napkin-soup

[napkin-soup]

the sunlight on our skin, and all the other things that make us human

[napkin-soup]

Superman (2025) + tweets

[napkin-soup]

[napkin-soup]

“i asked chatgpt” ok well i asked adam parrish and he knew the answer off the top of his head AND he’s going to frame you for crimes you can’t even imagine.

[napkin-soup]

This was one of the first comic ideas I've had for this fandom. It's been haunting my mind since like September. Anyway.

Doof takes it so normal that theres a regular platypus just walking on the balcony of his 39 floor whenever Perry takes off his hat?

[napkin-soup]

Pin ONE Disco Elysium fanart and Pinterest got you on a list

[napkin-soup]

you are my peach, you are my plum

[napkin-soup]

@buddienetwork​ event: Straightmundo Diaz

[napkin-soup]

I can think of so many reasons why son of neptune is a top 5 pjo book but a big one is just that the stakes are so fucking high for the entire trio. ALL of them have good reason to believe they won't survive the quest. percy just lost his achilles curse and ella's prophecy foretells that a son of neptune will drown. iris personally told frank that he'll die holding his firewood and then the quest demands that he burns it in order to melt thanatos' ice chains (+he's worried that thanatos will take his life regardless because of his firewood). hazel isn't even supposed to be alive in the first place and the main conceit of the quest asks her to fight to free the god whose very purpose is to kill her. son of neptune is a story about death and the terror of its inevitability. the gang was in a state of highly personalized abject mortal peril for most of that book and there is a very feasible alternate universe in which the quest to alaska "succeeds" and not a single one of them makes it back alive

[napkin-soup]

happy pride ❤️🧡💛💚💙💜🩷

[napkin-soup]

[napkin-soup]

😂😂😂😂😂

[napkin-soup]

I can't get over how Sinners is such a rich text on assimilation and whiteness and the dangers of "civility" and music as a way to look both forward and back

And it's also a phenomenal vampire movie where a lot of hot people get covered in blood and there's a B plot about eating out girls

[napkin-soup]

remmick and the vampires present a false dichotomy

Hogwood (the man who sold the twins the mill) and the KKK are very obviously bad, they are outright malicious bigotry, they use the n-word and plan to lynch the moore's and their community, they are so blatantly racist and hateful it's unavoidably obvious

remmick and the vampires however say that they believe in equality, say that they want to create a community, and yet remmick's goal throught the movie is to both metaphorically and literally steal sammie's ability for his own goal of reconnecting with his irish ancestors, a white man wants to harm a young and upcoming black man and use talents for his own goals without giving any regard to said black man's autonomy or agency

when sammie sings 'I lied to you' in the juke joint and calls forth the spirits from the past and future, it's a blend of cultures; west african, east asian, native american, and african american song and dance blend together across time and space to tell the stories of blues; where it takes its inspiration from, the music genres it then inspired, the complex history of black american culture and its intersections with other peoples of colour in the USA

when remmick and the vampires kill and turn the people in the juke joint, and then perform rocky road to dublin, only remmick's irish culture is on display, there is no influence from the black and asian people he has forcibly assimilated into his song, it's juxtaposition with the earlier scene is blatant, remmick is more than happy to assimilate people of colour into his 'community' of 'equals', and yet its only whiteness that is celebrated, that is normative

remmick claims that he's doing people a favour by turning them immortal, conviently ignoring that he literally has to suck the life out of them to do so, trapping their spirits on earth, he claims that he's the good guy, that the KKK were gonna come and lynch everyone at the joint in the morning anyways, conviently ignoring that he's doing the exact same thing; a white man leading a mob to kill a bunch of black people

in the final confrontation with sammie remmick repeatedly dunks him into the river, a forceful baptism. both the celtic irish and enslaved west africans had their religions suppressed and destroyed by colonialsm, had christianity forced upon them by the british empire, and in that scene we see remmick repeating that cycle, using christianity to inflict harm, and sammie reclaiming christianity, despite all the complex emotions he has arround it, as many colonised peoples have and still do, when he recites the lord's prayer

remmick and the vampires are no less racist than hogwood and the KKK, are no less predatory or evil, they're just less blantant about their bigotry, they represent the system, the normalised white supremacy that is seeped into the very foundation of culture in america, the point isnt that remmick would call any of the black characters in the movie the n-word, i dont think he would, the point is that his exploitation and desacration and inserting-himself-into-when-he-wasn't-invited of the juke joint is a microcosm of what white people have done to black american arts and culture since ever since there have been black and white people in america, and even before that

theres a reason vultures are shown early on in this movie

[napkin-soup]

we are all sinners

[napkin-soup]

The portrayal of white people who have been violently separated from their own culture stealing the power of black culture and music to try to get reconnected was SO literal and somehow not at ALL heavy-handed or trite. Fkn remarkable.

[napkin-soup]

post ep conversation because they SHOULD grieve together