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OLIVIA COOKE as CHERRY in THE GIRLFRIEND (2025)
#005. | 𝐀𝐈𝐌 𝐅𝐎𝐑 𝐌𝐘 𝐇𝐄𝐀𝐑𝐓 𝐆𝐎 𝐅𝐎𝐑 𝐁𝐋𝐎𝐎𝐃 ﹆ mirror#the way im so excited for this gd movie OMG?! shes stoonin
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Marisa Tomei and Christian Slater in UNTAMED HEART (1993)
#002. | 𝐀 𝐂𝐀𝐍𝐃𝐋𝐄 𝐁𝐄𝐂𝐀𝐌𝐄 𝐀 𝐁𝐋𝐀𝐙𝐄 ﹆ study#014. | 𝐈𝐌 𝐍𝐎𝐓 𝐇𝐎𝐖 𝐘𝐎𝐔 𝐇𝐎𝐏𝐄𝐃 ﹆ musings#saw this while doomscrolling on my multi and said wait a sec#cal is def the type to give her heart fully
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marbevoch on ig
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WEDNESDAY 1.01 Wednesday's Child is Full of Woe
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a few thoughts about callaia's clair obscur verse (spoilers below!)
specifically her outside-the-canvas / 'th century paris ver.: ive been hella inspired by my friends' takes lately, so i wanted to throw my gorl into the mix!
in this alt timeline, callaia is an up-and-coming violinist. instead of having a father hard on her to join the expedition, she has a father who is just as strict with her talent--instead of battlefields, its the concert hall. she grew up with music drilled into her spine, and while she genuinely loves to play, she's become a perfectionist because of it. The bubbly charm she wears in other verses? it's still here, but it peeks out in bursts: when she's picked for first chair, when someone compliments her playing--she's not shy. She is more direct. Serious. But there's a bit of mischief under it all. (she's game to sneak out to parties, have fun with friends that sort of thing).
also been toying with friends about the idea of there being like a group in the same vein as The Painters and The Writers--name pending. but its with music (shocker). Artists who aren't just good at their craft, but touched by something. Callaia could be one of them. her music doesn't just like stir emotions, she has the ability to bend it. example: if someone longs for a lost loved one, her song can make them feel their presence? if someone's numb with grief, she can pull that sorrow to the surface. When the craft is most refined, they can alter reality too.
anyways a lot to explore!!! and im excited.
#003. | 𝐓𝐇𝐄 𝐖𝐎𝐑𝐒𝐓 𝐊𝐈𝐍𝐃 𝐎𝐅 𝐆𝐎𝐎𝐃 ﹆ ooc#clair obscur spoilers#just some thoughts. i dont want to write this all and format it into her current verse post. just wanted to throw this real quick!#VERSE. | 𝐏𝐎𝐔𝐑 𝐂𝐄𝐔𝐗 𝐐𝐔𝐈 𝐕𝐈𝐄𝐍𝐃𝐑𝐎𝐍𝐓 𝐀𝐏𝐑𝐄𝐒 ﹆ CLAIR OBSCUR V.
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Callaia sees the glint in Aurora’s hand before she is even finished talking. Eyes light up like a child spotting something shiny, and without waiting for permission, she reaches out and snatches the parchment playfully. “What’s all this then? Divine secrets? Buried treasure?” She scans the words quickly, brow raising at the tone of it: serious. A bit desperate.
“Oh–Selune’s lot were clinging to whatever scraps they could find when…Ketheric tore through this place. Can’t blame ‘em. Shadows crawling through the thinnest of cracks, Justiciars turning the land cold. Anyone would be scared.” She says it without emotion, more of a matter-of-fact than mournful. Not because she doesn’t care–because what good does caring do now? She shrugs. “Nice to know someone was trying.”
Callaia sinks down beside Aurora, curling her legs to the side as she does. The parchment still in hand like she hasn’t quite let go of the story yet. When Aurora offers the bottle, she takes it without question and drinks like she needs warmth more than taste. Her gaze flickers back to the altar.
