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sufferingink · 16 hours ago

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I’ve been thinking a lot lately about some of the people I interact with. I have a coworker who I am pretty sure is a MAGA type, and she is also a lovely woman who is dreadfully overworked and so good at connecting to patients when they call. I can see the conflict on her face when she talks to me, a gigantic tranny dork who speaks Spanish and affirms the LGBT community, but can also talk to her about her cows and knows about guns and stuff. I can see the fear in the eyes of my former Young Men’s leader when he misgenders me and realizes that I’m not an ideology but a person he has known for a long time. I can see the way my extended family stop and stutter over political discussions when they realize they are talking about me. And I don’t know why but lately it’s just made me think about my neighbor as a kid.

When we moved to Arizona, we moved next door to a lovely retired couple - John and Lucy. John was a veteran of WWII, he had an M.D. and a Ph.D. in radiology, and he LOVED us to pieces. His wife, Lucy, was a sharp and gifted woman - well spoken, very observant, and VERY clever. I just know that she used that cleverness as a mom to great effect, because with my and my siblings she always managed to find a way to send us home with candy and treats for a week despite my dad’s protests. We loved them, growing up, and even though they have long-since passed away I love them still, and I love what I learned from them.

John was, as stated, a WWII veteran. He was enlisted as a rifleman, and later as a front line medic, starting at Point Du Hoc and moving inwards to France and towards the Rhine. He let me do a report on him in 6th grade where he shared war stories with me he had kept to himself his whole life - he said it was out of respect for his friends who didn’t get to come home and tell their stories.

He said he told me because he knew I could respect the memories of his friends.

He showed me his collection of medals, and which he’d kept hidden away in a sock in his attic because he’d feel an immense grief any time he saw them. He had wanted to be a doctor his whole life, prior to being drafted he was studying medicine and had taken the Hippocratic oath to Do No Harm. He saw his medals as a reminder that he had Done Harm.

After telling me his stories he was able to convince himself that while he had Done Harm, it was only because his only other alternative was, to him, cowardice. He chose to be brave even if it meant acting against his Oath because he felt that if he didn’t do it someone else would have to go in his place and he would be responsible for the harm that befell them. I don’t think that’s true, but for him it was and that was something no being on earth could have ever dissuaded him from believing.

He shared wild stories - melee combat on the beach, clearing artillery bunkers, receiving a Purple Heart for being injured in hand-to-hand combat with a Wehrmacht rifleman he said he felt pity for because they were the same age and he had to imagine the man he was fighting had been drafted just like him.

He shared how he was awarded a Silver Star for charging a machine gun nest, but shared that he was most proud of not killing anyone in the process. He threw a grenade with the pin still in it and when the machine gunners jumped to avoid being blown up they were killed by someone else so he didn’t have to do it. He took the machine gun and shot the other machine gun in that French field to pieces so he didn’t have to kill the people operating it. He said they were giving out Silver Stars like candy but I knew he was being modest.

He told me about being redesignated as a medic, about how he crawled for about 500 yards on his belly to rescue an injured tank driver, then threw him over his back and crawled the same 500 yards back (1000 yards total) to treat his injuries. He said he met the man in an Army hospital in England after his spine was broken by a high explosive panzer shell was fired through a hollowed out French farmhouse and landed about 20 feet away from him.

He told me about all the people he helped and saved as a medic, he told me about his work in radiology and research after the war. He showed me a hallway that was quite literally wallpapered with academic honors he’d earned as a researcher. He told me about how his first Fourth of July back was a horror show for him because fireworks and German artillery make very similar sounds. He told me about how he woke up in a cold sweat well over half a century later hearing the screams of German artillery men being burned alive with flamethrowers, or hearing his own voice apologizing to the young German soldier he stabbed in the heart at Point Du Hoc.

He told me that when he was asked to present at a medical conference in Germany 25 years after the war ended that he was so scared he couldn’t step off the plane, and that his wife had to hold his hand and lead/pull him with her. He said he was not scared because he was worried about being triggered, but because he knew that someone somewhere outside of that plane had the course of their life irreparably altered by his military service. That to someone out there he was the cause of immense suffering and harm. That some unwitting waiter could be the son of the Nazi Officer he stabbed in the heart with a 12-inch hunting knife. That some woman asking questions in the audience would be the daughter or widow of a man he sent to judgement with a .30-06. He was scared that they would hate him.

