onnocollective

[onnocollective]

Conversations w/ sadbydsgn

a conversation w/ producer sadbydsgn who is behind the track titled 'Plastic Cemeteries' . Filled with dark and eerie house rhythms, Plastic Cemeteries is track number 10 from our compilation tape - 'rough cuts'

Listen to Plastic Cemeteries here -

OC: How have you been in the pandemic ?

sadbydsgn: Good for the most part. Watched too many movies and documentaries. Then got into consipiracy theories for a bit and now am mostly back to normal. These last few months I’ve spent working on refining my sound

OC: How did you get started with music?

Started learning Cubase out of curiosity. That pretty much got me into making more music

OC: What type of music have you been the most into these days? Any particular track?

Mellifluous by sinnah

OC: Have you noticed any changes in the way you approach music now compared to when you first started ?

I don’t know what type of music I want to make honestly. My songs are more polished now compared to when I started but they’re still not where I want them to be sonically

OC: Describe your setup and your music-making process

Currently I’m using Ableton and Cubase. Also use Garageband on my phone for sketching out rough ideas

OC: Did you have any visual motif in mind during the making of your track - Plastic Cemeteries ?

A rave party in the cemetery. Dogs howling while we keep dancing

OC: What is one piece of music that you can’t erase from your head ?

The beat for Talk To Me Nice + Fargo Season by Tory Lanez goes crazy

OC: Which do you prefer - experimenting and discovering a song while in the making process or having a rough mental idea beforehand and then trying to actualise it?

As I mentioned before, I use Garageband on my phone to sketch out rough ideas. Sometimes if there is a melody in my head, I would record a voice note of it and then try to recreate it on my DAW. So definitely having some rough idea beforehand and then any happy accidents/discoveries I end up making during the process also helps

OC: What have you been currently working on?

Have been working on some music here and there when I get time. Might put them together into a project of sorts. Don't know for sure right now

OC: What type of music have you always wanted to try your hand at ?

Synthwave

[onnocollective]

Conversations w/ soft problems

a conversation w/ musician soft problems who is behind the track titled ‘Emergence' . Filled with luscious synths and lo-fi beats, Emergence is track number 09 from our compilation tape - 'rough cuts'

Listen to Emergence here -

OC: How have you been in the pandemic ?

soft problems: Lots of ups and downs for me. I can never stay idle for a long period so I was always looking for something to do. Not saying that everything worked as I wanted it to, but there's been a lot of character development in the process for sure

OC: What is one piece of music that you can’t erase from your head ?

When I listened to The 20/20 Experience for the first time, I was awed by the production of the album. Check out the instrumental version of the album, you'd be blown away

OC: What type of music have you been the most into these days? Any particular track?

I keep oscillating between indie pop and house these days. There She Goes by Josh Fudge is a go-to track these days

OC: Describe your setup and your music making process

It's only my laptop and a stereo sound system. My process usually starts with a sound or note that I notice in the real world that strikes me as a good fit on a beat. I keep that in mind and record a vocal sample of it on my phone recorder. When I sit at my DAW, I use the recording as a reference to build something. I make a tweak here and there and go with the flow, I eventually end up with an entire rough track

OC: What have you been currently working on?

Amidst a lot of mental chaos, I am trying to put together my first EP. Let's see how it turns out

OC: Have you noticed any changes in the way you approach music now compared to when you first started ?

Earlier, it was just instruments. I used to play the guitar when I started. Learning it gave me a lot of insight into music-making through music theory. Now I can apply that knowledge subconsciously as I try producing on my laptop

OC: What type of music have you always wanted to try your hand at ?

Definitely the kind that is closer to my roots. I want to make music with ethnic elements in it. I haven't tried my hand at it yet because I'm still learning. I'm sure that I'll get there

OC: Which do you prefer - experimenting and discovering a song while in the making process or having a rough mental idea beforehand and then trying to actualise it?

I would prefer the latter. Having a plan is nice, but my plans usually don't pan out - it eventually becomes an experiment of sorts and I'd have to go along to where it takes me by the moment. My final product is usually different from what I would envision for a project

[onnocollective]

Conversations w/ TITO+

a conversation w/ audiovisual artist TITO+ who is behind the track titled ‘Violence becomes Tranquility' . Filled with a frenetic collage of field recordings and off kilter sonics, Violence Becomes Tranquility is track number 08 from our compilation tape - 'rough cuts'

Listen to Violence Becomes Tranquility here -

OC: How have you been in the pandemic ?

