#[HD]拆彈專家2 線上看 — 【Shock Wave 2】完整版 | Explore Tumblr posts and blogs

shock-wave2-duckling · 4 years ago

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#拆弹专家2的剧情简介 · · · · · · 　　香港某处发生爆炸案，前拆弹专家潘乘风（刘德华饰）因昏迷于现场，被警方怀疑牵涉其中。苏醒后的潘乘风只能一边逃亡一边查明真相，然而，他的好友董卓文（刘青云饰）和他的前女友庞玲（倪妮饰）却给他讲述了两段截然不同的经历。有计划的爆炸案接二连三发生，真相却越来越扑朔迷离……

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shock-wafe2-0nline2020 · 4 years ago

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拆弹专家2 (2020)

导演: 邱礼涛编剧: 邱礼涛 / 李敏 / 李昇主演: 刘德华 / 刘青云 / 倪妮 / 谢君豪 / 姜皓文 / 更多... 类型: 动作 / 犯罪制片国家/地区: 中国香港语言: 粤语上映日期: 2020-12-24(中国大陆) 片长: 121分钟又名: IMDb链接: tt9597838

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拆弹专家2的剧情简介 · · · · · · 　　香港某处发生爆炸案，前拆弹专家潘乘风（刘德华饰）因昏迷于现场，被警方怀疑牵涉其中。苏醒后的潘乘风只能一边逃亡一边查明真相，然而，他的好友董卓文（刘青云饰）和他的前女友庞玲（倪妮饰）却给他讲述了两段截然不同的经历。

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Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross. The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets. Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and given freedoms. Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Till her last breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee. The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology and females. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. In the background a large advertisement with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This unusually large eye symbolizes DADA movement — a monocle, which is present in almost every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. The photo is surrounded by the BMW circles which add the spots of blue. An apt description of the piece is given in the book ‘Cut with the Kitchen Knife’ and states that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age, free and keeping up with the fast-moving world. The artist promoted feministic ideas and from her point of view urbanization and modern technologies were meant to give hope to woman to gain equality of genders. With this photomontage she commented on how the woman was expected to combine the role of a wife and mother with the role of a worker in the industrialized world. The light bulb instead of a face shows that women were perceived as unthinking machines which do not question their position and can be turned on or off at any time at man’s will. But at the same time they were to remain attractive to satisfy men’s needs. The watch is viewed as the representation of how quickly women are to adapt to the changes. In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one from the television screens — smoking, working, wearing sexy clothes, voting and the real one who remained being a housewife. The beautiful girl’ is an example of the art within the DADA movement. An artistic and literal current began in 1916 as the reaction to World War I and spread throughout Northern America and Europe. Every single convention was challenged and bourgeois society was scandalized. The Dadaists stated that over-valuing conformity, classism and nationalism among modern cultures led to horrors of the World War I. In other words, they rejected logic and reason and turned to irrationality, chaos and nonsense. The first DADA international Fair was organized in Berlin in 1920 exposing a shocking discontentment with military and German nationalism (Dada. A five minute history). Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the movement. Hoch became the only German woman who referred to DADA. She managed to follow the general Dadaist aesthetic, but at the same time she surely and steadily incorporated a feminist philosophy. Her aim was to submit female equality within the canvass of other DADA’s conceptions. Though Hannah Hoch officially was a member of the movement, she never became the true one, because men saw her only as ‘a charming and gifted amateur artist’ (Lavin). Hans Richter, an unofficial spokesperson shared his opinion about the only woman in their community in the following words: ‘the girl who produced sandwiches, beer and coffee on a limited budget’ forgetting that she was among the few members with stable income. In spite of the gender oppressions, Hannah’s desire to convey her idea was never weakened. Difficulties only strengthened her and made her an outstanding artist. A note with these return words was found among her possessions: ‘None of these men were satisfied with just an ordinary woman. But neither were they included to abandon the (conventional) male/masculine morality toward the woman. Enlightened by Freud, in protest against the older generation. . . they all desired this ‘New Woman’ and her groundbreaking will to freedom. But — they more or less brutally rejected the notion that they, too, had to adopt new attitudes. . . This led to these truly Strinbergian dramas that typified the private lives of these men’ (Maloney). Hoch’s technique was characterized by fusing male and female parts of the body or bodies of females from different epochs — a ‘traditional’ woman and ‘modern’, liberated and free of sexual stereotypes one. What’s more, combining male and female parts, the female ones were always more distinctive and vibrant, while the male ones took their place in the background. Hannah created unique works of art experimenting with paintings, collages, graphic and photography. Her women were made from bits and pieces from dolls, mannequins of brides or children as these members of the society were not considered as valuable. Today Hannah Hoch is most associated with her famous photomontage ‘Cut with the kitchen knife DADA through the last Weimer Beer-Belly Cultural epoch of Germany’ (1919–1920). This piece of art highlights social confusion during the era of Weimar Republic, oppositionists and government radicals (Grabner). In spite of never being truly accepted by the rest of her society, this woman with a quiet voice managed to speak out loud her feministic message. Looking at Hannah Hoch’s art for the first time I found it confusing, because couldn’t comprehend the meaning. It was quite obvious that every single piece and structure is a symbol of the era, its ideas and beliefs. However, after having learned about her life and constant endeavors to declare about female’s right, little by little I started to realize what’s what. …