He knew what the Nazi’s had done, he knew better than anyone I’d ever met. He’d watched the documentaries, he’s seen the PoWs returning from camps, he’d seen the civilians massacred and tortured by their regime, but he also knew that among the monsters were people like him - idealistic 20-somethings who only wanted to make the world better and were ripped away from that life by the Nazi war machine. And he spent his whole life mourning the loss of innocence and peace that was forced on so many people by such a corrupt power.

To be honest I don’t know if I could do that, but he could. He told me he could still feel the dead and lost with him, both when he slept and when he woke. He told me he thought he’d go to his grave never having told a word of this to anyone. That the stories of him and his friends and allies would disappear silently with him and those like him. That he had wanted that until he realized that he didn’t have to sell out to share the stories - that he could give the stories away for free to someone who would love the people in them, and not just the content of them. He didn’t want his stories to be used as Patriotic Pornography by some TV network or magazine. He wanted the people he knew to be respected, he wanted their memories to be honored and loved, and he entrusted me, a 12-year-old “boy” to do that.

He told me for years afterwards that after telling me these stories that he slept better than he ever had. That by sharing the stories with someone who could hear Him over the din of victory and glory and honor and revisionistic history. Someone who could see the man in the story and not just see the plot of a battle being won. He wanted to be human, and he wanted the people he saw die to be human too - everyone, not just the people on his side. He wanted someone to see and to know the anguish of having to look someone in the eye as heartblood muddies the ground beneath them and hope that they understand that this was not an act of love or hatred but an act of desperation. To hope that you had just taken out One Of The Bad Ones instead of a medical student or a poet who had been drafted. He wanted me to see how hard he had worked since then to build a world without scarcity, to build a world of peace. He wanted me to know SO badly that the cost of violence, any violence, even necessary violence, is always ALWAYS paid by both parties involved.

I think about the rise of the new right wing - the new Nazi movement’s traction in politics, and I feel sad and scared - the world that Johnathan J Yobaggy, my neighbor, my friend, and my hero, worked SO hard to build is being done away with by people who do not understand the cost of the path they are entering. I can see brief moments of recognition in the eyes of some of the people I mentioned - The former young men’s president who immediately regrets misgendering me and hen he makes eye contact with me and sees Me staring back at him and not a faceless “ideology.” I can hear it in the voice of my uncle who quietly comes up to me to apologize for some homophobic comment he made absentmindedly. I can see it in the eyes of racists and sexists being interviewed on TV when they realize that they didn’t vote for a concept, they voted for a real thing. And honestly, I have mixed emotions about it. Because while I understand frustration with the status quo, the importance of basic human needs like affordable good and rent, and I know the fear that comes with feeling powerless, I also can’t help but grieve the endless wheel of history bringing us back to this God Damned Fucking Place again. I hope we can avoid this fate, not just for our sake but for the sake of everyone who has ever tried to make the world safer. For everyone who has ever tried to make up for human nature, for everyone who has ever placed themselves on the offering plate to protect others from the cruelty they know lies just under the surface of mankind’s tenuous grip on progress. I want SO badly for there to be a solution to this, for the people who idolize the Nazi party and the impact of fascism to see that the price of this path is paid in more than just blood but in soul. That they’re allowing themselves to be devoured too. I want for the centrists and the fence sitters and the idealists who want to “change it from the inside” to see how dangerous our politics have become. I want them to see that they’re losing the things that make them great in exchange for a security blanket that’s now become far far far too small to ever work for them again.

Safety found in the past is already gone, and safety found in the future is only as real as a daydream. That any ideology that promises that by “joining us now we’ll make things rough so we can make things safe in a decade” is a promise made by those who will not have to fight the battles they send you to.

