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Tammi Terrell

Tammi Terrell (born Thomasina Winifred Montgomery; April 29, 1945 – March 16, 1970) was an American recording artist, best known as a star singer for Motown Records during the 1960s, most notably for a series of duets with singer Marvin Gaye.

Terrell’s career began as a teenager, first recording for Scepter/Wand Records, before spending nearly two years as a member of James Brown’s Revue, recording for Brown’s Try Me label. After a period attending college, Terrell recorded briefly for Checker Records, before signing with Motown in 1965.

With Gaye, Terrell scored seven Top 40 singles on the Billboard Hot 100, including “Ain’t No Mountain High Enough”, “Ain’t Nothing Like the Real Thing” and “You’re All I Need to Get By”. Terrell’s career was interrupted when she collapsed into Gaye’s arms as the two performed at a concert at Hampden–Sydney College on October 14, 1967, with Terrell later being diagnosed with a brain tumor. She had eight unsuccessful operations before succumbing to the illness on March 16, 1970 at the age of 24.

Childhood

Terrell was born as Thomasina Montgomery in Philadelphia to Jennie (née Graham) and Thomas Montgomery. Jennie was an actress and Thomas was a barbershop owner and local politician. Tammi was the eldest of two. According to the Unsung documentary, her younger sister Ludie said that they had thought Terrell would be a boy and therefore she would be named after her father. However, when she was born, the parents settled on the name Thomasina, nicknaming her “Tommie”. She later changed it to “Tammy” after seeing the film, Tammy and the Bachelor, and hearing its theme song, “Tammy”, at the age of 12. Starting around this time, Terrell started to have migraine headaches. While it was not thought to be of significance at the time, family members would later state that these headaches might have been related to her later diagnosis of brain cancer. According to her sister, Terrell’s mother suffered from mental illness.

Career

Early recordings

Before turning 16, Terrell signed under the Wand subsidiary of Scepter Records after being discovered by Luther Dixon, recording the ballad, “If You See Bill”, under the name Tammy Montgomery and doing demos for The Shirelles. After another single, Terrell left the label and, after being introduced to James Brown, signed a contract with him and began singing backup for his Revue concert tours. In 1963, she recorded the song “I Cried”. Released on Brown’s Try Me Records, it became her first charting single, reaching #99 on theBillboard Hot 100.

After this tenure ended, Terrell signed with Checker Records and released the Bert Berns produced duet, “If I Would Marry You” with Jimmy Radcliffe, which Terrell co-composed. Following this relative failure, Terrell announced a semi-retirement from the music business and enrolled in the University of Pennsylvania where she majored in pre-med, staying at the school for two years. In the middle of this, Terrell was asked by Jerry Butler to sing with him in a series of shows in nightclubs. After an arrangement was made by Butler to assure Terrell that she could continue her schooling, she began touring with Butler.

In April 1965, during a performance at the Twenty Grand Club in Detroit, she was spotted by Motown CEO Berry Gordy, who promised to sign her to Motown. Terrell agreed and signed with the label on April 29, her 20th birthday. Before releasing her first single with Motown’s Tamla subsidiary, “I Can’t Believe You Love Me”, Gordy suggested a name change. Figuring “Tammy Montgomery” was too long of a name to put on a single, Gordy changed it to “Tammi Terrell”. He felt this name screamed “sex appeal”. “I Can’t Believe You Love Me” became Terrell’s first R&B top forty single, followed almost immediately by “Come On and See Me”. In 1966, Terrell recorded two future classics, Stevie Wonder’s “All I Do (Is Think About You)” and The Isley Brothers’ “This Old Heart of Mine (Is Weak for You)”. Terrell joined the Motortown Revue after the release of her first single. During a tour in which she opened for The Temptations, Terrell met the band’s lead singer David Ruffin and embarked on a torrid romance.

Success with Marvin Gaye and cancer diagnosis

In early 1967, Motown hired Terrell to sing duets with Marvin Gaye, who had achieved duet success with Mary Wells and Kim Weston as well as having recorded duets with Oma Heard. During recording sessions, Gaye would recall later that he didn’t know how gifted Terrell was until they began singing together.

At first the duets were recorded separately. For sessions of their first recording, the Ashford & Simpson composition, “Ain’t No Mountain High Enough”, both Gaye and Terrell recorded separate versions. Motown remixed the vocals and edited out the background vocals, giving just Gaye and Terrell vocal dominance. The song became a crossover pop hit in the spring of 1967, reaching number nineteen on the Billboard Hot 100 and number three on the R&B charts, making Terrell a star. Their follow-up, “Your Precious Love”, became an even bigger hit reaching number five on the pop chart, and number-two on the R&B chart. At the end of the year, the duo scored another top ten single with “If I Could Build My Whole World Around You”, which peaked at number ten on the pop chart and number-two on the R&B chart. The song’s B-side, the Marvin Gaye composition, “If This World Were Mine”, became a modest hit on both charts, reaching number sixty-eight on the pop chart and number twenty-seven on the R&B chart. Gaye would later cite the song as “one of Tammi’s favorites”.