“Wonder what it felt like,” she says in a quieted tone. “Being here. Back then. When the dark became permanent… Thinking you were the last one praying…”
She exhales, catching herself thinking too hard. She tilts her head toward Aurora with a lopsided grin before stealing another swig before handing the bottle back to Aurora. “‘Course, you lot don’t scare easy, do you? Lathander this, Moonmaiden that…I used to think it was a bit much. But I think I get it.”
She begins plucking at a loose thread on the rug, not looking at Aurora as she speaks.
“You were in Barovia.” Her voice is gentle…more than usual, but still carries her usual rhythm with a sprinkle of walking on a tightrope between genuine interest and not wanting to make it weird. “Back when I overheard–eavesdropped, more like it,” she offers a sheepish smile. “When I heard Llewelyn mention it, I think I shouted something along the lines of ‘The Mists?!’ then hightailed it back to my tent before I embarrassed myself further.” She laughs. Weakly. The memory still fresh in her mind with the excitement that the stories of the curse were true.
Callaia thinks to ask for a story from that time. But she refrains herself; clocking the impulse of a yearn to know. She leans back on one hand instead, as her smile softens. “Can’t be easy stepping into a place so similar. To be thrusted back into something you both escaped.But of course you made it once. You’ll make it out of here, too.” Callaia’s smile brightens, an offer of some assurance or something to that affect for her friend “You’ve got a certain light about you. And it’s just not me who sees it.”
A pause.
“As for your uncle,” she breathes out a chuckle. “Can’t say I blame him. Astarion does look like the type to seduce and run. But he’s still here, if that means anything. If Llewelyn could get over it, surely, dear Casimir can?” the question lands rhetorically; a grin to follow as she gently nudges Aurora’s knee with her own in a friendly manner.
AS FRUSTRATING AS ITS BEEN FOR AURORA TO RELEARN YEARS OF PRACTICED SKILL, there's a hint of self-satisifaction that creeps over her the moment callaia is on her feet once more, perfectly intact. "i'm just happy i could help," she flashes a genuine smile callaia's way, just as she rises from the floor and dusts the cellar's dirt off her knees. curling her arm around callaia's, aurora is more than content to follow her lead, scanning over old crates and empty glass bottles as they pass them. anything that looks like it might have alcohol in it, aurora collects and tucks under her arm. "will you tell llewelyn what you said? about me having good taste?" she teases with a laugh. "i suspect he might actually believe it if it comes from you rather than me." when they stumble upon a place of worship for selûne, she's got a reasonable little collection going, which she splays out on the altar ... just as her attention catches on a worn book in the moonlight. curiosity strikes her and she flips it open, scanning over what seems to be a note, left here by what she can only assume was the last person who'd seen this place. after a cursory glimpse at the note's contents, aurora holds it out for callaia to see. "looks like there was a clue down here afterall," she sinks down onto the worn rug, stars embroidered into the once-purple material. "i'd say that's cause for celebration? uncle cas might know a little bit more about these relics." aurora twists in her spot to snatch a bottle off the altar, leaning her weight against the cool stone and wrenching the cork out of the bottle with a satisfying pop. she inspects the liquid with a cautious sniff, before ultimately deeming it safe to drink.
"maybe that'll get his mind off of threatening astarion every couple of hours." there's humor in her voice, washed away only when she takes a sip from the contents: a surprisingly pleasant wine that warms her spirits. she holds it up to callaia, an invitation for the bard to join her on the floor.
#012. | 𝑾𝑬 𝑺𝑯𝑶𝑼𝑳𝑫 𝑺𝑻𝑰𝑪𝑲 𝑻𝑶𝑮𝑬𝑻𝑯𝑬𝑹 ﹆ &AURORA (oflathander)#VERSE. | 𝐈𝐍𝐊𝐘 𝐄𝐌𝐁𝐄𝐑𝐒 𝐒𝐖𝐈𝐑𝐋 𝐀𝐍𝐃 𝐃𝐀𝐍𝐂𝐄 ﹆ BG3 VERSE#SHE TALKS TOO MUCH IM SORRY SHE LOVES TO HEAR HERSELF TALK#long post.
