marinashafirrp

[marinashafirrp]

|| writing a little post just to say I am not dead🫠 I miss you all and I miss my babies, but unfortunately, I've got bad news -- activity will remain extremely low on all my blogs for the time being. Might come around replying to marina at some point because I miss her too much, but life is kicking me and inspiration is very low. I am here, but...... not really active. I apologise to all who are waiting for replies sending you all kisses hope you're well

[marinashafirrp]

Im so into her -- step on me

[marinashafirrp]

careful what you wish for

[marinashafirrp]

hush

[marinashafirrp]

just don't

[marinashafirrp]

@[deathbringer]

Marina's body reacted to the fight with nothing but euphoria. Adrenaline burst through her, lighting up her nerves and making her reactive, but she didn't feel her usual calm and controlled way. That fight was different. It wasn't about winning or losing, not with the Switchblade. It was about owning.

And she wanted to own him more than anything in the world. Even more than her dignity. It was an abrupt thought that cut through her with maximum clarity, something she couldn't ignore. And she decided she would have dealt with the consequences later - lying to herself and everybody else was much easier. But now she could not lie, not when he provoked her. Not when he hit her. Not when he made her feel so alive.

She savoured that fight with a different, dangerous satisfaction, enjoying feeling the breath being completely knocked out of her while Jay worked on making her lose balance. In one second, she was on the ground, feeling her diaphragm burn and her throat sealed off after his blows. And still, despite the pain, Marina smiled when he pressed the cold thin blade to her neck.

And then that smile became a low laugh as she lifted her face up to look at him, pressing her throat against the sharp blade, unafraid and uncaring if it cut through her skin. "What will happen?" She wondered, openly teasing. He could have taken her life there and then, and she didn't care about that. Marina's eyes sparkled with amusement as she looked into his eyes, a tease and a prayer, waiting to see what was coming next.

"You are already giving me everything I want." She pointed out before quickly grabbing his hair, giving him a harsh pull and not letting go, just watching how his neck bent. "Jay," she whispered his name slowly, imitating what he did earlier. With her other hand, she softly grabbed his wrist, bringing him to press the blade against her skin. She welcomed the bite of the superficial cut with pleasure as her smile widened. "I can take this, but the question is, can you? Can you go all the way?"

It was like he dangled a carrot in front of her face and she was ready for the chase. Ready to bite.

If she couldn't have anything else, she wanted to have his pain. She wanted to hear him grunt. Or wheeze as she choked him out like last time - just the memory was enough to give her a hot shiver. Her body came to life to that perspective.

"I'll taste your blood," she smiled proudly, her thick accent slipping through her words in the heat of the moment.

Assuming the combat position she knew well, bending at the knees and lifting an arm up to guard her head, Marina blew a strand of hair off her face as she looked at him dead in the eye, her focus wouldn't have moved from her pray until she was satisfied. With her other hand she clutched at the briefcase.

Marina moved fast and light on her feet; she swayed to the right, blowing a punch with her clocked arm to his side aiming for his ribs and then, taking advantage of that distraction, in rapid succession, she spinned kicked at him from the left and then another punch followed, a hook from the right to his face though this time, a second before hitting him she stopped; her hand slid around his jaz, grabbing his throat instead. She got up in his face, smelling him like a feral animal. "You want more!? Do something- hit me!"

