selfship-central

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Look we're having a serious discussion here and my heart shaped pupils are none of your concern.

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Me: I really like this character! time to draw him overstimulated in a Walmart self checkout line

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*kisses you while you're in the middle of infodumping* Sorry, you're just being really sexy right now. Continue.

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free my boy he did all that but if he is the phantom it is only because man’s hatred has made him so

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Look we're having a serious discussion here and my heart shaped pupils are none of your concern.

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I want to draw cute little anon-si kissy with Otto i think it'd be easier than writing text rn but I'm really not good enough at drawing fat bodies yet I always feel like he looks too cardboard when I draw him (my failing i need to practice)

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One of the best thoughts is imagining your F/O just… accepting you, y’know? Like no matter how you look or like how you act sometimes, picturing them just loving you as you are no matter what…

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f/o who loves you even if you don’t present as the gender you identify as. f/o who loves you even if you haven’t transitioned or can’t. f/o who will be accepting of you even if you constantly try out new identities or experiment and don’t find it a burden at all. f/o who loves you for you

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I was Just on my karamatsu bullshit but im obsessed with doc ock again thanks hugh dancy

Anyways

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Anyways i'm not good at the art style yet but i made a karamatsu boy

He was going to do a study abroad thing but the program collapsed after he already moved so now he's stuck (due to Gag Anime this works out ok). Managed to snag a small job at an antiques shop with a boss chill enough to let him dye his bangs because it might make younger customers think they're "cool" and a coworker who isn't a close friend but does force him to put himself out there more.

His coworker keeps dragging him to like open mic stuff to force him to get over his stage fright and as he gets the hang of it he starts like selling home-burned cds for pocket money and crafting a chiller more confident stage persona and going out of his way to be loudly supportive of anyone who looks as nervous as he feels and that's how he meets Karamatsu.

He's genuinely into Karamatsu's intensity and use of poetic imagery and even though it's a more successful night he kind of ignores people asking about his own music to tell Karamatsu how much he dug it but they go their seperate ways and thats it for a while.

Like a month later the Matsu bros walk by his shop and he's so starstruck he forgot he's at work and acting like a dweeb and shouts out to Kara like they actually know each other. Of course that brings everybody over to see what's up and then he remembers he's actually really awkward and shouldn't be yelling at strangers and sort of panics but Karamatsu's actually psyched to realize the cool guy from the other night truly thinks that highly of him.

They strike up a genuine friendship while the other brothers are too mystified to fully realize this means two painful dorks hanging around and by the time the penny drops it's too late. But then of course it starts to click that this guy is actually sweet on Karamatsu, so they get to do more meddling.

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whats your job in your selfship world? or do you not have one? do you study? tell me what you do!!!

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He is brought to life, is real in every way, loves you loyally and treats you amazingly, but every thing you hate about him also becomes real as well

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"Anyone who has seen a stage or screen adaptation of this novel knows that sex seeps from the pages just as surely as it does from Dracula or Frankenstein. One commentator described Erik himself as "a walking phallus" who frightens people with his vulgar sensuality. Raoul is certainly very uncomfortable with Christine's autoerotic raptures - fits of orgasmic euphoria that she experiences when she sings for Erik - and she herself is open about Erik's spiritual union with her, claiming that "His spirit entered mine and breathed harmony down my throat." Just before the Unmasking scene she finds herself lost in ecstasy watching Erik play the organ with a lover-like vigor. Her actual reason for removing the mask is not to see his secret. In a line removed from the most common English translation (1911), she claims that she "needed" to watch his face "which was unquestionably being transfigured by the ecstasies of eternal art." In other words - like many lovers - she was drawn to watch her partner's face contorting in the pleasure-pain of climax. ... much of Erik's villainy has to do with Victorian male uneasiness with the female orgasm: Erik not only encourages Christine to enjoy herself (so to speak) - he teaches her how to reach new levels of passion, how to experience heavenly pleasures that transcend her mundane experiences. Symbolically and literally, Erik coaches Christine in self-love in a manner so captivating and exciting that millions of "phans" continue to consider the story of the skull-faced stalker wallowing in a swampy dungeon to be the sexiest, most arousing romance in print."

-- M. Grant Kellermeyer (Old Style Tales' Phantom of the Opera: Annotated and Illustrated)

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“I can fix him” I couldn’t fix him and I don’t want to. I think he grew prone to biting and scratching in order to get by in a harsh world, and to me his resilience is part of what makes him so beautifully himself. I could be kind to him, though. I could show him gentleness. I could, slowly but surely, in the same way one earns the trust of a skittish stray cat, convince him that my touch will never come accompanied by pain. That, around me, he can allow himself to be soft. To relax. I could be the one he associates with warmth and safety, the one he longs to be held by after a hard day. I could be his home.

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Can I please place a kiss on you version of Scarecrow's hand?

you can Try, but he's not gonna make it easy