Part horror blog, part jewellery archive. Former dangerous with glitter and feral kid with a daisy chain problem. I đ§Ą maximalist horror. Recursive worlds. Making jewellery. Stalking bees. And rabbits that donât give a toss. If youâre after tidy arcs happy endingsâyouâve taken a wrong turn. Experimental maximalist horror | Poetic trauma-fiction | Surreal grief-lore | Psychological decay prose | Lyrical recursive horror
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FIELD FRAGMENT â To the Ornament that Devours
âThe crown was never decorative â it was hungry.â â Marginalia, Culling Notes
You wear it like triumph, fangs polished into filigree, gold hammered from marrow.
It doesnât sit on you. It roots into you. Claws tucked behind every shine, the way wolves tuck hunger behind fur.
The watcher circles, patient, its gaze an old houndâs breath at your neck. It doesnât bite. It waits.
You thought it was an heirloom. It was a jaw. You are still inside it.
[Addendum: At 00:17, restraint systems failed.] Chain-links reported fractured, howls recorded across three districts. The ornament reclassified as pack â all attack dogs at midnight, muzzles slick, reducing silence to torn marrow.
Recovered from kennel quarantine, jawbone lattice gnawed clean.
Archive continues â https://rocksoliddecisions.substack.com/
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Fasteners With Job Security
Imagine being hired for your staying power⌠and still being shown up by the 17th-century originals. Thatâs the Vasa bolt legacy.
The first lot? Wrought iron, stubborn, and good for three centuries under the Baltic. By the time the ship was raised in 1961, theyâd done their shift and quietly retired.
Enter the â60s replacements: 5,000 steel bolts, all corporate confidence and modern swagger, but rotting from the inside before they even hit pension age.
By 2011 they were yanked out, replaced with custom stainless numbers so smug they could tell you their tensile strength over champagne. Theyâre polished, precise, and blissfully unaware their job is holding together a ship that already failed its probation period.
Glamourless work, maybe. But survival doesnât always belong to the shiny and new. Sometimes the older kit doesnât just work, it works better.

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Itâs not a warship. Itâs a floating-ish press release. Just ahead of its time.
New longform post â https://open.substack.com/pub/rocksoliddecisions/p/rainy-day-vibes-at-the-vasa-museet?r=67mlnb&utm_campaign=post&utm_medium=web&showWelcomeOnShare=true
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âSome beauty is only there to keep you from noticing youâre still sinking.â â Marginalia, Unsent Rescue Logs
You glitter in the sun â coiled and patient, smelling faintly of salt, and afternoons too perfect to trust.
I hold you like a promise, though we both know you were never meant to lift me.
You are gold where there should be grit, diamonds where there should be knots â more jewellery than lifeline.
And yet, I reach for you anyway â every time.
Because youâre beautiful. Because you feel like hope â even as you wait to watch me fall.
Recovered from shoreline storage; no date recorded.
See The Corpus Delicti Journals - 002
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New storyâs up.
This oneâs about what survival really costs.
You donât rise. You settle. Not like silt. Like error. Like someone forgot you. You learn to mistake stillness for safety. And eventually, you become good at being still.
https://rocksoliddecisions.substack.com/p/the-water-doesnt-lift-you
#maximalist fiction#grief horror#repetition rot#self-erasure#the water doesnât lift you#the corpus delicti journals#emotional bureaucracy#soft horror#fiction snippet
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COMING SOON: The Water Doesnât Lift You
The Corpus Delicti Journals â Entry 002
No one hears you drown if theyâve already applauded your survival.
A descent without drama. A drowning without rescue. The kind of water that doesnât carry you anywhereâjust holds you still and catalogues the rot.
đ
 Monday â the well opens.
#tcdj#maximalistprose#rotcore#thecorpusdelictijournals#original story#find on substack#emotional writing
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This is where it started.
A carcass of tree I found half-sunk in salt muck on the beach.
Sun-bleached. Waterlogged. Highly personalised by sea, sand, and tiny creatures.
Where I can, I do two things:
1. I carry silicone putty (SIL-HAND) to make quick moulds - textures, surfaces, small details. Like memory. This day I got a lot.
2. I find, photograph, and assign a voice to the object and the micro-world it lives in.
â Read what it became: https://rocksoliddecisions.substack.com/p/what-the-tide-left
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- What the Tide Left
Driftwood gospel. A grief that doesnât rot â just hosts new things. You were once upright. Now youâre scenery. The tide left. It hasnât come back. But the shells have started settling in.
âYouâre not dead. Youâre just early.â
Read the full piece here: â´ď¸ https://rocksoliddecisions.substack.com/p/what-the-tide-left â´ď¸ Maximalist grief horror. No ghosts. Just the sea watching.
#maximalist prose#experimental horror#lyric fiction#psychological rot#griefcore#the corpus delicti journals#weird lit#decay aesthetic#writing community#what the tide left#dream logic#soft apocalypse#tcdj
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Hiya!!
My name is âŚ
I like writing and jewellery making.
I write horror-ish, experimental maximalist fiction. [Still figuring out how to explain it clean â but maybe thatâs the point.]
My writing centres on horror as an expressive vehicle for grief, memory collapse, and the poetics of psychological unravelling. I prioritise repetition, linguistic density, and mood logic over traditional narrative clarity â drawing on horror not as genre, but as pressure. Internal. Mythic. Ritualised. All stitched through the disintegration of dense sensory language and soft mythic undertones.
I donât aim for clarity â I aim for atmosphere. For stories that feel like theyâre growing mould behind your ribs.
Think fungal prose. Dream logic. Long sentences that suffocate on purpose. More lyrical descent than plot. More scripture than story. Grief as architecture. Mirrors that hum.
This space is part journal, part storybook, part holding cell. Itâs not curated. Itâs not trying to be palatable. Iâm not here to perform niceness, build a âbrand,â or sell self-care in aesthetic fonts.
Iâm building a body of work. A voice. A journal of sorts. Sometimes itâs structured. Sometimes itâs just fragments, offcuts, and whatever the rot dragged in.
Think fiction, wax shavings, grief patterns, bee videos â posted when they happen, not when theyâre algorithmically marketable.
Youâll find: â˘Â Serialised fiction â mostly horror, mostly weird â˘Â Raw commentary on art, survival, burnout, and the social rot we swim in â˘Â Process notes on jewellery making ⢠The occasional personal essay or update, if life insists
Thereâs no fixed schedule. No algorithm-chasing. No bullet-point wisdom. Just the long, messy slog of making something honest â one piece at a time.
Stick around if that sounds like your kind of purgatory.
#about me#start here#introduction post#welcome#find on substack#full stories on substack#what this is#personal intro#read me first
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