[marinashafirrp]

hi peeps, hope you are all doing well ✨ just here to briefly say activity on marina, @rheanightmareripleyrp and @itstaztvrp will remain slow/absent for a while. I am going through some hard times and very low inspo + I am away next week. Hopefully, in a couple of weeks, I'll be back stronger than ever. Sending you all a big smooch💓

[marinashafirrp]

the blood I spill

[marinashafirrp]

@0netruem0x

[marinashafirrp]

hi my lovelies, activity is slowed or very low due to me trying to finish my uni finals/working -- by tuesday I should be done and free 👀 miss all my babies so much, my chat is always open 💕

[marinashafirrp]

[marinashafirrp]

welcome  to  a  guide  for  2025  rpc  and  a  throwback  to  the  importance  of  creating  well  rounded  ,  developed  characters  .

a  general  lovenote  and  reminder  on  how  to  create  characters  people  want  to  rp  with  ,  as  discussed  by  g.    please  note  ,  these  are  all  my  own  thoughts  and  feelings  ,  but  i'm  not  '  married  '  to  any  of  this  .  i'm  happy  for  open  conversation  ,  thoughts  ,  feedback  etc  ,  but  i  don't  tolerate  aggressive  messaging  .

the  first  thing  i  think  about  when  i  think about  my  character  ,  whether  for  a  rp  ,  a  book  ,  a  short  story  ,  or  a  1x1  partner  is  .  .  .  where  is  my  character  ?  not  just  physically  ,  but  emotionally  .  what  got  them  there  ?  what  have  they  already  overcome  ?  what  do  they  have  LEFT  to  overcome  ?

whenever  i  write  or  create  a  character  ,  i  think  about  them  in  the  same  way  i  think  about  any  story  making  .  stories  (  typically  and  in  some  manner  )  have  beginnings  ,  climaxes  and  ends  .  they  also  have  problems  that  need  to  be  solved  (  or  not  solved  )  .  there's  an  arc  we  follow  .  we  go  up  the  mountain  ,  then  back  down  again  .

a  beginning  is  not  necessarily  '  born  in  1982  ,  to  two  loving  parents  '  .  it  doesn't  need  to  be  a  beginning  of  time  ,  but  can  just  be  the  beginning  to  your  characters  story  .  e.g  '  despite  having  two  loving  parents  ,  she  had  a  deep  focus  on  soccer  .  if  not  soccer  ,  then  maths  .  if  not  maths  ,  something  else  .  from  a  young  age  ,  she  strove  for  perfection  and  being  the  best  at  something  .'

this  beginning  sets  the  tone  of  your  character  .  in  a  few  sentence  ,  we  can  already  see  what  kind  of  person  she  is  and  know  that  she  has  some  internal  demons  she's  battling  .  we  don't  necessarily  need  her  entire  family  tree  unless  it's  critical  to  the  story.

from  there,  we  have  our  climax  or  problem  statement  ,  where  things  really  begin  to  boil  .  again  ,  it  doesn't  necessarily  need  to  be  '  everything  came  to  a  head  when  her  mother  died  '  .  we  can  make  it  more  character  focused  by  writing  '  in  2012  ,  her  mother  died  and  she  threw  herself  into  trying  to  create  the  perfect  replacement  family  .  she  got  married  to  4  different  men  in  the  space  of  5  years  ,  and  has  5  children  shared  among  them  ,  as  well  as  2  step  children  .  but  she  is  unable  to  settle  down  .  she  feels  restless  .  she  finds  it  hard  to  be  a  mother  because  everything  reminds  her  of  her  own  mother  ,  and  the  loss  she's  endured  .  '  now  ,  we  already  know  two  things  about  our  character  :

1  .  she  wants  to  be  perfect  and  the  best  ,  including  at  creating  families

2  .  she  is  terrified  of  her  role  in  motherhood  due  to  the  loss  of  her  own  mother  and  feeling  unmoored  without  her

this  can  then  take  us  to  the  problem  solving  portion  of  the  character  .  this  is  usually  where  i  like  to  start  my  character  in  rps  and  1x1  and  novel  worlds  .  we  have  these  2  issues  and  2  core  beliefs  within  the  character  .  they're  instrumental  to  her  .  how  are  we  going  to  overcome  it  ?  ARE  we  going  to  overcome  it  ?

