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https://photo.rmn.fr/archive/16-564416-2C6NU0AEQVAO9.html

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Henry Moore https://www.photo.rmn.fr/CS.aspx?VP3=SearchResult&VBID=2CMFCIX0W4Q0ZP&SMLS=1&RW=1440&RH=799#/SearchResult&VBID=2CMFCIX0W4Q0ZP&SMLS=1&RW=1440&RH=799&PN=1

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Henry Moore Garden, Londres, 1980 Kertész André (dit), Kertész Andor (1894-1985) https://www.photo.rmn.fr/CS.aspx?VP3=SearchResult&VBID=2CMFCIX0W4Q0ZP&SMLS=1&RW=1440&RH=799#/SearchResult&VBID=2CMFCIX0W4Q0ZP&SMLS=1&RW=1440&RH=799&PN=1

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Moore Henry (1898-1986)

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Robert Fludd

Utriusque cosmi majoris scilicet et minoris metaphysica

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Illustration, "et sic in infinitum" from Utriusque cosmi maioris scilicet et minoris metaphysica, physica atque technica historia, 1624, by Robert Fludd (1574-1637)

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Equivalent

Stieglitz Alfred (1864-1946)

1929

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Gayne de Meyer Adolf de, Baron (1868-1946)

Sept danseuses en pied, les 3 premières de dos, celle du milieu de face, les 3 dernières de profil

Sur le Prélude à l'après-midi d'un faune

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                                                           Kali/ Tara                                                                                                            ca. 1885–90                                                                                

                                                   Calcutta Art Studio                                                

The Mahavidyas are tantric manifestations of the great goddess (mahadevi), analogous to the ten avatars of Vishnu, and are personifications of Shakti, Shiva’s energy. Two scenes occupy the sheet, on the left the fearful four-armed Kali, wearing a skirt of severed arms and garlanded with severed heads, standing astride two appearances of Shiva, one brown-skinned corpse-like and the second, white skinned, with whom she appears to be in sexual union.  Within the Mahavidya tantric tradition, Kali is the “Devourer of Time”. The right side of the composition is occupied by Tara and appears much like Kali, with a diadem and garland of skulls and Shiva’s tiger skin worn around her waist. She also tramples a prone Shiva, here lying amidst a charnel ground with blazing pyres. Within the Mahavidya tantric tradition Tara is a guide and protector who offers the ultimate knowledge and hence salvation. Both wield bloody cleavers and hold a severed head and skull respectively. The Mahavidyas are particularly venerated in Bengal.

https://www.metmuseum.org/art/collection/search/786756?searchField=All&sortBy=Relevance&ao=on&ft=lithography&offset=40&rpp=20&pos=42

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Thirty-six Views of Mt. Fuji - Shower below the Summit by Hokusai Katsushika 1760-1849

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Red Fuji by Hokusai Katsushika 1760-1849

Originally in Edo, this one is re-carved probably in 1930s.