sabelthewitchart

[sabelthewitchart]

How to Emotionally Destroy Readers

✩ Gut-punches are about timing. You don't say “I love you” during the sunset. You say it in the middle of a burning building or right after they stab you.

✩ A single line of dialogue like “you were supposed to come back” hits harder than an entire page of poetic mourning.

✩ Don’t just break their hearts, break their sense of identity. Make them question who they are, what they stand for, and if it was ever worth it (That’s premium pain.)

✩ Let someone be forgiven… but not trusted again. That's the kind of heartbreak that lingers like smoke.

✩ Sometimes the most devastating line is the one they don’t say. Silence is a character too.

✩ Give them a moment of joy. Right before everything falls apart. Hope makes the fall hurt more.

✩ Someone saying “I forgive you” through tears? Powerful. Someone saying “I still love you but I can’t stay”? Absolutely soul-shattering.

✩ If they die, don’t describe the death. Describe the aftermath. The coat left hanging by the door. The mug still on the table. The dog waiting.

[sabelthewitchart]

On Writing Romance

⊹ If their personalities don’t change the way they love, I don’t care. Show me the emotionally constipated gremlin trying to say “I love you” through soup or blood sacrifices.

⊹ Miscommunication tropes are only tolerable if it’s because both characters are awkward disaster goblins who panic and start lying for no reason.

⊹ Romance should amplify character arcs, not replace them. If they abandon their goals the moment someone is cute at them, that’s not love, that’s weak writing.

⊹ Let them fall in love slowly. Through shared snacks, petty arguments, silent glances, sarcastic encouragement, bandaging each other’s wounds. Love is built. Not summoned.

⊹ Consent is hot. Clear boundaries are hot. Flirting where both parties know what they’re doing and still get flustered is the hottest.

⊹I don’t want “he was dark and brooding.” I want “he was emotionally unavailable and bad at feelings but showed up anyway and said 'I’m trying.'”

⊹ If you're writing a friends-to-lovers arc, the moment they realize is not when they see each other in a pretty outfit. It’s when they see them being genuinely kind. Or brave. Or stupidly loyal.

⊹ Physical affection is great, but emotional pattern recognition is better. I want “I noticed you chew your sleeve when you’re scared” kind of intimacy.

⊹ Let one character love the other first and let them suffer. Let them burn quietly in the corner while the other obliviously sharpens their sword.

⊹ If they don’t have a little bit of “I hate how much I love you,” what are we even doing here?

⊹ Sometimes the romance arc is learning to love yourself first. Or breaking a pattern. Or finally understanding you’re worthy of love at all.

⊹ The best romance scenes are never just about the romance. They’re about trust, choice, timing, and all the things they’re afraid to say.

[sabelthewitchart]

Quick tips for writing unspoken crushes

⭑ looking at their lips like it's accidental. it's not.

⭑ knowing way too much random info about them (like their fav gum or shoe size?? why??)

⭑ asking about their dating life and pretending it's casual. it’s not.

⭑ brushing hands and then staring into the VOID like “what does it meeeaaan”

⭑ having full internal monologues about one (1) text they sent

⭑ getting weirdly territorial when someone else flirts with them

⭑ laughing at jokes that aren’t funny bc it's them

⭑ stalling when it's time to say goodbye like “oh wait one more thing haha”

⭑ rereading convos and thinking “wow i sounded so dumb why did i say ‘hey’ like that”

⭑ noticing every. single. change. like “did they get a haircut or am i just obsessed”

⭑ the classic: accidentally calling them “babe” and playing it off like a joke (it’s NOT A JOKE)

⭑ dying a little every time they say “you’re such a good friend”

[sabelthewitchart]

Quick tips for writing kisses

⇰ the pause. THE PAUSE. like “are we doing this? oh god we’re doing this.”

⇰ looking at each other’s mouths like it’s a life-or-death decision

⇰ someone whispering “can I?” or “just once” before going for it and RUINING ME EMOTIONALLY

⇰ hands. gripping shirts. cupping faces. hovering like “do I touch?? I WANNA TOUCH”

⇰ breath hitching?? yes. shakiness?? absolutely.