All four songs were included on Gaye and Terrell’s first duet album, United, released in the late summer of 1967. Throughout that year, Gaye and Terrell began performing together and Terrell became a vocal and performance inspiration for the shy and laid-back Gaye, who hated live performing. The duo even performed together on TV shows to their hits. While Terrell was finally being established as a star, the migraines and headaches that she suffered with as a child were becoming more constant. While she complained of pains, she insisted to people close to her that she was well enough to perform. However, on October 14, 1967, while performing with Gaye at Hampden-Sydney College, just outside the town of Farmville, Virginia, Terrell fell and buckled onstage; Gaye quickly responded by grabbing her by the arms and helping her offstage. Shortly after returning from Virginia, doctors diagnosed a malignant tumor on the right side of her brain.

After recovering from her first operation, Terrell returned to Hitsville studios in Detroit and recorded “You’re All I Need to Get By”. Both that song and “Ain’t Nothing Like the Real Thing”, reached number-one on the R&B charts. Despite Terrell’s optimism, her tumor got worse requiring more operations. By 1969, Terrell had retired from live performances as she had been ordered by doctors not to perform due to her tumors. Motown issued Terrell’s first and only solo album, Irresistible, in early 1969. Terrell was too ill and sick to promote the recordings.

Both Marvin Gaye and Valerie Simpson gave different stories on how the production of Terrell’s and Gaye’s third album together,Easy, went about. According to reports, Terrell had gotten so ill from her operations that she couldn’t record, and Motown opted to have Valerie Simpson sub in for Terrell, a report that was repeated in the book Marvin Gaye: What’s Going On and the Last Days of the Motown Sound. Gaye would later say the move was “another moneymaking scheme on BG’s part”. Valerie Simpson, on the other hand, stated that the ailing Terrell was brought into the studio when she was strong enough to record over Simpson’s guide vocals, insisting Terrell had sung on the album. Easy produced the singles “Good Lovin’ Ain’t Easy to Come By”, “What You Gave Me”, “California Soul” and the UK top ten hit, “The Onion Song”.

Late in 1969, Terrell made her final public appearance at the Apollo Theater where Marvin Gaye was headlining the bill. As soon as Terrell was spotted by Gaye, he rushed to her side and the duo began singing “You’re All I Need to Get By” together.

Personal life

In her memoirs about her famous sister, Ludie Montgomery writes that Terrell was the victim of sexual molestation by three boys after leaving a neighborhood party at the age of eleven. The boys were arrested and convicted on a rape charge. The incident led to a change in Terrell’s behavior. During her early career, Terrell dated many men both in the music business and out. Though they never dated, Terrell had been romantically interested in singer Sam Cooke and she had a budding friendship with Gene Chandler. In 1962 at age 17, she signed with James Brown and the two engaged in a sexual relationship. However, this relationship turned out to be abusive. After a horrific incident with Brown backstage after a show Terrell asked Chandler, who had witnessed the incident first hand, to take her to the bus station so she could go home. He later called Terrell’s mother to pick her up. This ended Terrell’s two-year affair with Brown.

In 1965, Terrell forged a romance with then-Temptations singer David Ruffin. The following year, Ruffin surprised Terrell with a marriage proposal. However, Terrell was devastated once she learned that Ruffin had a wife and three children and another girlfriend, also living in Detroit. This led to the couple having public fights. Though it was later claimed that Ruffin had hit Terrell with a hammer and a machete, these claims were denied by Terrell’s family and her Motown label mates, though Ludie Montgomery confirmed a story that Terrell was hit on the side of her face by Ruffin’s motorcycle helmet, leading to the end of their relationship in 1967.

After signing with Motown, she forged friendships with some of the label’s artists. One of her closest friends was her duet partner, Marvin Gaye, with whom she had a close platonic relationship. Though it’s often alleged their relationship grew into a brief romance, those close to the singers denied this claim. Ashford & Simpson, and Gaye in later years, stated the relationship was almost sibling-like. Nevertheless they were reported as having opposite personalities: Gaye being shy and introvert, Terrell being streetwise and extrovert. What they shared was their charisma as a performing couple and their sense of humour. Gaye would later call Terrell “sweet” and “misunderstood” and stated that Terrell was his “perfect [musical] partner”. At the time of her death she was engaged to be married to Ernest Garrett, a doctor at Terrell’s hospital but not her personal doctor.

Death

By early 1970 Terrell was confined to a wheelchair, suffered from blindness and hair loss, and weighed a scant 93 lb. Following her eighth and final operation on January 25, 1970, Terrell went into a coma. She died on March 16 due to complications from brain cancer, six weeks shy of her 25th birthday.

Terrell’s funeral was held at the Jane Methodist Church in Philadelphia. At the funeral, Gaye delivered a final eulogy while “You’re All I Need to Get By” was playing. According to Terrell’s fiancé Dr. Garrett, who knew Gaye, her mother angrily barred everyone at Motown from her funeral except for Gaye, who she felt was probably Terrell’s closest friend.

Aftermath

Already depressed from the first diagnosis of her illness back in October 1967 and from her onstage collapse, Marvin Gaye further withdrew from performing following Terrell’s death, re-emerging two years later performing during a benefit concert at the then newly opened Kennedy Center at Washington, D.C., in May 1972. Terrell’s mother criticized Motown for not helping with Terrell’s illness and accused the label of covering up the singer’s condition and releasing albums of Terrell’s work without her consent. Gaye had also contended that he felt Motown was taking advantage of Terrell’s illness and refused to promote the Easy album despite Motown telling him it would cover Terrell’s health expenses.

