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Still cutting away. This is a rough draft...I find I learn a lot about what I need to do by making a first draft, then going back and making another one.

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1957 Mercury Monterey Mermaid 

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so cute ~

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Mid-Century Suburbia

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Dear Students,

Can you dig it? Here’s some information about our upcoming time together.

I realize that in these images I take on my wookie aspect of last semester.

Please know that when we meet on September 3 2014 I will  inhabit my Professor Bootsy aspect.

But it will be the same image-hand in the puppet that is driving us all.

Sincerely,

Professor Chew-Bootsy

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Love & Rockets #29 (March 1989)

                  That’s a powerful cover, and a key issue of Love & Rockets. There are only two items in the table of contents, and those are Poison River, Chapter 1 and Flies on the Ceiling. Holy Cow! The beginning of the story of Luba and Isabel in Mexico in a single thirty-one page comic book.

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Let your photo tell a story by...

giving enough of a place

informing the viewer of the time (through the use of shadows, natural light)

giving clues about the season (goosebumps on skin, people bundled up, etc.)

casting subjects in roles that are meaningful for us to follow

animating your character. show them doing something or looking a certain way that makes me want to learn more about their experiences

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When you’re at a dead end, you can’t see where you started. You look to the right and you look to the left and you have no options. You’re attached and estranged from your beginning. Then you look forward and there’s a wall.

This is the best place to be. It’s true in science, in business, in art...

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Don’t default to your intelligence. Your intelligence will let you down. It makes you overthink things. But feel- you can never overfeel things.

Roma (via shitmyphotoprofsays)

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Look at this sweet sweet basket of gratitude I received #igers #instadaily ##🍴🍅🌽🍆

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The view from the sexy boat #amazon