TITO+: I’ve tried to keep myself busy with making stuff for the most part. So haven’t really had the time to ponder on it. But, this year specially has been super strange. Got quite sick a couple months back and honestly, I’m just thankful to be alive

OC: How did you get started with music?

Around end of 2019, I had shot an audiovisual piece with Humhu and then while editing, realised that none of the music I had at hand was working for the piece. So ended up making an original song using field recordings and small tunes I had been making on Caustic. That was my first single - THE DOOR IS CLOSED. Have been making music on and off ever since

OC: What type of music have you been the most into these days? Any particular track?

Been enjoying Howie Lee’s - 7 Weapons Series album. Also keep going back to 90s-2000s Jungle stuff - Logical Progression by LTJ Bukem is one of my favourites

OC: Have you noticed any changes in the way you approach music now compared to when you first started ?

I think I dropped like 6 Albums and 3 EP’s in all of 2020. So that honestly gave me a lot of ideas and experience on how to sequence a project. Nothing much has changed otherwise. I try not to get holed up in genre all that much. And I’ve definitely become more patient with my work - sometimes some pieces take longer than others and I’ve learned how to work around that being the case

OC: Describe your setup and your music-making process

It keeps changing. Currently I’ve been making stuff on Logic Pro X with my Akai MPK Mini. Also use Caustic and VCV Rack quite a lot. I also try and use QiBird, EtherSurface, DRC, Saucillator and a couple others. ORG 2022 also has some amazing sounds from time to time

OC: Which do you prefer - experimenting and discovering a song while in the making process or having a rough mental idea beforehand and then trying to actualise it?

I mostly like to improvise. So there's no set idea. Generally for most of my releases, I have a visual in mind. Could be an album cover that I've already made beforehand or maybe just a random photograph I'd shot months back. And I keep making music while just looking at that image/visual. That is my only reference point. The rest just comes while playing

OC: What is one piece of music that you can’t erase from your head ?

B-2 Unit by Ryuichi Sakamoto

OC: Did you have any visual motif in mind during the making of your track - Violence Becomes Tranquility ?

I just felt super claustrophobic while making the track. So throughout the making of the song, I was just looking for some form of catharsis. I kind of wanted it to feel like a collection of vignettes of my experiences over the past year or so

OC: What have you been currently working on?

Been working on two albums right now aside from a couple of audiovisual projects. Hopefully they'll be done soon

OC: What type of music have you always wanted to try your hand at ?

I've wanting to incorporate Hindustani Classical music and scales with my sounds for the longest time

[onnocollective]

Conversations w/ Diaspora

a conversation with musical project Diaspora, who is behind the track titled 'Down the Rabbit Hole'. Filled with dark and haunting melodies, Down the Rabbit Hole is track number 07 from our compilation tape - rough cuts

Listen to Down the Rabbit Hole here -

OC: How have you been in the pandemic?

Diaspora: The pandemic has made most of our lives very stagnant but in our case, it has given us a lot of time to practice and jam together

OC: What is one piece of music that you can’t erase from your head ?

Dominic Miller’s  Absinthe, Water and Etude. Also, The shape of my heart by Sting is an absolute legend of a song that we can never ever forget about

OC: What type of music have you been the most into these days? Any particular track?

Currently very fascinated by the powerful drumming and stamina of Dave Turncrantz from Russian circles. Listen to Afrika by Russian Circles and you will know. Also, love the brilliance of Jesse Barrett from Mammal Hands

OC: Did you have any visual motif in mind during the making of your track - Down the Rabbit Hole?

Yes, it felt like a tunnel going down through many layers, one after the other. Each layer having its grim appearance, holding its unforgivable secrets, lying hidden forever. Just when you think you have reached the end, a whole different mechanism is waiting hidden, with a more complex outlook that controls the previous layer

OC: What type of music have you always wanted to try your hand at ?

Something along the line of progressive rock and jazz, a bit of Eastern rhythm infused with psychedelic sounds

OC: How did you get started with music ?

We started playing together when one of the members had just picked up his first proper acoustic guitar and made a couple of his new compositions. After a year of switching between cities, we finally came back together in Kolkata and got more time for rehearsals. After several sessions using acoustic, he finally decided to switch to electric guitar and I shifted to drums

OC: Describe your setup and your music making process

Our setup mostly consists of  Electric Guitars plugged into an amp via a ZOOM processor. A classic seven set local drum kit and a synthesiser. Sometimes we have some more equipments depending on the scene

OC: What have you been currently working on ?