⇰ that stupid moment where one of them pulls back a few inches like “wait are you sure” and the other just goes for it again

⇰ kissing like they’re scared it’ll be the last time

⇰ kissing like they’ve been waiting ten goddamn years

⇰ teeth clashing awkwardly and both laughing about it but STILL FEELING IT

⇰ one of them freezing for a second mid-kiss because the feelings just hit

⇰ the post-kiss moment of “uh. so. yeah.” where neither knows what the hell just happened

⇰ OR the post-kiss forehead touch. destroy me.

[sabelthewitchart]

On writing sexual tension

⊹ standing too close. like just barely not touching. why are their shoulders breathing on each other??

⊹ conversations that sound normal but feel like foreplay. “pass the salt” has never been so loaded.

⊹ one of them says something flirty and the other freezes for 0.2 seconds like “oh.”

⊹ eyes dropping to lips and then—back up. with effort.

⊹ holding eye contact just a little too long. like... are they gonna kiss or duel??

⊹ unintentional physical contact that lasts one second too long and now they’re both broken

⊹ a hand on the small of the back. that’s it. that’s the tweet.

⊹ tension so thick that other characters start noticing like “hey are you two okay?” (they are not)

⊹ “accidental” sleepovers. “oh no there’s only one bed.” yeah. suuuure.

⊹ biting back a smile. biting back a moan. biting anything really.

⊹ one of them walks away and the other has to physically restrain themselves from watching the hips

⊹ lots of sighing. frustrated sighs. horny sighs. “i want to kiss you but I’m emotionally unavailable” sighs.

[sabelthewitchart]

What To Do When You Know Your Ending but Have No Clue How to Get There

congrats. you’ve unlocked the most ✨ cursed ✨ form of storytelling: knowing the destination but having zero map, no snacks, and one emotionally unstable protagonist riding shotgun.

aka: you know how your book ends. maybe even the Last Line™. but the middle? the plot? the scenes required to get there?

🦗🦗🦗

welcome to liminal writing hell. here’s what to do about it:

🚨 STEP 1: Write the ending anyway.

yes. even if you’re only on chapter three. write the ending now. not perfectly. not canon. just get it down while it’s burning in your brain.

this does 2 things:

gets you emotionally invested in where you’re headed

gives you a north star to align your scenes to

future-you will thank you when you're knee-deep in act 2, spiraling, and you need to remember what this mess was for.

🧩 STEP 2: Backwards logic it like a feral detective.

ask: what has to happen right before this ending can exist? then ask that question again. and again. until you’ve accidentally built a whole reverse-outline.

like:

✨ final scene: heroine stabs the love interest to save the world → she needs to know he’s the villain → she needs to see him do something unforgivable → she needs a reason to be in the same room as him when it happens → she needs to go to the city where he’s hiding → she needs to choose betrayal over loyalty

now reverse those like breadcrumbs through the forest of chaos.

🎯 STEP 3: Identify your mid-point emotional switch.

the best middles aren’t just “stuff happening.” they’re a turning point. a reversal. a Big Choice. often it’s the opposite of the ending.

ending = character sacrifices love midpoint = character believes love will fix everything

this sets up contrast + emotional stakes. the midpoint shows how wrong they are. the ending proves how far they’ve come.

no midpoint? no tension. build the middle to break them, then rebuild toward the finale.

🧱 STEP 4: Stack up your themes like Jenga blocks.

what are you actually saying with this ending?

if the ending is: “freedom comes at a price” then the story needs to explore:

what freedom means

who pays that price

how people deny the cost

how your protagonist learns to accept it

if your middle scenes aren’t touching these ideas? they’re just filler. start weaving the theme early, subtly, and repeatedly. make it hurt a little.

📦 STEP 5: Write “junk scenes” in the blank spaces.

not sure how they get from castle to climax? write a fake scene. not canon. no pressure. just vibes. let the characters mess around in the setting. argue. kiss. kill. eat soup. whatever.

you’ll learn what they want, what secrets they’re hiding, what tensions spark.

some of these junk scenes will turn out to be real. others will guide you to what needs to happen next. use them as scaffolding.

🧃 STEP 6: Accept that messy = forward.

you won’t always see the whole road. write the next landmark. write the next mistake. write the next bad scene and figure out why it doesn’t work.

knowing your ending is a gift. the rest? that’s the part where you dig.

you don’t need a perfect bridge. you just need enough planks to get across without falling into the river of I’ll-Fix-It-Later.

now go. write the scene where everything breaks.

