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Sometimes I go through my WIPs, thinking to myself, 'Did I really write that?'
Proceeds to fangirl and gush about something I created
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Sometimes I go through my WIPs, thinking to myself, 'Did I really write that?'
Proceeds to fangirl and gush about something I created
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Writing fanfic be like…
Has idea for one shot
Starts writing
Keeps writing
…wait…
…where’s the ending?
There’s an ending, right?
Continues writing
Word count increases
NOOOOOOO
WHY WON’T YOU END
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Work on my many pre-existing wips that I need to post for writing challenges: ❌
Search every song I know on spotify to find titles for them: ✅
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Condition is an unforeseen future
The past few months have been a struggle... my health has been declining, and recently, I was able to get the proper diagnosis for my hand.
Cervical Radiculopathy; in other words, a pinched nerve somewhere in my neck or shoulder area that's causing the burning sensations in my wrist and hand area.
The pain is manageable, however to the point where I can no longer write or use my hand much for anything. But that wouldn't stop me from writing stories, snippets to keep my passion going.
My condition is most likely chronic
Apologies for the hiatus on A03 and Tumblr. Preplanned fanfics are in the works right now, and I'll try my best to get them done <3
Thanks,
Hils
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Finished drawing Maomao from Apothecary Diaries! My usual cozy, modern AU art theme :> Looking forward to more of the anime/manga!
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🚨 E-BOOK "AUTHOR" IS PLAGIARIZING PILGRIMAGE FICS 🚨
Buckle up, folks, this is gonna be a long one.
Our prolific author, @relicshamecircle (aka EnduringParadox on ao3) has been made aware of an e-book "author" named Layla Moran who has been blatantly plagiarizing her Diarmute fanfics and just changing the names and a few words around. This is absolutely unacceptable. I always like to think of this fandom as a safe haven and an accepting, kind community. But this is disgusting.
These are the three specific works listed on Layla's account that have been plagiarized from EnduringParadox:
This seems to be the work of someone within the fandom, because how else would she have found these fics and read them and decided to pass them as her own? So Layla Moran, if you follow me and you're reading this, you have made Pilgrimage fanfic authors, who are already so few and far between, feel unsafe to post without you getting your greedy hands on them and trying to take advantage of a small fandom for your own profit. Did you think you would never get caught? My advice to you would be to take down the works yourself before this has to get nasty.
To everyone else, I urge you to report and/or leave one-star reviews stating that they're plagiarized from fanfic. Links and proof below the cut:
The summary of The Beauty and His Beast:
Which is CLEARLY An Invitation to Happiness:
Ugh, Everild and Camdyn... what ugly names. But I digress. Here's the link to the GoodReads page if you feel so inclined to leave a one-star review and report.
An excerpt from An Invitation to Happiness, EnduringParadox:
"David hadn’t fought for glory or gold. At the time, he thought he’d stood for God—that the king’s cause, which he so readily made his own, was not only legitimate but justified both on earth and in the eyes of Heaven. More than five years later, carved into adulthood by the sword’s blade, his body a hardened knot of scarred skin, his throat ravaged by his own roars of rage and anguish, David knows better. That he had gone to war simply because he had been foolish. Because he’d been a young man but had still looked at war with a boy’s eyes—half a solemn duty, half a game. Something that would be done and done with satisfaction."
An excerpt from The Beauty and His Beast, Layla Moran:
"Everild Reed hadn't fought for glory or gold. At the time, he thought he'd stood for God--that the king's cause, which he eagerly made his own, was not only legitimate but justified both on earth and in the eyes of Heaven. More than five years later, carved into adulthood by the sword's blade and burdened with the weight of his choices, his body a hardened knot of muscle and scarred skin, Everild knows better now."
--
The summary of The Rancher's Mail-Order Husband:
Which, obviously, is Bluebells and Daylillies and Wild Roses Running Rampant:
Come ON, even naming Diarmuid's character "Ciarán"???? (And misspelling it Ciarian in the summary??) Here's a link to the GoodReads page. You know what to do.
And THIS ONE she's making money off of. You can buy it for $2.99 on Amazon.
Here's a link to the Amazon page, please report.
An excerpt from Bluebells and Daylillies and Wild Roses Running Rampant, EnduringParadox:
"David had almost joined their company. He’d gone nearly the entire war without being shot and damned if near the end of it all someone hadn’t gotten him right in the leg. The surgeon had told him they needed to take the entire limb. David had grabbed his collar, pulled him close until they were nose-to-nose, and gritted out that he’d break every one of his fingers if he tried it. He kept the leg, earned a limp, and found later, when he was beset by memories and the scent of blood and gunpowder, dizzy, pulse racing, that he’d gotten what they called the soldier’s heart, too."