We are currently revisiting our basics in time signature and various hand exercises, trying to infuse a better fluency and higher speed with leniency in our playing. This pandemic is giving us a lot of time to practice

OC: Which do you prefer - experimenting and discovering a song while in the making process or having a rough mental idea beforehand and then trying to actualise it ?

We love to experiment more, improvise at the moment when we are in the flow state. But both of us believe that music should have a structure so that it can be played again and again with similar accuracy. So our whole process in making music that follows the basic steps of recording live while playing and then listening to it again to improvise better and finally writing down the pattern if it's remarkable enough

[onnocollective]

Conversations w/ Ritwik

a conversation with musician Ritwik, who is behind the track titled 'Toxic Perfume'. Filled with chill and somber ambient tunes, Form and Void is track number 06 from our compilation tape - rough cuts Listen to Toxic Perfume here -

OC: How have you been in the pandemic?

Ritwik: I’ve been mildly depressed for the past few months, encountering a few highs and many lows. Mostly, I’ve been trying to navigate crucial questions regarding my career and aspirations

OC: What is one piece of music that you can’t erase from your head ?

Led Zeppelin’s Stairway to Heaven. If not for that track, I wouldn’t be filling out these questions right now

OC: What type of music have you been the most into these days? Any particular track?

I’ve been quite obsessed with a blend of cool jazz, 70s funk and soul. A track that I’ve been most obsessed with for the past few weeks is Narrator by Squid, off their new release Bright Green Field

OC: Which do you prefer - experimenting and discovering a song while in the making process or having a rough mental idea beforehand and then trying to actualise it?

It’s definitely the first one. There are times where there’s an imaginary melody stuck in my head and I find ways to actualise it, but nothing can supersede the thrill of just laboring on your instruments till you dish out something all-pervasive and exploding with emotional potency. You have no idea how much you can surprise yourself that way. I guess my avid listening and the constant overdose of music I indulge in comes out cathartically when I play. Thus, it’s the ideal process for me

OC: What type of music have you always wanted to try your hand at?

I’ve always wanted to be a jazz guitarist, but that would require quite a bit of practice and theoretical clarity. So for now, I’m just longing for the opportunity to start the learning process

OC: Did you have any visual motif in mind during the making of your track - Toxic Perfume?

A friend of mine asked me to make some background score for his independent film. As a result, I recorded this track. The scene I was asked to score was a montage. The protagonist’s love interest appears on screen for 2-3 minutes. We see her from the perspective of the lovelorn protagonist, who is reflecting on her beauty while reminiscing his relationship with her. It probably went wrong in some ways. The visuals are sublime and laced with intimacy and nostalgia

OC: How did you get started with music?

In class 10, my dad had gifted me an acoustic on my birthday. I didn’t have any solid plans of learning how to play but I went in that direction anyway.I’m mostly self-taught. I think what helped the most was my overwhelming exposure to all kinds of western musical genres, ranging from the most mainstream pop music to the most underground sub-culture of avant-garde music. Developing my styles initially came from the primal act of simple imitation, which happened by ear. To this day, I’m not technically or theoretically trained

OC: Describe your setup and your music making process.

I play the acoustic guitar as well as the electric. When I play the acoustic, I either make instrumental arpeggios applying finger style, or I choose four chords, write a verse, and eventually, through trial and error, I write acoustic ballads. My electric guitar is accompanied by a ZOOM processor and an amp, with minimal effects. I always use reverberated and dream-like effects to begin with. I choose four chords and loop them. Then, I layer those chords with short but clean licks. The key is to make something simple but catchy. As the number of layers increase, I lace them with bass notes

OC: Have you noticed any changes in the way you approach music now compared to when you first started?

Funnily enough, not really. In terms of listening, I listen to fewer albums and I take a more song-by-song approach, and the genres I explore now are different. I’ve become more open to staple pop music. Otherwise, there’s not much of a difference

[onnocollective]

Conversations w/ June

a conversation with musician June, who is behind the track titled 'Form and Void'. Filled with cold, atmospheric tunes, Form and Void is track number 05 from our compilation tape - rough cuts

Listen to Form and Void here -

OC: How have you been in the pandemic ?

June: I've been well during this pandemic, My family and loved ones have also kept their health

OC: What is one piece of music that you can’t erase from your head ?