Gaye never fully got over Terrell’s death, according to several biographers who have stated that Terrell’s death led Gaye to depression and drug abuse. In addition, Gaye’s classic album What’s Going On, an introspective, low-key work which dealt with mature themes released in 1971, was in part a reaction to Terrell’s death. In July 1970, four months after Terrell’s untimely passing, a dramatic rearrangement of “Ain’t No Mountain High Enough”, was released by Diana Ross, becoming a number-one hit and one of Ross’ signature songs.

On October 8, 2010, Hip-O Select released Come On And See Me: The Complete Solo Collection, a collection of all of Terrell’s solo work dating back to high school, plus never before released songs and 13 minutes of the only known live stage recordings.

http://wikipedia.thetimetube.com/?q=Tammi+Terrell&lang=en

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oldieyoungin · 10 years ago

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Daddy Loves U

http://instagram.com/p/1BW_tmCYz-/

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oldieyoungin · 10 years ago

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Marvin Gaye, born Marvin Pentz Gay Jr.; April 2, 1939 –

#marvin gaye

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oldieyoungin · 10 years ago

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My boys are just too cool...

#thefourtops #levistubbs

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oldieyoungin · 11 years ago

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I love me some Trai Byers....yass

#trai byers #empire

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oldieyoungin · 11 years ago

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lol

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oldieyoungin · 11 years ago

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Bob Marley

Robert Nesta “Bob” Marley OM (6 February 1945 – 11 May 1981) was a Jamaican reggae singer-songwriter, musician, and guitarist who achieved international fame and acclaim. Starting out in 1963 with the group the Wailers, he forged a distinctive songwriting and vocal style that would later resonate with audiences worldwide. The Wailers would go on to release some of the earliest reggae records with producer Lee Scratch Perry. After the Wailers disbanded in 1974, Marley pursued a solo career which culminated in the release of the album Exodus in 1977 which established his worldwide reputation and produced his status as one of the world’s best-selling artists of all time, with sales of more than 75 million records. He was a committed Rastafari who infused his music with a sense of spirituality.

Early life and career

Robert Nesta Marley was born on the farm of his maternal grandfather in Nine Mile, Saint Ann Parish, Jamaica, to Norval Sinclair Marley (1885-1955) and Cedella Booker (1926-2008). Norval Marley was a European-Jamaican of British heritage. Norval claimed to have been a captain in the Royal Marines, though at the time of his marriage to Cedella Booker, an African-Jamaican then 18 years old, he was employed as a plantation overseer. Though Bob Marley was named Nesta Robert Marley, a Jamaican passport official would later reverse his first and middle names. Norval provided financial support for his wife and child but seldom saw them as he was often away. Bob Marley attended Stepney Primary and Junior High School which serves the catchment area of Saint Ann. In 1955, when Bob Marley was 10 years old, his father died of a heart attack at the age of 70.

Marley and Neville Livingston (later known as Bunny Wailer) had been childhood friends in Nine Mile. They had started to play music together while at Stepney Primary and Junior High School. Marley left Nine Mile with his mother when he was 12 and moved to Trenchtown, Kingston. Cedella Booker and Thadeus Livingston (Bunny Wailer’s father) had a daughter together whom they named Pearl, who was a younger sister to both Bob and Bunny. Now that Marley and Livingston were living together in the same house in Trenchtown, their musical explorations deepened to include the latest R&B from American radio stations whose broadcasts reached Jamaica, and the new Ska music. The move to Trenchtown was proving to be fortuitous, and Marley soon found himself in a vocal group with Bunny Wailer, Peter Tosh, Beverley Kelso and Junior Braithwaite. Joe Higgs, who was part of the successful vocal act Higgs and Wilson, resided on 3rd St., and his singing partner Roy Wilson had been raised by the grandmother of Junior Braithwaite. Higgs and Wilson would rehearse at the back of the houses between 2nd and 3rd Streets, and it wasn’t long before Marley (now residing on 2nd St), Junior Braithwaite and the others were congregating around this successful duo. Marley and the others didn’t play any instruments at this time, and were more interested in being a vocal harmony group. Higgs was glad to help them develop their vocal harmonies, although more importantly, he had started to teach Marley how to play guitar — thereby creating the bedrock that would later allow Marley to construct some of the biggest-selling reggae songs in the history of the genre.

Bob Marley and the Wailers

1962–1972: Early years

In February 1962, Marley recorded four songs, “Judge Not”, “One Cup of Coffee”, “Do You Still Love Me?” and “Terror”, at Federal Studio for local music producer Leslie Kong. Three of the songs were released on Beverley’s with “One Cup of Coffee” being released under the pseudonym Bobby Martell.

In 1963, Bob Marley, Bunny Wailer, Peter Tosh, Junior Braithwaite, Beverley Kelso, and Cherry Smith were called The Teenagers. They later changed the name to The Wailing Rudeboys, then to The Wailing Wailers, at which point they were discovered by record producer Coxsone Dodd, and finally to The Wailers. Their single “Simmer Down” for the Coxsone label became a Jamaican #1 in February 1964 selling an estimated 70,000 copies. The Wailers, now regularly recording for Studio One, found themselves working with established Jamaican musicians such as Ernest Ranglin (arranger “It Hurts To Be Alone”), the keyboardist Jackie Mittoo and saxophonist Roland Alphonso. By 1966, Braithwaite, Kelso, and Smith had left The Wailers, leaving the core trio of Bob Marley, Bunny Wailer, and Peter Tosh.

