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the way Xiao Jingyan gives precisely zero seconds’ thought to choosing diplomacy before punching his way through the guards at Zhaoren Palace.

Like on the one hand godspeed Mei Changsu you’ve got your work cut out for you. But on the other hand. It’s very satisfying.

Xiao Jingyan: I’m tired of being nice. I want to go apeshit. Mei Changsu: Jingyan it’s been 3 days.

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Something ^^

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I'm sorry but what's more romantic than thinking about your rival in your last moments and coming back to life for your rival and calling yourself the nickname he gave you when you were like four

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As a new weaver i find that warp speed is in fact not very fast

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Finally he took Izuku's extended hand

Not my art.

Aritst: skaredykaz on Twitter

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thinking about the ship of theseus as a concept and how it applies to kdj. how much of yourself can you cut away before you cant be called the same person anymore. how many times can you kill yourself before there stops being enough of you to be killed. how much of yourself can you tear into pieces and throw away before the callousness with which you do it becomes a fixed apathy. how many repairs can be made to the ship of theseus before it stops being his.

honestly feel like it applies to yhk in general really well too. han sooyoung and her avatars in a literal sense since she is quite literally sectioning herself off into pieces whenever she uses the skill; yoo joonghyuk more metaphorically since we see in the 1863rd round whats basically like. the stripped to nothing recognizable ship now returned to theseus (kdj). but i feel like with kdj its just The Worst because we look at the scenarios themselves and like kdjs half performative half genuine flippant reveals of his deepest traumas and at his thinly veiled suicide attempts (sacrifices) are just. hello? i mean each one of those just guts him further and further and we see the literal actual fourth wall continue thickening to the point where (given we observe in kcoms pov) who is kim dokja? whats left after you peel back all the skins hes discarded? what makes the ship of theseus the ship of theseus?

and then you throw in the sucker punch of the 49/51 debacle and the question stops being like a vague overhanging vibe to the story and instead becomes the focal point of it: how much of a person can you strip away before they stop being the person you know? and i really truly think orv answers this. it answers it in the most beautiful way possible and the answer is that if theseus loves the ship. its his ship. the ship of theseus can be 1% original parts, it can be 49%, it can be 99%, it doesnt matter. the ship of theseus is theseus' ship because he loves it and as long as it continues to be loved it will continue to sail under his name.

and idk. i think about that a lot. people love you regardless of how much they know about you and thats the point. being known often precludes being loved but sometimes people know you because they love you. the ship of theseus is his because he loves it. yeah.

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ORV reels you in with the "What if all my useless interests were suddenly SUPER important in real life and I was better than everyone for investing all that time in them" isekai power fantasy and then when you're invested pulls a bait and switch like "Actually they WERE always useful and necessary! They are what kept you going through life all this time! Even if that was the only way they ever served you, it still was not a waste of time because the only thing that matters is that they helped you survive"

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Ophelia

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Every deku

Support YORHA_2b2e

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once again thinking abt ORV as one of the most brilliant and self-aware genre commentaries ever, cus' isekai/transmigration is-- in my experience-- a deeply lonely genre. the yearning to be plucked from the stress and apparent dead spiral of real life and dropped into a setting where you matter somehow. the fact that this transmigration is often by way of death, completely abandoning the real world, is particularly telling and... bleak. but whether it's a recognition of being 'the most baddass dude', the narrative satisfaction of trying to 'fix' the plot of a doomed story, or even just befriending characters we've laughed and cried for, we want so badly to be a part of something more.

and the way ORV recognizes that and doesn't mock it, but gently reminds us that... real life isn't removed from that. it may not be as straightforward and 'narratively' satisfying as a constructed story, but we can enact change in the world around us, and we can find connection and solidarity in others. the things we want from escapism are things we often can achieve in real life, at least on a small scale. if only we recognize the inherent depth and complexity of others as, y'know, fully-realized human individuals. hell, if we recognize ourselves as more than simple characters with set paths and tropes.

ORV takes every opportunity to remind us that we are not alone, no matter how bleak and isolated we feel. our lives are constantly touching others and vis-versa, and we leaves marks on the world we can't possibly predict. we matter, we always always matter

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girlfriends!

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When you finally remember your tumblr password and realized you haven't posted anything for nearly 6 months

Anyways, for my return to tumblr here's another shitpost but for joongdok

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Once More to See You

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this counts as yjh birthday art, yes?

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webtoon onlies, how are you feeling?