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I am SENSITIVE I don’t LIKE IT but ITS THE TRUTH
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the crucifixion (untitled)
etching by edward t. hurley, 1935
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oh so he didn’t love me he just created a trauma bond …… yeah that karma is gna suck
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'floral still life (bleeding hearts),' albumen print from glass negative, charles aubrey, french, 1865.
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(image by Colleen Hammond)
THIS WEEK AT KOLAJ MAGAZINE
Arrests, Refractures, and More Calls to Artists
FROM SELECTIONS FROM THE COLLECTION: Arrested by Jay Berrones (Mexico City) curated by Jamie Hughes (New Orleans)
FROM THE ARTIST DIRECTORY: Colleen Hammond, "Show All the 'Ah' That I See"
CATC PACK 10 SPOTLIGHT: Beth I. Robinson
COLLAGE ON VIEW: RE|FRACT|URE at Replicant Beer & Wine in Portland, Oregon, USA through 1 September 2025
COLLAGE ON VIEW: "Where Photography Meets Collage" at the NOPA Gallery in New Orleans, Louisiana, USA through 14 August 2025
CALL FOR CHAPTER PROPOSALS: "Why Collage?", Deadline 15 August 2025
CALL FOR PRESENTERS: COLLAGE::BOOKS in Montreal, Deadline 24 August 2025
CALL TO ARTISTS: Big Orange Monster, Deadline to receive work 4 September 2025
Read the full update
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Kolaj Magazine, a full color, print magazine, exists to show how the world of collage is rich, layered, and thick with complexity. By remixing history and culture, collage artists forge new thinking. To understand collage is to reshape one's thinking of art history and redefine the canon of visual culture that informs the present.
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