In 1966, Marley married Rita Anderson, and moved near his mother’s residence in Wilmington, Delaware in the United States for a short time, during which he worked as a DuPont lab assistant and on the assembly line at a Chrysler plant, under the alias Donald Marley.

Though raised as a Catholic, Marley became interested in Rastafari beliefs in the 1960s, when away from his mother’s influence. After returning to Jamaica, Marley formally converted to Rastafari and began to grow dreadlocks. The Rastafari proscription against cutting hair is based on the biblical Samson, who as a Nazirite, was expected to make certain religious vows, including the ritual treatment of his hair as described in Chapter Six of the Book of Numbers:

All the days of the vow of his separation there shall no razor come upon his head: until the days be fulfilled, in the which he separateth himself unto the Lord, he shall be holy, and shall let the locks of the hair of his head grow.(Numbers 6: 5 KJV)

After a financial disagreement with Dodd, Marley and his band teamed up with Lee “Scratch” Perry and his studio band, The Upsetters. Although the alliance lasted less than a year, they recorded what many consider The Wailers’ finest work. Marley and Perry split after a dispute regarding the assignment of recording rights, but they would remain friends and work together again.

Between 1968 and 1972, Bob and Rita Marley, Peter Tosh and Bunny Wailer re-cut some old tracks with JAD Records in Kingston and London in an attempt to commercialise The Wailers’ sound. Bunny later asserted that these songs “should never be released on an album … they were just demos for record companies to listen to”. In 1968, Bob and Rita visited songwriter Jimmy Norman at his apartment in the Bronx. Norman had written the extended lyrics for Kai Winding’s “Time Is on My Side” (covered by the Rolling Stones) and had also written for Johnny Nash and Jimi Hendrix. A three-day jam session with Norman and others, including Norman’s co-writer Al Pyfrom, resulted in a 24-minute tape of Marley performing several of his own and Norman-Pyfrom’s compositions. This tape is, according to Reggae archivist Roger Steffens, rare in that it was influenced by pop rather than reggae, as part of an effort to break Marley into the American charts. According to an article in The New York Times, Marley experimented on the tape with different sounds, adopting a doo-wop style on “Stay With Me” and “the slow love song style of 1960’s artists” on “Splish for My Splash”. An artist yet to establish himself outside his native Jamaica, Marley lived in Ridgmount Gardens, Bloomsbury, during 1972.

1972–1974: Move to Island Records

In 1972, Bob Marley signed with CBS Records in London and embarked on a UK tour with American soul singer Johnny Nash. While in London the Wailers asked their road manager Brent Clarke to introduce them to Chris Blackwell who had licensed some of their Coxsone releases for his Island Records. The Wailers intended to discuss the royalties associated with these releases instead the meeting resulted in the offer of an advance of £4,000 to record an album. Since Jimmy Cliff, Island’s top reggae star, had recently left the label, Blackwell was primed for a replacement. In Marley, Blackwell recognized the elements needed to snare the rock audience: “I was dealing with rock music, which was really rebel music. I felt that would really be the way to break Jamaican music. But you needed someone who could be that image. When Bob walked in he really was that image.” The Wailers returned to Jamaica to record at Harry J’s in Kingston which resulted in the album Catch a Fire.

Primarily recorded on an eight-track Catch a Fire marked the first time a reggae band had access to a state-of-the-art studio and were accorded the same care as their rock ‘n’ roll peers. Blackwell desired to create “more of a drifting, hypnotic-type feel than a reggae rhythm”, and restructured Marley’s mixes and arrangements. Marley travelled to London to supervise Blackwell’s overdubbing of the album which included tempering the mix from the bass-heavy sound of Jamaican music and omitting two tracks.

The Wailers’ first album for Island, Catch a Fire, was released worldwide in April 1973, packaged like a rock record with a unique Zippo lighter lift-top. Initially selling 14,000 units, it didn’t make Marley a star, but received a positive critical reception. It was followed later that year by the album Burnin’ which included the song “I Shot the Sheriff”. Eric Clapton was given the album by his guitarist George Terry in the hope that he would enjoy it. Clapton was suitably impressed and chose to record a cover version of “I Shot the Sheriff” which became his first US hit since “Layla” two years earlier and reached #1 on the Billboard Hot 100 on 14 September 1974. Many Jamaicans were not keen on the new reggae sound on Catch a Fire, but the Trenchtown style of Burnin found fans across both reggae and rock audiences.

During this period, Blackwell gifted his Kingston residence and company headquarters at 56 Hope Road (then known as Island House) to Marley. Housing Tuff Gong Studios, the property became not only Marley’s office, but also his home.

The Wailers were scheduled to open seventeen shows in the US for Sly and the Family Stone. After four shows, the band was fired because they were more popular than the acts they were opening for. The Wailers broke up in 1974 with each of the three main members pursuing solo careers. The reason for the breakup is shrouded in conjecture; some believe that there were disagreements amongst Bunny, Peter, and Bob concerning performances, while others claim that Bunny and Peter simply preferred solo work.