P.S. I made a free mini eBook about the 5 biggest mistakes writers make in the first 10 pages 👀 you can grab it here for FREE:

🕯️ download the pack & write something cursed:

[sabelthewitchart]

[sabelthewitchart]

How to use Em Dash (—) and Semi Colon ( ; )

Since the ai accusations are still being thrown around, here's how i personally like to use these GASP ai telltales. 🦄✨

Em Dashes (—)

To emphasize a shift / action / thought.

They're accusing us—actually accusing us—of using AI.

To add drama.

They dismissed our skills as AI—didn't even think twice, the dimwits—and believed they were onto something.

To insert a sudden thought. Surely they wouldn't do that to us—would they?

To interrupt someone's speech. "Hey, please don't say that. I honed my craft through years of blood and tears—" "Shut up, prompter."

To interrupt someone's thoughts / insert a sudden event.

We're going to get those kudos. We're going to get those reblogs—

A chronically online Steve commented, “it sounds like ai, idk.”

Semi Colons ( ; )

To join two closely related independent sentences / connect ideas.

Not only ChatGPT is capable of correct punctuation; who do you think it learned from in the first place?

Ultimate pro tip: use them whenever the fuck you want. You don't owe anyone your creative process. 🌈

[sabelthewitchart]

Advice for writing relationships

Ship Dynamics

How to create quick chemistry

How to write a polyamorous relationship

How to write a wedding

How to write found family

How to write forbidden love

Introducing partner(s) to family

Honeymoon

Date gone wrong

Fluffy Kiss Scene

Love Language - Showing, not telling

Love Language - Showing you care

Affections without touching

Giving the reader butterflies with your characters

Reasons a couple would divorce on good terms

Reasons for breaking up while still loving each other

Relationship Problems

Relationship Changes

Milestones in a relationship

Platonic activities for friends

Settings for conversations

How to write a love-hate relationship

How to write enemies to lovers

How to write lovers to enemies to lovers

How to write academic rivals to lovers

How to write age difference

Reasons a couple would divorce on good terms

Reasons for having a crush on someone

Ways to sabotage someone else's relationship

Ways a wedding could go wrong

Arranged matrimony for royalty

Signs of a Toxic Relationship

If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! 🥰

[sabelthewitchart]

✏️ Writing Dialogue That Sounds Like Real People, Not Theater Kids on Red Bull

(a crash course in vibes, verbal economy, and making your characters shut up already)

Okay. We need to talk about dialogue. Specifically: why everyone in your draft sounds like they’re in a high school improv group doing a dramatic reading of Riverdale fanfiction.

Before you panic, this is normal. Early dialogue is almost always too much. Too polished. Too "scripted." So if yours feels off? You’re not failing. You’re just doing Draft Zero Dialogue, and it’s time to revise it like a boss.

Here’s how to fix it.

─────── ✦ ───────

🎭 STEP ONE: DETOX THEATER ENERGY I say this with love: your characters are not all quippy geniuses. They do not need to deliver emotional monologues at every plot beat. They can just say things. Weird, half-finished, awkward things.

Real people:

interrupt each other

trail off mid-thought

dodge questions

contradict themselves

repeat stuff

change the subject randomly

Let your characters sound messy. Not every line needs to sparkle. In fact, the more effort you put into making dialogue ✨perfect✨, the more fake it sounds. Cut 30% of your clever lines and see what happens.

─────── ✦ ───────

🎤 STEP TWO: GIVE EACH CHARACTER A VERBAL FINGERPRINT The fastest way to make dialogue feel alive? Make everyone speak differently. Think rhythm, grammar, vocabulary, tone.

Some dials you can twist:

Long-winded vs. clipped

Formal vs. casual

Emojis of speech: sarcasm, filler words, expletives, slang

Sentence structure: do they talk in fragments? Run-ons? Spirals?

Emotion control: are they blunt, diplomatic, avoidant, performative?

Here’s a shortcut: imagine what your character sounds like over text. Are they the “lol okay” type or the “okie dokie artichokie 🌈✨” one? Now translate that into speech.

─────── ✦ ───────

🧠 STEP THREE: FUNCTION > FILLER Every line of dialogue should do something. Reveal something. Move something. Change something.

Ask:

Does this line push the plot forward?

Does it show character motivation/conflict/dynamic?

Does it create tension, add context, or raise a question?

If it’s just noise? It’s dead air. Cut it. Replace it with a glance. A gesture. A silence that says more.

TIP: look at a dialogue scene and remove every third line. Does the scene still work? Probably better.