Favourite songs keep changing, currently it must be some King Crimson stuff, maybe Fallen Angel from the album Red

OC: What type of music have you been the most into these days? Any particular track?

Mostly, I guess it's a blend of psychedelic music and Indian playing styles, scales and runs. Also George Ezra songs

OC: Describe your setup and your music making process

I currently have two functional electric guitars, one zoom processor and an amplifier, that’s about it. Most recordings are done on our cell phone cameras

OC: Did you have any visual motif in mind during the making of your track - Form and Void ?

I have phases of creativity that I go through. This was one phase that had a bluish effervescence of sorts. Smoke like movements of energy and water

OC: Have you noticed any changes in the way you approach music now compared to when you first started ?

A lot has definitely changed in the way I play music or the way I would approach a musical piece but, my approach towards music as a whole, has remained the same. Maybe my definition of music keeps changing

OC: How did you get started with music?

I started playing music at the age of 16. I used to listen to various kinds of songs at that time. Mostly from a localized circuit, later on I heard all those big bands and rock and everything

OC: What have you been currently working on?

I've been working on my sound, trying to get better at expressing how I truly feel

OC: What type of music have you always wanted to try your hand at ?

I don't think there's anything like that, at least not in a direct sense. I've always wanted to play like myself, without any personal or impersonal expectation. So I go with whatever comes out honestly at that moment

OC: Which do you prefer - experimenting and discovering a song while in the making process or having a rough mental idea beforehand and then trying to actualise it ?

I used to compose judiciously before, like proper guitar pieces, note to note thought of and structured. But then I made up my mind that I'll learn to improvise and frankly I like that more. Not to necessarily always experiment but, at the same time not planning out too much as well. I like structure, but then I also like the freedom to just be myself. So, nowadays I do both

[onnocollective]

Conversations w/ Human Harmonics

a conversation with musician Human Harmonics, who is behind the track titled 'ETHER'. Filled with noisy, dark ambient tunes, ETHER is track number 04 from our compilation tape - rough cuts

Listen to ETHER here -

OC: How have you been in the pandemic ? Human Harmonics: Mostly depressed

OC: What is one piece of music that you can’t erase from your head

Definitely, Charm (Over Burundi Cloud) by Brian Eno and Jon Hassel. I was fifteen when I’d first chanced upon the track and it completely changed how I thought about music and sound. Their whole Possible Musics album is so good. Just timeless music

OC: What type of music have you been the most into these days? Any particular track?

Recently have been listening to this piece by İlhan Mimaroğlu called Wings of the Delirious Demon. It’s composed of a series of effects being applied to some sounds from a clarinet. The piece was made way back in the 1960s but strangely sounds alien even today

OC: Describe your setup and your music-making process

Its mostly my laptop - using Ableton. Sometimes I switch over to TidalCycles and mess around with my folder of recorded samples

OC: Did you have any visual motif in mind during the making of your track - ETHER?

Not a motif per se - but I had this visual of myself sliding down this long tube - like those things that they have at water parks. Thats it

OC: Have you noticed any changes in the way you approach music now compared to when you first started ?

The only thing I want to focus on is to avoid falling into the pitfall of making repetitive stuff just because that comes easier to me. I enjoy sounds that keep transforming, keep moving - sounds that feel alive

OC: How did you get started with music?

I used to play a bit of tabla when I was a kid. My parents being the typical Bengali parents, wanted me to pick up tabla as one of my after school activities, mostly because my father used to play a bit as well. But that was more like an activity I used to do.

Fast forward a couple years later and one of my friends showed me this mobile app called Piconica. Started playing around with it and before I knew it, I was hooked. Have been making music ever since

OC: What have you been currently working on?

I have been trying to put together some of my pieces into a small project. Don't know if I can describe it as an album per se, but it does have a story behind it. So have been mostly working on that

OC: What type of music have you always wanted to try your hand at ?

I've always wanted to play a piece with real instruments. Would also be fun to make some dark ambient Jazz

OC: Which do you prefer - experimenting and discovering a song while in the making process or having a rough mental idea beforehand and then trying to actualise it ?

Definitely discovering while making it

[onnocollective]

Conversations w/ sw@p°þÿ

a conversation w/ animator and musician sw@p°þÿ who is behind the track titled ‘leftonr3ad’. Filled with glitched out synths of longing, leftonr3ad is track number 03 from our compilation tape - 'rough cuts'

Listen to leftonr3ad here -

OC: How have you been in the pandemic ?

sw@p°þÿ: Mostly happy. Though the lack of being able to go to college has made me socially inept again. It probably would’ve happened if college ended normally anyways. So nothing lost, nothing gained for the most part

OC: How did you get started with music?