we  can  begin  to  think  of  the  butterfly  effect  in  terms  of  our  character  .  we  can  begin  to  think  of  the  tree   and  its  branches  growing  within  her  ,  extending  out  to  other  characters  .  we  can  see  how  she  effects  other  people  ,  including  those  close  to  her  ,  not  close  to  her  ,  new  friends  ,  old  friends  ,  new  love  interests  ,  past  interests  .  we  can  create  drama  and  connections  because  we  have  a  strong  foundation  .

so  .  where  does  it  end  ?  does  it  need  to  end  happily  ?  simple  answer  is  no  .  your  character  can  end  in  the  exact  same  place  as  they  did  at  the  beginning  ,  but  the  point  is  that  we've  gone  on  the  journey  with  the  character  .  maybe  we've  seen  her  talk  to  her  mother's  grave  .  maybe  we've  seen  her  go  to  grief  counselling  .  maybe  she's  gotten  pregnant  or  married  again  .  the  problem  statement  doesn't  stop  her  or  stick  her  in  one  place  .  in  fact  ,  if  anything  ,  it  can  encourage  her  to  keep  making  the  same  mistakes  .  on  the  coin  flip  ,  she  can  learn  .  she  can  grow  .  she  can  heal  .  she  can  mend  the  relationships  with  her  kids  ,  her  past  partners  ,  rekindle  love  ,  or  find  new  love  .  the  whole  point  in  the  made-up  'ending'  for  a  character  ,  is  that  we  have  options  .  we  haven't  locked  her  down  .  we  can  continue  to  plot  ,  connect  ,  develop  ,  etc  ,  as  we  go  along  .

QUESTIONS  AND  THOUGHTS  I  CONSIDER  WHEN  CREATING  A  CHARACTER  :

how  has  your  character  ended  up  where  they  are  right  in  this  moment?  think  about  where  you’re  starting  them  from,  and  what  that  looks  like  realistically.  not  just  physically  :  how  did  they  get  to  this  place  ?  but  also  mentally  :  what  did  they  have  to  do  to  become  the  person  they  are  ?  was  it  good  or  bad  ?  everything  you  are  and  do  and  become  as  a  human  is  made  up  of  tiny  almost  inconsequential  decisions  or  choices  you  made.  you  decided  to  study  x.  you  broke  up  with  y.  your  parent  passed  away  so  you  had  to  come  back  to  your  childhood  home.  your  illustrious  career  came  crashing  down  and  you  need  a  place  to  cool  off.  you  never  left  here,  you’ve  been  here  from  the  beginning,  because  you’re  searching  for  something.  what  is  it?  what  is  the  thing  that  has  your  character  right  where  they  are  in  this  exact  moment  ? 

what  emotion  do  they  feel  the  most?  regret,  anger,  longing,  nostalgia  ?  this  helps  drive  your  characters  motives  past  and  presently.  it  also  helps  you  understand  their  goals.  what  they  want  to  achieve  and  why.  maybe  they  yearn  for  longing  and  friendship  and  connection  because  they  never  got  it  as  a  child,  whether  at  home  or  at  school.  maybe  they  regret  not  keeping  in  touch  with  their  childhood  friends  because  now  they  are  surrounded  by  people  they  can’t  trust  and  work  in  a  shitty  environment  where  you  have  to  climb  over  others  to  get  on  top.  everyone  has  a  goal.  everyone  has  an  emotion  that  drives  it.  what  is  your  characters  and  why  does  it  matter?  how  does  it  present? 

when’s  the  last  time  they  cried  and  why?  everybody  cries  and  everybody  cries  in  very  different  ways.  it  says  a  lot  about  the  emotional  state  of  a  character  and  their  emotional  health.  are  they  in  tune  with  their  emotions  and  cry  at  appropriate  times?  do  they  compartmentalise  it?  do  they  only  cry  when  angry?  dig  into  it  and  think  of  the  why  why  why.  why  does  my  character  only  cry  at  this  one  thing?  why  does  my  character  only  feel  safe  crying  alone?  why. 

