By what?"

You don't answer, just hop down from the chair. This close, he can see the flour in your hair, the way you're worrying your bottom lip. "Thanks. Sorry for texting, I know it's late—"

"Why are you apologizing?"

"Because—" You make a frustrated gesture. "Because I'm trying to give you space. Because you clearly regretted the wedding thing and I'm trying not to be that neighbor who develops inconvenient feelings—"

"Feelings?" His brain snags on the word like cloth on a nail.

You go very still. "Shit. I mean. Not feelings. Just. You know. Neighbor...ly concern. Very platonic. Super appropriate."

"You're a terrible liar."

"Yeah, well, you're terrible at—" You stop, visibly collecting yourself. When you speak again, your voice is carefully level: "I like you, okay? More than I should. And I know that's not what you want, and I'm trying really hard to be okay with that, but you standing in my kitchen looking all concerned while I'm having a feelings crisis is really not helping."

The words hit him like a physical blow. You like him. More than you should.

"You don't know me," he says, defaulting to the easiest argument.

"Bullshit." There's heat in your voice now. "I know you reorganize my bookshelf when you think I'm not looking because the chaos bothers you. I know you bring me coffee on Tuesdays because you noticed I have early meetings. I know you have nightmares—yeah, the walls are thin—and I know you pace afterwards like you're trying to walk off whatever you dreamed about."

Each observation feels like being flayed open.

"I know you're careful," you continue, softer now. "I know you think you're dangerous. And I know you've probably got reasons for that. But Bucky? I also know you'd never hurt me. Ever."

"You can't know that."

"Why? Because you're what, too damaged? Too dangerous?" You step closer and he should step back but he's frozen. "You carry my groceries. You fixed my faucet. You danced with me at a wedding even though you hate dancing. Really dangerous stuff there, Barnes."

"You don't understand—"

"Then explain it to me." Your chin juts out, stubborn. "Give me one good reason why we can't—"

He kisses you.

It's the wrong thing to do. Selfish. Stupid. But you're standing there in your flour-dusted pajamas, looking at him like he's worth fighting for, and his self-control just...snaps.

The sound you make—soft, surprised, maybe relieved—shorts out every rational thought in his head. Your hands come up to frame his face, fingertips cool against his burning skin, and then you're kissing him back like you've been waiting for this, like you've been drowning too.

You taste like smoke and whatever you were baking, sweet with an edge of burn, and he's dizzy with it. His hands find your waist, fingers spreading wide against the soft cotton of your shirt, and he pulls you in until there's no space between you, until he can feel your heartbeat hammering against his chest. You're so warm, so alive, radiating heat like a small sun, and he wants to map every degree of it with his mouth, his hands, his—

Reality crashes back like ice water.

He jerks away, but his hands won't let go of your waist, like his body's in revolt against his better judgment. You're both breathing like you've run miles—harsh, ragged pulls of air that fill the space between you. Your lips are swollen, kiss-bruised, and he did that, he marked you, and the savage satisfaction of it wars with the knowledge that he's just made everything infinitely worse.

Your eyes are huge, pupils blown wide, and you're looking at him like he's just rearranged your entire understanding of the universe. One hand is still on his face, thumb pressed to the corner of his mouth like you're trying to hold the kiss there, keep it from escaping.

"That's why," he says roughly. "Because I want—because you make me want things I can't have."

"Says who?" Your eyes are very bright. "Who decided what you can have?"

He doesn't have an answer for that. Doesn't know how to explain the mathematics of survival, how everyone he's ever cared about becomes a liability, a target, a grave.

"I should go," he manages.

"Or," you say, "you could stay."

The offer hangs between you like a lit fuse. He can see the future unspool in both directions: leave now, go back to safe distances and polite nods in the hallway, watch you eventually move on with someone who doesn't come with a body count. Or stay, and risk you realizing what a mistake you're making. Stay, and selfishly take whatever you're willing to give for however long you're willing to give it.

You're still looking at him, patient and terrified and hopeful all at once.

He leaves.

The word echoes in his head all the way back to his apartment. Coward. Coward. Coward. But it's the right thing to do. The safe thing. You'll hurt for a while, maybe hate him a little, but you'll be alive to do it.

He doesn't sleep. Just sits on his couch, staring at the wall that separates your apartments, listening to the muffled sounds of you cleaning up. The shower runs at 2 AM. He knows you cry in the shower when you think no one can hear—learned that three weeks into being neighbors, when your freelance client stiffed you on a big project. He'd wanted to break the fucker's legs then.

Now he wants to break his own.

You're a better person than he'll ever be, which is why you still smile at him in the hallway.

It's careful now, contained. The kind of smile you'd give any neighbor, not the one that used to light up your whole face when you saw him. You don't knock anymore. Don't text about your smoke alarm or your leaky faucet or the rat you're convinced lives in the walls. You just...exist, parallel to him, in a way that makes his chest feel like it's full of broken glass.

"Fixed it myself," you say one morning when he catches you wrestling with a new deadbolt installation. Your drill slips, gouging the doorframe. "YouTube University, you know?"

He could fix it in under a minute. Could show you how to align the strike plate properly, how to test the throw. Instead: "Good for you."

Your smile flickers. "Yeah. Good for me."

Mrs. Nguyen gives him dirty looks now. The whole floor does, really. Like they know he's the reason you don't laugh as loud anymore, why your music's quieter, why you started getting grocery delivery instead of making three trips up the stairs, arms overloaded, dropping things and cursing cheerfully.

It's fine. It's working. You're safe.

He tells himself that every night when he hears you through the walls, moving around your apartment like a ghost of the person who used to dance while cooking.

Three weeks post-kiss, Valentina calls them in for a mission that's barely legal on a good day.

"Weapons shipment," she says, sliding photos across the conference table with her usual theatrical flair. "Enhanced tech, off-market, very much not supposed to exist. The kind of toys that make governments nervous."

"So we're stealing them," Walker states, not asks.

"Recovering," Val corrects with a smile sharp enough to cut. "For the safety of the American people, of course."

Yelena snorts. Alexei's already studying the compound layout like there'll be a test. Bob's doing that thing where he shrinks into himself, trying to become invisible. Bucky catalogs exits, counts guards in the surveillance photos, and tries not to think about how you looked last night, hauling groceries with your hair falling in your eyes.

The mission goes sideways in minute three.

"Intel was wrong," Ava's voice crackles through comms, too calm for the situation. "Triple the guards. And—"

The explosion cuts her off. Then another. The "barely defended warehouse" is a fucking fortress, crawling with military-grade security who definitely got the "shoot to kill" memo.

"Fall back," Bucky orders, but Alexei's already charged ahead, yelling something about Soviet glory. Walker's trying to flank, Bob's panicking, and somewhere in the chaos, Yelena starts laughing like this is the best thing that's happened all week.

It takes two hours to fight their way out. By the end, Bucky's left arm is sparking, his ears are ringing, and he's pretty sure at least three ribs are cracked. Yelena's favoring her right leg, Walker's bleeding from somewhere he won't admit, and Bob—Bob's dissociating so hard Bucky has to physically guide him to the extraction point.

"Well," Val says over comms, observing from her safe distance, "that was bracing."

Bucky doesn't trust himself to respond.

They limp back to New York in sullen silence. No debrief—Val's already spinning the disaster into something palatable for the brass. Bucky goes straight home, ignoring Sam's calls, ignoring everything except the need to get somewhere quiet before he starts breaking things.

His hands are still shaking when he reaches his floor. Adrenaline crash, probably. Or the delayed realization that they'd all nearly died for some bureaucrat's idea of asset recovery. Or—

Your door is open.

Not open-open. Cracked, like it didn't latch properly. Like someone left in a hurry. Or—

The deadbolt is broken.

The one you installed yourself three weeks ago. The one he'd watched you struggle with, pride keeping you from asking for help.

Bucky goes utterly still.

His body moves before his brain catches up. He's through your doorway, cataloging details with mechanical precision: lamp knocked over, books scattered, coffee table shoved sideways. Signs of a struggle. Signs of—

Blood.

Not much. Just droplets on the hardwood, leading toward the kitchen. But enough. Enough to make his vision tunnel, his chest compress until breathing becomes theoretical.

"Sweetheart?" The pet name slips out, raw. No answer. He clears each room like he's back in Hydra facilities, except his hands won't stop shaking because this is your space, your things, your—

Your phone is on the kitchen floor, screen cracked. There's a handprint on the wall—bloody, smeared. Too small to be anyone's but yours.

Something inside him breaks. Clean, sharp, like a bone snapping. The careful distance he's maintained, the walls he's built, the conviction that keeping you at arm's length would keep you safe—all of it crumbles in the face of your empty apartment and that small, bloody handprint.

He's already moving, phone out, calling in favors he's been hoarding. Because someone took you. Someone came into your home—the home he was supposed to be protecting by staying away—and took you. And they're going to learn exactly why the Winter Soldier's name still makes people flinch.

His phone rings. Unknown number.

"Barnes." He doesn't recognize his own voice.

"Ah, the infamous Winter Soldier." The voice is male, amused, completely at ease. "I was hoping we could talk."

"Where is she?"

"Safe. For now. Though that really depends on you, doesn't it?"

Ice spreads through his veins, familiar as an old friend. This is what he was trying to prevent. This exact scenario. You, hurt because of him. You, taken because someone figured out—

"What do you want?"

"You've been playing house, Barnes. Getting soft. Forgetting what you are." A pause, calculated. "I'm going to remind you. And your little neighbor? She's going to help."

The line goes dead.

Bucky stands in your ruined apartment, surrounded by the evidence of his failure, and feels something fundamental shift. Not break—he's been broken before. This is worse. This is the cold clarity that comes after, when there's nothing left to lose.

Someone made a mistake today. They touched you. They made you bleed.

He's going to paint the city red for it.

"Buck, slow down—"

"No." He's already moving, gathering gear with brutal efficiency. The weapons he's not supposed to have. The tech that's definitely illegal. Every favor, every resource, every skill Hydra beat into him over seventy years.

Sam's on speaker, trying to be the voice of reason. "You can't just go in guns blazing—"

"Watch me."

"This is exactly what they want. You, isolated, operating without backup—"

"They have her, Sam." The words come out raw, flayed. "They took her because of me. Because I was stupid enough to think distance would keep her safe."

Silence on the other end. Then: "What do you need?"

That's why Sam Wilson is Captain America. No more arguments, no more trying to talk him down. Just immediate, unwavering support.

"Intel. Cameras in my building, surrounding blocks. Last twelve hours." He straps a knife to his thigh, then another. "And get me backup."

"I can rally your team. Get Walker, Yelena—"

"No." The word comes out sharp. Another knife. Extra magazines. "The Thunderbolts are compromised. That clusterfuck of a mission proved it."

"Buck—"

"They're not ready for this. Half of them can barely work together without Val pulling the strings." He's checking his tactical vest, muscle memory taking over. "This isn't a government op. This is personal."

"So what, you're going in alone?"

Is he? Bucky stops, considers his options. The Thunderbolts are a mess on a good day—Walker's still trying to prove something, Bob's hanging on by a thread, and Alexei treats everything like a performance. They're not who he needs for this.

"They touched her," he says simply.

"I know, man. I know. But—"

"Get me what intel you can. I'll handle the rest."

"Buck, come on. At least let me—"

"They have her, Sam." His voice cracks, just slightly. "Every second we waste talking, they could be—"

"Okay. Okay. Intel coming your way. But Barnes? Don't do anything stupid."

"Too late for that."

Bucky stops in your doorway, looks back at your apartment. There's a photo on your bookshelf—you and him at the building's July 4th party. Mrs. Nguyen had insisted on taking it. You're laughing at something, leaning into him, and he's looking at you like—

Like you're everything he never thought he'd get to have.

"I'm coming for you," he tells the empty room. A promise. A threat. A prayer to whoever might be listening.

Then he disappears into the night, and the Winter Soldier goes hunting.

The trail goes cold in six hours.

Whoever took you, they're not amateurs playing at being dangerous. They're ghosts—professionals who know exactly how to disappear in a city of eight million people. Every camera angle's been scrubbed. Every witness suddenly develops amnesia. Even the blood in your apartment leads nowhere; cleaned of DNA markers by something that makes Bucky's teeth ache with familiarity.

"Talk to me, Buck." Sam's voice through the earpiece, carefully level. "Where are you?"

Bucky stands on a rooftop in Queens, staring at another dead end. Another empty warehouse that should have had something, anything. "Nowhere."

"That's not an answer."

"It's the only one I've got." His metal hand clenches, servos whining. Below, the city keeps moving, oblivious to the fact that you're somewhere in it, hurt, taken because of him. "They're good, Sam. Too good."

"We'll find her."

We. Like this isn't Bucky's fault. Like his past isn't bleeding into your present, staining everything he tried so hard to keep clean.

He drops from the rooftop, lands hard enough to crack pavement. A passing couple startles, hurries away. Good. He doesn't feel particularly human right now anyway.

Hour twelve. Yelena finds him in your apartment, sitting on your couch like a grieving statue.

"This is pathetic," she says, stepping over the crime scene tape he'd ignored. "Even for you."

"Get out."

"No." She perches on your coffee table, uncharacteristically serious. "You think sitting here feeling sorry for yourself will find her? You think guilt helps?"

"I said—"

"I know what guilt looks like, Barnes." Her voice cuts, precise as the knives she carries. "I know what it is, failing someone you—" She pauses, searching for the English word. "Care about. But this?" She gestures at him, at the apartment, at the bloody handprint he can't stop staring at. "This is just... как это... self-pity? No, worse. Useless."

The laugh that tears out of him is ugly. "Thanks for the pep talk."

"Someone needs to knock sense into your thick skull." She leans forward. "Whoever has her, they want you like this. Emotional. Sloppy. Making mistakes."

"I know that."

"Then stop giving them what they want."

