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Poltergeist (1982) dir. Tobe Hooper

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I felt the touch of his hand on my shoulder for a moment... and then he walked away. Away, out of my life forever.

BRIEF ENCOUNTER (1945) dir. David Lean LAWRENCE OF ARABIA (1962) dir. David Lean

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got my period

in a mean mood. the urge to be mean to everyone i’ve been holding back on is untenable. at a breaking point with my frustrations baby it’s all coming out. just on the people who need to hear them tho. my beautiful friends who have done nothing are safe from my wrath today. i have learned patience! but i can’t be patient EVERY DAY now can i or else people would describe me as a very patient person which they don’t! do they!

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in a mean mood. the urge to be mean to everyone i’ve been holding back on is untenable. at a breaking point with my frustrations baby it’s all coming out. just on the people who need to hear them tho. my beautiful friends who have done nothing are safe from my wrath today. i have learned patience! but i can’t be patient EVERY DAY now can i or else people would describe me as a very patient person which they don’t! do they!

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Kendrick Lamar performing at the Super Bowl 2025 Halftime show

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Crazy music video - Doechii

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When David Lynch fell in love with lithography in Paris

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Gaza, Palestine 1993.

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Dames Maggie Smith, Judi Dench, Joan Plowright c2018

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Ginger Fitzgerald + girlhood

Jess Zimmerman // Ginger Snaps // From CARRIE To THE LURE: Monstrous Girls In Cinema // Bachelorette, Björk // Megan Abbott // Bela Lugosi // love the pilgrim soul (via tumblr)

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“One day the sadness will end.

But I don’t think today’s the day.”

David Lynch

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When Daphne transforms into a bay tree, the moment is one of both horror and deliverance. She is no longer what she once was, but the metamorphosis frees her from the unwanted attention of Apollo. This duality of horror and emancipation sits, I think, at the core of female transformation. Within the horror genre (and arguably everywhere else), bodies read as female are always subject to pain, and to the threat of violation. Becoming something else—a tree, a freak, a monster—preempts this pain and reduces the risk of harm. It may even, if the transformation is the right one, allow you to cause harm in return.

Julia Armfield, On Body Horror and the Female Body

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David Lynch, Korg

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save me movie scores. save me full orchestral sound. save me end credits songs. save me film score conductors!!!!!!!!!

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refreshes my letterboxd diary like i moght have watched a new movie and logged it without me knowing

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VIY (ВИЙ) dir. Konstantin Yershov & Georgi Kropachyov, 1967

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Kathleen Hanna and Tobi Vail of Bikini Kill on stage, Seattle, August 1995

📸 Alice Wheeler