what  is  your  characters  biggest  regret  in  life?  did  they  get  on  a  plane  when  they  should  have  stayed?  did  they  study  a  subject  only  because  their  parents  wanted  them  to?  did  they  not  kiss  the  girl  when  they  wanted  to?  let’s  be  honest.  our  lives  are  filled  with  “if  only  i’d  done  xyz”  .  if  only  .  this  also  provides  a  great  opportunity  to  MAKE  these  plots  and  plot  with  other  people.  now  we  can  come  up  with  exes  or  ex  best  friends  or  old  flames  or  whatever  whatever  ,  because  there’s  a  good  chance  your  character  regrets  something  that  impacts  someone  else  and  they  regret  it  BECAUSE  of  that  impact  . 

ADDITIONAL  THOUGHTS  AND  TIPS  I'VE  PICKED  UP  WHILE  RPING

honestly  the  more  “whys”  you  can  answer  for  your  character,  the  more  in  depth  you’re  getting.  in  order  for  other  people  to  understand  your  character,  you  need  to  understand  them  yourself.  you  can’t  expect  people  to  write  with  your  character  if  they  don’t  really  have  much  of  a  stable  personality  and  your  plots  don’t  make  much  sense.  remember:  plotting  should  contribute  to  your  character  and  their  development.  human  relationships  don’t  just  exist  because  we  like  them.  they  exist  because  they  serve  an  unserved  part  within  ourselves. 

genuinely  think  of  their  hobbies.  it’s  all  well  and  good  to  say  “she’s  a  bookworm  and  loves  puzzles”  “he  likes  music”  but  like.  what  does  that  actually  mean?  WHY  do  they  like  certain  things  ?  do  they  like  reading  books  or  writing?  do  they  like  fantasy  and  escapism  because  it  reminds  them  of  childhood?  do  they  listen  to  only  their  dads  favourite  music  because  they  miss  him?  do  they  make  playlists  for  niche  and  specific  moods  only  applicable  to  them?  why  are  their  hobbies  important  to  them? 

consider  their  connections,  not  just  future  but  npc  and  current.   how  would  5  close  friends  describe  them  in  one  word?  how  would  their  ex  describe  them  in  one  word?  what  is  one  thing  that  others  could  safely  always  rely  on  your  character  for  (eg  designated  driver  on  nights  out,  always  having  some  type  of  fidgeting  device,  knowing  a  phone  app  to  help  you  meditate  or  streamline  a  process  etc  etc).  we  all  exist  in  the  worlds  of  our  loved  ones,  past,  present  and  future.  we  leave  marks  with  them.  we  are  known  to  them.  so  what  is  your  character  known  and  loved  for? 

pick  your  plot  first,  not  your  fc  or  your  character.  i  know  this  sounds  counterintuitive  but  when  you  have  a  plot  for  a  character  and  a  clear  path  for  development  -  it  helps  everything  else  fall  into  place.  the  worst  thing  are  characters  that  are  plotless  (specifically  for  group  rping).  i’m  going  to  be  honest  here:  your  character  has  to  have  something  to  give  other  characters.  whether  it’s  drama,  information,  hidden  secrets,  a  connection…  your  character  has  to  have  something  of  substance.  i’d  actually  prefer  they’re  a  stereotype  then  they’re  just  aimless  and  personality-less.  when  you  have  a  big  overarching  plot  and  path  for  your  character,  it  will  not  only  help  you  plot  with  others,  but  also  help  keep  your  character  moving  and  not  JUST  reliant  on  others  to  pick  up  the  slack