An excerpt from The Rancher's Mail-Order Husband, Layla Moran:
"Graham had come close to joining the dead himself, narrowing surviving a gunshot wound to the leg near the warn's end. The surgeon wanted to amputate, and Graham, fueled by desperation, had snarled at him through gritted teeth, threatening to break his fingers if he so much as tried. He kept the leg but earn a limp that followed him everywhere, along with something the doctors called 'soldier's heart'--a condition that left him shaking, sleepless, and burdened with memories of blood and gunpowder."
--
And, finally, a summary of The Warrior and The Monk:
Which is just Temu how rich the earth, how bright the stars:
Here's a link to the GoodReads. Rate, report.
An excerpt from how rich the earth, how bright the stars, EnduringParadox:
"One morning, strangers in longships stepped onto the shore. Their arrival was no surprise. Along the sea's coast they drifted, slow, languid, in their monstrously large and narrow vessels with their monstrously large, woven sails dyed in bright, garish colors, a beacon to all that saw them, telling them—as their longships loomed like a pack of wolves stalking their prey—that they were coming."
An excerpt from The Warrior and The Monk, Layla Moran:
"One early morning, strangers in longships silently stepped onto the shore, their presence casting a heavy weight upon the land. Their arrival had been anticipated for days, maybe longer, and was no surprise to those who dwelled in the monastery overlooking the coast. The ships had been visible for miles as they drifted slowly, languidly, along the sea's edge, cutting through the waves like beasts with a purpose. They moved in their long, narrow vessels, which seemed both too large and too lean, with sails woven from thick cloth and dyed in bright, garish colors that stood out against the pale sea and sky. The sails themselves were like beacons, drawing attention,"
--
This is all so blatant and egregious. Shame on Layla. EnduringParadox is a kind and dedicated person writing all of these wonderful stories for our small fandom for FREE and Layla has taken advantage of that. We are small but we are mighty and protective of our own. Let's make Layla regret fucking with Pilgrimage.
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Returning to School
After working full-time for a year, I decided to apply for school again, especially college, and I got accepted into my program!! I am so excited to head back to school, and everything feels unreal right now T_T
Of course that means I will try to find time to write stuff <3
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How to Write a CHARMING Villain
Everyone loves a good villain, and they especially love a charming one. If you want to write an antagonist who's both evil yet irresistible, look no further!
1. Show Their "Kindness"
Kindness? Wait, I thought you said we're writing a villain today.
Yup, I mean it--make your antagonist appear kind. Realistically, someone who's polite and friendly is often considered more attractive than someone who's rude and judgmental, so make them kind. It doesn't have to be honest kindness, but you want your readers to doubt the malevolence of your character, if that makes sense.
You can show this kindness through small, daily actions; they don't have to have a lot of impact on the story. Something simple like leaving a big tip, granting a minion a vacation, letting someone go first in the line, and holding open the door all contribute to this image.
2. Smooth Talker
Effective communication is everything. If your villain is eloquent, they seem more capable and intelligent! However, if you're looking to expand further, explore what they can do with their speech.
Does everyone pay attention when they start speaking? Are they able to calmly resolve conflicts verbally? Are they really persuasive? Do they speak elegantly?
Show the effects of their communication skills!
3. Good leader
Make them a good leader. Make them consider how their subordinates might feel. Make them choose good decisions. Perhaps they give their workers days off when they need it. Perhaps they engage with their followers often. Perhaps they're more down-to-earth.
A solid leader looks respectable while a poor one looks ridiculous.
4. Intelligent + Logic
I say this all the time, but make your villains smart, make them logical, make your readers understand where they're coming from. Some of the best antagonists I've ever seen are not the ones that seem excessively evil or unhinged, but rather the ones that seem logical in their actions. And knowing that they're well-aware of their actions and the consequences makes things that much scarier.
if you want a charming villain, you have to start with someone who is competent.
5. Conflicting Moments
At the end of the day, your character is still the antagonist. Yes, they might appear kind, but that's not going to last forever. There will be times when they act unnecessary cruel, and that's okay.
Your audience might be unsettled and confused from the whiplash, and that's okay. Don't force your character into being someone else to satisfy the readers. Embrace the difference.
6. Backstory
Backstories matter for all different types of reasons. From establishing the basis to one's goals, morals, and values to providing the foundation for their character, an effective backstory can do a lot.
However, I want to specifically talk about how the backstory demonstrates someone overcoming their obstacles. If they made it to the present, then they really defied all odds to be here, and honestly? That's admirable (and attractive), no matter what kind of person they turn out to be.