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Callaia didn’t expect much from the conversation, but the way Rosalind said it –
Consider yourself lucky…
– Gives her a pause. There’s something in the tone that doesn’t feel rehearsed. She knew that voice. She had heard it before, when they were circling something like friendship–a gesture of kindness with a smile, an offer…But after the fallout, Callaia rewrote every memory of softness into something calculated. Something easier to stay angry with.
And for a second, she forgets how to be angry. She sees the girl she had let her guard down around once. A version of Ros who maybe, had things gone differently, might’ve been a friend.
The moment doesn’t last.
The casual mention of Rosalind’s time volunteering as a Flaming Fist: that’s what gets under Callaia’s skin. How lightly Ros speaks about it, like she stepped into it so briefly, another experience added to the roster of roles she can try on without consequence. Meanwhile, Callaia had grown up training with the weight of it on her shoulders, long before she was old enough to realize she could just say no. She doesn’t care about the Fist. Never cared for the tacky badge. The thing she truly cared for? The years she lost preparing for it. And hearing Ros speak about it so casually. In the middle of everything else between them–
“Oh, wonderful.” she says to interrupt her own thoughts. She presses her thumb into the edge of her plate and lets the quiet stretch. “Playing soldier. Getting to forget about it after.” Her voice is measured. No heat in her tone, but it lands heavy, still.
“Must’ve been a hell of a story.” Callaia lifts her head, her gaze follows and lands on Ros’ face, finally. She smiles. The corners don’t reach her eyes. “A shame you can’t remember.” There’s a brief flicker of a narrow in her green eyes. But it shifts in a blink.
She regrets it the moment it leaves her mouth. Ros had been trying, in her own awkward, self-deprecating way. An effort toward something easier; perhaps a peace offering. Callaia had seen it; recognized the softness buried under sarcasm. She could have laughed, shrugged it off–but she didn’t. She wanted a cheap shot at the upperhand more than she wanted peace. And that sickens her. This wasn’t who she was. Wasn’t who she ever wanted to be. But she’s sitting in it, forced to reflect on who she becomes when she’s filled with this much resentment–it tastes like an old swill in her mouth. Bitter. Cheap.
“From what I remember about that lot,” she says, quieter now. “You’d have been the only thing worth remembering.” Her words aren’t soft, but it sounds like it could be, had she put more effort into it. The half-compliment comes out like a quick reflex. It’s a quick fix to her behaviour before–an acknowledgement of her offer. Nothing more. Her shoulders relax into a slouch, but its stiff. Not relaxed. A feeble attempt to look unbothered even as the taste of the words sticks just as bitter in her throat.
she was a coward. rosalind knew that as well as anyone else - as well as callaia herself, who had the misfortune to bear the brunt of that cowardice in what remained one of her most shameful moments. perhaps that is why she finds it difficult to focus on much more than that damned stain on the wall behind her, rather than look the bard in the eye and accept that her disdain went far deeper than some petty squabble.
if the companions notice the sudden shift in demeanor on their end of the table, they don't seem to let on. and the very last thing ros needed in that moment was astarion or gale cutting in with so-called words of wisdom that offered nothing more than moral polarity.
she almost decides to just accept defeat. to tuck her tail between her legs and excuse herself for the night, but cutting words finally draw her gaze to callaia's directly.
you sound practiced enough, like a better person, truly. take your credit and pin it on your lapel with the rest of your accomplishments.
if callaia blinks, she might miss the way ros's eyes widen for a fractin of a second, her lips tightening before her jaw betrays her composure by going slack.
even if ros could remember any improvements she'd made in the last two years, it would hardly matter when she truly had nothing to show for it aside from hearsay. even then, improvement didn't do her any favors in changing the past, no matter how much she wished it were the case.
she turns back toward her meal, but merely pushes its contents around. “consider yourself lucky, i suppose; to be considered tolerable by a hawthorne, because i assure you, i hardly ever knew the feeling myself.”
that had at least been one of the few vulnerable moments she'd shared with callaia in their youth. one that callaia did not betray. ros's prized façade of self-esteem would remain in tact for years after while her regret and isolation ecalated alongside it.
she needed to change the subject and avoid every possibility of causing a scene, for the sake of her own self-preservation. bringing up the first thing that came to mind in relation to callaia was all she could muster, her voice taking on a more vacant lilt.