Easier said than done when every surface in this apartment carries your ghost. The mug on the counter with your lipstick stain. The book splayed open on the side table, marking your place. The sweater thrown over the chair—his sweater, actually, stolen three weeks ago when you'd claimed your apartment was freezing.

"Keep it," he'd said, trying not to notice how it made something primal in him satisfied, seeing you wrapped in his clothes.

"Just until I fix my radiator," you'd promised, but you'd worn it three more times that week, and he'd never asked for it back.

"Barnes." Yelena snaps her fingers in his face. "Сфокусируйся. Focus."

"I am focused."

"You're spiraling." She pulls out her phone, shows him surveillance footage he's already memorized. "Look again. Really look. Use your brain, not your bleeding heart."

He wants to tell her he's looked at nothing else for twelve hours. Instead, he watches you leave your apartment at 6:47 PM, mail in hand. Watches you come back at 6:53. The timestamp jumps—7:31 to 8:15, forty-four minutes missing. By 8:15, your door's ajar and you're gone.

"Professional crew doesn't need forty-four minutes for grab," Yelena says, her English getting rougher as she thinks. "So why take so long? What were they doing?"

Bucky's phone buzzes. Unknown number.

His blood turns to ice, then flame.

"You're going to want to watch this alone," the familiar voice says. "Though I'm sure your friend is lovely. Hi, Yelena."

She stiffens. Bucky's already moving, putting distance between them, some instinct screaming danger.

"Just me," he says. "Let her go."

"See, that's your problem, Barnes. Still trying to protect everyone. Still thinking you can control who gets hurt." A pause. "Check your messages."

The video file is already there. His hand shakes as he opens it.

You're in a concrete room—could be anywhere, everywhere, the kind of place that exists in every city's bones. Sitting in a metal chair, wrists zip-tied but not apparently hurt beyond the cut on your temple still sluggishly bleeding. You're still wearing his sweater.

"Say hello, sweetheart." The voice comes from behind the camera.

You look up, and the defiance in your eyes makes his chest seize. "Go fuck yourself."

The slap comes fast, snaps your head sideways. Bucky's phone creaks in his grip.

"Language." The camera shifts, focuses on your face. "Try again."

You spit blood, manage a smile that's all teeth. "Hi, Bucky. Nice weather we're having."

Another slap. Harder. Your lip splits.

"I told you he made you weak." The voice continues conversationally as you work your jaw, testing damage. "The Winter Soldier, reduced to playing house with some nobody. It's embarrassing, really."

"You talk a lot for someone hiding behind a camera," you mutter.

This time it's a fist. Your head rocks back, and when you look up again, your nose is bleeding. But you're still glaring, still unbroken, and Bucky loves you so fiercely in that moment it feels like drowning.

"Here's what's going to happen," the voice continues. "Every hour Barnes doesn't come alone to the address we'll send, things get worse for you. And before you get any ideas—" The camera pans to show three other men, armed, professional. "—we've planned for contingencies."

Back to you. Blood drips onto his sweater. You notice the camera returning, look directly into it. "Don't you fucking dare," you say, and despite everything—split lip, bloody nose, zip-tied to a chair—you mean it. "You hear me, Barnes? Don't you—"

The video cuts.

Bucky stands very still in your empty apartment, phone in pieces at his feet.

"That bad?" Yelena asks.

He can't speak. Can barely breathe around the rage threatening to tear him apart from the inside. Somewhere in the city, you're bleeding because of him. Hurt because he was selfish enough to let you close, stupid enough to think distance would be enough.

Another text. An address in Red Hook. Come alone or we start cutting.

"Is trap," Yelena says, dropping articles like she does when she's focused. "Obviously trap."

"I know."

"You can't just walk in there like idiot."

"I know."

"So what's plan?"

He looks at her, and whatever she sees in his face makes her step back. "I give them what they want."

"Barnes—"

"They want the Winter Soldier?" His voice sounds wrong, mechanical, like something dredged up from permafrost. "They've got him."

The address leads to a warehouse because of course it does. These people, whoever they are, lack imagination. Bucky counts heat signatures through thermal imaging—six outside, unknown inside. Doable, if he's what he used to be. If he's willing to be what he used to be.

"Don't you fucking dare."

Your voice echoes, but it's drowned out by older programming. By muscle memory that never quite faded, no matter how many therapy sessions or good days or shared dinners with someone who looked at him like he was worth saving.

"In position," Sam's voice, because fuck going alone. Fuck giving them what they want. "West entrance."

"Rooftop," from Yelena.

"Back door," Walker, surprisingly. "For the record, I think this is stupid."

"Noted," Bucky says, and walks through the front door.

The space is exactly what he expected. Concrete floors, exposed beams, the kind of place that swallows sound. They're waiting for him—five men in tactical gear, no identifying marks. Professional contractors, not ideologues. Which makes this personal.

"Dramatic entrance. I respect that." The voice from the phone materializes into a man in his forties, military bearing, forgettable face. He's standing next to a metal table laid out with tools that make Bucky's scars ache. "Though you were supposed to come alone."

"Yeah, well." Bucky spreads his hands, easy target. "I've never been good at following orders. Ask anyone."

"Funny." The man circles him, predator studying prey. "That's not what your files say. 'Perfect compliance.' That was the phrase, wasn't it?"

Old wounds, precisely targeted. These people have done their homework.

"Where is she?"

"Close. Alive. For now." The man stops in front of him. "You know, I studied you. The Winter Soldier. Hydra's perfect weapon. And then you just... stopped. Became this." He gestures dismissively. "James Barnes, failing congressman. Playing superhero. Pretending you're not what we made you."

"We?"

The man smiles. "Not Hydra, if that's what you're thinking. Hydra was sloppy. Cult-like. No vision beyond control." He pulls out a tablet, shows Bucky a logo—a chimera, three-headed. "Cerberus. We're more... refined. We deal in weapons, not world domination. And you, Barnes? You're a weapon pretending to be human."

"Cool speech." Bucky's cataloging angles, distances, how fast he'd have to move. "Must've practiced in the mirror."

The man's smile tightens. "Bring her out."

Two more men emerge from a side room, dragging you between them. You're conscious but barely, feet stumbling, head lolling. They drop you on the concrete, and you don't get up.

Everything in Bucky goes very, very quiet.

"So here's the deal," Cerberus continues. "You're going to work for us. Exclusive contract. Your particular skills in exchange for her life."

"No." Your voice, cracked but clear. You push yourself up on shaking arms, meet Bucky's eyes across the warehouse. "No deals. No trades."

"Sweetheart—"

"Don't you 'sweetheart' me." You manage to get to your knees, swaying. Blood's dried on your face, but your eyes are blazing. "You think I don't know what they're asking? You think I'd let you—" You have to stop, catch your breath. "I'd rather die than be the reason you become that again."

"How touching," Cerberus says. "But not your call." He nods to one of his men, who pulls out a knife. "Barnes? Your answer?"

The knife moves toward you.

The world explodes.

Flash-bangs through windows, smoke grenades, the distinctive whine of repulsor beams. Cerberus shouts orders, but it's too late—the Avengers don't do subtle when one of their own is threatened.

Bucky moves. Not the measured approach of a soldier, but the brutal efficiency of a weapon. The man with the knife goes down first, arm snapping under metal fingers. The second barely has time to scream. He's not thinking, just reacting, just removing threats between him and you.

Someone shoots him. Barely feels it. Someone else tries hand-to-hand, which is adorable. He puts them through a wall.

"Barnes!" Sam's voice, sharp. "Shield up!"

He spins, catches the thrown shield, uses it to deflect a spray of bullets meant for you. You're trying to crawl to cover, leaving bloody handprints on the concrete, and the sight shorts out whatever restraint he had left.

When the smoke clears, Cerberus is the only one left standing. Backed against the wall, gun trained on you because of course it is. These people are predictable to the last.

"Come any closer and—"

Yelena drops from the ceiling, lands on him like gravity given form. The gun goes flying. Cerberus goes down choking on his own blood, Yelena's knife finding the gap in his armor like it was designed for it.

"Predictable," she says, wiping the blade clean. "I told you they were predictable."

But Bucky's already moving, dropping to his knees beside you. You're conscious, breathing, alive. That's all that matters. Everything else—the mission, the cleanup, the questions—fades to white noise.

"Hey," he says, hands hovering over you, afraid to touch. Afraid to hurt. "I've got you."

"Took you long enough," you manage, then promptly pass out in his arms.

He catches you, holds you against his chest, and something in him breaks. Or maybe it finally, finally mends. Either way, he's done pretending distance keeps anyone safe. Done acting like he deserves to make choices about your safety without you.

"Med team's three minutes out," Sam says quietly.

Three minutes. He can hold you for three minutes. Can keep you safe for three minutes.

After that? After that, everything changes.

But for now, in the blood and smoke and aftermath, Bucky Barnes holds the person he was stupid enough to fall in love with and makes a promise:

Never again.

Never fucking again.

The medical bay at the Tower is too bright, too sterile, too full of people who keep looking at Bucky like he might snap. Maybe he will. He's been sitting in the same chair for four hours, watching machines monitor your breathing, and every beep feels like an accusation.

"You need to get that looked at," Sam says, nodding at the blood seeping through Bucky's shirt. Gunshot wound, probably. He honestly can't remember.

"I'm fine."

"You're bleeding on their fancy floors."

"I'm fine."

Sam exchanges a look with Yelena, who's been uncharacteristically quiet since they arrived. She's cleaned the blood off her hands but keeps flexing them, like she can still feel it.

"At least change your shirt," she says finally. "You look like extra from horror movie."

He doesn't move. Can't move. Because what if you wake up while he's gone? What if you open your eyes and he's not there, again, like he wasn't there when they took you?

"Barnes." Dr. Cho's voice cuts through his spiral. "She's stable. Three broken ribs, concussion, various contusions, but nothing life-threatening. She's lucky."

Lucky. The word tastes like copper in his mouth. Lucky is winning the lottery, not surviving a kidnapping because you had the misfortune of living next to him.

"When will she wake up?"

"Soon. The sedatives should wear off within the hour." She pauses, studying him with that look medical professionals get when they're about to say something pointed. "You, however, need treatment. You're actively bleeding on my floor."

"Sam already made that joke."

"It wasn't a joke." But she moves on, knowing a lost cause when she sees one. "I'll send a nurse with supplies. Try not to die before she wakes up. The paperwork would be tedious."

She leaves. Sam leaves. Even Yelena eventually wanders off, muttering something about vodka and terrible life choices. And then it's just Bucky and you and the steady beep of machines he'd tear apart if they stopped working.

Your hand is smaller than his. He knows this—has known it since the first time you grabbed his wrist to drag him to see some neighbor's new puppy—but it feels more pronounced now. More fragile. Your knuckles are split from fighting back, and there's still blood under your nails. His blood? Theirs? He doesn't know, and the not knowing makes him want to put his fist through the wall.

"You're spiraling again."

Your voice is hoarse, barely above a whisper, but it might as well be a gunshot for how hard it hits. His head snaps up to find you watching him, eyes half-open but alert.

"You're awake."

"Mmm. Kind of wish I wasn't." You try to sit up, wince, immediately abort that mission. "Fuck. Did anyone get the number of the truck that hit me?"

"Don't—" He's hovering, hands fluttering uselessly, afraid to touch you. "You shouldn't move. Dr. Cho said—"

"Dr. Cho can kiss my ass," you mutter, but you stop trying to sit up. Your eyes track over him, cataloging damage. "You're bleeding."

"It's nothing."

"It's literally dripping on the floor, Barnes."

"It's fine."

You stare at each other. Four hours of practiced speeches evaporate in the face of your actual consciousness, leaving him with nothing but the memory of your blood on concrete and the sound you made when they hit you.

"So," you say finally, voice carefully neutral. "Cerberus. That was fun."

"Don't."

"Don't what? Make jokes about my kidnapping? Process trauma through humor? Acknowledge that you're sitting there bleeding because you decided to Rambo your way through—"

"You could have died." It comes out louder than intended, raw. "You almost died because of me."

Something shifts in your expression. "Bucky—"

"No." He's standing now, needing distance, needing space between him and the way you're looking at him. "You don't get to—to act like this is fine. Like this is some funny story you'll tell at parties. They took you because of me. They hurt you because of me."

"They took me because they're assholes who thought they could use me as leverage." You're struggling to sit up again, ignoring whatever pain it causes. "That's on them, not you."

"You're only leverage because I was selfish enough to—" He stops, runs his hand through his hair. "I knew better. I knew what would happen if I let someone close, and I did it anyway."

"Let me get this straight." Your voice is gaining strength, and with it, heat. "You think you 'let' me get close? Like I didn't have any say in it? Like I didn't practically force-feed you cookies until you acknowledged my existence?"

"That's not—"

"And what, you think keeping me at arm's length would've magically made me safer? News flash, Barnes: I live in that building because it's what I can afford. That makes me a target for regular criminals on a good day. At least with you around, I had someone who actually gave a shit if I made it home."

"Don't." The word cracks. "Don't act like I was protecting you. I'm the reason you were bleeding. I'm the reason they—"

"You're the reason I'm alive!" You swing your legs over the side of the bed, bare feet hitting the floor with determination that makes his chest tight. "You think they took me because they wanted leverage? They took me because they were cleaning house. Because they knew you'd gotten soft, gotten close to someone, and that made you unpredictable."

You stand, sway, catch yourself on the bed rail. He moves forward instinctively, and you hold up a hand.

"No. You don't get to touch me right now. Not when you're about to do something stupid and noble and self-sacrificing." You take a step, then another, closing the distance between you despite your own warning. "They were going to kill me either way, Barnes. Whether you came for me or not. The only difference is that you did come, and now I'm alive to be really fucking pissed at you."

"You don't understand—"

"I understand perfectly." You're close enough now that he can see the bruises forming on your throat, the way you're holding your ribs, the tears you're refusing to shed. "You think you're poison. You think everyone you touch gets hurt. You think the best thing you can do is be alone forever because that's what you deserve."

"Stop."

