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PEEL2
18x25,5 cm paper collage / ©seb jarnot 2013
https://www.instagram.com/seb_jarnot/
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EMILE HYPERION DUBUISSON
Small black-and-white photographs
First, somehow, I have a feeling of absolute certainty that this is Russia Deep in Russia That this is somewhere far away in Siberia
Siberia
what do I know about it?
Boris Mikhailov, 2013 from the foreword FAR
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Hiroshi Takizawa View more of the artist’s work here: http://www.takizawahiroshi.jp/ Follow me on Instagram: jemmacraig Follow me on Twitter: jemmacraig03
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Hiroshi Takizawa, Untitled Photograph from the Series “A Rock on the Moon”, (2011)
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Hiroshi Takizawa/ artsit book / rin art association
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Josef Hoffmann, Palais Stoclet, (1905-1911)
The Stoclet Palace was the first residential project for the Wiener Werkstatte (Vienna Workshops), co-founded by Hoffman in 1903. Josef Hoffman as his colleagues designed every aspect of the mansion, down to the door handles and light fittings. The interior is as spartan as the exterior, with upright geometric furniture and an avoidance of clutter. This was a fashionably avant-garde approach, presenting a ‘reformed interior' where functions dictates style. The interior of the building is decorated with marble paneling and artworks, including mosaic friezes by Gustav Klimt and murals by Ludwig Heinrich Jungnickel. This integration of architects, artists, and artisans makes Stoclet Palace an example of Gesamtkunstwerk, one of the defining characteristics of Jugendstil. The sketches of Klimt's work for the dining room can be found in the permanent collection of the Museum fur Angewandte Kunst
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Josef Hoffmann (Austrian, 1870 – 1956)
Stoclet Palace Dining Room, Brussels, 1905-1911
Designed in 1905, Palais Stoclet combines the organic ornamentation of art nouveau with a boldly simplified style that foreshadows art deco. Hoffmann designed every room as a work of art, even asking Gustav Klimt to create custom masterpieces like Tree of Life (1909) for the dining room.
The house and grounds are currently frozen in time, in perfect original condition. Four elderly sisters own the palace, but they do not live there and never allow visitors.
Exterior
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