TITO+ started making some bangers randomly, and I thought, “Oh shit, this is cool, I wanna do that too”

OC: What type of music have you been the most into these days? Any particular track?

Electronic Music. DnB to be specific. I’ve been getting into Porter Robinson, San Holo and all that basic stuff. It’s fun. Porter Robinson’s Secret Sky set is incredible

OC: Have you noticed any changes in the way you approach music now compared to when you first started ?

I’m still at the “just started” part of it

OC: Describe your setup and your music-making process

I use LMMS cause it’s simple. I attempt to make a melody in MIDI, then put a beat on top of it to see if it fits. Then some fx like reverb and stuff if I can remember how to use the FX mixer

OC: Which do you prefer - experimenting and discovering a song while in the making process or having a rough mental idea beforehand and then trying to actualise it?

I usually have a rough mental idea, but it goes off the rails pretty much at the beginning, at which point it’s fucking around in the editor till it sounds like something interesting

OC: What is one piece of music that you can’t erase from your head ?

Jvnko Loves You by Sewrslvt. Words won't do this song justice, just listen to it, if you haven't

OC: Did you have any visual motif in mind during the making of your track - leftonr3ad ?

Not really, I was just mostly inspired by Ctrl Ult Delete

OC: What have you been currently working on?

For music, I've been attempting to make a proper DnB track to no avail. Otherwise, I just work on my game

OC: What type of music have you always wanted to try your hand at ?

Atmospheric Electronic-ey, Shoegaze-ey stuff. But that takes a lot of familiarity with the tools which I haven't achieved yet

[onnocollective]

Conversations w/ Haved Jabib

a conversation with mixed media artist and musician Haved Jabib (@haved.jabib) who is behind the track titled 'Park Hotel Bathroom Floor'. Filled with breakneck and dirty disco beats, Park Hotel Bathroom Floor is track number 02 from our compilation tape - rough cuts

Listen to Park Hotel Bathroom Floor here -

OC: How have you been in the pandemic ?

Haved Jabib: It’s been alright, I think I was terminally sick for such a large part of the first wave that I didn’t really get the time to mentally focus or fully notice that there was a pandemic. But it’s definitely fucked, so not good

OC: What is one piece of music that you can’t erase from your head

Damn that’s a hard question, there’s a lot of stuff from all different kinds of genres that has that effect on me. But definitely In Death Valley by Tim Hecker. I remember not being able to move just staring blankly at the ceiling the first time I heard it

Tim Hecker is definitely a huge influence for me.

OC: What type of music have you been the most into these days? Any particular track?

I usually listen to a lot of pop and trap hip hop, mumble rap type shit because it calms me down, but lately I’ve been listening to a lot of psychedelic rock. Like King Gizzard and Flaming Lips type shit. Also digging a lot of smooth jazz

OC: Have you noticed any changes in the way you approach music now compared to when you first started ?

Not really, I think I still just go into it trying to be as expressive and honest as possible. Try to kinda capture the kind of energy I’m trying to bring to the table without focusing too much on technicality. But I’ve definitely noticed my older stuff sounds more free and honest

OC: Describe your setup and your music-making process

Phone. Always phone. Except my mom got a tablet now so I guess that’s a screen update lmao. My process depends completely on what I’m trying to achieve. For my noisier tracks it’s all about trying to create that atmosphere by creating an almost dissociative soundscape by just fucking with samples

OC: How did you get started with music?

I've always really wanted to make music for like as long as I can remember. Just growing up in a financially challenged family never quite allowed me to explore my possibilities since I never had a computer or any instruments required to make the kind of shit I wanted to. I think that all changed for me sometime in 2019 when a friend of mine showed me an app on the Android smartphone that lets you produce shit. I was aware of smartphone music apps before but they were all mostly very limited in their approach and never really gave you the amount of freedom that a proper DAW did. And Caustic did that for me . Shortly following my discovery of said app, Rana Ghose from Reproduce asked if I wanted to play a set at an upcoming show. I knew him since I used to do gate for them and had sent him some rough shit I had done on one of those apps before. Where you loop samples and shit. So him asking me to play kinda forced me to put myself in that headspace where I had to teach myself how to figure out the app and do it fast . So yeah, first time playing a gig was also how I started making music.