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shock-wave2-mang-andilau-tiot · 4 years ago

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拆彈專家2 (2020)

原班人馬再度合作挑戰核彈危機。劉德華、劉青雲、倪妮。前拆彈專家潘乘風被警方當成嫌疑人。由於清醒後他的記憶缺損，他只能邊逃亡邊追查真相。當具有計畫性的爆炸案又接二連三地發生，真相就越撲朔迷離。片長：120分上映日期：2020/12/31

劇情簡介《拆彈專家》原班人馬再度合作挑戰核彈危機。前拆彈專家潘乘風因為昏迷於香港某爆炸案現場，被警方當成嫌疑人。由於清醒後他的記憶缺損，他只能邊逃亡邊追查真相。香港發生連環爆炸案，全港人心惶惶.... 前拆彈專家潘乘風（劉德華飾）被發現昏迷在爆炸案的案發現場，被香港警方列為頭號嫌疑犯，甦醒後的潘乘風記憶缺損，只能一邊逃亡，一邊告殘存記憶的蛛絲馬跡來查明真相。他的好友董卓文（劉青雲飾）和他的前女友龐玲（倪妮飾）對他講述了一段和他記憶截然不同的狀況，讓案情更加難解。香港某处发生爆炸案，前拆弹专家潘乘风（刘德华饰）因昏迷于现场，被警方怀疑牵涉其中。苏醒后的潘乘风记忆缺损，只能一边逃亡一边查明真相，然而，他的好友董卓文（刘青云饰）和他的前女友庞玲（倪妮饰）却给他讲述了一段截然不同的回忆。有计划的爆炸案接二连三发生，真相却越来越扑朔迷离……

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watch-shockwave2 · 4 years ago

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andylaufilmasia · 4 years ago

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拆彈專家2 『Shock Wave 2』▷ 完整版高清- (2020) 电影1080p~!鴨 [4K]

《SHOCK WAVE 2》拆弹专家2 是2020年香港警匪動作片，由邱禮濤执导，李敏和李昇編劇，李忠志任動作指導，劉德華、劉青雲和倪妮主演，为2017年作品《拆彈專家》的续作，但採用全新的故事线和角色，與上部沒有關聯。2019年3月开机，预计2020年12月24日上映。

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导演: 邱礼涛编剧: 邱礼涛 / 李敏 / 李昇主演: 刘德华 / 刘青云 / 倪妮 / 谢君豪 / 姜皓文 / 更多... 类型: 动作 / 犯罪制片国家/地区: 中国大陆 / 中国香港语言: 汉语普通话 / 粤语上映日期: 2020-12-24(中国大陆) 片长: 121分钟又名: Shock Wave 2 IMDb链接: tt9597838