1974–1976: Line-up changes and shooting

Despite the break-up, Marley continued recording as “Bob Marley & The Wailers”. His new backing band included brothers Carlton and Aston “Family Man” Barrett on drums and bass respectively, Junior Marvin and Al Anderson on lead guitar, Tyrone Downie and Earl “Wya” Lindo on keyboards, and Alvin “Seeco” Patterson on percussion. The “I Threes”, consisting of Judy Mowatt, Marcia Griffiths, and Marley’s wife, Rita, provided backing vocals. In 1975, Marley had his international breakthrough with his first hit outside Jamaica, “No Woman, No Cry”, from the Natty Dread album. This was followed by his breakthrough album in the United States,Rastaman Vibration (1976), which reached the Top 50 of the Billboard Soul Charts.

On 3 December 1976, two days before “Smile Jamaica”, a free concert organised by the Jamaican Prime Minister Michael Manley in an attempt to ease tension between two warring political groups, Marley, his wife, and manager Don Taylor were wounded in an assault by unknown gunmen inside Marley’s home. Taylor and Marley’s wife sustained serious injuries, but later made full recoveries. Bob Marley received minor wounds in the chest and arm. The attempt on his life was thought to have been politically motivated, as many felt the concert was really a support rally for Manley. Nonetheless, the concert proceeded, and an injured Marley performed as scheduled, two days after the attempt. When asked why, Marley responded, “The people who are trying to make this world worse aren’t taking a day off. How can I?” The members of the group Zap Pow played as Bob Marley’s backup band before a festival crowd of 80,000 while members of The Wailers were still missing or in hiding. Marley left Jamaica at the end of 1976, and after a month-long “recovery and writing” sojourn at the site of Chris Blackwell’s Compass Point Studios in Nassau, Bahamas, arrived in England, where he spent two years in self-imposed exile.

1977–1978: Relocation to England

Whilst in England, he recorded the albums Exodus and Kaya. Exodus stayed on the British album charts for fifty-six consecutive weeks. It included four UK hit singles: “Exodus”, “Waiting in Vain”, “Jamming”, and “One Love” (a rendition of Curtis Mayfield’s hit, “People Get Ready”). During his time in London, he was arrested and received a conviction for possession of a small quantity of cannabis. In 1978, Marley returned to Jamaica and performed at another political concert, the One Love Peace Concert, again in an effort to calm warring parties. Near the end of the performance, by Marley’s request, Michael Manley (leader of then-ruling People’s National Party) and his political rival Edward Seaga (leader of the opposing Jamaica Labour Party), joined each other on stage and shook hands.

Under the name Bob Marley and the Wailers eleven albums were released, four live albums and seven studio albums. The releases included Babylon by Bus, a double live album with thirteen tracks, were released in 1978 and received critical acclaim. This album, and specifically the final track “Jamming” with the audience in a frenzy, captured the intensity of Marley’s live performances.

1979–1981: Later years

Survival, a defiant and politically charged album, was released in 1979. Tracks such as “Zimbabwe”, “Africa Unite”, “Wake Up and Live”, and “Survival” reflected Marley’s support for the struggles of Africans. His appearance at the Amandla Festival in Boston in July 1979 showed his strong opposition to South African apartheid, which he already had shown in his song “War” in 1976. In early 1980, he was invited to perform at 17 April celebration of Zimbabwe’s Independence Day. Uprising (1980) was Bob Marley’s final studio album, and is one of his most religious productions; it includes “Redemption Song” and “Forever Loving Jah”. Confrontation, released posthumously in 1983, contained unreleased material recorded during Marley’s lifetime, including the hit “Buffalo Soldier” and new mixes of singles previously only available in Jamaica.

Illness and death

In July 1977, Marley was found to have a type of malignant melanoma under the nail of a toe. Contrary to urban legend, this lesion was not primarily caused by an injury during a football match that year, but was instead a symptom of the already-existing cancer. Marley turned down his doctors’ advice to have his toe amputated, citing his religious beliefs, and instead the nail and nail bed were removed and a skin graft taken from his thigh to cover the area. Despite his illness, he continued touring and was in the process of scheduling a world tour in 1980.

The album Uprising was released in May 1980. The band completed a major tour of Europe, where it played its biggest concert to 100,000 people in Milan. After the tour Marley went to America, where he performed two shows at Madison Square Garden as part of the Uprising Tour.

Bob Marley appeared at the Stanley Theater (now called The Benedum Center For The Performing Arts) in Pittsburgh, Pennsylvania, on 23 September 1980; it would be his last concert.

Shortly afterwards, Marley’s health deteriorated as the cancer had spread throughout his body. The rest of the tour was cancelled and Marley sought treatment at the Bavarian clinic of Josef Issels, where he received a controversial type of cancer therapy (Issels treatment) partly based on avoidance of certain foods, drinks, and other substances. After fighting the cancer without success for eight months Marley boarded a plane for his home in Jamaica.

