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We looked inside some of the posts by matt-patto and here's what we found interesting.
Average Info
Notes Per Post
11
Likes Per Post
8
Reblog Per Post
3
Reply Per Post
0
Time Between Posts
15 minutes
Number of Posts By Type
Photo
16
Video
1
Last Seen Tumblr Blogs
Fun Fact
Tumblr was attacked by a cross-site scripting worm deployed by the Internet troll group GNAA on Dec 3, 2012.
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Portfolio. (All portfolio work start to finish completed Jan-June 2021)
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Bags. Portfolio. (All portfolio work start to finish completed Jan-June 2021)
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Final Line Up. Portfolio. (All portfolio work start to finish completed Jan-June 2021)
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Fabric Samples form London. A combination of thin, flowing or delicate/detailed fabrics like the hammered silk with more ridged and permanent fabrics like the PVC and tapestry canvas.
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Fashion and Textile Museum. London. December 2021.
Exhibition on 1960′s Counter Culture.
#1 ‘UFO poster designed by Michael English marking the end of Pink Floyd's reign as the house band and their replacement in the role by Soft Machine.’
#2 ‘Evetitg Suit Black. Zip-front evening jacket with Nehru collar and matching trousers. When Blades first opened in Dover Street it adopted the slogan 'For today rather than a memory of yesterday' and soon became known for its bespoke suits that combined traditional Savile Row tailoring. The shop attracted much publicity by staging the first ever men's fashion show in Savile Row in 1967. 1968, Wool.’
#3 ‘Pale lemon single-breasted suit with blue lining and three pockets. In 1966, Town magazine observed that Hung On You clothes were 'simple and uncluttered' with emphasis placed on colour. This suit originally belonged to Nigel Lesmoir-Gordon. 1965-67, Silk mix.’
#4 (left) ‘Three-piece slate bespoke blue suit with narrow black pinstripes. The fitted Regency-style jacket has a blue silk lining, a turndown collar and two pockets. 1968-69, Wool.’ (right) ‘Double-breasted suit with wide apes. In 1968 the Beatles went into partnership with John Crittle, the owner of Dandie Fashions to create Apple Tailoring (Civil and Theatrical). 1968-69, Wool.’
#5 (left) ‘Regency-style, double-breasted black suit with red silk lining. It was 'Beau' Brummell (1778- 1840 who set the fashion for the British dandy during the mid-1790s Regency period. 1968-69, Wool.’ (right) ‘The silk-lined jacket is gently fitted at the waist and fastens with a row of six small buttons. Cream and white suits have been fashionable summer wear since the late nineteenth century and became very popular once again in the 1960s. 1969, linen.’
#6 ‘Cream satin minidress with neckline frill. The ties on the wide flared sleeves create a Grecian-style effect. A selection of Ossie Clark's Quorum pieces was sold in the iconic Chelsea Drug Store at 49 King's Road, and were featured in a fashion shoot in Vogue in September 1968: 'Reflected in the Chelsea Drug Store's marvellous metal walls, slippery satin transformed by Ossie Clark. Pearl white, plain or printed with a thousand green stars in a trellis of triangles!' Late 1960s, Satin.’
#7 ‘Twiggy, the face of 1966, and her manager Justin de Vileneuve Photograph by Peter Akehurst for London Life magazine, 22 October 1966.’
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Spitalfield Field Market, Trafalgar Square, St James's Market. London. December 2021.
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UJNG, DSM, Selfridges. London. December 2021.
Looking at new season garments and exploring further how designers like Samuel Ross contrast his usual industrial inspired garments with this cream ribbed henley and trousers. It had undulating sleeves and body that really accentuated the delicate flow and texture of the fabric. The Attèmpt blazer reminded me of muscle structures as if was an x-ray, the classic and structured silhouette contrasted with the holes and lines was inspiring. The exposed mechanical element of the Balenciaga shoe and also the sculptural 3D pockets of the LV leather jacket were a couple of my favourites and definitely in my style. The unique dying and finishing on the Boris Bidjan Saberi x Salomon shoes I really liked and contrasts slightly industrial and functional design with the aged effect from the dying process for a dystopian look. The hat made of plastic straps typically used in an industrial stetting for securing building materials on pallets was a super interesting also.
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Selfridges. London. December 2021.
Looking at patterns, textures and materials in new season garments that are progressing the current industrial trend in fashion.
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Tate Modern. London. December 2021.
Artist Anicka Yi, In Love with the World.
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Tate Modern. London. December 2021.
Anicka Yi explores what a ‘natural history of machines’ would look like in ‘in love with the world’. The metal tentacles and wiring contrasted with the almost skin toned and fragile jellyfish like bodies reminded me of a concept I had of exploring a similar contrast between the delicate nature of humans and the permanence of the buildings etc that make up a city. Seeing these two elements work cohesively together, plus seeing ‘Plague Column #2’ by Ciprian Muresan. In this piece you can see faces trapped in moulds of other sculptures. It again had me thinking about these two elements as one and the same; cities and their population as one. The fibreglass the sculpture is made from also started me thinking about how permanent or fragile different materials can be. Biodegradable vs plastics for example.
#1,2- Anicka Yi’s, In Love with the World, 2021.
#3,4,5- Ciprian Mureşan, Plague Column #2, 2016.
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