"No. Because here's the thing, James Buchanan Barnes—you don't get to make that choice for me." Your voice breaks, just a little. "You don't get to decide I'm better off without you. You don't get to kiss me in my kitchen and then run away like a coward. And you sure as hell don't get to sit there bleeding and act like it's some kind of penance."

The medical bay feels too small suddenly, like all the air's been sucked out. You're looking at him with eyes that see too much, that refuse to let him hide behind the careful walls he's rebuilt in the last three weeks.

"They hurt you," he says, quieter now. Lost.

"Yeah. They did." You reach up, slowly, telegraphing the movement. Your hand cups his face, thumb brushing over the bruise on his cheekbone. "And it wasn't your fault."

"How can you say that?"

"Because blaming you for what they did is like blaming a bank for getting robbed." Your other hand comes up, framing his face, forcing him to meet your eyes. "You're not responsible for other people's evil, Bucky. You're only responsible for what you do about it."

"I should have protected you better."

"You literally threw yourself between me and automatic gunfire."

"I should have never let them take you in the first place."

"Oh, so you're psychic now? Can predict the future?" Your laugh is watery. "Add that to the resume. Congressman, ex-assassin, part-time fortune teller."

"This isn't funny."

"It's a little funny." But your smile fades, replaced by something fiercer. "You want to know what's not funny? Spending three weeks watching you shut me out. Sitting in that chair, knowing you were hurting, and not being able to do anything because you decided I was better off without you."

"You are—"

"Finish that sentence and I swear to god, Barnes, concussion or not, I will punch you in your stupid, self-loathing face."

He almost smiles. Almost. "You could barely stand five seconds ago."

"Adrenaline's a hell of a drug." But you're swaying again, and this time when he reaches for you, you don't stop him. His arms come around you carefully, mindful of injuries, and you lean into him like you've been waiting for permission. "I'm so fucking mad at you."

"I know."

"Like, incandescently furious."

"I know."

"You don't get to leave again." It comes out muffled against his chest, but he hears the steel underneath. "I don't care if the entire population of supervillains decides I'm their new favorite target. You don't get to leave."

His arms tighten fractionally. "Sweetheart—"

"No." You pull back enough to glare at him, and even bruised and exhausted, you're the most beautiful thing he's ever seen. "No 'sweetheart.' No soft voice and sad eyes. You're either in this with me or you're out, but you don't get to half-ass it anymore. You don't get to knock on my door at 2 AM because you had a nightmare and then pretend we're just neighbors. You don't get to dance with me at weddings and then act like it meant nothing. You don't get to—"

He kisses you.

There's no grace in it—just collision, pure physics as his mouth finds yours with the same brutal efficiency he'd use to take down a target. Except this isn't violence, it's something worse. It's capitulation. It's three weeks of want compressed into the space between one heartbeat and the next.

The noise that escapes you—half gasp, half sob—unlocks something feral in his chest. Then your teeth catch his lower lip, sharp and unforgiving, and his vision whites out entirely. You kiss like you fight: dirty, determined, taking no prisoners. Your tongue slides against his and his knees actually buckle, what the fuck, he's faced down alien armies without flinching but you're going to be what finally kills him.

His hands fly to your face, metal and flesh cradling your jaw like you're something precious even as he devours your mouth like you're anything but. You're pressed so tight against him he can feel every hitch in your breathing, every shudder that runs through you when he angles his head and deepens the kiss into something filthier, something that has you making these broken little sounds that he wants to bottle and keep.

The medical bed hits the back of your thighs—when did he walk you backward?—and you use the leverage to pull him down, down, until he's curved over you like a question mark, like gravity itself has reorganized around the heat of your mouth.

When you finally break apart, it's only because biology demands it. You're both wrecked—breathing like you've run marathons, lips swollen and spit-slick, staring at each other like you're not quite sure what just happened.

Your pupils are blown so wide he can barely see the color of your irises. There's a flush spreading down your throat, disappearing beneath the hospital gown, and he has to physically stop himself from following it with his mouth. His hands are trembling where they frame your face, thumbs pressed to your cheekbones like he's checking you're real.

"That's not an answer," you manage, but your voice is thoroughly fucked, and your hands are still twisted in his vest like you'll shoot him if he tries to move away.

"Yes, it is."

"No, it's really not. It's a deflection. A really nice deflection, but—"

"I'm in." The words feel like jumping off a cliff. Like defusing a bomb. Like coming home. "I'm in. Whatever that means, whatever that looks like. I'm in."

You study him for a long moment, and he tries not to fidget under the scrutiny. Finally: "You're going to therapy."

"I'm already in therapy."

"You're going to actually talk in therapy instead of just staring at the wall and hoping Dr. Raynor gets bored."

"...fine."

"And you're going to let me have a say in my own safety. No more unilateral decisions about what's 'best' for me."

"Okay."

"And you're going to teach me self-defense. Real self-defense, not just how to throw a punch."

"Deal."

"And—" You sway again, this time more dramatically. "Oh. Okay. Maybe sitting down now."

He guides you back to the bed, hands steady even if nothing else is. You let him fuss, let him adjust pillows and pull up blankets, and he tries not to think about how easily you fit into his hands. How right this feels, even with blood on his shirt and bruises on your skin.

"For the record," you say as he settles back into the chair beside your bed, "I'm still mad."

"I know."

"Like, really mad. There's going to be yelling. Possibly throwing things."

"I can take it."

"And groveling. Lots of groveling. I'm talking flowers, chocolates, the works."

"Noted."

You reach for his hand, lace your fingers through his. "And you're going to tell me you love me."

He freezes. You squeeze his hand.

"Because I know you do. I've known since you reorganized my bookshelf by genre and then pretended you didn't. And I love you too, you absolute disaster of a man, but I need to hear you say it. When I'm not concussed and you're not bleeding. When we're both safe and no one's trying to kill us and we can actually have a real conversation about what this means."

His throat feels tight. "I can do that."

"Good." You close your eyes, exhaustion finally winning. "Now get your gunshot wound treated before you bleed out on my watch. I'm not explaining that to Sam."

"It's not that bad."

"Bucky."

"Fine."

But he doesn't move. Not yet. Instead, he sits there holding your hand, memorizing the way your fingers fit between his, the steady rise and fall of your chest, the fact that you're alive and here and somehow, impossibly, still want him around.

The sun's coming up by the time a nurse finally corners him, threatening sedation if he doesn't let her treat the gunshot wound. You're properly asleep by then, fingers still tangled with his, and he lets the nurse work around your grip rather than let go.

"She's tough," the nurse comments, applying what are probably too many bandages.

"Yeah."

"And stubborn."

"Definitely."

"Good." She pats his shoulder, maternal despite being half his age. "You're going to need it."

He doesn't ask what she means. Doesn't need to. Because you're right—he's a disaster. A work in progress on his best days, a barely controlled catastrophe on his worst. But you looked at all that and decided he was worth fighting for anyway.

The least he can do is try to prove you right.

When you wake up again, he's there. When Dr. Cho kicks him out so you can rest, he goes to therapy and actually talks. When Sam asks if you're together now, he says yes without qualifying it.

And when you're finally released, when you're back in your apartment with its new locks and its carefully cleaned floors, when you knock on his door at midnight because the nightmares found you too—he opens it. No hesitation. No distance.

"Hey, neighbor," you say, and the smile you give him is worth every risk, every fear, every moment of doubt.

"Hey yourself."

You step inside, and he closes the door behind you, and for the first time in longer than he can remember, Bucky Barnes stops running from the possibility of happiness.

It's terrifying.

It's everything.

It's enough.

#god this is SO good #10/10 #no notes #fic rec

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lockley-spktr · 1 month ago

Text

A Thousand Times Before

Pairing: Avenger!Bucky x Avenger!Reader

Summary: Bucky travels to an alternate universe for the sake of a mission. But he doesn’t expect to come face to face with a version of you that loves him, completely and openly. Back in his own world, he is left with a truth he can’t keep to himself anymore.

Word Count: 16.5k

Warnings: alternate universe; multiverse; so much yearning; identity confusion; emotional distress; guilt; self-worth struggles; unintentional non-consensual kiss (non-violent, due to mistaken identity); angst; heartbreak themes; slight mentions of Bucky’s past; self-preservation; self-doubt; Bucky is a man in love

Author’s Note: This ended up being longer than I intended. Anyway, I’d love to hear what you think! Also, I’ve been toying with the idea of writing an alternate version where the roles are flipped. This time the reader travels to another universe where Bucky and your counterpart are already a couple. Let me know if that’s something you’d be interested in reading too! I hope you enjoy ♡

Divider by @cafekitsune ♡

Masterlist

The air smells of memory.

As though someone took the world he knew, put it through a sieve, and rebuilt it with hands that were almost - but not quite - shaking.

Bucky walks slow, even though his boots echo down a corridor that used to be silent. Used to be. In his world, the east wing of the Avenger’s compound is always cold, sterile, mostly unused. Here, the lights are warmer. Someone’s installed those vintage bulbs. They buzz faintly and flicker around.

There is a plant in the hallway. A real one. He steps past it. Looks down. A ceramic pot painted with little sunflowers. A tiny sticker peeling off the side.

This version of the compound is lived-in.

It’s unnerving.

He hates how it makes him breathe more deeply as though he is listening for something it shouldn’t. How everything is just off. The couch in the lounge is turned at a different angle. The vending machine is missing. There is a lavender-scented candle burning on the coffee table.

He doesn’t trust this. He doesn’t trust any of it.

Not the way the ceiling seems too low or how the hallways echo the wrong sound the longer he walks. The floor beneath his boots is almost the same. But almost is what gets people killed. And he’s not in the business of dying again. Not even here. Not even in a world that’s supposed to be some mirror image of his own.

It smells of lemon disinfectant and something faintly floral as though someone sprayed a bottle of room freshener and hoped no one would notice the rot underneath.

He runs his metal fingers along the wall as he walks, lets the vibranium whir quietly against the plaster. Feels the microscopic grooves in the paint.

In his universe, there is a crack near the main stairwell. Sam swears he didn’t do it. Clint insists he did. Here, it’s perfectly smooth. That bothers him more than it should.

He takes in this slightly different world as though maybe this is all some trick of the multiverse, some clever illusion designed to fool the worn-down man with the metal arm and the hundred-year-old ghosts. But the walls are still painted in the same color - off-white, barely warmed by the overheads. The hallway lights flicker golden. As though someone decided the compound shouldn’t feel like a facility. As though someone decided it should feel like home. His breath still fogs faintly in the colder patches of the corridor.

This could still be his universe somehow.

Even though it isn’t.

And even though he doesn’t want it to be.

He never wanted to be part of the mission.

He said no. Loudly. Repeatedly. With many adjectives and lots of glares. It didn’t matter. Fury said he was the only one who could go. That this universe had some piece of tech - some half-mythical Howard Stark prototype that their Stark never got the chance to build.

Something with the potential to rewrite temporal coordinates with precision. To fix anomalies. Maybe even to bring back the ones they lost.

He sat through the debrief like a man sitting on a bomb. Not moving. Not breathing more than he needed to.

And Bucky noticed, the way he always did, that you never ask quite so many questions during debriefing - unless the mission involves him. And this time, it’s only him. So that meant more questions from you. More concern you didn’t even try to mask.

And it made his heart clench.

You asked how they knew this tech even existed in that timeline.

You asked why Tony couldn’t just build it himself to which the man gave you a look.

You asked what would happen if Bucky saw someone he knew. If he saw himself.

You asked what exactly Bucky was going to walk into and what was expected of him.

You asked how much they even knew about this universe.

Steve had exhaled, hands braced against the briefing room table, blue eyes clouded. “We don’t know much,” he admitted. “This universe is close to ours in structure, but details are limited. No major historical deviations. No sign of HYDRA still in power. No active wars. Just small shifts. Choices made differently.”

Bucky had watched your face tighten as if the lack of data itself was a warning.

“SHIELD had a file on it, but nothing concrete,” Steve went on. “Stark’s readings say it’s stable - no time fractures, no reality collapses. Just another version of what we know.”

Bucky had listened, fingers flexing against his metal wrist. Close to theirs, but not the same. And he wonders, not for the first or last time, what choices this other world made for him.

The mission is simple. Locate the prototype. Extract it. Avoid unnecessary contact with variants. And get the hell back before anything breaks - him, the people, the timeline.

Bucky stopped listening entirely after receiving all the information he needed.

He only registered you shifting beside him, and it was the tiniest movement, but he noticed. You always get fidgety when something bothers you. He wanted to say something, reassure you, but he didn’t truly know if he even got this.

He knew you were worried. Knew you were angry. The kind that made your eyes too quiet and your hands too still. The kind that made Bucky feel like he was walking through a house where all the lights had been turned off, but every door was open.

When Dr. Steven Strange opened that portal, you stood in the corner of the room, watching him and giving him that guarded look that said you better come back whole. He couldn’t meet your eyes for too long.

And when the world rippled and bent, and the air shimmered as though it might break, and he stepped forward like a man walking into the sun with his eyes closed, he thought of you.

The stairs groan beneath his boots, familiar but not.

Same wood. Same color. But smoother. As though someone took the time to sand down the scars.

In his universe, the fifth step has a chip where Steve dropped a dumbbell. Everyone tripped on it at least once. Here, it is whole. Perfect. No history at all.

That’s what gets him. The lack of damage. As though this place hasn’t lived the same kind of life.

He reaches the second floor and hesitates.

The hallway is dim. Only the lights overhead are on, flickering just slightly. He hates the buzzing. It’s like something alive and trapped.

He turns left.

Your room is down this hall.

Or - your room in his universe is down this hall. He shouldn’t assume anything. Things are wrong here. Tilted just a few degrees off center. The kind of wrong you don’t see until it’s already unmade you.

But his feet are already moving.

It’s not like he’s planning to go in.

He just wants to look. Maybe see how different this version of you really is. Maybe see how different he is, through your eyes.