While Marley was flying home from Germany to Jamaica, his vital functions worsened. After landing in Miami, Florida, he was taken to the hospital for immediate medical attention. Bob Marley died on 11 May 1981 at Cedars of Lebanon Hospital in Miami (now University of Miami Hospital) at the age of 36. The spread of melanoma to his lungs and brain caused his death. His final words to his son Ziggy were “Money can’t buy life.” Marley received a state funeral in Jamaica on 21 May 1981, which combined elements of Ethiopian Orthodoxy and Rastafari tradition. He was buried in a chapel near his birthplace with his red Gibson Les Paul (some accounts say it was a Fender Stratocaster).

On 21 May 1981, Jamaican Prime Minister Edward Seaga delivered the final funeral eulogy to Marley, declaring:

His voice was an omnipresent cry in our electronic world. His sharp features, majestic looks, and prancing style a vivid etching on the landscape of our minds. Bob Marley was never seen. He was an experience which left an indelible imprint with each encounter. Such a man cannot be erased from the mind. He is part of the collective consciousness of the nation.

Personal life

Religion

Bob Marley was a member for some years of the Rastafari movement, whose culture was a key element in the development of reggae. Bob Marley became an ardent proponent of Rastafari, taking their music out of the socially deprived areas of Jamaica and onto the international music scene. He once gave the following response, which was typical, to a question put to him during a recorded interview:

Interviewer: “Can you tell the people what it means being a Rastafarian?” Marley: “I would say to the people, Be still, and know that His Imperial Majesty, Emperor Haile Selassie of Ethiopia is the Almighty. Now, the Bible seh so, Babylon newspaper seh so, and I and I the children seh so. Yunno? So I don’t see how much more reveal our people want. Wha’ dem want? a white God, well God come black. True true.”

According to Marley’s biographers, he affiliated with the Twelve Tribes Mansion, one of the Mansions of Rastafari. He was in the denomination known as “Tribe of Joseph”, because he was born in February (each of the twelve sects being composed of members born in a different month). He signified this in his album liner notes, quoting the portion from Genesis that includes Jacob’s blessing to his son Joseph.

Shortly before his death, Marley was baptised into Christianity by Archbishop Abuna Yesehaq of the Ethiopian Orthodox Church in Kingston, Jamaica, on 4 November 1980.

http://wikipedia.thetimetube.com/?q=Bob+Marley&lang=en

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oldieyoungin · 11 years ago

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Natalie Cole

Natalie Maria Cole (born February 6, 1950) is an American singer, songwriter, and performer. The daughter of Nat King Cole, Cole rose to musical success in the mid-1970s as a R&B artist with the hits “This Will Be”, “Inseparable”, and “Our Love”. After a period of failing sales and performances due to a heavy drug addiction, Cole reemerged as a pop artist with the 1987 album, Everlasting, and her cover of Bruce Springsteen’s “Pink Cadillac”. In the 1990s, she re-recorded standards by her father, resulting in her biggest success, Unforgettable… with Love, which sold over seven million copies and also won Cole numerous Grammy Awards. She has sold over 30 million records worldwide.

Early life

Natalie Cole was born at Cedars of Lebanon Hospital in Los Angeles, the daughter of crooner Nat King Cole and former Duke Ellington Orchestra singer Maria Hawkins Ellington, and raised in the affluent Hancock Park district of Los Angeles. Regarding her childhood, Cole has referred to her family as “the black Kennedys” and was exposed to many great singers of jazz, soul, and blues. At the age of six Natalie sang on her father’s Christmas album and later began performing at age 11.

Cole grew up with older adopted sister Carole “Cookie” (1944–2009) (her mother Maria’s younger sister’s daughter); adopted brother Nat “Kelly” Cole (1959–95), and younger twin sisters Timolin and Casey (born 1961).

Her paternal uncle Freddy Cole is a singer and pianist with numerous albums and awards. Cole enrolled in Northfield Mount Hermon School, an elite New England preparatory school, at age 15 after her father died of lung cancer in February 1965. Soon afterwards she began having a difficult relationship with her mother. She enrolled in the University of Massachusetts Amherst. She transferred briefly to University of Southern California where she pledged the Upsilon chapter of Delta Sigma Theta sorority. She later transferred back to the University of Massachusetts, where she majored in Child Psychology and minored in German, graduating in 1972.

Music career

Early career

Following graduation, Cole, who grew up listening to a variety of artists from soul artists such as Aretha Franklin to psychedelic rock icon Janis Joplin, began singing at small clubs with her band, Black Magic. Clubs initially welcomed her due to her being Nat King Cole’s daughter, only to be disappointed when she began covering R&B and rock numbers. While performing, she was noted by a couple of producers in the Chicago area, Chuck Jackson and Marvin Yancy, who then approached her to do records. After cutting several records together, they passed off the music to several record labels. Most labels turned them down with one ironic exception. Capitol Records, her father’s label, heard the records and agreed to sign her.

Cole, Yancy and Jackson went into studios in Los Angeles to polish the recordings they had shipped, resulting in the release of Cole’s debut album, Inseparable, which included songs that reminded listeners of Aretha Franklin. In fact, Franklin later contended that songs such as “This Will Be”, “I Can’t Say No” and others were originally offered to her while she was recording the You album. Franklin turned most of the songs down but agreed to record the title track for her album. Cole also recorded “You”. Released in 1975, the album became an instant success thanks to “This Will Be”, which became a top ten hit and later winning Cole a Grammy Award for Best Female R&B Vocal Performance. A second single, “Inseparable”, also became a hit. Both songs reached number-one on the R&B chart. Cole also won Best New Artist at the Grammy Awards for her accomplishments. Due to the media’s billing of Cole as the “new Aretha Franklin”, it inadvertently started a rivalry between the two singers.