─────── ✦ ───────

💥 STEP FOUR: REACTIVITY IS THE GOLD STANDARD Characters don’t talk into a void. They respond. And how they respond = the real juice.

Don’t just write back-and-forth ping pong. Write conflict, dodge, misunderstanding. If one character says something vulnerable, the other might joke. Or ignore it. Or say something cruel. That’s tension.

Dialogue is not just information exchange. It’s emotional strategy.

Try this exercise: A says something revealing. B lies. A notices, but pretends they don’t. B changes the subject. Now you’ve got a real scene.

─────── ✦ ───────

🔍 STEP FIVE: PAY ATTENTION TO POWER Every convo has a power dynamic, even if it’s tiny. Who’s steering? Who’s withholding? Who’s deflecting, chasing, challenging?

Power can shift line to line. That shift = tension. And tension = narrative fuel.

Write conversations like chess matches, not ping pong.

─────── ✦ ───────

✂️ STEP SIX: SCISSORS ARE YOUR BEST FRIEND The best dialogue is often the second draft. Or third. Or fourth. First drafts are just you figuring out what everyone wants to say. Later drafts figure out what they actually would say.

Things to cut:

Greetings/closings ("Hi!" "Bye!"--skip it unless it serves tone)

Exposition disguised as chat

Obvious thoughts spoken aloud

Explaining jokes

Repeating what we already know

Readers are smart. Let them fill in blanks.

─────── ✦ ───────

🎧 STEP SEVEN: READ IT OUT LOUD (YES, REALLY) If you hate this step: too bad. It works. Read it. Mumbling is fine. Cringe is part of the ritual.

Ask yourself:

Would someone actually say this?

Does this sound like one person speaking, or a puppet show with one hand?

Where does the rhythm trip? Where’s the breath?

If you can’t say it out loud without wincing, the reader won’t make it either. Respect the vibe.

─────── ✦ ───────

🏁 TL;DR: If you want your dialogue to sound like real people, let your characters be real. Messy. Annoying. Human. Let them interrupt and lie and joke badly and say the wrong thing at the worst time.

Cut the improv class energy. Kill the urge to be ✨brilliant✨. And listen to how people talk when they’re scared, tired, pissed off, in love, or trying not to say what they mean.

That’s where the good stuff is.

—rin t. // thewriteadviceforwriters // official advocate of awkward silences and one-word replies

P.S. I made a free mini eBook about the 5 biggest mistakes writers make in the first 10 pages 👀 you can grab it here for FREE:

[sabelthewitchart]

📌 new substack drop: HOW TO END A CHAPTER SO READERS ACTUALLY TURN THE PAGE

hey writer friends 🖤 do your chapters kinda… just end?

👉 like they don't suck, but they don’t pull either?

👉 like you’re not sure if it's a scene break or a full stop?

👉 like you're writing good stuff but readers keep putting it down?

i just dropped a brand new newsletter post that’s gonna fix that:

✶ “How to End a Chapter So Readers Actually Want to Turn the Page”

this isn’t your basic “end on a cliffhanger lol” advice. this is about:

→ micro-cliffhangers → emotional punches → character choices → momentum > resolution → the ✨ satisfying unsettlement ✨ that keeps readers up til 3am

plus a bonus trick i use in my own WIPs that makes chapters feel seamless (even when they’re not)

🖤 it’s an easy read, fast and smart, and you’ll leave with like 3 new techniques to try immediately

📩 read it here:

💌 and follow the newsletter if you want more gritty, smart, non-aesthetic writing advice that actually helps you write better books.:

🪞reblogs are v loved. so are comments if it helped 💬 🖇️ if you’re a writer, i’d love to follow you too 📚 and yes, i’m building a little writers’ library over on substack, come hang out

[sabelthewitchart]

Spicy Dialogue Starters Pack

Slow Burn That’s About to Explode

"If you keep looking at me like that, I’m going to do something we’ll both regret."

"Say that again. Slower."

"You really like testing my patience, don’t you?"

"Back up. Closer. I want to see if you’ll actually do it."

"Do you realize how loud you were moaning my name last night?"

"You should probably stop touching me like that... unless you plan on finishing what you started."

"We’re not doing this here." – "Why not? Scared you’ll like it?"

"I dare you. No, seriously—I dare you."

"One bed. One night. You sure you can behave?"