He reaches your door at the end of the corridor. It’s cracked open. That’s weird. You usually always have it shut.

Your voice isn’t behind it. You’re not laughing, humming, ranting about something. There is only quiet.

He steps closer.

The doorframe is covered in tiny indentations. Not scratches - these are deliberate. Someone’s been marking height on the trim. Two sets of lines. One lower than the other. Two sets of initials scrawled in black ink. Yours. And his.

He knows it’s yours. Because he knows your height. Like a number carved into his bones.

He’s memorized the space you take up in a room. Not just how tall you are, but the way your presence fills the air.

He knows where your head would rest if you stood beside him. Knows it would reach just beneath his chin. Knows the sound your footsteps make when you enter a room, and how the air shifts when you’re near.

He has painted you in his mind a thousand times before.

Eyes open, eyes closed.

In dreams, in silence.

In the echo of a laugh you left behind on a Tuesday.

He’s mapped you in the kitchen. Measured, in his mind, which cabinets you can stand beneath without hitting your head. Which shelves you can’t reach so he can be there, quietly, to help. So he can hand you that mug you always squint up at, the one you pretend you don’t need.

He knows how your arm swings when you walk.

Knows the rhythm of your stride. Knows your pace.

And sometimes, not often enough to be suspicious, he lets his hand brush yours.

Lets his fingers catch a hint of your warmth.

It’s not an accident.

It never is.

He carries you like a story he hasn’t told yet.

And he is aching, aching, aching to write you down.

Bucky stares at the markings like they might reach out and touch him.

He brushes his fingers against one. The ink smudges slightly under the metal pad of his thumb. Fresh.

He doesn’t understand.

Why would he-?

No. It has to be a coincidence. Just a prank. A weird joke. Someone else with your handwriting, maybe. Another version of him. One who doesn’t carry his past like a loaded gun. Or it’s just some odd inside joke he never got to know about in his own universe.

Bucky moves to step back, but his eyes catch on something else.

To the right of the door, hanging crookedly, is a small, square canvas. Acrylic. Textured.

It’s a painting. He knows it immediately. Your style.

He’s seen you paint a thousand times in silence, your jaw clenched, music too loud in your headphones. You always say you paint when you can’t say something out loud. When the words get stuck in your chest and rot.

This painting is familiar. A half-sky. A steel arm. Fingers open, reaching toward a red string that trails off the edge of the frame.

He knows what it means. He knows you.

But the painting doesn’t belong here. Not like this. It’s intimate. Meant for someone who understands the weight in your throat when you speak through colors.

Someone like him.

His stomach twists.

Maybe it is him.

He doesn’t like that thought. Doesn’t like how it makes his heart trip over itself.

He takes a step into the room because his brain told him to and his body didn’t want to argue. And he stops breathing.

Because you're not there.

But the room is.

The room is here.

And that’s almost worse.

It’s too familiar.

Not identical, not exact, but similar enough to tear him wide open.

The walls are a different color. Now necessarily lights. But just not how he remembers it. The books on the shelf are in new places, different spines, rearranged lives.

But the couch is the same shape, the same worn-out comfort.

The window still drinks in the light the same way - slanted, soft, forgiving.

And there’s a sweater messily folded on your dresser.

A book, face-down on the cushion like someone meant to come back to it.

Like you were just here.

Like maybe, if he stays long enough, you’ll walk back into the frame of this almost-life.

He doesn’t touch anything.

He’s afraid to.

Because this version of the world remembers you.

The shape of your existence lives here - in shadows and coffee rings, in the faint scent of something sweet and floral and you.

He walks the room like an intruder in someone else’s dream, eyes cataloguing the differences, chasing the sameness.

He notices that the cabinet doors hang slightly crooked in the same way.

And for just a moment he swears he hears your voice in the next room.

But it’s only silence, mocking him.

He wants to sit.

He wants to stay.

Wants to believe that if he closes his eyes, you’ll be beside him again.

He knows it isn’t true.

This isn’t his world.

This isn’t his home.

And this isn’t his you.

But the ache doesn’t care about reality.

The ache believes in the melodic sound of your laughter and the empty seat beside him.

There’s a coat draped over the back of a chair.

His coat.

Not one like it.

His.

The leather’s too worn in the same places. The collar stretched where he grips it with his right hand. There’s even the tear near the cuff that you stitched together with dark red thread, muttering that you weren’t a tailor but you’d seen enough war movies to fake it.

He steps inside without meaning to.

The room smells like you.

It’s your scent - soft, unassuming, threaded through with something sweet. Like worn pages and old tea and maybe vanilla.

It’s the same smell that clings to your hoodie when you get closer to each other on cold stakeouts to warm the other. The same one that lingers on your gloves when you pass him something, and he holds them a moment too long just to feel the warmth you left behind.

There’s a mug on the nightstand with faded text that reads I make bad decisions and coffee.

He bought that for you. In his world. As a joke.

You still used it until the handle cracked, and then you glued it back together and kept using it anyway.

He reaches out for it.

Stops.

His hand is shaking.

Bucky turns slowly. And sees the photo.

It’s not framed. Just pinned to a corkboard on the far wall, beneath torn paper scraps and to-do lists written in your handwriting.

It’s the two of you.

He recognizes the background - Coney Island. A bench by the boardwalk. Sunlight in your hair. His arm around your shoulder. His face not looking at the camera, but at you.

You’re laughing. And he looks-

He looks in love.

Like he has everything he ever wanted.

His breath hitches.

He steps back.

Back again.

Like distance might undo the gravity of what he just saw.

His ears are ringing.

None of this makes sense. Not fully.

He is stepping into a space he should not recognize but does.

The walls are a little brighter than in his world. Pale blue. Like the sky on cold days. There’s a candle on the windowsill—burned low and forgotten. Its wax has dripped onto a saucer, hardened into a small, messy sculpture. The bed is half-made. A throw blanket in a tangled heap at the foot of it. He recognizes that blanket. You two fought over it last movie night and then ended up sharing it.

There’s another book lying face-down, this time on the mattress. A knife on the nightstand. A half-written grocery list in your handwriting with his name scrawled at the bottom next to coffee and razor blades and more apples.

He stares at the list too long. At his own name like it sits in the wrong place. Like it’s foreign and familiar all at once.

His heart makes a quiet, traitorous sound in his chest.

He shouldn’t be here.

This isn’t his room. It’s not his place. Not his world. He’s just a shadow slipping through someone else’s life.

The longer he stays, the more it feels like the walls are leaning in.

He has a job.

A mission.

A very, very clear objective and a limited window to complete it in. That’s the only reason he’s here. The only reason he agreed to this whole ridiculous plan.

He doesn’t belong to this life.

He doesn’t belong to you.

Not like this.

Especially not like this.

He steps back. Slow. Controlled. As if the room might lurch and pull him in again, keep him held tight inside the heat of it. The scent of lavender on your pillow. A half-drunk mug of something still faintly warm on the desk. A soft blanket, folded neatly over the back of the couch by the window. Woven wool, pale grey, fraying just at the corners. In his world, that blanket lives in the rec room. He draped it over your slumbering body a few times already after you fell asleep somewhere between the second and third act.

The room creaks as though it knows he’s not supposed to be here.

So he leaves.

Each footfall measured like a soldier retreating from a line of fire. Not because of danger.

Because of what it could mean.

He closes the door behind him. Doesn’t let it latch.

He is leaving your room because he has to.

Because he’s still Bucky Barnes, and he still has something to do with his hands that isn’t letting them hover uselessly over photographs he never shot, or standing in the middle of a space that smells like your skin and wondering how long it would take before he forgot this wasn’t real. Or wasn’t his.

The hallway is still and dim. It breathes around him, too familiar and too wrong all at once. Different lungs, but the same bone structure.

His boots scruff over the same tile. The grooves on the walls are the same, the small imperfections in the paint still visible where someone - Clint, maybe - banged a cart too hard against the corner and then tried to cover it up with exactly the wrong shade of touch-up.

There’s a duffle bag sitting outside the laundry chute with a name tag stitched in crooked red thread: WILSON. Of course. Even this Sam never takes his stuff all the way in.

And there is a vending machine. It stands in the wrong corner, but it too has a post-it note stuck to it - out of order, again, thanks Tony - with a penknife stabbed through it, just like Natasha used to do when the machine ate her protein bar credits.

These things shouldn’t exist here. But they do.

Everything feels so carefully replicated, as though this universe is a reflection cast on rippling water - almost right, except where it wavers.

The picture frames are all straight here. No one’s taped up drawings on the elevator doors. But the dent in the wall by the training room door is still there - Tony left it during a particularly aggressive dodgeball game. And the pillow on the corner of the couch is still upside down. Steve never fixes it.

Someone’s sweatshirt is slung over the railing. Sam’s. Same one he wore for three weeks straight after the Lagos op. It still smells like burned rubber and that weird detergent Sam insists is “eco-friendly but manly.”

The common room has a blanket folded over the arm of the couch.

It’s yours.

You always fold it the same way. Two halves, then thirds, then smoothed flat.

The corners of his mouth twitch. Not a smile. Just muscle memory of one.

He walks slower now. Like he’s afraid he’ll wake something up.

He turns down the south hall, toward the kitchen.

He tells himself it’s for the layout. That he’s retracing steps, building a map in his head, keeping sharp like they trained him to. But really it’s you. It’s always you. He knows you’re here, somewhere, and if he turns the wrong corner too fast he might see you in a way he isn’t ready for. Or worse - see you in a way he’ll never forget.

His hand curls into a fist. Flesh and metal both.

The light changes first.

The kitchen here is bigger. Airier. The windows seem to stretch wider than they should, the frame redone in something softer than steel. Someone left the lights low, warm glimmers buzzing faintly above, full of melancholy chords.

And then he freezes. Everything in him turns to stone.

He stops breathing.

Because there are you.

Standing with your back to him.

You are in fuzzy socks, standing at the counter, shoulders relaxed, a pot simmering on the stove, and a sway in your movements that hit him so hard his throat tightens. You shift your weight slightly, hip against the edge of the counter, your hand rising to tuck your hair behind your ear.

The way the light hits you from behind is exactly the same.

You are moving through a rhythm you don’t know he’s watching.

You’re cooking something - he doesn’t know what, can’t smell it through the barrier of this aching distance - but it all is so heartbreakingly familiar. The tilt of your head as you read the label. The absent little sway in your hips as you stir something in the pan.

It’s domestic.

Effortlessly soft.

The kind of moment he’s never had, but has imagined a thousand times before.

His body goes very still. Maybe if he moves, the moment might shatter.

But it cleaves him open.

Because you move the same.

You move the way you do in his world - as though every room bends slowly toward you. As though you don’t know how much of your soul you leave behind in your trail. As though the air makes space for you because it wants to. Because it has to.

He watches.

Rooted to the floor.

This is doing something brutal to him. Seeing you here like this, in this soft golden kitchen that smells like tomatoes and thyme and something slow-cooked with patience and love, tucked into his shirt as though it doesn’t tear his heart apart.

You’re not just wearing it to steal warmth or tease him, the way you’ve done before in his world - tugging on his hoodie after a long mission, smirking when he raises an eyebrow, pretending it was an accident. You always returned it too quickly. Always laughed too loudly when he was too nonchalant about it. Always looked away too fast.

But here. Here you wear it as though you truly mean to.

Here you stir sauce in his shirt and sway slightly to a song you don’t know you’re humming and taste the spoon as though this is just another Saturday. Here, the shirt is not a stolen thing.

The hem skims your thighs. The collar is stretched slightly. The cotton even moves in your rhythm. His name is ghosted into the shape of you, etched along your silhouette. It’s almost too much. It’s absolutely too much.

Your movements are familiar in the way only time can make a person. And God, you move the same way. The same way. Like the version of you he left behind an hour ago. Fluid. Quiet. Self-contained. You hum under your breath, just barely.

He feels it like a bruise forming under his ribs.

His hand curls at his side. Metal fingers flex.

You don’t see him.

He’s not ready for you to. He knows he shouldn’t let you see him.

Not here. Not like this. Not when you’re standing in a kitchen that looks like the one you always complained was too small, in a shirt that is his - or the other Bucky’s - cooking with your whole body curled in that same subtle tension like you’re thinking about something else entirely.

And for one breathless second, he forgets.

He forgets this isn’t his kitchen.

That this isn’t his world.

That the you standing there isn’t the one who left a hair tie on his wrist last Wednesday.

That you’re not the one who laughed at him for not knowing how to use your espresso machine but then proceeded to teach him with that sweet voice of yours he doesn’t mind drowning in.

But God, he wants to walk across the room. Wants to slide his arms around your waist. Rest his chin on your shoulder. Breathe in your scent and feel your heartbeat under his hands.

Because he’s seen you like this before.

In his own kitchen, in his own universe.

Not often. Just enough to be dangerous.

You, in fuzzy socks. You, humming softly. You, squinting into a pot like it might confess its secrets. You, looking over your shoulder and catching him staring.

Smirking. Amused. But with a warmth in your eyes.

And now, he just watches.

This version of you doesn’t turn around. Doesn’t feel him standing there, made of want and memory and too much tenderness for a heart that was never meant to carry this much.

He grips the doorframe.

Tries to swallow the pain.

Because this is what he’s always wanted, but it isn’t his.

And it won’t be.

But he can’t stop looking.

He knows he should move. Now.

He’s not supposed to linger.

Not supposed to look.

Not supposed to feel.

He’s a shadow in this world, a breath not meant to be heard. A presence designed to pass unnoticed.

But you-

God.

You are gravity and he is weak against it.

You are the glitch in every rule, the exception in every universe.

And he can’t help it.

He looks.

He stays.

Because there is no version of reality where he walks past you untouched.

You are the only thing in this place that hasn’t changed.

The only thing that feels right.

And that’s the worst part.

Because you feel like home.

And you’re not his.

You might never be.