Initial stardom

Becoming an instant star, Cole responded to critics of an impending sophomore slump with Natalie, released in 1976. The album, likeInseparable, became a gold success thanks to the funk-influenced cut, “Sophisticated Lady” and the jazz-influenced “Mr. Melody”.

Cole released her first platinum record with her third release, Unpredictable, mainly thanks to the number-one R&B hit, “I’ve Got Love on My Mind”. Originally an album track, the album’s closer, “I’m Catching Hell”, nonetheless became a popular Cole song during live concert shows. Later in 1977, Cole issued her fourth release and second platinum album, Thankful, which included another signature Cole hit, “Our Love”. To capitalize on her fame, Cole starred on her own TV special, which attracted such celebrities as Earth, Wind & Fire, and also appeared on the TV special, “Sinatra and Friends.” In 1978, Cole released her first live album, Natalie Live!

In early 1979, the singer was awarded a star on the Hollywood Walk of Fame. That same year, she released two more albums, I Love You So and the Peabo Bryson duet album, We’re the Best of Friends. Both albums reached gold status in the U.S. continuing her popularity.

Career detour and resurgence

Following the release of her eighth album, 1980’s Don’t Look Back, Cole’s career began to take a detour. While Cole scored an adult contemporary hit with the soft rock ballad “Someone That I Used To Love” off the album, the album itself failed to go gold. In 1981, Cole’s personal problems including battles with drug addiction began to take public notice and her career suffered as a result. In 1983, following the release of her album, I’m Ready, released on Epic, Cole entered a rehab facility in Connecticut reportedly staying there for a period of six months.

Following her release, she signed with the Atco imprint, Modern Records, releasing Dangerous, which started a slow resurgence for Cole in terms of record sales and chart success. In 1987, she changed to EMI-Manhattan Records and released the Everlastingalbum, which returned her to the top of the charts thanks to singles such as “Jump Start (My Heart)”, the top ten ballad, “I Live For Your Love” and her dance-pop cover of Bruce Springsteen’s “Pink Cadillac”. That success helped Everlasting reach one million in sales becoming Cole’s first platinum album in ten years. In 1989, she released her follow-up to Everlasting, Good to Be Back, which produced the number two hit, “Miss You Like Crazy”, which also achieved international success reaching the top ten in the United Kingdom.

Cole released her best-selling album with 1991’s Unforgettable… with Love on Elektra Records, which saw Cole singing songs her famous father recorded, nearly 20 years after she initially had refused to cover her father’s songs during live concerts. Cole produced vocal arrangements for the songs, with piano accompaniment by her uncle Ike Cole. Cole’s label released an interactive duet between Cole and her father on the title song, “Unforgettable”. The song eventually reached number fourteen on the Billboard Hot 100 and number ten on the R&B chart, going gold. Unforgettable…with Love eventually sold more than seven million copies in the U.S. alone winning several Grammys including Album of the Year, Record of the Year and Best Traditional Pop Vocal Performance for the top song.

Cole followed that success with another album of jazz standards titled Take a Look, in 1993, which included her recording of the title track in the same styling that her idol Aretha Franklin had recorded nearly 30 years earlier. The album eventually went gold while a holiday album, Holly & Ivy, also became gold. Another standards release, Stardust, went platinum and featured another duet with her father on a modern version of “When I Fall in Love”, which helped Cole earn another Grammy for Best Pop Collaboration with Vocals.

Later works

In 1999, Cole returned to her 1980s-era urban contemporary recording style with the release of Snowfall on the Sahara on June and second holiday album The Magic of Christmas on October, which recorded with London Symphony Orchestra. A year later, the singer collaborated on the production of her biopic, Livin’ For Love: The Natalie Cole Story, which featured Theresa Randle in the role of Cole. She also released the compilation Greatest Hits, Vol. 1 to fulfill her contract with Elektra. She changed to Verve Records and released two albums. 2002’s Ask a Woman Who Knows continued her jazz aspirations, while 2006’s Leavin’ again featured Cole singing pop, rock and R&B standards. Her cover of Aretha Franklin’s “Daydreaming”, became a minor hit on the R&B charts. In 2008, seventeen years after Unforgettable… with Love, Cole released Still Unforgettable, which included not only songs made famous by her father but other artists, including Frank Sinatra. The album later resulted in Grammy wins for Cole.

In April 2012, she appeared as a Pennington Great Performers series artist with the Baton Rouge Symphony Orchestra.

Television and film career

Cole has carved out a secondary career in acting. She has also appeared several times in live concerts or other music related programs, including the 1988 Nelson Mandela 70th Birthday Tribute with sidemen Richard Campbell, Jeffrey Worrell, Eddie Cole and Dave Joyce. In 1990, she (along with jazz vocalist Al Jarreau) sang the song “Mr. President” (written by Ray Reach, Mike Loveless and Joe Sterling) on HBO’s Comic Relief special, hosted by Whoopi Goldberg, Robin Williams and Billy Crystal. After Johnny Mathis appeared on a special of Cole’s in 1980, the two kept in contact, and in 1992, he invited Cole to be a part of his television special titled “A Tribute To Nat Cole” for BBC-TV in England. It had high viewer ratings and was successful. From that project, an album with the same name was released, and featured several medley and solo numbers.