rping  has  always  used  the  yes  and…?  rule.  that  extends  to  your  characters.  instead  of  yes  and…?  think  of  So…  what?  your  character  loves  to  bake.  ok.  so  what?  what  does  that  mean  for  a  thread,  or  another  character?  why  do  we  care?  maybe  we’d  care  if  your  character  bakes  experimental  stuff  and  loves  to  test  it  on  other  muses.  maybe  we’d  care  if  your  character  used  to  be  a  professional  baker  but  hasn’t  baked  lovingly  in  a  while.  maybe  we’d  care  if  your  character  is  a  baker  but  has  lost  their  charm  and  schtick  and  can’t  bake  the  way  they  used  to.  this  stuff  is  important.  don’t  just  stick  arbitrary  things  onto  your  character  and  expect  others  to  care,  especially  when  you  don’t  care  and  have  just  put  it  on  your  character  as  a  random  quirk.  that’s  not  how  people  and  humans  work.  everything  means  everything. 

your  character  doesn’t  have  to  be  likeable  but  they  do  have  to  be  memorable.  evil  nasty  girls,  manipulative  jerks…  yeah  that’s  all  ok!  but  also  you  kinda  have  to  show,  don’t  tell.  you  can’t  just  SAY  your  character  is  the  “head  bitch  in  charge”  and  then  she  never  actually  talks  or  says  anything  or  does  anything.  sorry,  but  in  order  for  me  to  see  your  character,  you  actually  have  to  write  them  or  at  the  very  least  headcanon  them.  otherwise,  they’re  just  a  blob  of  musings  in  the  ether. 

in  order  to  create  a  character  ,  you  have  to  write  your  character  .  i  see  this  a  lot  in  groups  ..  people  love  to  create  a  character  pinterest  ,  graphics  ,  aesthetics  galore  .  its  amazing  !  but  they  don't  actually  write  the  character  and  it  can  close  off  a  lot  of  opportunities  to  plot  because  people  don't  know  who  your  character  really  is  .  i  hate  to  say  it  ,  and  its  not  true  for  everyone  but  :  if  you're  relying  on  aesthetic  ,  then  you  could  be  lacking  in  the  actual  creation  and  writing  aspect  .  plus  ,  people  have  come  here  to  WRITE  with  YOU  .  not  just  see  fan  edits  of  your  character  .  write  .  write  badly  .  write  starters  ,  even  if  they  scare  you  .  write  with  people  you  don't  know  .  write  with  yourself  .  write  with  your  best  friend  .  but  you  have  to  actually  do  the  writing  part  .

[marinashafirrp]

it's taz! | independent kayfabe wrestling roleplaying account | multiuse | aew + njpw | please be advised there will be nsfw content following - +18 audience only - I will do my best to keep up with warnings and tags where needed | open to anyone for anything, just come and talk to me and let's plot | side blog to @marinashafirrp, @rheanightmareripleyrp and my other multis @attitude-erarp + @indiecircusrp |

my muses | zsj | cm punk (all eras) | claudio castagnoli | orange cassidy | darby allin | william regal (all eras) | timeless toni storm | kyle fletcher | mjf | rj city | seth rollins | will ospreay |

[marinashafirrp]

Marina was a tough woman. Hard to win over. Impossible to stop once she started, and when she picked a fight, she'd hardly accept defeat. The perfect soldier for Mox's cause. So far, she had a good run and the rest of the Death Riders didn't pose a problem, so much so she grew fond of them - even when she didn't show it. Her only exception was dear Wheeler.

She wished things were different. He had skill and great resilience; he could be great—maybe one day. But she couldn't bring herself to see his virtues when he posed a bigger problem than not—or even the chance of one, in his case. And she couldn't stand uncertainty.

Marina pulled out a chair and sat right next to him with its backrest to her chest, slumping herself down in a masculine pose. She looked him right in the eye. Staring into his soul. "I don't know," her gaze crossed his features as she analysed every small detail about him, trying to catch his emotions before they turned into thoughts. "I can't bring myself to trust you. They cuddle you too much."