But he stands there, selfish and still, pretending the silence could make him invisible. Pretending this version of you isn’t real. That your shape, your voice, your hands wouldn’t undo him in ways the war never could.

You reach for the spice rack, standing on your toes just a little, the hem of the oversized shirt lifting slightly. His name is written in the way the fabric hangs off your frame. It’s branded into this whole place.

He watches you like a man watches fire from the other side of glass - warmed, lit, and ruined all at once. You move like morning through him - and he, all dusk and dust, knows he is never meant to touch such light.

You wear that shirt on your shoulders as though it is normal for you. As though you want it to be there.

Bucky watches it stretch across the curves of a body he’s only ever worshiped in dreams.

You still feel like you, he thinks and the thought is so sudden and so violent that he has to step back - just a fraction of an inch, just enough to pretend he didn’t feel it, just enough to pretend it doesn’t mean something.

He doesn’t understand how this version of you still reads like poetry he’s already memorized.

He backs away, so slowly, he wonders if time might forgive him for the moment. For his hesitation to leave.

For the way, he just stands there and watches you as though you are the last good thing in the world.

As though you are the world. His world.

You turn, slow, stirring spoon still in hand. You haven’t seen him yet. You’re focused, brow furrowed just slightly, lower lip caught between your teeth, and he knows he should get the hell away from here.

But he is frozen in place. His muscles aren’t working.

He sees the angle of your cheek, the line of your neck, the quick twitch of your nose as though you’ve caught a scent you know too well.

And then you look up.

You see him.

Bucky’s mind is running on empty cells.

Your whole face changes. Clouds lifting. Sun rising. Your smile is instant. As though seeing him is something your body wants to do.

Everything in you brightens. As though the sun cracked open inside your chest. Your whole body jolts. Just a fraction. In surprise, delight. As though seeing him is something that rearranges the air in your lungs and makes it easier to breathe.

He is not prepared for the way you breathe his name.

“Buck-” your voice is thick with shock and joy and something lighter than either. “You’re back.”

He doesn’t move. Can’t.

The word back rattles in his ears. Echoes. Feels like a lie made of gold. He is not back. He is not yours. Not in this life. Not in this room. Not in the way you somehow seem to think he is.

You don’t give him time to speak. You don’t give him space to even think.

Because you’re already closing the distance between you, fast and sure-footed, and he has just enough sense left in him to realize he should say something, before you launch yourself into his chest, arms flung wide, a soft gasp of excitement still spilling from your mouth.

You collide with him hard and certain and unapologetic, and your arms wind around his neck as though they’ve done this a thousand times. So easy with him. Knowing the shape of him.

He stiffens. Every muscle in his body locks up, heart ricocheting against his ribs. He chokes on his breath.

He’s too overwhelmed with this situation to hug you back. His arms stay frozen at his side. His fingers twitch, trying to reach for you but remembering they shouldn’t.

You’re warm. You’re so warm.

You smell like that candle on your windowsill. Like a version of comfort he hasn’t earned.

“Why didn’t you tell me you were back?” you murmur, voice muffled as you bury yourself into the crook of his neck, full of a joy so honest it makes his entire ribcage squeeze the life out of him. “I thought you were still stuck over there. I was starting to get worried. Were you trying to surprise me? Because you definitely surprised me.”

Bucky can’t speak. He can’t do a single thing and that’s absolutely pathetic. He wants to say something clever or distant or safe, but his mouth is a graveyard and the words are bones. He’s not sure he even remembers how to use them anymore.

Your breath fans across his collarbone, your nose brushing his jaw, and it’s too much.

The feeling of you against him is unbearable. You fit. Of course, you do. His body knows you, even if his brain is screaming that this is wrong, that this is not the life he is living, that this version of you is not his to touch.

But you don’t know that. You don’t hesitate. Your hands slide up his back. One of them tangles in the hair at the nape of his neck. The other rests against the curve of his shoulder. His flesh shoulder.

He feels like glass. Like a single breath could rip him to shreds.

You pull back just enough to look at him.

There is something tender in your eyes. Something known. Something that sees him without flinching. You’re beaming. And he is blinded.

You’re looking at him as though he’s something you loved for years and known down to the marrow.

And then, so quickly, so confidently - you kiss him.

Bucky freezes.

All the air leaves his lungs.

His heart stutters in his chest.

Your lips meet his as though the air between you has gravity, as though you have done this before, soft and sure, knowing how he likes it. You kiss him as though you��ve kissed him a thousand times and a thousand more.

Bucky is a rigid wall, thunderstruck.

But he doesn’t stop you.

He should. He knows he should. The second your hands touched his face, he should have stepped back. Should have told you the truth. Should have warned you that this isn’t him. Not the right one. That the man you think you’re kissing is a ghost wearing someone else’s memories.

But he doesn’t. He lets you. For a heartbreaking moment. Lets his mouth press to yours for the span of a beat and a half. Lets the warmth of you crack the ice he’s been carrying in his chest for too long.

Your lips are warm, soft, sweet, tasting of honey and cinnamon and nostalgia and the imaged version of a dream he’s buried too deep to name, one he’s never dared to reach for but still lingers in his bones. Bucky doesn’t know if he’s breathing or if that became something irrelevant.

He lets you press into him as though the whole world hasn’t changed, as though this you is not a stranger wearing your skin, your voice, your tenderness. And for a second, a small and selfish, shattering second, he melts.

His muscles go slack and his eyes fall closed and the universe falls into place. Your lips on his feel like relief, like the end of war, like something he didn’t earn. He lets himself sink into it, into you.

You kiss him as though you know him. As though you know the hollow places and where they go. As though your body is working off muscle memory forged from love he was never around long enough to deserve.

Your hands are on his face and you’re kissing him as though this means something and he wants to pull away, he does, but not for one split-second. He folds like wax in flames, pliant and helpless under your affection.

His heart stutters - skips, crashes, burns.

Your body is pressing forward as though it’s coming home.

His mouth moves with yours, slow and stunned and melted, like a man learning to breathe in a language he doesn’t speak.

This is what he has imagined. This is what has haunted the spaces behind his eyes when he lets his guard down. He has imagined this. Wondered what your breath would taste like when it caught between your mouths, how your fingers would feel fisted in his hair, how it might feel to be wanted by you - openly, without hesitation, without shame.

But then you whisper against his mouth, soft and breathless and full of joy.

“God, I missed you.”

And everything collapses.

The words strike like ice water down his spine. It’s like being shot. He grows tense again. His eyes snap open. His mind catches up to his heart. The sweetness goes sour in his mouth. The warmth becomes poison under his skin. Because it isn’t real. This isn’t real.

You’re not his.

Not his to kiss. Not his to miss him. Not his to touch him with that bright look in your eyes as though he is part of your story.

You think he’s your Bucky. The one who - as Bucky would imagine - kissed you on every hallway in this place, whenever he could. The one who knows which side of the bed you sleep on. The one who earned your trust, your touch, your history.

And so he breaks the sky.

He pulls away - rips himself out of paradise with shaking hands and a jaw clenched so tight it might snap. The breath that leaves him is ragged, torn.

Every muscle in his body is tight. This is not your kiss. Not yours to give or his to take. Not when you don’t know. Not when you think he’s someone else.

And even though it’s you - your warmth, your voice, your heartbeat fluttering against his chest - it’s not the version of you he’s imagined this with.

And it’s not right.

The guilt punches him all at once, shame and grief and confusion he’s never quite learned to survive. He recoils - not even fully on purpose - but instinct, instinct that tells him he has stolen something you didn’t offer him.

He’s just a stranger behind familiar eyes.

You freeze. Blink at him. Confused. Concerned.

Your smile falters. Disappears.

His chest heaves once, twice, too fast, not able to breathe properly with your taste still caught in his mouth. His hands curl into fists at his side, trying to remember what they are for.

And then he sees it - your worry folding into something smaller, something more ashamed.

And it murders him in slow motion, one heartbeat at a time.

Your hands drop away from his face and flutter against your lips for the smallest second as though maybe you’re the one who crossed a line.

And he watches, helpless, as the light behind your eyes dims.

You take a tiny step back, shoulders inching inwards as though you’re suddenly unsure of yourself.

And then your eyes widen, and the guilt spills out of you now, sharp and immediate.

“Buck, I-” you start, your voice soft and hesitant. “I’m sorry. That was… I shouldn’t have just- I didn’t mean to- God, you probably needed a second to just settle, and I-” you trail off and take another step back as though you think you hurt him.

Your face crumples, not dramatically, not completely. But enough to look a little wounded. Vulnerable in that way you only let him see when no one else is around. Even here. Even in this life that isn’t his.

It’s killing him.

That pain in your eyes. The sheen of doubt and confusion that he put there.

You wrap your arms around yourself, retreating inward, your expression far too close to shame.

His chest caves as though something vital just got torn out, and his body hasn’t caught up yet.

Because even if you are not his - you are you. And hurting you, even by accident, even like this, feels like peeling the skin of his ribs.

He feels it in the hollow beneath his ribs, a wound that won’t stop bleeding.

“No!” he forces out quickly, voice low and rough and all wrong. “Hey- no, no, you didn’t- You weren’t- I’m not-”

But he doesn’t know what to say.

He wants to tell you it’s okay, that you didn’t do anything wrong, that it’s him, it’s all him, it’s always him, it’s never you.

He wants to scream that his bones are made of want, that his blood sings only your name, that he is drowning in everything you don’t know you’ve given him.

But none of this is simple. None of it is clean.

And all he does is stand there.

Breath shaking.

Heart breaking.

Hands curled so tightly to keep from reaching.

Because you didn’t give this kiss to him, not knowing who he was. You gave it to the man you think he is. The man you trust.

And he accepted it anyway. Let it happen. For just a split second, but still, he let himself have it.

He feels sick.

And now you look like you’re folding in on yourself, and all he wants in the world is to pull you close and undo every second of pain.

“I just got excited,” you say timidly, even softer now, eyes dropping to the kitchen counter. “I missed you and I didn’t- I thought you’d- Never mind. I’m sorry.”

You’re already turning away, trying to tuck the moment back into yourself, trying to pretend it didn’t just break the air between you. As though you haven’t just handed him a piece of your heart and watched him flinch from it.

And Bucky feels like the worst kind of monster.

Because it’s not your fault. This version of you, who somehow but clearly loves him, who thought she was greeting the man who has kissed her a thousand times and more. Who thought this was welcome. Who probably counted down the days until he walked through that door.

He knows because he does the same thing although his you and him aren’t even a thing.

Because in his world, you’re his friend. Just that. A friend with soft eyes and sharper wit, someone who argues about popcorn toppings and sings loudly in the kitchen when you know he needs some cheering up. You’ve patched him up after missions. You’ve watched old movies with him in silence, both of you staring too long at the screen and not long enough at each other. You’ve fallen asleep on his shoulder. You’ve tucked his hair behind his ear when it stuck to his cheek after a nightmare. You’ve told him - more than once - that you’re here for him.

But you’ve never kissed him.

You’ve never touched him as though you owned the moment.

You’ve never stood in his clothes and cooked dinner for the version of him who let himself be yours.

And god, he wants to hate this version of himself. This man who found the courage to step forward when he only hovered on the edge. Who earned the right to be held by his dream girl like a homecoming.

And now you are ashamed. Now you are hurt.

Because he couldn’t be the right Bucky.

He steps forward, frantic, needing, desperate to fix it, to say something, anything that would wipe that hurt look off your face.

“No- no, hey,” he rasps, voice frayed. His hands are hovering. He wants to touch you. He wants to hold your face in his palms and make this better. “It’s not your fault. It’s not you. I just… I mean, I didn’t think-” He knows he’s not making this better at all right now.

He sighs, mouth open but language failing him, and he scrubs a hand over his jaw as though he can erase the hesitation you saw there.

You search his face, your eyes too deep.

A trembling nod.

“Okay,” you say. “I just thought- I don’t know what I thought. I was just really happy to see you. But I should’ve given you a moment.”

And there it is.

The softness.

The part of you he has always tried to guard. The one he’d go back to Hydra to protect. The one that makes his chest ache and his hands shake at his sides.

He wants to tell you everything. The truth. The mission. That he’s not the man you think he is.

He almost does.

But his throat is choked up.

“I’m sorry,” you whisper, and that only breaks him in a new way.

Because you think you did something wrong.

“No,” he starts again, firmer this time, softer too. “You don’t need to apologize, sweetheart. I-” he hesitates, and you see it. “I missed you, too.”

He screwed up. Completely.

You bite your lip, unsure. Your eyes flick down to your shirt. His shirt. Not really his shirt. But Bucky’s shirt. You tug at the hem as though it suddenly doesn’t belong to you anymore.

And Bucky knows that this moment will haunt him long after he leaves this world. Long after he goes back to the version of you who wears his hoodies just to tease, who touches him only in passing, who is his friend despite him wishing for you to greet him the same way this you greets her Bucky. For the rest of his life.

You look at him as though he’s a wound.

As though he’s something tender and broken and half-open, and not in the way that frightens you but in the way that makes you reach for the first aid kit. As though you’ve seen the blood already, and you are not afraid to get your hands dirty to make him whole again.

Your voice turns softer now. Maybe trying not to shake the walls around him. Like you’ve already seen him flinch once and you’re afraid of making it happen again. He can hear the thread of caution in your throat, stretched thin with concern.

“Buck,” you say, slow, quiet. “Are you okay?” you ask and it’s not just a question. It’s a doorway. A key turned in a lock he hasn’t let anyone touch. You’re peering through the walls he built up as though you have done it before. Maybe you know all his hiding places. Maybe you’ve kissed every scar on his soul and memorized the way his silences mean different things.

But not this version of him.

Not here. Not now.

And it does something sharp to him.

Because he’s not okay. He is a thousand feet below the surface, lungs full of water and salt and regret. He is standing in a version of his life that is too soft for the callouses on his hands, and you are looking at him as if he means something to you, as if he still matters even after he’s flinched from your kiss, after he’s stood there in a borrowed skin, giving nothing in return.

