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Identificazione di una donna (1982), Michelangelo Antonioni
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Il Miele del Diavolo (The Devil’s Honey) - Lucio Fulci - 1986 - Italy
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Is it just me or does having a positive interaction with a stranger scratch a very particular itch? I think it's the reassurance that the world is not split solely into people who already love you and people who never will.
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Faustine et le bel été (1972); dir. Nina Companéez
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Kagerō-za (1981); dir. Seijun Suzuki
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Heavenly Creatures (1994) | dir. Peter Jackson
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— Sylvia Plath, from “The Unabridged Journals of Sylvia Plath.”
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“Being self-conscious. Treating one’s self as an other. Supervising oneself.”
— Susan Sontag, from a journal entry featured in Reborn: Journals & Notebooks (1947-1963)
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In the Realm of the Senses (1976) dir. Nagisa Oshima
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Thomas Francis Dicksee — Miranda. detail. 1895
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— Penelope’s Song, Louise Glück
[text ID: Who wouldn't want you? Whose most demonic appetite could you possibly fail to answer?]
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Cinediario 2022 - giugno
The Hill Where Lionesses Roar (2021) Luàna Bajrami
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