In 1992, following the success of the Unforgettable: With Love album, PBS broadcast a special based on the album. Unforgettable, With Love: Natalie Cole Sings the Songs of Nat “King” Cole received Emmy nominations for Outstanding Variety, Music or Comedy Program; and Cole received a nomination for Outstanding Individual Performance, losing to Bette Midler.

In 1993, she was among the Guests of Honor attending Wrestlemania IX at Caesar’s Palace, Las Vegas, Nevada. She was interviewed by television staff after the conclusion of the Money Incorporated vs Megamaniacs tag team match regarding her upcoming work. The same year she performed at the 65th Academy Awards performing a medley of two Oscar-nominated songs: “Run to You” and “I Have Nothing”, both originally performed by Whitney Houston in The Bodyguard.

Cole has made a number of dramatic appearances on television, including guest appearances on I’ll Fly Away, Touched by an Angel, and Law & Order: Special Victims Unit. In 2006, she made a memorable guest appearance on the ABC show Grey’s Anatomy as a terminally ill patient. Her character visited Seattle Grace Hospital to have a fork removed from her neck that her husband had stabbed her with during a mishap; the couple had been having sex in public.

Cole has also made several appearances in feature films, most recently in the Cole Porter biopic De-Lovely. She has appeared in several made-for-TV movies, most notably as the lead in Lily in Winter. Cole was featured on Macy Gray’s album Big, singing “Finally Make Me Happy”.

In 2001 she starred as herself in Livin’ for Love: the Natalie Cole Story, for which she received the NAACP Image Award for Outstanding Actress in a Television, Mini-Series of Dramatic Special.

She also sang the national anthem with the Atlanta University Center Chorus at Super Bowl XXVIII.

On December 2, 2006, Cole performed for the first time in Grand Cayman, Cayman Islands, as part of the annual Cayman Jazz Fest.

On the February 5, 2007 episode of Studio 60 on the Sunset Strip, Cole sang “I Say a Little Prayer” at a benefit dinner for Harriet Hayes (Sarah Paulson).

She can also be seen in the last scene of Nas’ music video for “Can’t Forget About You”. The song uses a sample of her father’s song “Unforgettable”. Cole is sitting at a piano in a cabaret-style lounge mouthing her father’s song with Nas standing beside her.

Natalie Cole also performed “Something’s Gotta Give” on American Idol on April 29, 2009.

In September 2010, Cole performed with Andrea Bocelli in a concert at the Kodak Theatre, for his album My Christmas, in which she recorded a duet with him, and on December 10–13, 2009, she appeared with the Mormon Tabernacle Choir and Orchestra at Temple Square in their annual Christmas concerts. Both were videotaped for presentation on PBS in December 2010.

On July 22, 2011, Cole appeared on the reality television series, Real Housewives of New York City.

In February 2012, Cole appeared as a guest judge on the fourth series of reality competition series RuPaul’s Drag Race. The bottom two competitors lip-synced to her song This Will Be (An Everlasting Love) to decide who would stay and who would be eliminated.

On Father’s Day, 2013, Natalie was in Tina Sinatra’s Father’s Day Special on Sirius Radio. It also featured Deana Martin, Monica Mancini and Daisy Torme, all reminiscing about their famous fathers.

Personal life

Cole has been married three times. She married Marvin Yancy, songwriter, producer and former member of the ’70s R&B group The Independents on July 31, 1976. She has a son, Robert Adam “Robbie” Yancy (born October 1977); he is now a musician who tours with her. Marvin was her producer, and an ordained Baptist minister who helped reintroduce her to religion. Under his influence, Cole changed from a lapsed Episcopalian to become a devout Baptist. Cole and Yancy got divorced in 1980 before Yancy died of a heart attack in 1985, aged 34. In 1989, Cole married record producer and former drummer for Rufus Andre Fischer; they were divorced in 1995. In 2001, Cole married bishop Kenneth Dupree; they divorced in 2004.

Cole has been active in the Afghan World Foundation cause, supporting Sonia Nassery Cole (no relation).

Drug abuse and recovery

In 2000, Cole released an autobiography, Angel on My Shoulder, which described her battle with drugs during much of her life.

In the book, Cole admitted to using heroin and crack cocaine.

Cole said she began recreational drug use while attending the University of Massachusetts Amherst.

She also disclosed that she was arrested in Toronto, Ontario, Canada for possession of heroin in 1975.

Cole continued to spiral out of control – including one incident where she refused to evacuate a burning building, and another where her young son Robert nearly drowned in the family swimming pool while she was on a drug binge. She did eventually enter rehab in 1983.

In concert with the release of the book, her autobiography was turned into a made-for-TV movie, Livin’ for Love: The Natalie Cole Story, which aired December 10, 2000, on NBC and re-aired October 26, 2011 on Centric TV.

http://wikipedia.thetimetube.com/?q=Natalie+Cole&lang=en

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