He wants to say yes. Wants to lie because it would be kinder. Because maybe it would make your forehead smooth out and your mouth curl back up and your shoulders drop from where they’ve crept up near your ears. But the words catch in his throat. He can’t swallow them. He can’t spit them out.

You step closer, slowly now, more careful than before, and the guilt rises more than ever.

“Do you need anything?” you ask, as though you’ve asked him this a thousand times before. “Water? Food? A shower? A-” you falter, “- a second to breathe?”

Your eyes are so gentle he could cry. You’re hurting and you’re still soft with him, still reaching across this invisible crack in the earth, still offering care with both hands like it won’t burn you if he doesn’t take it.

He doesn’t deserve this.

He doesn’t deserve you.

Not when he’s not the man who earned the right to walk through that door and be met with your affection like sunlight. Not when you looked at him like a miracle and he gave you nothing back but a statue.

His hands remain in fists. His chest is too tight. Too small. His own skin is too loud.

“I’m fine,” he answers. Too fast. Too clipped. He regrets it instantly.

Your face drops a little, enough for him to feel it all over again. Another weight, another reminder that he is ruining something delicate, something not meant for him.

“Oh,” you murmur, nodding too quickly, stepping back as though your warmth was a mistake. “Okay.”

And there it is.

That thing he can’t stand.

That thing you do - both of you, all versions of you - when you feel shut out. That pull inward, that retreat behind your own ribs, as though maybe you’d overstepped, and now you need to fold yourself small enough not to take up space.

It crushes him.

Because he made you feel that way.

He made you feel as though you’re making it worse by caring.

He swallows hard, sorrow burning down his throat.

He doesn’t deserve your tenderness. He doesn’t deserve your care. He doesn’t deserve the way you’re moving again, back to the counter, shoulders tense. You’re trying to give him space and comfort in the same breath and it hurts to watch.

You stir something in the pan. Wipe your hands off a towel that looks as though it’s been used too many times. Domestic. Familiar. This life is familiar, too much so, and he is standing in the middle of it like a trespasser.

“I’m almost done here,” you note sweetly, glancing back at him with that look - gentle and worried and wounded. “If you do want something.”

You say it as though you’ve fed him before. As though he likes your cooking. As though this is something you fall into easily, the kitchen your common ground, your voice echoing off the same cabinets.

Bucky can feel his heart cave in.

You’re still looking at him like that. As though he’s someone you’d give your last spoonful of soup to. As though he isn’t just standing there like a coward with your kiss still on his mouth and your concern sitting in the hollow of his chest.

Even when he pulled away, even when he didn’t say a damn word, you didn’t get angry. You didn’t accuse him of anything. You just worried. And you’re still here. Still cooking. Still offering pieces of yourself like they’re nothing when they mean everything.

It makes him feel like a thief.

Because he’s not your Bucky. And he doesn’t know what yours did to earn you, but he can’t possibly live up to it.

His guilt is a creature now - gnawing and breathing heavy in his chest, pacing in circles behind his ribs. He feels it crawling through him, scraping at the back of his throat, making it hard to speak, hard to swallow. You are being careful with him, and all he can think about is how he should have stopped the kiss the second you leaned in.

You wouldn’t have kissed him if you knew who he really was.

And still, he wants to say yes.

Wants to sit at the kitchen table as though he belongs. Wants to take the plate you’d hand him and eat every last bite and listen to your stories and pretend just for a moment that this is his.

But it’s not.

It’s yours.

And it’s his job to leave it untouched.

“I’m good,” he lies, voice a gravel-dragged croak.

You pause, spoon in hand, frowning softly.

He hates that look.

That little line between your brows. The tilt of your head. Maybe you know he’s not telling the truth but don’t want to press. Maybe you’d rather hold the silence in your hands than make him bleed more words than he has.

“Okay,” you say again, quiet but still open, still gentle. “Just let me know if that changes.”

And you turn back to your pan, shoulders remaining to stay curled in. Like a window closing just enough to keep the cold out.

And Bucky just stands there.

Mouth dry. Hands shaking. Jaw tight. Chest full of something that feels like grief and guilt and anguish all tangled up in barbed wire.

And you’re cooking for a man who doesn’t exist in your world.

And the worst part - the part that scrapes down the back of his throat - is that he wishes he could deserve you.

He wishes this was real.

He wishes it were him.

He wishes it more than he’s wished for anything in his life since he lost it.

Since he became something else, since he forgot his own name, since his hands were turned against the world, against himself. Since all he’s done is survive.

He watches you like a man starving for sunlight. Terrified it might disappear if he blinks too long.

The way your shoulders move as you stir. The curl of your fingers around the wooden spoon. The tuck of hair behind your ear. The shift of your weight from one foot to the other.

He watches you move like he’s memorizing. As though this is the last time he’ll see you in motion. Like your movements are things he can bottle and carry with him, tucked deep into some pocket where the world can’t steal it. Where time can’t take it. Where even regret has no reach.

Your fingers fuss over something inconsequential now. Adjusting the position of a mug that didn’t need to be moved, opening a drawer, and then closing it again. You’re pretending not to look at him but he sees the way your eyes keep falling over, the way you keep folding and unfolding yourself. You’re waiting. Giving him the space he didn’t ask for and that he doesn’t actually want but knows he should take. Giving him something kinder than he’s ever learned to give himself.

And you are so familiar. You’re the same here. Even in this place that’s slightly sideways and tinted in colors, he doesn’t recognize. You move the same. You speak the same. You care the same way.

Even if your kindness isn’t meant for him.

Even if your kiss was meant for a version of him he doesn’t even understand.

Because this Bucky - the one you seem to love here - he must have done something right. He must have looked at you one day and not looked away. He must have let himself have you. He must have been brave enough to reach for you with both hands and hold on.

Bucky doesn’t know how to be that man.

He wants to be.

But he doesn’t know how.

Not in his own world. Not where he loves you from afar and pretends that’s protection. Where he swallows the way you laugh like it’s medicine and doesn’t let it show on his face. Where he listens to your questions in briefings - always you, always asking the most, as though you know people better than they know themselves - and he lets the sound of your voice guide him through the fog in his head like a rope he can follow back home.

But he never says anything. Never answers unless he has to. Never tells you how often he thinks about you, about your hands and your hair and your smell and the way your eyes find his in a crowd like a lighthouse built just for him.

Because what would he even say?

Hey, I can’t sleep unless I replay the way you laughed when Sam dropped popcorn all over the floor last month. I still have the napkin you folded into a crane at that terrible diner. I know the shape of your handwriting better than my own.

And what would you say to that?

Would you smile?

Would you run?

He doesn’t know. He’ll never know. Because he never asked. Because he never tried.

But this Bucky did.

And now this is the price.

Standing in the compound’s kitchen that smells of roasted garlic and too many things he’s never had. Watching you move around as though this is all so very familiar to you.

He wonders if you’d greet him like this every day if he were yours. If you were his.

If you’d light up like that every time like he was coming come and not just showing up, arms open, voice warm, like there was no place he could be safer than here with you.

If you’d wear his shirts as though they are yours because of what he means to you, not because they are soft or convenient or too clean not to steal.

He aches with the idea of it.

He wants this.

He wants you.

And not just in the sharp pain that lives under his ribs. Not just in the sleepless nights and the imagined conversations. Not just in the way he stares too long when you’re laughing or how he makes excuses to sit beside you on the couch.

He wants this.

You, warm and open and lit up from the inside. You, the way you could be if you saw him like this. If you let yourself. If he ever earned the right for you to let yourself.

But he hasn’t. He knows that.

He’s just your friend. The one you trust with your coffee order and your spare key and the heavy things you don’t want to talk about until 2 am. The one you steal clothes from, but always give them back because they don’t actually belong to you. The one you fall asleep beside during late movies without worrying about what it means because it doesn’t mean anything. Not to you.

Not like it means to him.

And still, he always watches. From doorways. From shadowed corners of rooms that dim the moment you leave them. Not to possess you - but because to look away would be a small death he cannot bear.

You laugh, and he holds the sound like contraband. You glance past him, and he lets it wound him sweetly. He’ll love you like that forever - at a distance, in silence, in awe. A man carved hollow by devotion, wearing his yearning like a prayer no god will answer.

And this version of you belongs to someone.

Even if it’s just a different version of him, it’s not him. Not this one. Not the one still lost in the burden of everything he’s done. The one who still wonders if the blood on his hands will ever wash off. The one who doesn’t know how to be soft.

He doesn’t know what the other Bucky did to deserve this version of you. Doesn’t know how he got so lucky. Doesn’t know what he offered you, what words he spoke when you were doubting yourself, afraid of being too much.

He’s not sure if he even knows this Bucky. It sounds weird as fuck. But maybe he doesn’t. Because it seems impossible to Bucky that this guy actually managed to get his girl. To get you.

Though he sure as hell would start a fight if the other him ever took this for granted. If he ever walked through this kitchen distracted or tired or in a bad mood and missed the way you smile when you think he’s not looking. If he ever left you waiting too long.

Bucky thinks he’d kill to have what that punk has.

And he hates himself for that.

But he can’t help but watch you, and it feels like the axis of something turning. Like time folding in on itself to offer him one brief, borrowed breath of what could have been.

It feels like being kissed by a future he lost, and forgiven by a present he never dared to ask for.

Because he knows that if you knew his thoughts, if you knew what he is feeling right now, you’d feel betrayed. You’d feel wronged. Because this wasn’t yours to give and it wasn’t his to want and now you’re both tangled in something made of shadows and parallel paths that should never have crossed.

But you’re here. And he’s here. And the moment still smells of cinnamon and citrus and something sweet, like safety, like you.

And he can’t stop wanting.

He wants it so badly he feels like a child in his chest. Like a boy in Brooklyn again, heart too big, hands too empty. Wanting something too beautiful for his fingers. Afraid to touch it in case he ruins it.

He wants this kitchen, this quiet, this life. He wants to be the Bucky who you wrap your arms around without thinking. Without hesitation. The one you miss. The one you think about. The one you care about so deeply. The one you kiss without asking because of course he wants you to.

He wants to be the one you light up for.

He wants it so bad it hurts.

But you are too soft for the ruin of his hands. Too bright for the rooms he lives in. You drink from fountains he was never invited to approach, speak in tones that his rusted soul cannot mimic.

And this is gutting him. To know the shape of your intimate kindness, the tilt of your adoring smile, the poetry of your presence - yet remain nothing more than a silent apostle to your orbit.

And maybe that’s why he finally moves. Why he tears himself away, footfalls too loud in the silence, heart thudding wildly in his chest.

He can’t stay here, not with you standing in the soft yellow light looking like everything he’s ever tried not to need.

He clears his throat, tries to make his voice sound normal, even though nothing about him feels human right now.

Your eyes lift to his. Wary. Still warm. Still worried. Still too much.

“I should, uh,” he mutters, nodding toward the hallway. “I’ve gotta take a shower.”

He bites his lip in frustration at himself.

Your lip twitches. Tugs down ever so slightly. It splits him open.

“Okay,” you say, quiet. There is disappointment in your tone, you weren’t able to overshadow. “You’ll tell me if you need anything?”

He nods too fast. Too tight. “Yeah.”

And then he leaves.

Because if he doesn’t, he’s going to do something worse than kiss you back.

He’s going to beg.

And he knows he has already taken too much.

And he needs to turn away.

Because he has something to do.

Because this world isn’t his. And he wasn’t sent here to collect the storyline he’s too afraid to build on his own.

He’s here for a mission.

He wasn’t sent here to linger in your doorway and let his bones dissolve into longing.

He walks away with you still behind him. He feels your gaze on his skin and with every step, it’s like he’s leaving something behind he’ll never quite be able to touch again.

He almost turns around.

Almost says your name.

Almost asks what this Bucky did - how he said it first, how he reached for you, what it took.

But he doesn’t.

Because he doesn’t get to ask.

So he keeps walking, heart in his throat, your taste still on his lips, and the echo of your smile carved into his spine like something sacred he was never meant to keep.

****

“Did you run into anyone while you were there?”

Steve’s question comes as casually as a bomb dropped from the sky.

Voices rise and fall in the conference room - wooden chairs squeaking under shifting weight, pens clicking, someone’s fingers drumming absently on the table.

The room is too bright. The lights overhead white and clinical, burning a little too harshly through his eyes and down into the back of his skull.

The air smells like ozone and burnt coffee. The kind that’s been sitting in the pot too long, scorched at the edges.

Bucky sits at the far end. Back against the chair but not relaxed, never relaxed, spine too straight, jaw too tight, metal fingers tapping once against the glass of his water before he clenches his hand and stills it.

And he knew this was coming.

Knew from the moment Strange opened that cursed slit in the fabric of the universe and Bucky stepped through like he was boarding a train to nowhere. Knew the second he saw your face - your face, but not yours - that this would catch up with him. That this would unravel under fluorescent lights and scrutiny.

Every muscle in his body coiled tighter. A reflex. A learned thing. His mouth is already dry.

The table is crowded with Avengers, coffee cups clinking, files half-open and untouched because no one is really looking at the paper.

The prototype sits in the center of the table, carefully sealed inside one of Tony’s vacuum-shielded cases. A long-forgotten Howard Stark fever dream, something meant to bend energy fields into weaponized gravity. Or something. It doesn’t matter.

They have it. He got it.

But that’s not what anyone is talking about right now.

Not when Sam is already side-eyeing him. Not when Doctor Strange is seated in his dark robes like the warning label on a grenade, fingertips tented, waiting. Not when you’re sitting two chairs down - his version of you - and you’re watching him with that same knitted expression you always wear when something doesn’t sit right.

“Bucky,” Strange says, voice low and still too loud. “I need to know. Did you encounter anyone significant while you were there? Interacting with alternate selves is risky. Prolonged exposure can ripple. If you spoke to someone who knows you-”

“I know the damn rules,” Bucky mutters, sharper than he meant to, and instantly hates the way your brows lift at the sound of it.

