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Placements and indicators
Disclaimer: Take what resonates.
Placements good at managing money
Placements that feel unaccepted
Placements having high tolerance for people they don't like
Placements most likely to be vegan/Vegetarian
Underrated funny Placements
Indications of getting a calm spouse
Placements with great acting abilities
Placements of a animal lover
Placements for fast and slow talkers
Placements for foreign studies/settlement
Placements that have infectious smiles
Eating in Astrology
Placements that attract jealous people
Intimidating beauty(western)
Intimidating beauty(vedic)
Placements that are horny
Placements that are Progressive and open minded
Placements with the It factor
Fame Indicators in Astrology
Placements for a foreign Spouse
Placements that enjoy reading
Placements with elegant beauty
Placements that hate people prying in their business
Placements for underrated geniuses
Placements most likely to be slim or lose weight easily
Placements that like making other happy
Placements attracted towards Artists
Placements that have trouble with emotions
🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊
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i don't "date" and i don't "chill" and i don't "hang out." i make pacts. i swear oaths. i forge unbreakable bonds. this makes me a cool breezy person to take on road trips et cetera
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“Beauty like hers demands luxury, gentle living, money to provide that setting for her.”
-Cover Girl, 1944
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Exu ganha o poder sobre as encruzilhadas
Exu não tinha riqueza, não tinha fazenda , não tinha rio, não tinha profissão, não tinha missão.
Exu vagabundeava pelo mundo sem paradeiro.
Então um dia ,Exu passou a ir a casa de oxalá.
Ia a casa de oxalá todos os dias.
Na casa de oxalá Exu se distraia , vendo o velho fabricando os seres humanos.
Muitos e muitos também vinham visitar oxalá,mas ficavam pouco tempo,quatro dia,oito dias,e, nada aprendiam.
Traziam oferendas,viam o velho orixá,apreciavam sua obra e partiam. Exu ficou na casa de oxalá dezesseis anos
Exu não perguntava.
Exu observava.
Exu prestava atenção.
Um dia oxalá disse a Exu para ir postar-se na encruzilhada,por onde passavam os que vinham a sua casa. Para ficar ali e não deixar passar quem não trouxesse uma oferenda a oxalá.
Havia mais humanos para oxalá fazer e ele não queria perder tempo recolhendo os presentes que todos lhe ofereciam,Exu tinha aprendido tudo e agora podia ajudar. Exu coletava os ebós, recebia as oferendas e entregava a oxalá. Exu fazia bem seu trabalho, então oxalá decidiu recompensa-lo
Quem viesse a casa de oxalá teria que pagar também alguma coisa a Exu,e quem estivesse voltando também tinha que pagar
Exu mantenha-se sempre a postos guardando a casa de oxalá,armado de um ogó,um poderoso porrete
Afastava os indesejados e punia quem tentasse burlar,sua vigilância
Exu trabalhava demais e fez ali a sua casa ,ali na encruzilhada
Exu ficou rico e poderoso
Ninguém pode mais passar pela encruzilhada,sem pagar a Exu
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Gold ring with a bust of Jupiter, ca. 50 BC. - AD. 20.
State Museums, Germany, Berlin, Old Museum.
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girls will literally be crucified and keep living
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Statue of Senenmut holding Neferure, daughter of Hatshepsut
Most of us are familiar with the block and seated (tutor) statues of Senenmut and Neferure. This standing statue of Senenmut holding Princess Neferure, daughter of Queen Hatshepsut, seems to be unique.
The statue was found in Karnak and was a gift from the Queen. The inscriptions are given in detail in breasted ancient records and some of the details are quite interesting. Senenmut lists his duties as Architect and it becomes clear from the inscription that his work was spread over a sizable area.
New Kingdom, mid 18th Dynasty, ca. 1479-1458 BC. Now in the Field Museum, Chicago. 173800
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"When he partakes of the Śāmbhava immersion due to an exceptionally intense descent of Power (śaktipāta), for one liberated in this life the world takes the form of the ambrosia of his own bliss.
- Mahānayaprakāśa, 1.7
अतितीव्रशक्तिपातादारूढे शाम्भवे समावेशे।
स्वानन्दामृतरूपं जीवन्मुक्तेः प्रकल्पते विश्वम्॥
The Śāmbhava immersion (the "immersion at the level of Śiva") is the highest of a set of three immersions (sometimes a fourth is added), in which no effort or method of any kind is required to remain immersed in the true nature of reality.
The lower two immersions are in descending order the Śākta ("at the level of Śakti"), which involves purely contemplation, and the Āṇava ("at the level of the limited soul"), which involves rituals such as making offerings and other kinds of worship for deities, yogic meditative practices, etc."
- Krama Tantricism of Kashmir
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