"You think I won’t?" – "I know you will. That’s the problem."

Enemies to Lovers, but We’re Both Hot and Unhinged

"If I kiss you, it’s not because I like you. It’s because you won’t shut up."

"Do it. Touch me like you hate me."

"You’re infuriating." – "And you’re turned on."

"Careful. You’re starting to sound jealous."

"Admit it. You like it when we fight."

"You want me. You just don’t want to want me."

"If you’re going to stare, you might as well do something about it."

"Say it. Say you want me." – "Why? You’ll just use it against me."

"Keep talking like that and I’ll kiss you right here."

"Don’t tempt me." – "What if I want to?"

Post-Tension Intimacy (A.K.A. We Finally Snapped)

"You're shaking." – "So are you."

"This doesn’t mean anything." – "Then why are you holding me like that?"

"I’ve wanted this since the moment I met you."

"You're not getting any sleep tonight, just so you know."

"You're mine now. Say it."

"God, you feel so good." – "Yeah? Then shut up and keep going."

"You can hate me in the morning. Just… let me have this tonight."

"Is this what you wanted?" – "No. I wanted more."

"Don’t stop. Don’t you dare stop."

"I’m going to ruin you. And you’re going to thank me for it."

Teasing Touch, Dangerous Proximity

"You’re blushing." – "Shut up."

"That shirt’s doing you no favors. Take it off."

"If you wanted me to kiss you, you could’ve just said so."

"I like the way you say my name. Say it again."

"You’re standing really close." – "Yeah? You gonna move?"

"I can feel your heartbeat. Is that for me?"

"Your hands are shaking... here, let me help you."

"Careful. Someone might think you actually want me."

"You know exactly what you’re doing to me, don’t you?"

"We’re not supposed to do this." – "Since when has that ever stopped us?"

Voice Low, Words Barely Whispers

"Keep your voice down. Or don’t. Let them hear."

"Every time you talk, all I can think about is your mouth on mine."

"Say the word, and I’ll have you against that wall in five seconds."

"What do you think happens if I kiss you right now?"

"You smell like trouble." – "You taste like it."

"Look me in the eyes when you lie like that."

"One more step and I won’t be able to hold back."

"If you keep teasing me like that, I’m going to ruin you."

"Tell me to stop." – silence – "Didn’t think so."

"We’re alone now. You still pretending this is just tension?"

Hot-Headed, Argument-Laced, About to Snap

"Why do you always have to push my buttons?" – "Because I love watching you lose control."

"You think you’re in control here? That’s cute."

"You're not walking away from me. Not this time."

"God, you're impossible." – "You didn’t seem to mind last night."

"Say it louder. Maybe if you scream my name again, I’ll believe you."

"Keep pretending you don’t want me. I’ll keep proving you wrong."

"You're dangerous." – "Only if you ask nicely."

"Is this still an argument or are we just flirting with knives now?"

"Admit it. You love it when I get like this."

"Don’t act like you don’t want this too."

[sabelthewitchart]

Can you help with some descriptions that imply a character has been killed before it moves on to the end scene?

How to Imply a Character's Death

-> feel free to edit and adjust pronouns as you see fit.

1. Cut the Scene at a Critical Moment

End the moment with danger closing in, but don’t show the death. Let the next scene imply the worst has happened.

Example: The sound of boots pounding on wet concrete echoed down the alley. He shoved the map into her hands and turned, just as the black car screeched to a halt behind them. She screamed his name, but the gunfire drowned her out.

2. Use Reactions from Other Characters

Have characters grieve, hesitate to talk about it, or change behavior.

Example: No one mentioned his name anymore. Not during breakfast, not even when his old mug—still stained with last week’s coffee—sat untouched in the sink. His coat still hung by the door. Someone had folded his gloves neatly on the table.

3. Symbolism and Setting

Weather, silence, blood on objects, or personal effects left behind can stand in for the body.

Example: The front door hung open. Wind pressed through the entryway, rattling a single, muddy boot that had fallen just inside. Her jacket was draped across the railing, blood spattered across the collar. The storm rolled on, but the house was silent.

4. Last Words or Gestures

A parting glance, a farewell line, or a protective move that feels final can all suggest death.

Example: "Go," she breathed, pushing him toward the stairwell with what strength she had left. "Please."

Her hand lingered a second longer on his coat, then she turned and slammed the metal door behind him.

A moment later, the hallway lit up orange, and the screams never came.