“apparently, i was a volunteer member of sorts for the flaming fist when elturel fell.” she considers those words and manages to crack the smallest smile in spite of herself, because it sounded as ridiculous saying it aloud as it had when finn tried to jog her memory the first time. perhaps callaia herself might find it laughable. "though, i don't remember any of that either.”
#long post.#012. | 𝑾𝑬 𝑺𝑯𝑶𝑼𝑳𝑫 𝑺𝑻𝑰𝑪𝑲 𝑻𝑶𝑮𝑬𝑻𝑯𝑬𝑹 ﹆ &ROSALIND (divinesol)#tried to commit to her being mean but i couldn't :')#one of my fav dynamics to write! love u bestie.
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#005. | 𝐀𝐈𝐌 𝐅𝐎𝐑 𝐌𝐘 𝐇𝐄𝐀𝐑𝐓 𝐆𝐎 𝐅𝐎𝐑 𝐁𝐋𝐎𝐎𝐃 ﹆ mirror#thinking of cal a lot lately. may have energy to write a reply or two if im feeling frisky
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FRIENDS – 10.02: The One Where Ross is Fine
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KPop Demon Hunters (2025)
#002. | 𝐀 𝐂𝐀𝐍𝐃𝐋𝐄 𝐁𝐄𝐂𝐀𝐌𝐄 𝐀 𝐁𝐋𝐀𝐙𝐄 ﹆ study#016. | 𝐎𝐔𝐓 𝐎𝐍 𝐓𝐇𝐄 𝐌𝐎𝐎𝐍𝐋𝐈𝐓 𝐅𝐋𝐎𝐎𝐑 ﹆ isms#bard is correct. we gunna be insufferable#callaia is zoey coded.
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SOPHIE TURNER as Debbie Time Freak (2018) dir. Andrew Bowler
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quick! which song from the clair obscur soundtrack is your fave? ill go first. mine is Esquie's bath and Flying Waters - Goblu :) i think they're just so fun.
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#taking a break from writing for a bit but coming here to post from my drafts.#005. | 𝐀𝐈𝐌 𝐅𝐎𝐑 𝐌𝐘 𝐇𝐄𝐀𝐑𝐓 𝐆𝐎 𝐅𝐎𝐑 𝐁𝐋𝐎𝐎𝐃 ﹆ mirror#girl can be sassy.
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INDEPENDENT MULTI MUSE BLOG
《DOSSIER.》 《PROMPTS.》 《ASK.》
Fantasy-focused. D&D/Baldur's Gate 3 inspired original characters. Dark settings, complex trauma, divine fallout, eldritch influence. created and curated by Toto (she/her, 31, est) STUDY IN broken oaths, failed saints, reluctant monsters, grief, weaponized loyalty, prophecies, found families, etc.
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Wardrobe of Becky Sharp, Vanity Fair
#i think i need a regency au for callaia now i fear.#005. | 𝐀𝐈𝐌 𝐅𝐎𝐑 𝐌𝐘 𝐇𝐄𝐀𝐑𝐓 𝐆𝐎 𝐅𝐎𝐑 𝐁𝐋𝐎𝐎𝐃 ﹆ mirror#:|.
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LEGALLY BLONDE (2001) dir. Robert Luketic
#016. | 𝐎𝐔𝐓 𝐎𝐍 𝐓𝐇𝐄 𝐌𝐎𝐎𝐍𝐋𝐈𝐓 𝐅𝐋𝐎𝐎𝐑 ﹆ isms#cal being a romantic means heartbreaks that look like this hahaha
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me: *keeps creating dramatic love scenarios in my head at night and can’t fall asleep*
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