He rubs a hand across the back of his neck. Tries to breathe. His body is still holding something that didn’t belong to him. Your smile. Your voice. The feel of your lips, pressed to his like they had every right to be there. Like you knew him.

He can’t stop thinking about you.

He doesn’t want to talk about it.

He dreads talking about it.

“There was someone,” he says, and the room quiets.

You sit a little straighter. Sam leans forward. Even Clint lowers his cup.

He can feel you watching him.

You, his version of you, sitting across the table with your arms crossed and your head tilted just enough to catch the shadows under his eyes. The real you. The only important you. And it’s so difficult to just look at you because he swears there’s a phantom echo still lingering in his chest. Of another you. Of another kitchen full of light.

“Who?” Strange asks.

Bucky exhales slowly, eyes fixed on the table. The grain of it. The scratch just under his knuckle. He imagines digging his fingers into it, splinters biting through skin, anything to ground himself.

“You,” He meets your eyes when he finally says it, and it feels like swallowing gravel. “I saw her.”

You blink.

“You ran into Y/n?” Sam asks, something like a smirk in his voice.

Bucky nods once. It feels like rust grinding his neck.

He can’t look up anymore. Can’t look at you.

He doesn’t need to look to know your breath has caught. He can feel it in the air. The absence of it. Like the moment before thunder.

He pushes through.

“She was there. She saw me.” His jaw clenches, his fists curl under the table.

Bruce exhales, pushing up his glasses. “That’s not ideal.”

Tony makes a sharp noise in his throat.

“Did you talk to her?” Strange inquiries, voice tighter now, more urgent. And Bucky has to refrain himself from wincing.

He sees you shifting in your seat in his peripheral vision.

“Yeah,” he sighs, quieter now. “We, uh- we talked.”

Silence.

Strange’s eyes are boring through him. “How close did you get?”

Sam leans forward. Bucky doesn’t look at him.

You’re staring at him now. Open. Quiet. You haven’t said a word. Your silence feels worse than anything else.

“I don’t think that matters-” Bucky starts, but Strange interrupts.

“It matters exactly. If she saw you, if you talked, if you touched, if anything that could destabilize your emotional tether occurred-”

Bucky laughs, but it’s hollow, breathless. Rotten. “What the hell is an emotional tether?”

“It’s you,” Strange answers simply. “And her. On a metaphysical level. The same person in different timelines can act as anchors. Or explosives.”

“Jesus,” Bucky mumbles, dragging a hand down his face.

His palms won’t stop sweating.

He hasn’t felt this kind of sick since HYDRA used to strap wires to his temples and ask him how many fingers they’d need to break before he forgot his own name.

The conference room is too still. Too sharp. His chair feels wrong under him, too stiff, too narrow. The soft, predictable sound of conversation from earlier has dropped into something tighter. Focused. Hunting.

He doesn’t want to lie. Not about you. Not when you touched him like that. Not when you said his name like that. Not when it almost felt like it could be true.

So he swallows hard and pushes words through his locked jaw.

“She hugged me.”

A pause.

He doesn’t look at anyone. Just the table. That one dent from Steve’s shield. The scratch Clint made with a fork because he talks with his hands. A small, folded paper crane tucked under your fingers. He doesn’t know where you’ve got that from but your fingers are bending the wings back and forth. He doesn’t think you even realize you’re doing it.

“She hugged you?” Sam repeats, brow raised. “Like… greeted you?”

Bucky nods slowly, heart thudding in his ears. “Something like that.” He can feel your gaze like heat pressed against the side of his face and it almost burns to meet it, so he doesn’t.

“What happened before that?” Steve wants to know, eyes narrowing.

“I-” Bucky starts, and then stops, scrubs a hand over his mouth. “I walked into the kitchen. She was cooking something. Then she saw me. She thought I- he- was back. From something. A mission. I don’t know the details.”

“And she hugged you,” Steve adds.

“Yeah,” Bucky sighs.

He doesn’t mean to look at you, but he does. For a second.

And you’re watching him with something unreadable in your eyes. Something still. As though you are trying to understand.

“And you just let her?” Sam presses, not unkind, but relentless in the way only Sam can be. “You didn’t say anything?”

“What do you think I should have said?”

“Well, I don’t know, man-“

“Did I say anything? Or… she?”

It’s your voice.

And it makes his stomach flip.

His eyes snap to you. But you’re not looking at him directly. You look at the edge of his shoulder. The hinge of his jaw. The tension written across his face.

He shifts in his chair. “You- She asked why I hadn’t told her I was coming back. Thought I was surprising her.” His hands are pressed flat against his thighs as though he can keep himself from shaking if he stays grounded.

“And?” Steve asks, too gently.

“She kissed me,” Bucky manages finally, and the room stiffens around him like a held breath. His voice is almost flat now. Hollowed-out. Maybe he’s trying to bleed the memory dry so it stops spreading in his chest.

There is a momentary lapse of silence that feels like someone dropped something delicate and no one wants to be the first to point it out.

Clint exhales slowly, muttering something under it. Sam leans back in his chair, maybe trying to decide if this is funny or devastating. Steve just blinks.

And you go completely still. Not a twitch of movement. Not even your fingers on the paper crane.

“She kissed you?” Natasha says, brows high.

Bucky exhales. Nods.

“What kind of kiss?” Sam blurts, leaning forward again. “A welcome-home kiss? Or a- like a real kiss?”

Steve sighs exasperated.

“No, I mean- we gotta know. This matters.”

His hand is aching. Flesh thumb pressing hard against the knuckle. “It was- not friendly.”

And the room really freezes. Stunned.

Until Sam lets out this sharp, incredulous sort of whistle, and Clint groans, dragging a hand down his face.

You glance down at your lap, jaw clenched, breath held so still it barely moves your chest. And it twists something in Bucky’s stomach, the way you sit there trying to disappear. He’s not sure who it hurts more - you, hearing this, or him, saying it. There is shame curling behind his ears. Shame and something like grief. And it’s all turned inward.

Sam’s eyes narrow. “So she kissed you thinking you were the other Bucky.”

Bucky doesn’t answer. He’s trying to keep still. Trying not to flinch. Trying not to look left. Trying not to look right. Trying not to look at you.

Because he feels the air around you shift like the press of a coming storm. It’s not anger. He knows that heat, and this isn’t it. It’s just quiet and tight and uncomfortable. A subtle withdrawal as though you’ve stepped behind some invisible wall only he can see.

And he hates it.

Bruce clears his throat carefully. “That implies a romantic connection. At least in her mind. Probably in his, too.”

Tony makes a face. “So we’re saying that Barnes and our girl are a thing in that universe.”

“Looks like it,” Natasha muses, eyes sliding toward you.

“Holy shit,” Clint remarks unhelpfully.

They say it so easily. As though this is nothing. As though this doesn’t wreck something fundamental in Bucky’s ribcage.

And suddenly everyone is quiet. Even the noise of the lights seem muted. It’s hot and awkward and strangely intimate.

Bucky stares down at his hands. They look like someone else’s. He can still feel your touch on them. Still feel the heat of your mouth against his. The softness. The way your lips pressed with such intention.

He says nothing.

He feels terrible.

Because a part of him still wants it.

Still aches with it.

Not the kiss. Not the accident.

The life.

That version of himself who gets to love you out loud. Who gets to be yours in daylight, in kitchens, in the moments that don’t demand heroism but just presence. That version of him that doesn’t have to swallow the way your voice makes something flutter in his chest like a broken-winged butterfly. The one who can kiss you because you already know him. Trust him. Want him. Miss him.

He wants that version to exist so badly.

And it makes him feel like a monster.

You’re sitting just far enough to be untouchable, just close enough that he can feel the space between you aching like a wound.

You are you. You are right there. And you don’t even know that in another universe, you loved him so much you ran into his arms without hesitation.

The light from the high windows drips in thin streaks across the long table, catching on Bucky’s knuckles, the tightness of his body.

There’s a long pause.

Then Tony exhales. “Well, that confirms it. Barnes is getting some in another universe.”

“Tony,” Natasha warns lowly.

Tony holds his hands up in mock innocence, but Strange interrupts them, turning to Bucky with a roll of his eyes. His cloak rustles.

“Did you tell her anything?” His voice is edged. “Did she suspect something?”

Bucky doesn’t answer immediately. He shifts in his seat. His back is too straight, and still, and his hands are bracing for something.

“No,” he relents. His voice is raw and rough like gravel pulled from the bottom of a riverbed. “I didn’t tell her anything.”

Strange’s eyes narrow. “Nothing?”

Bucky shakes his head. “Nothing.”

Strange tilts his head slightly. His expression is unreadable. Calculating. “Her behavior. Did she seem disoriented? Odd? Suspicious? I assume you know Y/n well enough to tell if she’s acting off.”

The lump in his throat settles as though it lives there.

“She was hurt,” he admits, and the words punch out of him. “I froze up. She thought she’d done something wrong. But she didn’t suspect anything.”

Across from him, you shift. A small movement. But he feels it in his bones. He looks up. Meets your eyes.

You’re watching him as though you’re trying to learn something about yourself from inside of him.

He swallows hard.

“I didn’t tell her anything,” he says again, and it’s not for Strange this time. It’s for you. “I didn’t compromise anything. I was careful.”

“You were compromised,” Strange says, not unkindly, but without sympathy. “Emotionally. Whether you said something or not.”

Bucky doesn’t argue.

Because yes. He was. He is. He doesn’t even know how to be anything else anymore. His chest still echoes with the memory of your laugh - not your laugh, but close enough to trick him. His arms still remember the shape of your body, the way you buried yourself into him. As though you’d been there a thousand times before and would be a thousand times again.

He wonders what that other you is doing now. If you are still standing in the kitchen, perhaps waiting for him. Still hurt. Still confused. Still so worried.

He wonders what that Bucky is doing now. If he’s back. If he’s home. If you’re in his arms, asking what took him so long. If he knows what he has. If he’s grateful. If he deserves you.

And he wonders too, if you - the you here, right across from him now, quiet and tense and real - will ever look at him that way.

Your eyes are on his and it seems as though you want to say something, as though maybe you’ve been wanting to say something for a while now.

He doesn’t hear the others anymore.

They’re voices in a room, sounds in space, language and logic pressing against the outside of a window he’s no longer looking through.

Because your eyes are on him and they are too open, too careful.

And, unfortunately for him, this is where the hope begins.

Small. Thin. Stupid.

Because there is a version out there who loved him already. Who ran to him as though he was safety and home and joy all wrapped in one reckless heart and it had been so easy for her. Natural, even. Like a reflex. Like a need.

And he has to think that if she could, then maybe you could too.

Maybe - if he just keeps showing up, if he keeps giving you pieces of himself even when it’s terrifying, even when he thinks he has nothing worth offering - maybe you’ll see something in him that you’ll want to keep.

Maybe he’s not beyond that.

Maybe he’s not on the edge of the world after all.

His heart stumbles inside him, a sharp jolt under his ribs, and he realizes too late that his breathing has gone shallow. His palm is sweating. His chest is aching in a way that is not just pain, but hunger, longing, desperate weightless wonder.

Strange is talking. Something about dimensional instability and neural resonance and all that science talk - but Bucky is no longer a soldier at a briefing.

He’s a man staring across a room at the person who has made his worst days survivable, and he’s remembering how it felt to see you in his shirt in a different kitchen, how you stood there with your back to him waiting for him to wrap his arms around you, how your lips tasted like things he should never know but can’t ever forget.

You shift again. Your knee knocks lightly against the leg of the table as you tuck your foot beneath you. And your hair falls forward, soft and a little tangled from the wind that always sneaks through the compound’s side doors. Your lips part, as though maybe you’re going to say something in front of everyone, and he braces for it, all of him going still like a wolf spotting something too delicate to touch.

But you don’t.

You break eye contact and tuck your hair behind your ear as though you caught yourself doing something you shouldn’t.

But Bucky doesn’t stop hoping.

Because he watched you do exactly that in a very different universe. Such a small gesture but it means so much to him.

Because yes, maybe he is not the Bucky she thought she kissed.

He’s not the Bucky who wakes up with you tangled in his sheets.

He’s not the Bucky who lets himself believe he could be loved without earning it first.

But maybe he could become that man.

Maybe if he tries hard enough, he too can get the girl.

Maybe if he works at this more than anything else that matters, you’ll love him too. Not just in some alternate world, but here.

In this one.

In your voice, when you say his name.

In your laugh, when he says something without meaning too.

In your eyes, when you don’t look away.

And he knows he would do anything to earn that.

He would do anything to be enough for you in the only universe that matters.

His fingers twitch. His shoulders square slowly, almost unconsciously, as though some decision has clicked into place without needing permission.

The room is still full. Voices layered over voices like shadows that haven’t realized the sun moved. Chairs creak beneath shifting bodies, Sam’s laughter breaking loose and grating on Bucky’s nerves.

The idiot is grinning, leaning back in his chair as though this whole situation is the best thing to happen this week. “Alternate-universe you is in a relationship, Barnes. What do we think about that, huh?”

“Sounds like he’s living the dream,” Clint mutters, giving Bucky a jab to the arm. “You finally got the girl, Barnes. Took a whole damn reality shift but you got there.”

Someone chuckles. Tony, maybe. Or even Steve. He can’t tell anymore. He can’t hear much over the buzz in his ears, over the sound of his own heart pounding behind his ribs.

“Hell, maybe all our multiverse selves are having better luck,” Sam remarks, amused.

Clint chuckles. “Ah, Barnes just grew a pair.”

“Well, that’s kind of a big deal, isn’t it?” Natasha, calm as ever, lifts one elegant eyebrow.

“Alternate-universe Barnes has game,” Sam says delighted.

“Lucky bastard,” Clint mutters under his breath.

They mean well. They always mean well. This is how they show they care. With ribbing and teeth-bared grins, with shoulders nudged, and things they don’t say louder than the ones they do. It’s how they keep their own wounds in check. How they keep from bleeding all over the carpet.