5. Absence in the Final Scene

They’re just... not there. But everyone acts like they should be.

Example: They passed around glasses and lit a fire, all too aware of the sixth seat left untouched at the table. No one reached for it. No one moved it closer. Someone poured an extra drink anyway and left it there, untouched as the flames crackled on.

6. Shifts in Tone and Pacing

Slow down. Focus on detail. The world should feel heavier, quieter, more still, even if the death wasn't shown.

Example: The world didn’t stop, but something inside it slowed, buckled, cracked.

A cup tipped from the counter, shattered across the tiles, and no one moved to pick it up. The wind slipped through the cracked window, lifting the edge of his journal. Pages fluttered.

Somewhere, a dog barked once and went quiet. The sun set without ceremony. And the silence that followed was thick enough to drown in.

[sabelthewitchart]

Hey unbound!! I was wondering, have you written anything for "how to write Enemies to Lovers"? I LOVE the trope but have a hard time ever making it feel realistic to me

How to Write Enemies to Lovers

1. Establish a Real, Believable Conflict

The characters shouldn’t hate each other just because. Make sure their "enemy" status is rooted in something meaningful:

Clashing goals or values

A betrayal or misunderstanding

Socioeconomic, cultural, or professional rivalry

One perceives the other as a threat

Avoid making one character just "mean" for no reason, that risks turning the story into bullying-turned-romance.

2. Make Them Equals

Both characters should challenge each other, not dominate or belittle. Whether in intellect, skill, or influence, their push-and-pull dynamic should feel balanced. This keeps the conflict engaging and the chemistry sharp.

If one character starts with more power (social, political, magical, etc.), show the balance shift or even out over time. Maybe the more powerful one learns humility. Maybe the underdog gains confidence or leverage. This keeps the romance from feeling one-sided or unbalanced.

3. Gradually Shift the Tone

Let the hatred evolve in stages: Irritation → Respect → Curiosity → Affection → Love

Sprinkle moments of:

Vulnerability (they see a new side of the other)

Unexpected teamwork (they’re forced to rely on each other)

Banter that turns from biting to flirtatious

4. Use Intimacy in Small Doses

Tension thrives in proximity. Make them interact often, maybe unwillingly at first. Body language, awkward silences, or a brush of the hand can say a lot when feelings are complicated. Don’t rush the romance. The longer it simmers, the more satisfying the payoff.

5. Force Them to Re-Evaluate

Something should cause a shift in perspective, maybe the "enemy" does something selfless or shows surprising depth. They realize their initial judgment was wrong or incomplete. Internal conflict is key here. Let them resist falling in love before they accept it.

6. Let Them See Each Other at Their Worst... and Best

It’s easy to love someone when they’re charming. But realistic enemies-to-lovers arcs involve characters witnessing each other’s low points (failures, flaws, vulnerability, etc.) This builds empathy, and that’s what turns conflict into connection.

7. Acknowledge the Past

Don’t sweep their antagonistic history under the rug. Have them talk about it. A good resolution includes:

An apology or mutual understanding

Growth from both sides

Acknowledgement that love doesn’t erase the past, but it builds on top of it

8. Give Them a Bond That Justifies the Shift

Love isn’t just "we stopped fighting." It’s "we learned from our differences." Let them find something shared:

A common goal

A mutual vulnerability

A deep belief or value

Even just a sense of humor that breaks the tension

9. Keep Their Voice Consistent Through the Shift

As they fall for each other, don’t make them suddenly sappy or soft-spoken unless it’s in character or they’re resisting it. Keep their sarcasm, bluntness, or bite, but redirect it. Now, it’s flirtier. More protective. Slightly gentler.

10. Make Their Love Transform Them, But Not Fix Them

They shouldn’t change their core beliefs for the other, but because of the experience the other provides. They challenge each other’s worldviews, make each other question things. The love should feel like a consequence of character growth, not the cause of it.

11. Your Readers Should Ship It Before the Characters Do

Plant the emotional groundwork early, even if the characters are being stubborn. Your readers should start rooting for them mid-argument, mid-banter, mid-moment-of-tension.

[sabelthewitchart]

Reactions to... being punched

"Hey! What did I ever do to you?"

"Yeah, I deserved that."

"Ouch! Not that hard, please!"

"That's not very nice!"

"Oh please, you can do better than that."

"I've had hugs that hit harder."