OC: Did you have any visual motif in mind during the making of your track - Park Hotel Bathroom Floor?

Visual motif definitely. This is from back when I had just been introduced to the club scene of Kolkata - used to hop clubs to check out every gig we could multiple days a week, get fucked, be up all night and party a lot basically. I think this track for me is like a sketch of that time. Trying to capture that person and that lifestyle and moment and music in my own way . I've moved way past it since then but it's still a pretty important time of my personal growth I guess. Hence Park Hotel Bathroom Floor, because I've been on that floor throwing my guts out at 3 in the morning at least once a week every month with an empty stomach. So the idea was to get that energy but to try and retain the noise and dissociative aesthetic of my sound

OC: What have you been currently working on?

I haven't really been working on a lot. Been trying my hand at some classical piano stuff. I had this really intense experience a few months ago in March where a friend sent me some classical albums to try to listen to and I fell in love with them. Have been wanting to try something of that sort for a while since

OC: What type of music have you always wanted to try your hand at ?

Always wanted to be in a band, learn every instrument. Try all kinds of genres I like. I think I've fantasized about playing music all my life. Noise rock, screamo, post punk, hardcore, shoegaze laced grind music, psychedelic stuff, hip hop - everything basically. Always wanted to start a bad brains influenced punk band called Dendrite. There's so much stuff I wanna play

OC: Which do you prefer - experimenting and discovering a song while in the making process or having a rough mental idea beforehand and then trying to actualise it ?

Always experimenting. But I also want to train myself enough to be able to do the second bit so I'm never really limited by my abilities. I've always been a do what you like guy but I think I'm starting to get to a point in my music where I want to try my hand with some more traditional techniques see where it takes me. Definitely have everything come together in some way make some intense shit

[onnocollective]

Conversations w/ Deadmanglad

a conversation with visual artist and musician Deadmanglad (@deadmanglad) who is behind the track titled 'Sickness'. Filled with hypnotic post apocalyptic synths, Sickness is track number 01 from our compilation tape - rough cuts Listen to Sickeness here -

OC: How have you been in the pandemic ?

Deadmanglad: Havent had the luxury of asking myself that.I wouldnt be making stuff if i knew. Way too much information to process

OC: How did you get started with music?

Started taking hawaiian guitar lessons when i was 14

OC: What type of music have you been the most into these days? Any particular track?

Dynasty by Pen Pals

OC: Have you noticed any changes in the way you approach music now compared to when you first started ?

For me its always been about making something that you would stumble upon on the internet, at the bottom of some weird Youtube rabbit-hole and be excited about for days

OC: Describe your setup and your music making process

It's just Caustic

OC: Did you have any visual motif in mind during the making of your track - Sickness ?

Rainy day, Bloody Ammo

OC: What type of music have you always wanted to try your hand at ?

Jazz

OC: What is one piece of music that you can't erase from your head ?

andata by Ryuichi Sakamoto

OC: What have you been currently working on?

I’ve been drawing a lot these days

OC: Which do you prefer - experimenting and discovering a song while in the making process or having a rough mental idea beforehand and then trying to actualise it ?

Yeah I just let the process do the deciding for me

[onnocollective]

n°1 : rough cuts Compilation Tape

Onno Collective’s debut release ‘rough cuts’ is a compilation tape featuring 10 producers from Kolkata (India), bringing you their raw creations. The release showcases the surreal soundscapes created by them, filling the tracks with nerve racking acid house, somber field recordings and experimental electronic tunes from an alternate timeline.

You can stream the album here -

All proceeds from this release will go towards COVID relief aid in India. You can contribute by purchasing the album from our Bandcamp.

Alternatively, you can make a donation of INR 500 (7 USD) to an NGO of your choice, who are helping with COVID relief in India. Share the receipt or screenshot of the donation with us and we will send you a code to download and stream the tape.

Tracklist:

01 Sickness by Deadmanglad (instagram.com/deadmanglad) 02 Park Hotel Bathroom Floor by Haved Jabib (havedjabib.bandcamp.com) 03 leftonr3ad by sw@p°þÿ 04 ETHER by Human Harmonics 05 Form and Void by June 06 Toxic Perfume by Ritwik (instagram.com/eiiimisso/) 07 Down the Rabbit Hole by Diaspora 08 Violence becomes Tranquility by TITO+ (abluetito.bandcamp.com) 09 Emergence by soft problems (soundcloud.com/soft-problems) 10 Plastic Cemeteries by sadbydsgn