I don’t know if America was ever really great, but as long as John was alive it felt great to me. There is no ideology that can replace a neighbor. No tax plan that can replace a friend. No grocery bill that can replace community and connection. No amount of budget cuts that can replace kindness. No amount of suffering from people I hate that will ever make more love. I don’t know how to make America great, but I know how to make my America great and it is not by selling out integrity and compassion and community and fucking humanity to make eggs and gas cheaper. It is by seeing and hearing the people around me. I’m not Mormon anymore, but I still know the value of mourning with those that mourn and comforting those that stand in need of comfort. I’m not Christian anymore but I still have Eyes That Can See and Ears That Can Hear. I want to make this all stop but I can’t stop the collective power of tens of millions of people so instead I listen to my MAGA coworker tell me about how sick her kid was last week. I make jokes with my Young Men’s leader. I hug my uncle. I let them see me fully, as a human and not an ideology. As a woman and not the concept of gender. As a whole person and not someone who can be easily summarized or boiled down into something short and quippy. And I let them know I can see them fully too, and I can see all their humanity as easily as they can see mine. I just have to hope that this works - that enough people can See and Hear the people in their lives who matter to them to bring them out of their personal world of forms and into the real world.

I am probably, honestly, just spiraling a little bit. I took my ADHD meds today and in addition to helping me focus they make me a little anxious so I doubt things are as bad right now as they seem. But just in case there’s any truth to the way things seem to be going, remember, and I mean this seriously: Be kinder to each other, be gayer, and read more Terry Pratchett.

And for the love of god day hello to your neighbor.

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sufferingink · 16 hours ago

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Fuck it, I didn't want to make a post on this but it's bugging the hell out of me so let's exorcize the thought.

Lilo and Stitch is an extremely good children's movie. I've been working at a daycare for over five years now, and out of all the children's movies I've shown to an auidence of twenty or so school-age kids (i.e. between the ages of 5 and 12), the only movie that's held their attention as well as Lilo and Stitch is The Emperor's New Groove, and the only one that's held it better is An American Tail. Of those three, Lilo and Stitch has won the vote of "what movie we will watch" the most. It not only entertains kids, but emotionally captivates them from start to finish, because it very thoroughly understands how to engage children on their level. It's a smart, tightly written children's movie.

The feat of story-telling genius it pulls of lies in its ability to reach both where children's imaginations want to go and where their lived real-world experiences lie - most children's movies focus on one or the other, but Lilo and Stitch dives deep into both. On the imagination side, there's Stitch's whole plotline of being a little alien monster being chased by other weirdo aliens onto earth because they want to stop him from running amok and causing havoc (which, of course, happens anyway in fun cartoony comedy/action spectacle). On the real-world side, you have Lilo's plotline of being a troubled little girl who has an abundance of very real problems that, like an actual child, she struggles to comprehend and deal with, as well as the many adults in her life that care about her to some degree but all struggle to fully understand her. Kids want to be Stitch and run amok and cause cartoony havoc. Kids, even the least-troubled kids, relate to Lilo, because all of them have been in a similar situation as her at least once in their lives.

Balancing these two very different stories, with very different tones and scopes to their respective conflicts, is a hard writing task, but Lilo and Stitch manages to do it in a way that seems effortless with one very powerful trick. The two plots are direct mirrors to each other, complete with the characters involved in each having foils in the respective plot. To break it down:

Stitch, the wild and destructive alien gremlin who everyone has labeled as a crime against existence, is Lilo, the troubled young girl who's viewed as a "problem child" by all the adults in her life. In both plotlines, Stitch and Lilo are facing the threat of being "taken away" from the life they know because they act out, and in both plotlines, we see that this is an unfathomably cruel thing to do to them and will not actually solve the problems they have.

Dr. Jumbaa, the mad scientist who made Stitch because making monsters is what mad scientists do, and who had no intentions of ever being nurturing or parental to anything or anyone in his life, is Nani, Lilo's older sister whose parents died when she was young and now is forced to act as a parental substitute despite not being mentally or emotionally prepared for that responsibility yet. Both Dr. Jumbaa and Nani are trying to get their respective wild children in line with what society wants them to be, and both are struggling hard with it because they in turn have a lot of growing to do before they can actually accomplish that.

Pleakley, the nebbish alien bureaucrat who ends up being assigned to help Dr. Jumbaa despite being mostly uninvolved in creating the whole Stitch situation, is David, the nice but mostly ineffectual guy who's crushing on Nani and wants to help her but doesn't really have much he can provide except emotional support. Ultimately Pleakley and David prove that said emotional support is a lot more helpful than it seems on the surface, as they give Jumbaa and Nani respectively a lot of the pushes they need to become better in their parental roles.

