Joe | 27 | Freelance Illustrator | Shiny armor and weird creatures are my obsession My Webcomic: http://joehzvi.wixsite.com/my-site Link Tree: https://linktr.ee/JZVI
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Hey, there, Tumblr! Haven't been on this site for a while. Just finished making a little Wix site for my #comic, That Which Remains!
Episode 1 is done. Read it here:
Here's what it looks like 👀
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Home Is Where Your Heart Is
Home Is Where Your Heart Is

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The Legend of King Arthur - Character Design by Ana Fedina
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The Magazine (aka the scariest dream I ever had).
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BLADE RUNNER (1982) concept art by Syd Mead.
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Finished the rest of the stages for the sweet potion! Instead of calling them the “good” routes and “bad” routes I decided to just call them the Normal Route and Alternate Route. Normal will probably follow more closely to the theme/aesthetic of the initial potion while the alternate may go off in it’s own wild direction. I didn’t have time to list the ingredients and such but to get to each stage you’d just add more ingredients to the potion you have.
The Normal and Alternate Route for the Sweet Potion diverge from each other starting at its third stage where you can add ingredients to make it a Love Potion or add different ingredients to get the Luck Potion. All the rest of the potions I’ve done so far will have the same number of stages but there won’t always be so many for every potion.
Hope you guys like them! Definitely getting better at sprite/pixel art I think.
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Now that updated Nae’s been posted, I have permission from my two loves @beedalee and @caiterprince to put up these concept drawings I did of their OCs! ( ʃƪ ^∇^ )
After my recent(ish) redesign of Elliel, I felt a profound click for my designs in Ocean of Cycles– like a lot of the stuff I’d been researching and practicing were finally paying off. So I wanted all the scrappers to get a much needed facelift!
I’ve been studying a lot of armor construction and in general getting more detailed with my character costume designs– so the focus of these refined concepts was bringing out their tangibility while maintaining the characters’ pre-existing silhouettes and color blocking.
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Just the usual biomechanical beings from a cryptic universe
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Ralph McQuarrie designs for the creatures that would later become Ewoks.
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“You’ll learn to appreciate its worth”
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Costume and backdrop designs by Alexander Golovin for Strawinsky’s THE FIREBIRD (1910).
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