前拆彈專家潘乘風（劉德華飾）被發現昏迷在爆炸案的案發現場，被香港警方列為頭號嫌疑犯，甦醒後的潘乘風記憶缺損，只能一邊逃亡，一邊告殘存記憶的蛛絲馬跡來查明真相。他的好友董卓文（劉青雲飾）和他的前女友龐玲（倪妮飾）對他講述了一段和他記憶截然不同的狀況，讓案情更加難解。而有計劃的爆炸案仍然接二連三發生，真相卻越來越撲朔迷離。拆彈專家2 線上看拆彈專家2 线上看(2020)線上看完整版本拆彈專家2 (電影,2020)線上看拆彈專家2 線上看2020上映完整版小鴨線上看小鴨拆彈專家2 線上看電影(2020) 拆彈專家2 線上看(2020)完整版拆彈專家2 線上看|2020上映|完整版小鴨|線上看小鴨| 拆彈專家2 線上看| 2020最新電影| 小鴨影音| 拆彈專家2 香港線上看(2020)上映拆彈專家2 在线(2020)线上看1080p 看拆彈專家2 線上看小鴨拆彈專家2 線上看小鴨影音拆彈專家2 完整版本看拆彈專家2 線上看完整版小鴨看拆彈專家2 線上看下載看拆彈專家2 台灣上映日期看拆彈專家2 加拿大線上看 HD 1080p 拆彈專家2 澳門上映拆彈專家2 2020上映, 拆彈專家2 HD線上看拆彈專家2 線上看小鴨拆彈專家2 电影完整版拆彈專家2 線上看下載拆彈專家2 2020 下載拆彈專家2 線上看完整版拆彈專家2 線上看完整版小鴨拆彈專家2 (2020)完整版本拆彈專家2 |1080P|完整版本拆彈專家2 線上看(2020)完整版拆彈專家2 線上看(2020)完整版《拆彈專家2 》線上看電影臺灣拆彈專家2 （電影）2020 線上看年再次觀看電影拆彈專家2 線上看|2020上映|完整版小鴨|線上看小鴨| 拆彈專家2 2020上映拆彈專家2 HD線上看拆彈專家2 線上看小鴨拆彈專家2 电影完整版拆彈專家2 線上看下載拆彈專家2 2020 下載拆彈專家2 線上看完整版拆彈專家2 線上看完整版小鴨拆彈專家2 (2020)完整版本拆彈專家2 |1080P|完整版本拆彈專家2 線上看(2020)完整版拆彈專家2 線上看(2020)完整版《拆彈專家2 》線上看電影臺灣拆彈專家2 （電影）2020 線上看年再次觀看電影拆彈專家2 線上看|2020上映|完整版小鴨|線上看小鴨| 拆彈專家2 粵語線上看拆彈專家2 (2020) 拆彈專家2 小鴨拆彈專家2 2020上映拆彈專家2 HD線上看拆彈專家2 線上看小鴨拆彈專家2 电影完整版拆彈專家2 線上看下載拆彈專家2 2020 下載拆彈專家2 線上看完整版拆彈專家2 線上看完整版小鴨拆彈專家2 (2020)完整版本拆彈專家2 |1080P|完整版本拆彈專家2 線上看(2020)完整版拆彈專家2 線上看(2020)完整版《拆彈專家2 》線上看電影臺灣拆彈專家2 （電影）2020 線上看年再次觀看電影拆彈專家2 線上看|2020上映|完整版小鴨|線上看小鴨| 拆彈專家2 粵語線上看拆彈專家2 (2020) 拆彈專家2 小鴨拆彈專家2 台灣 - 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shock-wave-2020 · 4 years ago

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拆弹专家2 -完整版本~Shock Wave 2~完整版觀看電影在線小鴨完整的電影 (2020'HD)

➥看这里➲➲ ●Shock Wave 2 拆弹专家2 ◄||

导演: 邱礼涛编剧: 邱礼涛 / 李敏 / 李昇主演: 刘德华 / 刘青云 / 倪妮 / 谢君豪 / 姜皓文 / 更多... 类型: 动作 / 犯罪制片国家/地区: 中国香港语言: 粤语上映日期: 2020-12-24(中国大陆) 片长: 121分钟又名: Shock Wave 2 IMDb链接: tt9597838

拆弹专家2的剧情简介 · · · · · · 　　香港某处发生爆炸案，前拆弹专家潘乘风（刘德华饰）因昏迷于现场，被警方怀疑牵涉其中。苏醒后的潘乘风只能一边逃亡一边查明真相，然而，他的好友董卓文（刘青云饰）和他的前女友庞玲（倪妮饰）却给他讲述了两段截然不同的经历。有计划的爆炸案接二连三发生，真相却越来越扑朔迷离…