The Grand Councilwoman, who runs the society of aliens that is trying to banish Stitch forever for his crime of existing, is Cobra Bubbles, the Child Protective Services agent who is in charge of deciding whether or not Lilo needs to be taken away from her home forever for, ostensibly, her own good. Both are well-intentioned and stern, with a desire to follow the rules of society and do what procedure says is the most humane thing to do in this situation, but both lack the understanding of Stitch/Lilo's situation to actually help until the end of the movie.

Finally, we have Captain Gantu, the enforcer of the Galactic Council who is a mean, aggressive, sadistic brute but is viewed as a "good guy" by society because he plays by its rules (well, when he knows can't get away with breaking them, anyway), who is the counterpart of Myrtle, the mean, aggressive, sadistic schoolyard bully who is viewed as a "good kid" by other adults because she plays by the rules they established (well, when she knows she can't get away with breaking them, anyway). Both Gantu and Myrtle are, in truth, much nastier in temperament than Stitch and Lilo, but are better at hiding it in front of others and so get away with it, and often make Stitch and Lilo look worse in the eyes of others by provoking them to violence and then playing the victim about it - in fact, both even have the same line, "Does this look infected to you?", which they say after goading their respective wild-child victims into biting them.

The symmetry of these two plotlines allows them to actually feed into each other and build each other up instead of fighting each other for screentime. The fantastical nature of Stitch's plot adds whimsy to the far more realistic problems that Lilo faces so they don't get too heavy for the children in the audience, while the very real struggles of Lilo in her plotline bleed over into Stitch's plot and make both very emotionally poignant. When both plotlines hit their shared climax, they reach children on a emotional level few other movies can match - the terror of Lilo being taken away from her family, and the emotional complexity of that problem (Cobra Bubbles pointing to Lilo's ruined house and shouting at Nani, "IS THIS WHAT LILO NEEDS?" is so starkly real and heart-breaking), is matched and echoed in the visual splendor and mania of the spectacular no-way-this-is-going-to-work chase scene where Stitch, Nani, Jumbaa, and Pleakley all team up to rescue Lilo from Gantu.

The arcs of the characters all more or less line up. Nani confronts her own failures to be a guardian and parent to Lilo and resolves to do better and learn from her mistakes. Jumbaa, who through most of the movie protests to be evil and uncaring, nonetheless comes to not only care for Pleakley, but more importantly for Stitch too, and ends up assuming the role he never wanted but nonetheless forced himself into from the start: he is Stitch's family. Hell, the moment that reveals this is really clever - Stitch goes out into the wilderness to try and re-enact a scene from a storybook of The Ugly Duckling, hoping, in a very childish way, that his family will show up and love him. Jumbaa arrives and, coldly but not particularly cruelly, tells Stitch that he has no family - that Stitch wasn't born, but created in a lab by Jumbaa himself. But in that moment Jumbaa is proving himself wrong - because Stitch's creator, his parent, DID show up, and did exactly what happens in the story by telling Stitch the truth of what he is. It can't be a surprise, then, that later in the movie Jumbaa ends up deciding to side with Stitch, to help him save Lilo, and to stay on Earth with his child.

David and Pleakley go from being pushed away by Nani and Jumbaa respectively to essentially becoming their partners in the family. The Grand Councilwoman and Cobra Bubbles finally see how cruel their initial solution of isolating Stitch and Lilo from their family would be, and bend the rules they are supposed to enforce to protect and support this weird found family instead of breaking it apart. Gantu and Myrtle are recognized for the assholes they are and face comeuppance in the form of comedic slapstick pratfalls. And most importantly, Stitch and Lilo both get the emotional support and understanding they need to thrive and live happy lives as children should be allowed to do. It's like poetry, it rhymes.

It's a very precise, smartly written movie. It's a delicate balancing act of tone and emotions, with a very strong theme about the need for family and understanding that hits children in their hearts and imaginations. It's extremely well structured.

...

So it'd be kind of colossally fucking stupid to remake it and start fucking around with the core structure of it, chopping out pieces and completely altering others, with no real purpose beyond "Well, the executives thought it might be better if we did this."

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