"Don't cry if I hit back."

"You did not just punch me!"

"What did I say wrong?"

"Now you've officially annoyed me."

"That was barely a tickle."

"Is that all you've got?"

"Oh, you're really going to regret that."

"That was cute. Want me to show you how it's actually done?"

"I'm more shocked by your audacity than the pain."

"Oh, this is how we're doing this now?"

"And I thought you were going to kiss me..."

If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! 🥰

[sabelthewitchart]

Dialogue Masterpost

Dialogue prompts are my favourite kind. So little context, so much creative space to have fun with. So here is a my masterpost full of dialogue prompts.

Romantic Dialogue

Flirting Prompts - Oblivious and flirty

Teasing Prompts

More Teasing Prompts

Romance Dialogue - Bubbly + Reserved

Dramatic/Break-up Dialogue Prompts

More Break-up Dialogue Prompts

One-sided affections dialogue

Unwanted Attention Prompts

Unrequited Love Prompts

Push and pull romantic prompts

Jealousy Prompts

heartbreaking.

First Kiss Prompts

Things said during sex Prompts

Awkward Post-Sex Dialogue

Smutty Dialogue (Masterpost)

One-Liners Dialogue - Romantic, Smutty + Physical (Masterpost)

Romance Dialogue Prompts – Uncomfortable with affection

Grumpy Affectionate Dialogue

Grumpy + Sunshine Dialogue

Inexperienced with romance Prompts

Love Confessions (Masterpost)

Romantic Date Dialogue Prompts

Asking out on a date

Anniversary Dinner Dialogue

Secret Relationship Dialogue

How to write Enemies to Lovers + Dialogue Prompts

Oblivious Enemies to Lovers Prompts

Enemies to Lovers: Apocalypse AU

Exes to lovers dialogue

Friends to lovers Dialogue

Best friends to lovers Dialogue

Childhood friends to enemies to lovers Dialogue

Enemies to friends with benefits Prompts

Enemies to friends Prompts

Fluffy

Fluffy Dialogue Prompts Part I

Fluffy Dialogue Prompts Part II

Fluffy Sentence Starters

One Hundred Compliments

Shy Compliments

Hidden Pregnancy Dialogue

Sleepy Starters

Cooking/Baking Dialogue Prompts

Friends and Family

Silly Drunk Dialogue

Bar Conversation Starters

Rekindling Friendship Dialogue

Not Wanting to Rekindle Friendship Dialogue

Reconnecting Friends Prompts

Supernatural/Crime/Co.

Hero x Villain - Snarky Dialogue

Hero + Villain Dialogue

Angst Villain Dialogue

Supervillain Roommates

Life & Death Prompts + Dialogue

Demons Dialogue

Angel/Demon Dialogue

Angel/Human Dialogue

Human/Ghost Dialogue Prompts

Assassins Banter Dialogue

Showing aliens the human world

FBI mentor and mentee prompts

Heist Prompts

Hurt/Comfort and Angst

Hurt/Comfort Dialogue Prompts

Angsty Dialogue (Masterpost)

AUs

Bodyguard Dialogue Prompts

Patient and Doctor Prompts

Neighbors to Lovers Dialogue

Coffee Shop Prompts

Matchmaking at Work Prompts

Royalty Dialogue

Princess x Loyal Companion

Prince/ss x Commoner

Princess x Guard

Arranged Marriage Dialogue

Royal Arranged Marriage Dialogue Prompts

Royalty Forced Married to Actual Lovers Prompts

Royal x Royal Ball Dancing

Grad Students Prompts

High School Popular Kid + Outcast Dialogue

More

Dialogue Responses Masterlist

Drabble Prompts Masterlist

Three Word Sentences

Four Word Sentences

Five Word Sentences

Six Word Sentences

short & impactful

powerful.

"I can't…"

Reactions to… (Masterpost)

Asking for permission

Random Questions Prompts

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[sabelthewitchart]

Dialogue Response

"Is this what you wanted?"

"Absolutely not."

"You know it's not."

"It's so much more."

"I didn't do anything!"

"Yes! And I'm so happy!"

"It's everything I've hoped for."

"Yes, actually it is what I wanted."

"This is not my fault and you know it."

"How can you think that I wanted that?"

"Yes, and I can't believe it finally happened!"

All the Dialogue Responses can be found here.

If you like my blog and want to support me, you can buy me a coffee or become a member! 🥰