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THE STORY After graduating from Harvard, Bryan Stevenson (Michael B. Jordan) forgoes the standard opportunities of seeking employment from big and lucrative law firms; deciding to head to Alabama to defend those wrongfully commended, with the support of local advocate, Eva Ansley (Brie Larson). One of his first, and most poignant, case is that of Walter McMillian (Jamie Foxx, who, in 62, was sentenced to die for the notorious murder of an 2-year-old girl in the community, despite a preponderance of evidence proving his innocence and one singular testimony against him by an individual that doesn’t quite seem to add up. Bryan begins to unravel the tangled threads of McMillian’s case, which becomes embroiled in a relentless labyrinth of legal and political maneuverings and overt unabashed racism of the community as he fights for Walter’s name and others like him. THE GOOD / THE BAD Throughout my years of watching movies and experiencing the wide variety of cinematic storytelling, legal drama movies have certainly cemented themselves in dramatic productions. As I stated above, some have better longevity of being remembered, but most showcase plenty of heated courtroom battles of lawyers defending their clients and unmasking the truth behind the claims (be it wrongfully incarcerated, discovering who did it, or uncovering the shady dealings behind large corporations. Perhaps my first one legal drama was 624’s The Client (I was little young to get all the legality in the movie, but was still managed to get the gist of it all). My second one, which I loved, was probably Primal Fear, with Norton delivering my favorite character role. Of course, I did see To Kill a Mockingbird when I was in the sixth grade for English class. Definitely quite a powerful film. And, of course, let’s not forget Philadelphia and want it meant / stand for. Plus, Hanks and Washington were great in the film. All in all, while not the most popular genre out there, legal drama films still provide a plethora of dramatic storytelling to capture the attention of moviegoers of truth and lies within a dubious justice. Just Mercy is the latest legal crime drama feature and the whole purpose of this movie review. To be honest, I really didn’t much “buzz” about this movie when it was first announced (circa 206) when Broad Green Productions hired the film’s director (Cretton) and actor Michael B. Jordan in the lead role. It was then eventually bought by Warner Bros (the films rights) when Broad Green Productions went Bankrupt. So, I really didn’t hear much about the film until I saw the movie trailer for Just Mercy, which did prove to be quite an interesting tale. Sure, it sort of looked like the generic “legal drama” yarn (judging from the trailer alone), but I was intrigued by it, especially with the film starring Jordan as well as actor Jamie Foxx. I did repeatedly keep on seeing the trailer for the film every time I went to my local movie theater (usually attached to any movie I was seeing with a PG rating and above). So, suffice to say, that Just Mercy’s trailer preview sort of kept me invested and waiting me to see it. Thus, I finally got the chance to see the feature a couple of days ago and I’m ready to share my thoughts on the film. And what are they? Well, good ones….to say the least. While the movie does struggle within the standard framework of similar projects, Just Mercy is a solid legal drama that has plenty of fine cinematic nuances and great performances from its leads. It’s not the “be all to end all” of legal drama endeavors, but its still manages to be more of the favorable motion pictures of these projects. Just Mercy is directed by Destin Daniel Cretton, whose previous directorial works includes such movies like Short Term 6, I Am Not a Hipster, and Glass Castle. Given his past projects (consisting of shorts, documentaries, and a few theatrical motion pictures), Cretton makes Just Mercy is most ambitious endeavor, with the director getting the chance to flex his directorial muscles on a legal drama film, which (like I said above) can manage to evoke plenty of human emotions within its undertaking. Thankfully, Cretton is up to the task and never feels overwhelmed with the movie; approaching (and shaping) the film with respect and a touch of sincerity by speaking to the humanity within its characters, especially within lead characters of Stevenson and McMillian. Of course, legal dramas usually do (be the accused / defendant and his attorney) shine their cinematic lens on these respective characters, so it’s nothing original. However, Cretton does make for a compelling drama within the feature; speaking to some great character drama within its two main lead characters; staging plenty of moments of these twos individuals that ultimately work, including some of the heated courtroom sequences. Like other recent movies (i.e. Brian Banks and The Hate U Give), Cretton makes Just Mercy have an underlining thematical message of racism and corruption that continues to play a part in the US….to this day (incredibly sad, but true). So, of course, the correlation and overall relatively