She wished this wasn't about jealousy, truly. She didn't have a trace of doubt in Mox's cause, not one. Besides this. Would she receive the same grace if she slipped like he did? She didn't get to be coddled and protected. She was always in the first line. Not that she wouldn't have wanted it any different; women were underestimated enough, but she still couldn't shake feeling a sense of competition. Even despite knowing Wheeler would have never been to her level. Or at least, so she thought. "I guess we'll see, right? We just gotta try and see how you are going to prove yourself."

[@legacyfiless]

Marina wasn't much of a talker. She was all muscle, rage and cold calculation.

She wasn't much of a follower either, up until recently anyway. Still, now, she found herself willing to follow Mox to the end of the world, pledging herself to any and all of his will, considering his words and needs above hers and anyone else's. And, in all of the violence and freedom to be the blood thirsty fiend she had always been, after living a solitary life forever, she also found a group to belong to, people to consider besides herself, people to share her burden, to protect and to trust.

All but one. She venerated Mox like a father, like a God, and she found brotherhood and connection to Claudio and Pac's shared loyalty and need for violence, but remained Wheeler. She didn't like him.

He had demonstrated time and time again that he couldn't be trusted and yet, Mox kept him close and treated him like he was going to turn into the prodigal son despite his betrayals and insecurities. Maybe, in Marina's ways, hid a hint of jealousy, like an older sibling to their younger one.

Now, her gaze slashed the room as she coldly observed Wheeler's every movement. He sat alone, looking melancholic, fragile and unsuspecting. She moved quietly like a shadow, staying behind him, not to be seen as she leaned in just above his shoulders. "I need you to know I've got my eye on you," she began, hissing like a snake, "Always." Her feelingless predator eyes followed Wheeler's frame - she wondered for a moment how long it would take to choke him out. The need made her hands twitch, but nothing slipped through her controlled, unmovable face. "You know that, right? If you ever consider betraying him again, let alone hurt him, I will break you in half."

[marinashafirrp]

She walked up right into his face, ready for a fight. There was nothing Marina was afraid of, and people who underestimated her stood in the gravest danger. "Don't call me baby." Her expression was unamused. She didn't dare to touch him, for the moment settling on staring him down with her slashing gaze. She was well aware she should have kept ignoring him, and that would have burned more than any bruise she could have caused, but where was the fun in that? She didn't avoid problems - she created them.

Plus, she had no intention of letting that problem get any closer to Mox than it needed to.

"Do you think this is a game!?" Marina shook her head; her entire body was coiled and stiff, ready to attack any second. "I do not play. What do you want, uh?"

[@synnshaus] continued from x

Marina marched backstage, bringing all the chaos of hell with her. She thirsted for retribution.

Her sharp, dangerous gaze was unmovable as she looked for a single target, Synn. He would have paid for his crimes. What made him think he could attack Claudio all willy-nilly like that without paying the consequences? Now, Mox wanted his head and he sent his most loyal hound to get the job done.

Did he do it because he wanted to get her attention because after she sent him a drunken text, she disappeared as soon as she recognised her mistake? If that was the case, he would have paid for that too.

She moved quietly, cold and calculated, knowing well how to navigate the back of any stadium or arena. "You!" She called the moment her eyes locked on Synn. "Gonna make you squeal in all sorts of ways," a dangerous smile grew on her mouth as she moved closer. She didn't care if security was going to get called.

[marinashafirrp]

indie circus | independent kayfabe wrestling roleplaying account | multiuse | mostly 00s tna, indie circuits, misc | please be advised there will be nsfw content following - +18 audience only - I will do my best to keep up with warnings and tags where needed | side blog to @marinashafirrp @rheanightmareripleyrp and my other multis @itstaztvrp and @attitude-erarp

my muses | sting | jeff hardy | matt cardona | ofc! olivia roberts tna ring announcer - fc: florence pugh

[marinashafirrp]

| hi my beauties, gonna try and catch up with replies from over here and on taz today 💕 my chat and blogs are always open, come talk to me