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MANNY JACINTO Cosmo Centerfold (2025) — BEHIND THE SCENES
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Look through any window, Paloma Salgado Díaz
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Hoe old are you ? - Jessica Lisse , 2025.
French , b. 1990 -
Acrylic on paper , 24 x 21 cm.
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Sink , with dishes 11 - Helene Appel , 2024.
German , b. 1976 -
Acrylic, oil and lacquer on linen , 19 3/10 × 15 3/5 in. 49 × 39.5 cm.
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Espresso - Graham Spice
British , b. 1949 -
Acrylic on canvas , 30 x 30 cm.
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this man fucked Sufjan Stevens
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But when a woman is stalked by her dangerous ex, there's just nothing the police can do.
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Wine Dark Sea - Ramsay Gibb , 2025.
Scottish , b. 1965 -
Oil on linen, 120 x 190 cm.
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I think maybe I don't talk about how, as a former Sex Worker, these completely braindead talking points from SWERFs about the industry make it impossibly hard to have nuanced conversations about the actual risks, dangers, and broken stairs that exist in the industry. Imagine if, when people were working to make movie sets safer for talent and crew, some group was like "MOVIES DANGEROUS ABOLISH ALL FILM" and people nodded in agreement with that take and caved to it?
Like the industry IS exploitative often because having a conversation about regulation that actually moves toward legislation is nearly impossible. Politicians are afraid to touch the requests of actual industry workers because they will be bombarded by harassment groups, labeled as "groomers" or worse for even discussing our issues.
Instead it can feel like the conversation boils down to "Sex Work is empowering" vs. "Sex Work is rape" and those things are both absolutely insane, because sex work is a damn job???? It's not either of those things without additional information. My day job now sure as fuck isn't empowering. And I get threatened and assaulted here more than I did in any strip club, despite it being a "normal" job. The only difference is that I have avenues to escalate those things here, and people generally take me seriously when I do. Sex Workers need avenues like that too but you paranoia-stricken, self-centered, infantilizing mobsters don't want our actual needs to be met.
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you're telling me this guy's a bouncer? huh... and what does he bounce on, if you don't mind me asking...?
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Donna Moylan, Red Sky in the Alps, 2024.
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