between the movie’s narrative and today’s world is quite crystal-clear right from the get-go, but Cretton never gets overzealous / preachy within its context; allowing the feature to present the subject matter in a timely manner and doesn’t feel like unnecessary or intentionally a “sign of the times” motif. Additionally, the movie also highlights the frustration (almost harsh) injustice of the underprivileged face on a regular basis (most notable those looking to overturn their cases on death row due to negligence and wrongfully accused). Naturally, as somewhat expected (yet still palpable), Just Mercy is a movie about seeking the truth and uncovering corruption in the face of a broken system and ignorant prejudice, with Cretton never shying away from some of the ugly truths that Stevenson faced during the film’s story. Plus, as a side-note, it’s quite admirable for what Bryan Stevenson (the real-life individual) did for his career, with him as well as others that have supported him (and the Equal Justice Initiative) over the years and how he fought for and freed many wrongfully incarcerated individuals that our justice system has failed (again, the poignancy behind the film’s themes / message). It’s great to see humanity being shined and showcased to seek the rights of the wronged and to dispel a flawed system. Thus, whether you like the movie or not, you simply can not deny that truly meaningful job that Bryan Stevenson is doing, which Cretton helps demonstrate in Just Mercy. From the bottom of my heart…. thank you, Mr. Stevenson. In terms of presentation, Just Mercy is a solidly made feature film. Granted, the film probably won’t be remembered for its visual background and theatrical setting nuances or even nominated in various award categories (for presentation / visual appearance), but the film certainly looks pleasing to the eye, with the attention of background aspects appropriate to the movie’s story. Thus, all the usual areas that I mention in this section (i.e. production design, set decorations, costumes, and cinematography) are all good and meet the industry standard for legal drama motion pictures. That being said, the film’s score, which was done by Joel P. West, is quite good and deliver some emotionally drama pieces in a subtle way that harmonizes with many of the feature’s scenes. There are a few problems that I noticed with Just Mercy that, while not completely derailing, just seem to hold the feature back from reaching its full creative cinematic potential. Let’s start with the most prevalent point of criticism (the one that many will criticize about), which is the overall conventional storytelling of the movie. What do I mean? Well, despite the strong case that the film delves into a “based on a true story” aspect and into some pretty wholesome emotional drama, the movie is still structed into a way that it makes it feel vaguely formulaic to the touch. That’s not to say that Just Mercy is a generic tale to be told as the film’s narrative is still quite engaging (with some great acting), but the story being told follows quite a predictable path from start to finish. Granted, I never really read Stevenson’s memoir nor read anything about McMillian’s case, but then I still could easily figure out how the movie was presumably gonna end…. even if the there were narrative problems / setbacks along the way. Basically, if you’ve seeing any legal drama endeavor out there, you’ll get that same formulaic touch with this movie. I kind of wanted see something a little bit different from the film’s structure, but the movie just ends up following the standard narrative beats (and progressions) of the genre. That being said, I still think that this movie is definitely probably one of the better legal dramas out there. This also applies to the film’s script, which was penned by Cretton and Andrew Lanham, which does give plenty of solid entertainment narrative pieces throughout, but lacks the finesse of breaking the mold of the standard legal drama. There are also a couple parts of the movie’s script handling where you can tell that what was true and what fictional. Of course, this is somewhat a customary point of criticism with cinematic tales taking a certain “poetic license” when adapting a “based on a true story” narrative, so it’s not super heavily critical point with me as I expect this to happen. However, there were a few times I could certainly tell what actually happen and what was a tad bit fabricated for the movie. Plus, they were certain parts of the narrative that could’ve easily fleshed out, including what Morrison’s parents felt (and actually show them) during this whole process. Again, not a big deal-breaker, but it did take me out of the movie a few times. Lastly, the film’s script also focuses its light on a supporting character in the movie and, while this made with well-intention to flesh out the character, the camera spotlight on this character sort of goes off on a slight tangent during the feature’s second act. Basically, this storyline could’ve been removed from Just Mercy and still achieve the same palpability in the emotional department. It’s almost like the movie needed