Now, if you're thinking "what if I don't give the antagonist a painful backstory?", I'll address that real quick. You don't have to give them a super depressing past, but there will always be pain and hurt in their past, even if it isn't something "lifechanging" or there 24/7. There is no such thing as a perfect, happy past.
CONCLUSION
To quickly conclude, a charming villain is often not one who appears visibly evil, but one who appears compassionate, intelligent, well-spoken, and acts like a good leader.
Happy writing~
3hks :)
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Lust, Love, and the Sweet, Sweet Burn: Writing Romance That Makes Readers Feel
Let’s talk romance—specifically the kind that makes readers scream into pillows, clutch their chests, and whisper “just kiss already” at the page. Whether you're a seasoned romance author or just dipping your toes into the love pool, there's one golden truth to remember: good romance is about *tension*. And tension lives in the delicious space between lust and love.
First Comes Lust…
Lust is that electric charge between characters. It’s the stolen glances, the way one of them notices the other's hands or voice or the way they lean in a little too close when they talk. Lust is immediate. It’s instinctual. And let’s be honest, it’s fun as hell to write.
But if you stop there—if all your characters do is pine and make out and pine some more—you risk making it all surface-level. Lust is the spark, but it’s not the whole fire.
Then Comes Love (Eventually)
Love, real love, is slower. It’s about trust, vulnerability, and seeing the other person fully—flaws, baggage, weird hobbies and all—and still leaning in. It happens in the quiet moments: making tea for someone who's had a bad day, remembering how they take their coffee, watching them geek out about something they care about. That’s where readers fall with your characters.
The magic is in the shift—when your characters go from “I want to kiss you until my brain falls out” to “I’d burn the world down if it meant keeping you safe.” It doesn’t happen all at once. And that’s where the slow burn comes in.
Ah, the Slow Burn: Delicious Torture
Slow burn romance is a masterclass in delayed gratification. It's all about restraint. You’re letting readers live in the tension—the almost-touches, the lingering stares, the confessions that never quite happen. And every time the characters get this close to admitting their feelings or acting on them and then don’t? Readers get more hooked.
But here’s the key: something has to be progressing. Slow burn doesn’t mean nothing happens. It means everything matters.
Every moment builds the foundation. Every emotional beat gets us one step closer to that glorious payoff.
Think of it like cooking over a low flame. You’re letting the flavors deepen. So when the first kiss finally lands? It’s earned. It’s fireworks. It matters.
Tips for Writing a Killer Slow Burn
- Give them obstacles. Emotional baggage, clashing goals, external threats—give your characters legit reasons not to jump into bed right away.
- Let them see each other. Intimacy isn’t just physical. Let your characters learn each other’s fears, dreams, scars.
- Build micro-tension. Hands grazing. One of them patching the other up after a fight. A joke that turns into a confession. Let every small moment do work.
- Make the payoff worth it. When they finally get together—make it satisfying. Let it feel like the culmination of everything they’ve been through.
Don’t Just Make Them Hot—Make Them Real
It’s easy to write about two people who are attracted to each other. What’s harder—and infinitely more rewarding—is writing two people who choose each other. Who grow, change, fight, make up, and fall deeper the whole time.
So go ahead. Light the match. Let them burn slowly. And when your readers are begging for that kiss? That’s how you know you’ve done it right.
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Romance Dialogue Starters
Tender / Confessional Moments
"Come here. Just for a minute."
"You don’t have to be strong all the time."
"Stay. Please, just stay."
"You make me feel safe. That’s terrifying."
"I missed you so much it hurt."
"When I’m with you, I forget to be afraid."
"Is it okay if I hold your hand?"
"You’re not a burden. You never were."
"I wish I’d met you sooner."
"You’re my favorite ‘what if.’"
Protective/Overprotective Behavior
"Where were you? I’ve been calling for hours."
"You could’ve died, you idiot."
"Don’t ever scare me like that again."
"Next time, I’m going with you. No arguments."
"You’re hurt. Let me see."
"I’m not letting you do this alone."
"Overreacting? You bled through your shirt!"
"You think I care what they say? I care about you."
"If anything happens to you, I’ll burn the whole damn world down."
Conflicted Longing
"If I kiss you now, I won’t be able to stop."
"We can’t do this." – "Then don’t look at me like that."
"You’re the last person I should want."
"Tell me to go, and I will."
"I want to hate you. But I don’t."
"This changes everything."
"Just tonight. Just this once."
"You’re always in my head. I hate it."
"You deserve better. But I’m selfish."
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