But Bucky isn’t laughing. He isn’t smiling. His lip twitches but only with frustration at his teammates.

He notices your stillness. The lines around your mouth have gone soft and tight all at once. Your hands are folded too carefully in your lap and your gaze is pinned to the table.

With every mention - every offhand comment, every teasing jab - he can see it.

The way your shoulders stuck in closer to themselves. The way your breath grows quiet and shallow. The way you can’t seem to look at him anymore.

He swallows around it, the sharpness in his throat, but it doesn’t go down.

Everyone else seems to think this is a strange, mildly awkward, maybe slightly endearing detail in a weird mission story.

But Bucky feels sick.

Because he’s seen it on your face. The way the information about the kiss struck you like a misfired bullet. A shadow in your eyes, the small breath that caught in your throat, the way you shifted your legs like you needed to move, to run, to put distance between yourself and what you heard.

God.

He’s such a fool.

A lovesick idiot.

Because he let that brightness curl in his chest. The hope that even though you have every right to feel nothing at all, even though he’s spent so long training himself not to want this, not to wish for things he can’t have - he truly thought that if there was a version of you that looked at him that way, that reached for him without fear, then maybe this version, this you - maybe there was something possible here too.

But now he is watching it close again. Watching you feeling uncomfortable, retreating into yourself, folding inward like the paper crane you left behind. And he knows the fault lines are his. That even his silence can crack things apart.

When the meeting finally breaks - Strange dismissing everyone with a calm nod and a list of inter-dimensional protocols Bucky doesn’t hear - you stand before anyone else. Quiet. Not hurried. Just deliberate.

As though you’ve made a decision.

You don’t look at him. Not once. Just gather your notes and your coffee and the sweater you left draped over the back of the chair.

And you leave.

No goodbye. No glance back. Not even that half-smile you offer when the day has left you tired and the silence between you feels soft instead of loud.

Bucky is on his feet before he realizes it. He ignores Sam calling after him, something about needing to finish signing off the tech. Doesn’t respond to Steve’s “Buck?” Doesn’t glance at Strange, who’s looking at him as though he already knows where this is headed.

All Bucky sees is the hallway.

You, disappearing around the corner, just a whisper of your hair and the sound of your boots against the polished floor. And all he can think is no.

Not like this.

He walks fast, with his pulse in his mouth and panic blooming in his chest.

You’re so graceful even when you’re upset, even when your body is stiff with tension. You carry yourself with that strength that’s always pulled him in, and he hates that he knows it. Hates that he can read you this well, because it means he knows you’re hurting.

He walks fast enough to catch up, to not give himself time to think about it too much. His hands are cold again. The way they get when he’s unsure. When something matters more than he knows how to handle.

“Hey,” he calls out, and his voice comes out too soft. Almost hoarse. “Wait- can you- can we talk?”

You stop. Slow, reluctant. As if the last thing you want to do is this but some piece of you can’t help it.

You don’t turn around at first. You’re breathing hard. He can see your shoulders rise and fall too quickly, your jaw tight, your arms folded across your chest as though you are trying to keep yourself together.

You turn.

And it’s worse than he thought.

Because your eyes are shiny and your expression is made of glass and restraint and you’re biting the inside of your cheek in that way you do when you want to pretend something didn’t bother you.

He hates this. Hates that he did this to you, even accidentally.

But god, you still are beautiful in a way that feels like gravity. Like the ache in his chest could drag the stars down to meet you.

You watch him as though trying not to give too much away.

“Can we talk?” He repeats, breath catching somewhere between hope and despair.

You shrug, not cold, not angry. Just tired. “If you want.”

He steps closer. Not too close. Careful. Always careful with you.

“I know it probably sounded bad in there,” he says, voice rough. “I didn’t want it to come out like that. Like I was… caught up in something.”

“You don’t have to explain yourself, Bucky,” you say quickly, voice too neutral. “You didn’t know. I get it.”

But he wants to explain. Wants to lay it out, piece by bloody piece. Wants you to understand that for a minute there, he forgot how to breathe because of how you looked at him. That he hasn’t stopped thinking about it since.

“I didn’t tell you- I mean, tell her,” he blurts, breathless. “I didn’t tell her who I was. Or where I came from. I didn’t say anything.”

You blink at him. “Okay.”

“She thought I was him. I- I didn’t say anything because I- I wasn’t supposed to engage and I wasn’t planning to. I swear I wasn’t planning to.”

You say nothing. Just stare at him with that sweetly confused expression.

Bucky steps closer. He’s aching, head to toe, something brittle in his chest like cracked glass.

“You kissed me,” he continues, and you bite your lip, looking away, “but I didn’t- I froze. It felt wrong. And when you said you missed me, I panicked. It felt like I was stealing something. From you. From you both.”

He stops. Swallows.

And there it is again. That dangerous spark. That sharp, flickering thing that’s lived inside him ever since he saw that other version of you, ever since your arms wrapped around his neck and your mouth pressed to his and your voice filled his chest with something whole.

He wishes for a version of that hope here, too.

But not if it means breaking you to find it.

You’re watching him with something unreadable in your eyes. He can’t tell if it’s pain or disappointment or confusion or all of it. He just knows it’s tearing him apart.

“I know it wasn’t me she kissed,” he goes on, quiet, every word dragging out of him as if it doesn’t want to be spoken. “And I know it wasn’t you, either. But it made me think that maybe-” He breaks off, exhales. “I know it’s not fair to say it, but-”

“Then don’t.” Your voice is soft when it comes.

And he flinches as though you touched a nerve.

But your face isn’t cruel. It’s sad. Honest. Tired in the way people get when they’re holding too many emotions all at once.

“I’m not her,” you clarify, but there is something fractured in the way you say it, like the words are paper-thin and barely holding shape. “I’m not whatever version of me you saw, whoever she is to you, that’s not me.”

“I know,” he croaks out. Bucky steps closer, just once. Not touching. Not yet. He doesn’t dare.

“No, I don’t think you do.” Your arms unfold slowly, but not in surrender. You gesture at yourself, the smallest movement, but there is steel in it. “She looks like me,” you go on. Your voice is tight. Bitter. It’s not like you. Not how he knows you - the warmth, the patience, the fire and calm and kindness all mixed together. “She sounds like me. But she’s not. She’s not me, Buck.”

And then you turn as if you’re about to go. As though you can’t stand another second of standing still in front of him.

“No- don’t,” he pleads, and before he can stop himself, he reaches. His hand finds your wrist, not tight, not rough, just enough to stop you. “Please.”

You pause again, with an exhale that is sharp and hurt and too loud in the hallway.

He is closer now. Close enough to see how tight you press your mouth together to keep it from trembling. The twitch of pain in your brow, the soft crease between your eyes he knows only shows up when you’re trying really hard not to cry.

Guilt and desperation roll through him, thorough, like a tide pulling everything warm away. It unspools him from the inside.

“What?” There is no weight behind your words. Your voice is worn. Defeated.

Bucks swallows. His voice feels like rust trying to be rain.

“She hugged me. Said she missed me. She kissed me like she’d done it a thousand times before.” His voice is shaking, even if he’s trying not to let it.

“And I didn’t stop her. Not for a second,” he goes on, quiet. “I should’ve. I should’ve pulled away sooner, but I-”

You pull your arm back, but he doesn’t let go.

“Why are you telling me this?” you question him, voice breaking in the middle. “What am I supposed to do with that, Bucky? Be happy for some other version of me?”

There is so much pain in your eyes, so much confusion and hurt and jealousy and heartbreak and it cuts him right through the heart. He feels it bleeding into his organs.

He closes his eyes, forgets how to breathe for a moment.

“I didn’t stop her,” he says lowly, slowly, “because, for a second, it felt like you.”

The silence between you is thick enough to drown in.

Your lips part, but no sound comes out.

“For a second, it felt like something I’ll never have,” he confesses, barely audible now. “And I was selfish. I let it happen. Because it wasn’t just a kiss to me.”

You don’t speak. You don’t move. Your chin trembles.

You look at him as though you want to say something but can’t trust yourself to do it.

“I’ve been trying to bury it,” he admits, voice strained. “This thing in my chest. This want. It’s been there for a long time. And I kept thinking- if I just waited long enough, maybe it would go away. Maybe you’d never have to know. But I saw what it looked like when I had it. When I had you. Even if it wasn’t really you. And I- I didn’t want to come back here and pretend I didn’t feel it anymore.”

You don’t move. Just stand there. Staring at him as if you don’t know what to do with the version of the world he is handing you.

“I’m not asking for anything,” he adds quickly, voice thick and gravelly. “Not expecting anything. I just- I couldn’t let you walk away thinking it didn’t mean anything. Because it did. But not because of that other you.”

Bucky loosens his hold on your wrist the way someone lays a weapon down.

Slowly. Gently. Like an offering. Giving you a choice. A chance to run. A way out, if that’s what you need.

His fingers brush fabric as he lets go, every inch of skin unthreading from yours just another stitch in the fabric holding him together.

He steps back. Not far, but enough. Giving you the room to run if you want to. Because he would never cage you. Not you. Not the girl he’s tried so hard not to need and failed so spectacularly at not loving.

The cold creeps in like a punishment.

He swallows, breath shallow, heart trying to climb out of his chest. He doesn’t look away.

“It meant something,” he breathes, and the words are low but steady, dragged out of some buried part of him where he’s kept the truth folded up too long. “It meant something because I love you.”

The words hang there. Open. Unarmored. His voice doesn’t shake but he feels the quake underneath it. He is already bracing for the ruin of it, for the way your silence might cut him down. It’s too much. He’s too much. Too much and too late and he’s saying it anyway, because what else can he do now, what else is left to do but burn with it.

“I love you. You. Only you,” he repeats, and this time it’s quieter, as if speaking it softer might hurt less if you break him.

He is bracing for your silence. For the recoil. For the slow turning of your back and the slam of a door, he won’t ever be allowed to knock on again.

But you don’t run.

You just stare at him.

Wide glassy eyes, lips parted, your whole face carved out of disbelief. Your chest rises with shallow, trembling breaths, and for a second, it’s like the hallway has no oxygen at all. Just the two of you standing in a vacuum made of shattered timing and aching things laid bare.

You look like someone trying to decide if the ground beneath you is real. If you are dreaming.

And Bucky is not breathing.

Doesn’t know how he will ever take in a breath again.

Then you move.

Fast. Sharp. Certain.

You close the distance between you with a speed that knocks his soul out of him, and before he can even process the intention behind the storm in your eyes, your hands are in his collar and your mouth is on his.

It’s not gentle.

It’s not careful.

You crash into him as though gravity has finally won. As though your body has been held back for too long and now it’s surging forward with years of restraint snapped at the root.

It hits him like an impact. Like a whole damn earthquake disguised as your mouth on his.

He makes a noise - somewhere between shock and surrender - and for the barest second, he is frozen.

He’s still.

Because this is you.

You.

One breathless, startled second he forgets everything - his name, the room, the hallway, the mission, the multiverse - and then he’s moving.

He melts.

His arms are around you in a heartbeat, tight, desperate, finding your waist, your back, the edge of your jaw, greedy and trembling and too careful all at once. He pulls you in, tighter, tighter, one hand threading into your hair, the other locking around your waist.

And then he is kissing you back with everything he has, with everything he’s been holding back, with every version of himself that ever wanted to belong.

He is kissing you back as though he’ll never get the chance again.

His whole body folds into yours, heart slamming into his ribs, mouth pressing against yours, like a question he’s been dying to ask. He kisses you like an apology, like a promise, like he’s been holding his breath for a century and only just remembered how to exhale.

It’s not a careful kiss.

It’s years of aching packed into the space between your lips. It’s soft lips and a metal palm and your nails digging in his jacket and his thumb shaking against your jaw. It’s a kiss that tastes of every unsaid word, every sleepless night, every time he looked at you and wondered what it would feel like to have you.

The second your tongue touches his lower lip, a low and tortured sound rips from somewhere deep in his chest. He answers you with open-mouthed hunger, tilts his head just enough to draw you in deeper, slants his mouth over yours as though he’s living out every dream in which he’s imagined this before.

He feels the warmth of your lips and the way you lean into him, the way you give yourself over completely, and he pulls you even closer, as though he’s trying to kiss every version of you that exists in every universe just to get back to this one. You. Here. Now.

His tongue brushes yours and everything goes tight inside him - his stomach flips, his spine arches ever so slightly, his body not knowing whether to hold steady or fall apart entirely.

Your lips are sweet and urgent and you make a sound - quiet, somewhere between a sigh and a gasp - and it knocks the air in his lungs every which way.

His mouth moves faster when your fingers curl into him tighter and tug him closer, dragging him under. His metal fingers are splayed over the small of your back, and his flesh fingers are tangling at the nape of your neck, holding you still as his tongue licks into your mouth, gentle but full of everything he’s feeling.

He moans softly into you, doesn’t even realize it’s happening until he feels the sound buzz against your lips. His pulse is pounding in his ears. His knees feel untrustworthy. There is heat spreading through his chest, through his limbs, and he wants to live in this moment forever, suspended in the place where you chose him.

When you finally pull back, your lips are swollen, flushed. He presses his forehead to yours just enough to breathe, but not enough to let you go. Never that.

His hands are on your face. His thumbs brush under your eyes. His breath shudders out against your lips.

When he opens his eyes, slowly, he is met with yours. Glistening and wide and so full of feeling it almost floors him.

He stares at you as though he’s seeing the sun rise for the first time.

“I love you too,” you breathe against him.

Bucky shivers.

It lands like a heartbeat he forgot to hope for.

Pleasure surges through his veins, straight to his heart. His eyes fall shut, lost in it.

And something in him tells him he will hear this at least a thousand times, maybe even more, if he’s lucky.

“I loved her not for the way she danced with my angels, but for the way the sound of her name could silence my demons.”

- Christopher Poindexter

#fic rec

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