to chew up some runtime and the writers to decided to fill up the time with this side-story. Again, it’s good, but a bit slightly unnecessary. What does help overlook (and elevate) some of these criticisms is the film’s cast, which are really good and definitely helps bring these various characters to life in a theatrical /dramatic way. Leading the charge in Just Mercy is actor Michael B. Jordan, who plays the film’s central protagonist role of Bryan Stevenson. Known for his roles in Creed, Fruitvale Station, and Black Panther, Jordan has certain prove himself to be quite a capable actor, with the actor rising to stardom over the past few years. This is most apparent in this movie, with Jordan making a strong characteristically portrayal as Bryan; showcasing plenty of underlining determination and compelling humanity in his character as he (as Bryan Stevenson) fights for the injustice of those who’s voices have been silenced or dismissed because of the circumstances. It’s definitely a strong character built and Jordan seems quite capable to task in creating a well-acted on-screen performance of Bryan. Behind Jordan is actor Jamie Foxx, who plays the other main lead in the role, Walter McMillian. Foxx, known for his roles in Baby Driver, Django Unchained, and Ray, has certainly been recognized as a talented actor, with plenty of credible roles under his belt. His participation in Just Mercy is another well-acted performance that deserve much praise as its getting (even receiving an Oscar nod for it), with Foxx portraying Walter with enough remorseful grit and humility that makes the character quite compelling to watch. Plus, seeing him and Jordan together in a scene is quite palpable and a joy to watch. The last of the three marquee main leads of the movie is the character of Eva Ansley, the director of operations for EJI (i.e. Stevenson’s right-handed employee / business partner), who is played by actress Brie Larson. Up against the characters of Stevenson and McMillian, Ansley is the weaker of the three main lead; presented as supporting player in the movie, which is perfectly fine as the characters gets the job done (sort of speak) throughout the film’s narrative. However, Larson, known for her roles in Room, 6 Jump Street, and Captain Marvel, makes less of an impact in the role. Her acting is fine and everything works in her portrayal of Eva, but nothing really stands in her performance (again, considering Jordan and Foxx’s performances) and really could’ve been played by another actress and achieved the same goal. The rest of the cast, including actor Tim Blake Nelson (The Incredible Hulk and O Brother, Where Art Thou) as incarcerated inmate Ralph Meyers, actor Rafe Spall (Jurassic World: Fallen Kingdom and The Big Short) as legal attorney Tommy Champan, actress Karan Kendrick (The Hate U Give and Family) as Minnie McMillan, Walter’s wife, actor C.J. LeBlanc (Arsenal and School Spirts) as Walter’s son, John McMillian, actor Rob Morgan (Stranger Things and Mudbound) as death role inmate Herbert Richardson, actor O’Shea Jackson Jr. (Long Shot and Straight Outta Compton) as death role inmate Anthony “Ray” Hinton, actor Michael Harding (Triple 2 and The Young and the Restless) as Sheriff Tate, and actor Hayes Mercure (The Red Road and Mercy Street) as a prison guard named Jeremy, are in the small supporting cast variety. Of course, some have bigger roles than others, but all of these players, which are all acted well, bolster the film’s story within the performances and involvement in Just Mercy’s narrative. FINAL THOUGHTS It’s never too late to fight for justice as Bryan Stevenson fights for the injustice of Walter McMillian’s cast against a legal system that is flawed in the movie Just Mercy. Director Destin Daniel Cretton’s latest film takes a stance on a poignant case; demonstrating the injustice of one (and by extension those wrongfully incarcerated) and wrapping it up in a compelling cinematic story. While the movie does struggle within its standard structure framework (a sort of usual problem with “based on a true story” narrations) as well as some formulaic beats, the movie still manages to rise above those challenges (for the most part), especially thanks to Cretton’s direction (shaping and storytelling) and some great performances all around (most notable in Jordan and Foxx). Personally, I liked this movie. Sure, it definitely had its problem, but those didn’t distract me much from thoroughly enjoying this legal drama feature. Thus, my recommendation for the film is a solid “recommended”, especially those who liked the cast and poignant narratives of legality struggles and the injustice of a failed system / racism. In the end, while the movie isn’t the quintessential legal drama motion picture and doesn’t push the envelope in cinematic innovation, Just Mercy still is able to manage to be a compelling drama that’s powerful in its story, meaningful in its journey, and strong within its statement. Just like Bryan Stevenson says in the movie….” If we could look at ourselves closely…. we can change this world for the better”. Amen to that!

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