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Bold steel and vitrum paste bib necklace by Buccellati c. 1970 via mahnazcollection

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Die Löwin - als Räuber

Deborah Sengl

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A rare red-glazed 'Langyao' meiping, Qing dynasty, Kangxi period (1662--1722)

Courtesy Alain Truong

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Gold signet ring depicting the goddess Athena seated with an owl, inscribed in Greek with the name "Anaxiles"; circa 400 BC.

Courtesy Alain Truong

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don’t look now but I think he’s building some kind of… structure? in the backyard? using every blue object we own.

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may your glasses stay clean for an entire day. like to charge, reblog to cast.

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Tom Burckhardt (American, 1967) - Future Rapture (2023)

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I bring you gladsome tidings of a woman who needle-felts creatures from the Luttrell Psalter.

That is all.

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Cyanotype printed shells barfootk_art on ig

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I don’t know who needs to hear this, but if you’re at a low point:

If you were a fictional man right now, there would be *at least* ten people if not a large portion of the fanbase that would call you their wet beast poor little meow meow

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7 fucking years of development and I boot up Silksong and IMMEDIATELY there's bugs

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Annie Stegg - "The Axolotl Parade"

(14x18 inches, oils on copper panel)

Store — Gallery Gerard

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kate kretz, une femme d’un certain âge, 2014

(grey hair of many women, hand embroidered on black cotton)

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I think there's something about linguistics that explodes your brain because like, there are one hundred thousand different weird grammatical do-dads a language can have, and naively you look at them and go "oh these must be like related to culture or ideology or whatever, or have different effects on people's communication in this or that language, or the kinds of stories that are told, or" and then you learn a little more and it's like "well no they're kind of all just thrown together in a bunch of seemingly random combinations with historically contingent explanations, this language has polypersonal verb agreement and that language has classifier morphemes and it doesn't really seem to Mean anything at all" and then you learn a little more and it's like "with significantly high frequency languages with verb-first word order tend to describe possession using an 'it is at him' construction rather than a 'he has it' construction, this is true in multiple disconnected regions of the world, and nobody has any idea why" and you kind of shrug and go well rip to anyone who thinks they can understand society or the human mind I guess.

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The Wheel of Tears (1979) Wolfgang Lettl, oil on canvas, 42 x 44 cm

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I just need everyone to know how much I really, really, REALLY hate Aristotle.